Shakespeare Quarterly

Papers
(The median citation count of Shakespeare Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Racial Disgust in Early Modern England: The Case of Othello4
Honour Killing in Shakespeare. By Loraine Fletcher2
Illyria in Shakespeare’s England. By Lea Puljcan Juric1
Reenacting Shakespeare in the Shakespeare Aftermath: The Intermedial Turn and Turn to Embodiment. By Thomas Cartelli1
John Shakespeare’s “Spiritual Testament” Is Not John Shakespeare’s1
Latinx Shakespeares: Staging U. S. Intracultural Theater. By Carla Della Gatta1
Segregated Shakespeare1
Shakespeare and Disgust: The History and Science of Early Modern Revulsion. Arden Shakespeare. By Bradley J. Irish1
Contributors1
Sounding Otherness in Early Modern Drama and Travel: Uncanny Vibrations in the English Archive. By Jennifer Linhart Wood1
Shakespeare, Violence and Early Modern Europe. By Andrew Hiscock1
Staging Female Characters in Shakespeare’s History Plays. By Hailey Bachrach1
Shakespeare and Virtual Reality. Edited by Stephen Wittek and David McInnis1
Scripts of Blackness: Early Modern Performance Culture and the Making of Race. By NoÉmie Ndiaye0
Contributors0
White People in Shakespeare: Essays on Race, Culture and the Elite, Arden Shakespeare. Edited by Arthur L. Little, Jr0
Zuan Bianco and Othello: The Afro-European Military Commander in Life and Art0
Shakespeare and Textual Theory. Arden Shakespeare. By Suzanne Gossett. Shakespeare / Text: Contemporary Readings in Textual Studies, Editing and Performance. Arden Shakespeare0
¿Shakespeare para todos?0
Drowning the First Folio: Co-laboring and the Value of Knowledge in The Tempest0
Forked Animals: King Lear’s Cornuted Anthropology0
John Fletcher and the 1623 First Folio of Shakespeare’s Plays0
Shakespearean Intersections: Language, Contexts, Critical Keywords. By Patricia Parker0
The Private Life of William Shakespeare. By Lena Cowen Orlin0
Passing Strange: Shakespeare, Race, and Contemporary America. By Ayanna Thompson0
Contributors0
Ghosts, Holes, Rips and Scrapes: Shakespeare in 1619, Bibliography in the Longue Durée. By Zachary Lesser0
“A Strange, Hollow, and Confused Noise”: Prospero’s “Start” and Early Modern Magical Practices0
Adapting “Macbeth”: A Cultural History. Arden Shakespeare. By William C. Carroll0
King Lear. Edited by Kevin J. Donovan. King Lear: Shakespeare’s Dark Consolations. By Arthur W. Frank0
Shakespeare and the Romantics. By David Fuller0
The First Folio in the Web of Readers and Collectors0
Recovering Shakespeare’s Racial Genealogies: Slavery, Barbarism, and Whiteness in Hamlet and its Sources0
Yorick’s Skull and the Farting Irishwomen: Folkloric Migrations in Late Medieval Literature0
Shakespeare Jungle Fever: National-Imperial Re-Visions of Race, Rape, and Sacrifice. By Arthur L. Little, Jr0
William Shakespeare: A Brief Life. By Paul Menzer0
Shakespeare in the World: Cross-Cultural Adaptation in Europe and Colonial India, 1850–1900. By Suddhaseel Sen0
Contributors0
Shakespearean Self-Giving0
Shakespeare and the Play Scripts of Private Prayer. By Ceri Sullivan0
Shakespeare’s White Others. By David Sterling Brown0
The First Folio at 400: Editing Roundtable0
“Baggage Bookes” and the Shakespeare First Folio: Towards a Critical Historiography of the Book0
Shakespeare and the Grace of Words: Language, Theology, Metaphysics. By Valentin Gerlier0
Contributors0
Ovid and the Liberty of Speech in Shakespeare’s England. By Heather James0
Shakespeare, Spectatorship and the Technologies of Performance. By Pascale Aebischer0
Playing and Playgoing in Early Modern England: Actor, Audience and Performance. Edited by Simon Smith and Emma Whipday0
Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World. By Patricia Akhimie0
Crying “Hem” on Shakespeare’s Stage0
Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now. Edited by Hillary Eklund and Wendy Beth Hyman0
King Lear and Blessing0
From the Editor0
Shakespeare / Sex: Contemporary Readings in Gender and Sexuality. Arden Shakespeare. Edited by Jennifer Drouin0
Encomium0
