Shakespeare Quarterly

Article	Citations
Racial Disgust in Early Modern England: The Case of Othello	4
Honour Killing in Shakespeare. By Loraine Fletcher	2
Sounding Otherness in Early Modern Drama and Travel: Uncanny Vibrations in the English Archive. By Jennifer Linhart Wood	1
Shakespeare, Violence and Early Modern Europe. By Andrew Hiscock	1
Staging Female Characters in Shakespeare’s History Plays. By Hailey Bachrach	1
Shakespeare and Virtual Reality. Edited by Stephen Wittek and David McInnis	1
Illyria in Shakespeare’s England. By Lea Puljcan Juric	1
Reenacting Shakespeare in the Shakespeare Aftermath: The Intermedial Turn and Turn to Embodiment. By Thomas Cartelli	1
John Shakespeare’s “Spiritual Testament” Is Not John Shakespeare’s	1
Latinx Shakespeares: Staging U. S. Intracultural Theater. By Carla Della Gatta	1
Segregated Shakespeare	1
Shakespeare and Disgust: The History and Science of Early Modern Revulsion. Arden Shakespeare. By Bradley J. Irish	1
Contributors	1
William Shakespeare: A Brief Life. By Paul Menzer	0
Memory and Affect in Shakespeare’s England. Edited by Jonathan Baldo and Isabel Karremann	0
Imagining Time in the English Chronicle Play: Historical Futures, 1590–1660. By Marissa Nicosia	0
Contributors	0
Pericles’s Humming Waters: Nonhuman Agency, Textual Criticism, and the Practice of Material Ecocriticism	0
1623–2023: The First Folio Unbound	0
Things of Darkness: Economies of Race and Gender in Early Modern England. By Kim F. Hall	0
Watermarks and the Print Run of the Shakespeare First Folio	0
Publishing the History Play in the Time of Shakespeare: Stationers Shaping a Genre. By Amy Lidster	0
Shakespeare Jungle Fever: National-Imperial Re-Visions of Race, Rape, and Sacrifice. By Arthur L. Little, Jr	0
Conscience-Caught: Historicizing the Religious and Legal Traditions of Conscience in Hamlet	0
Shakespeare’s White Others. By David Sterling Brown	0

Performing Gods in Classical Antiquity and the Age of Shakespeare. By Dustin W. Dixon and John S. Garrison	0
Dreams, Sleep, and Shakespeare’s Genres. By Claude Fretz	0
“Distinguished by the Letter C”: Edmond Malone and Edward Capell as Rival Editors of Shake-speares Sonnets	0
Shakespeare and Lost Plays: Reimagining Drama in Early Modern England. By David McInnis	0
Contributors	0
Contracted Time: Apocalypse and Identity in The Merchant of Venice	0
Of Scamels and Such	0
Women and Shakespeare’s Cuckoldry Plays: Shifting Narrative of Marital Betrayal. By Cristina León Alfar	0
Performances at Court in the Age of Shakespeare. Edited by Sophie Chiari and John Mucciolo.	0
Comrade Rutland: Anti-Stratfordian Conversations in Early Soviet Russia	0
Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World. By Patricia Akhimie	0
Shakespeare and Happiness. By Kathleen French	0
Shakespeare and London: A Dictionary, Arden Shakespeare. By Sarah Dustagheer	0
Bad Humor: Race and Religious Essentialism in Early Modern England. By Kimberly Anne Coles	0
Ovid and the Liberty of Speech in Shakespeare’s England. By Heather James	0
From the Editor	0
Playing and Playgoing in Early Modern England: Actor, Audience and Performance. Edited by Simon Smith and Emma Whipday	0
Hamlet, Volume 1. Shakespeare: The Critical Tradition. Arden Shakespeare. Edited by Hardin Aasand Hamlet: The State of Play. Edited by Sonia Massai	0
Praising the Negative: Value, Quantity, and the Nature of “No” in Shakespeare’s Sonnets	0
King Lear and Blessing	0
Shakespeare’s Law. By Mark Fortier	0
Crying “Hem” on Shakespeare’s Stage	0
Shakespeare and East Asia. By Alexa Alice Joubin	0
Shame and Solidarity in the Sonnets	0
Shakespeare Beyond the Green World: Drama and Ecopolitics in Jacobean Britain. By Todd Andrew Borlik	0
Shakespeare / Sex: Contemporary Readings in Gender and Sexuality. Arden Shakespeare. Edited by Jennifer Drouin	0
The Private Life of William Shakespeare. By Lena Cowen Orlin	0
Scripts of Blackness: Early Modern Performance Culture and the Making of Race. By NoÉmie Ndiaye	0
Shakespeare and the Fall of the Roman Republic: Selfhood, Stoicism, and Civil War. By Patrick Gray	0
All the Sonnets of Shakespeare. Edited by Paul Edmondson and Stanley Wells	0
Did Richard II Really Break the Mirror on Stage? A Close-Reading of the Close-Reading Scene	0
Shakespeare and Textual Theory. Arden Shakespeare. By Suzanne Gossett. Shakespeare / Text: Contemporary Readings in Textual Studies, Editing and Performance. Arden Shakespeare	0
Encomium	0
Shakespeare’s ‘Lady Editors’: A New History of the Shakespearean Text. By Molly G. Yarn	0
Sound Effects: Hearing the Early Modern Stage. By Laura Jayne Wright	0
John Fletcher and the 1623 First Folio of Shakespeare’s Plays	0
Playbooks and Their Readers in Early Modern England. By Hannah August	0
Cures for Chance: Adoptive Relations in Shakespeare and Middleton. By Erin Ellerbeck	0
Shakespeare, Objects and Phenomenology: Daggers of the Mind. By Susan Sachon	0
Encomium	0
Beholding Disability in Renaissance England. By Allison P. Hobgood	0
Rogue Sexuality in Early Modern English Literature: Desire, Status, Biopolitics. By Ari Friedlander	0
The 1623 Folio and Collection(s): Beyond Shakespeare	0
Of Human Kindness: What Shakespeare Teaches Us About Empathy. By Paula Marantz Cohen	0
Transgender Reassessments of the Cross-Dressed Page in Shakespeare, Philaster, and The Honest Man’s Fortune	0
The Names of the Actors: The First Folio and Theater History	0
Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble. Arden Shakespeare. By Fiona Ritchie	0
Passing Strange: Shakespeare, Race, and Contemporary America. By Ayanna Thompson	0
Contributors	0
A Refusal to Celebrate the First Folio’s Last Centenary	0

The Anachronic Shakespeare 1623 Folio	0
Books of the Unlearned: Shakespearean Iconicity and Black Atlantic Critique	0
Contributors	0
The Diva’s Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata. By Pamela Allen Brown Boy Actors in Early Modern England: Skill and Stagec	0
Shakespearean Intersections: Language, Contexts, Critical Keywords. By Patricia Parker	0
Through the First Folio, Darkly: When is a “Perfect” Copy Perfect?	0
The Complexions of Shakespeare’s Voices	0
Shakespeare and Emotion. Edited by Katherine A. Craik	0
Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now. Edited by Hillary Eklund and Wendy Beth Hyman	0
Immateriality and Early Modern English Literature: Shakespeare, Donne, Herbert. By James A. Knapp	0
“King Lear”: A New Variorum Edition of Shakespeare. Edited by Richard Knowles	0
From the Editor	0
The First Folio at 400: Editing Roundtable	0
What Happened to Edwin Forrest’s Burned First Folio? The Power of Cataloguing and the Logic of Discovery	0
Shakespeare’s Chair: Material Culture and Literary Phantasms	0
Passion’s Fictions from Shakespeare to Richardson: Literature and the Sciences of Soul and Mind. By Benedict S. Robinson	0
Contributors	0
“Strange roots”: Rereading Food Scarcity in Sir Thomas More	0
Introduction: The Patchwork Folio	0
Contributors	0
Downright Blows and Cunning Fence: Hotspur’s Rapier Modernity in Shakespeare’s 1 Henry IV	0
Encomium	0
Shakespeare and the Play Scripts of Private Prayer. By Ceri Sullivan	0
Hunger: The Jamestown Context of Shakespeare’s The Tempest	0
Early Shakespeare, 1588–1594. Edited by Rory Loughnane and Andrew J. Power	0
“Not in deed, madam”: Sex and the Messengers in Antony and Cleopatra	0
“A Strange, Hollow, and Confused Noise”: Prospero’s “Start” and Early Modern Magical Practices	0
Shakespeare and Gender: Sex and Sexuality in Shakespeare’s Drama. Arden Shakespeare. By Kate Aughterson and Ailsa Grant Ferguson	0
Shakespearean Magnitudes	0
Shakespeare’s Mad Men: A Crisis of Authority. By Richard van Oort	0
Arden of Faversham: A Critical Reader. Arden Shakespeare. Edited by Peter Kirwan and Duncan Salkeld	0
Contributors	0