1623–2023: The First Folio Unbound0
Shakespeare and East Asia. By Alexa Alice Joubin0
Did Richard II Really Break the Mirror on Stage? A Close-Reading of the Close-Reading Scene0
Literature’s Stake: Economy, Law, and Aesthetics in The Merchant of Venice0
Blood, Virtue, and Romance in Cymbeline0
John Fletcher’s Rome: Questioning the Classics. By Domenico Lovascio0
Encomium0
Working with South Indian Shakespeare: Ethics, Adaptation, and the World Cinema Archive0
Contributors0
Contributors0
Playbooks and Their Readers in Early Modern England. By Hannah August0
Transgender Reassessments of the Cross-Dressed Page in Shakespeare, Philaster, and The Honest Man’s Fortune0
Of Human Kindness: What Shakespeare Teaches Us About Empathy. By Paula Marantz Cohen0
From the Editors0
Shakespearean Magnitudes0
Who Rpinted Shakespeare’s Fourth Folio?0
Rogue Sexuality in Early Modern English Literature: Desire, Status, Biopolitics. By Ari Friedlander0
King Lear “After” Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama. By Richard Ashby0
Beholding Disability in Renaissance England. By Allison P. Hobgood0
Memory and Affect in Shakespeare’s England. Edited by Jonathan Baldo and Isabel Karremann0
Cures for Chance: Adoptive Relations in Shakespeare and Middleton. By Erin Ellerbeck0
Shakespeare and the Political Way. By Elizabeth Frazer0
Shakespeare’s ‘Lady Editors’: A New History of the Shakespearean Text. By Molly G. Yarn0
Conscience-Caught: Historicizing the Religious and Legal Traditions of Conscience in Hamlet0
Imagining Time in the English Chronicle Play: Historical Futures, 1590–1660. By Marissa Nicosia0
Upstart Crows and Red Herrings: Thomas Nashe and Greene’s Groatsworth of Wit0
Pericles’s Humming Waters: Nonhuman Agency, Textual Criticism, and the Practice of Material Ecocriticism0
John Shakespeare’s Muckhill: Ecologies, Economies, and Biographies of Communal Waste in Stratford-upon-Avon, circa 1550–16000
Shakespeare, Objects and Phenomenology: Daggers of the Mind. By Susan Sachon0
Shakespeare and Lost Plays: Reimagining Drama in Early Modern England. By David McInnis0
Contributors0
Things of Darkness: Economies of Race and Gender in Early Modern England. By Kim F. Hall0
The Diva’s Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata. By Pamela Allen Brown Boy Actors in Early Modern England: Skill and Stagec0
Shakespeare’s Chair: Material Culture and Literary Phantasms0
Early Modern Drama at the Universities: Institutions, Intertexts, Individuals. By Elizabeth Sandis0
Watermarks and the Print Run of the Shakespeare First Folio0
Performing Gods in Classical Antiquity and the Age of Shakespeare. By Dustin W. Dixon and John S. Garrison0
From the Editor0
Through the First Folio, Darkly: When is a “Perfect” Copy Perfect?0
Shakespeare, Steevens, and the Fleeting Moon: Glossing and Reading in Antony and Cleopatra0
From the Editor0
Passion’s Fictions from Shakespeare to Richardson: Literature and the Sciences of Soul and Mind. By Benedict S. Robinson0
“King Lear”: A New Variorum Edition of Shakespeare. Edited by Richard Knowles0
Contributors0
Shakespeare Beyond the Green World: Drama and Ecopolitics in Jacobean Britain. By Todd Andrew Borlik0
Downright Blows and Cunning Fence: Hotspur’s Rapier Modernity in Shakespeare’s 1 Henry IV0
Contributors0
The “dwellinge howse on the Banckside”: John Heminges and the Neighborhood of the Globe Playhouse0
Shakespeare’s Rare Words and Chronology0
Early Shakespeare, 1588–1594. Edited by Rory Loughnane and Andrew J. Power0
Hunger: The Jamestown Context of Shakespeare’s The Tempest0
Arden of Faversham: A Critical Reader. Arden Shakespeare. Edited by Peter Kirwan and Duncan Salkeld0
Shakespeare’s Law. By Mark Fortier0
From the Editor0
“Ninny’s Tomb” in A Midsummer Night’s Dream0
Shakespeare from the Bottom: Transnationalism, Unfounded Whiteness, and the First Folio0
Introduction: The Patchwork Folio0
“And golden vizards on their faces”: Theatrical Awakening in All Is True0
Shakespeare and Gender: Sex and Sexuality in Shakespeare’s Drama. Arden Shakespeare. By Kate Aughterson and Ailsa Grant Ferguson0
The Auckland First Folio: A Living Document0
Shakespeare’s Syndicate: The First Folio, Its Publishers, and the Early Modern Book Trade. By Ben Higgins0
Shakespeare and London: A Dictionary, Arden Shakespeare. By Sarah Dustagheer0
Fictions of Credit in the Age of Shakespeare. By Laura Kolb The Loss of the “Trades Increase”: An Early Modern Maritime Catastrophe. By Richmond Barbour0
Theater, Revision, and The Merry Wives of Windsor0
Couplets, Couples, and Community: The Dance of Rhyme in A Midsummer Night’s Dream0
Macbeth and the Eighth King0
On Shakespeare’s Legacy, Critical Race, and Collective Futures0
Encomium0
The Power of 0: Computing and Modeling Silence in Shakespeare’s Drama0
Contributors0
A Refusal to Celebrate the First Folio’s Last Centenary0
Shakespeare Without a Life. By Margreta de Grazia0
The Names of the Actors: The First Folio and Theater History0
The 1623 Folio and Collection(s): Beyond Shakespeare0
Publishing the History Play in the Time of Shakespeare: Stationers Shaping a Genre. By Amy Lidster0
Thinking Through Place on the Early Modern English Stage. By Andrew Bozio0
Praising the Negative: Value, Quantity, and the Nature of “No” in Shakespeare’s Sonnets0
Of Scamels and Such0
Shakespeare’s Strangers and English Law. By Paul Raffield0
Contributors0
Bad Humor: Race and Religious Essentialism in Early Modern England. By Kimberly Anne Coles0
Immateriality and Early Modern English Literature: Shakespeare, Donne, Herbert. By James A. Knapp0
The Merchant of Venice: The State of Play. Edited by M. Lindsay Kaplan; Reading Shakespeare in Jewish Theological Frameworks: Shylock Beyond the Holocaust. By Caroline Wi0
The Anachronic Shakespeare 1623 Folio0
Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England. By Urvashi Chakravarty0
Shakespeare & University Drama in Early Modern England. By Daniel Blank0
What Happened to Edwin Forrest’s Burned First Folio? The Power of Cataloguing and the Logic of Discovery0
Books of the Unlearned: Shakespearean Iconicity and Black Atlantic Critique0
Contracted Time: Apocalypse and Identity in The Merchant of Venice0
The Commonplacing of Professional Plays Revisited: Print, Theater, and Early Modern Institutional Exchange0
“Whither are you bound”: The Publication and Shaping of Shakespeare in 1623 and 19230
The Shakespeare Multiverse: Fandom as Literary Praxis. By Valerie M. Fazel and Louise Geddes0
“Circle Worcke”: Atmospheres on the Early Modern Stage0
Vital Strife: Sleep, Insomnia, and the Early Modern Ethics of Care. By Benjamin C. Parris0
Race and Rhetoric in the Renaissance: Barbarian Errors. By Ian Smith0
The Complexions of Shakespeare’s Voices0
Shakespeare and Digital Pedagogy: Case Studies and Strategies. Arden Shakespeare. Edited by Diana E. Henderson and Kyle Sebastian Vitale0
Shakespeare’s Accents: Voicing Identity in Performance. By Sonia Massai0
The Shakespeare Ark of America0
Contributors0
Hamlet, Volume 1. Shakespeare: The Critical Tradition. Arden Shakespeare. Edited by Hardin Aasand Hamlet: The State of Play. Edited by Sonia Massai0
Shame and Solidarity in the Sonnets0
New Psychoanalytic Readings of Shakespeare: Cool Reason and Seething Brains. Edited by James Newlin and James W. Stone0
Macbeth Before Shakespeare. By Benjamin Hudson0
“Not in deed, madam”: Sex and the Messengers in Antony and Cleopatra0
Shakespeare’s Tutor: The Influence of Thomas Kyd. By Darren Freebury-Jones0
“A Moniment, without a tombe”: Institution, Instruction, and Succession in Shakespeare’s First Folio0
Shakespeare in the Theatre: Sir William Davenant and the Duke’s Company. Arden Shakespeare. By Amanda Eubanks Winkler and Richard Schoch Performing Re0
Shakespeare and Happiness. By Kathleen French0
Shakespeare’s Mad Men: A Crisis of Authority. By Richard van Oort0
Sound Effects: Hearing the Early Modern Stage. By Laura Jayne Wright0
Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble. Arden Shakespeare. By Fiona Ritchie0
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