Couplets, Couples, and Community: The Dance of Rhyme in A Midsummer Night’s Dream	0
Blood, Virtue, and Romance in Cymbeline	0
Shakespeare’s Syndicate: The First Folio, Its Publishers, and the Early Modern Book Trade. By Ben Higgins	0
Shakespeare from the Bottom: Transnationalism, Unfounded Whiteness, and the First Folio	0
Who Rpinted Shakespeare’s Fourth Folio?	0
The Auckland First Folio: A Living Document	0
Thinking Through Place on the Early Modern English Stage. By Andrew Bozio	0
Contributors	0
On Shakespeare’s Legacy, Critical Race, and Collective Futures	0
Theater, Revision, and The Merry Wives of Windsor	0
Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England. By Urvashi Chakravarty	0
Shakespeare and Queer Representation. By Stephen Guy-Bray	0
The First Folio in the Web of Readers and Collectors	0
Prop Culture: The Shakespearean Clown and His Marotte	0
Contributors	0
Adapting “Macbeth”: A Cultural History. Arden Shakespeare. By William C. Carroll	0
Forked Animals: King Lear’s Cornuted Anthropology	0
“Circle Worcke”: Atmospheres on the Early Modern Stage	0
The “dwellinge howse on the Banckside”: John Heminges and the Neighborhood of the Globe Playhouse	0
Contributors	0
Shakespeare and the Political Way. By Elizabeth Frazer	0
Impossible Desire and the Limits of Knowledge in Renaissance Poetry. By Wendy Beth Hyman	0
Contributors	0
Yorick’s Skull and the Farting Irishwomen: Folkloric Migrations in Late Medieval Literature	0
Shakespeare, Technicity, Theatre. By W. B. Worthen	0
John Shakespeare’s Muckhill: Ecologies, Economies, and Biographies of Communal Waste in Stratford-upon-Avon, circa 1550–1600	0
John Fletcher’s Rome: Questioning the Classics. By Domenico Lovascio	0
Shakespeare Without a Life. By Margreta de Grazia	0
“Whither are you bound”: The Publication and Shaping of Shakespeare in 1623 and 1923	0
Shakespearean Self-Giving	0
Recovering Shakespeare’s Racial Genealogies: Slavery, Barbarism, and Whiteness in Hamlet and its Sources	0
Constructing Collective Response: Julius Caesar, Theatrical Phenomenology, and the Cultivation of Political Discernment in the Globe	0
Shakespeare in the World: Cross-Cultural Adaptation in Europe and Colonial India, 1850–1900. By Suddhaseel Sen	0
Shakespeare, Spectatorship and the Technologies of Performance. By Pascale Aebischer	0
Race and Rhetoric in the Renaissance: Barbarian Errors. By Ian Smith	0
King Lear “After” Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama. By Richard Ashby	0
Shakespeare, Steevens, and the Fleeting Moon: Glossing and Reading in Antony and Cleopatra	0
“Ninny’s Tomb” in A Midsummer Night’s Dream	0
The Shakespeare Multiverse: Fandom as Literary Praxis. By Valerie M. Fazel and Louise Geddes	0
The Shakespeare Ark of America	0
Vital Strife: Sleep, Insomnia, and the Early Modern Ethics of Care. By Benjamin C. Parris	0
Shakespeare’s Rare Words and Chronology	0
The Commonplacing of Professional Plays Revisited: Print, Theater, and Early Modern Institutional Exchange	0
Shakespeare’s Accents: Voicing Identity in Performance. By Sonia Massai	0
From the Editor	0
Shakespeare and the Grace of Words: Language, Theology, Metaphysics. By Valentin Gerlier	0
New Psychoanalytic Readings of Shakespeare: Cool Reason and Seething Brains. Edited by James Newlin and James W. Stone	0
Zuan Bianco and Othello: The Afro-European Military Commander in Life and Art	0

Literature’s Stake: Economy, Law, and Aesthetics in The Merchant of Venice	0
“This bastard graff shall never come to growth”: Conception and Consent in Shakespeare’s Lucrece	0
“Baggage Bookes” and the Shakespeare First Folio: Towards a Critical Historiography of the Book	0
Shakespeare’s Tutor: The Influence of Thomas Kyd. By Darren Freebury-Jones	0
“King Lear”: A New Variorum Edition of Shakespeare. Edited by Richard Knowles	0
Macbeth Before Shakespeare. By Benjamin Hudson	0
Fictions of Credit in the Age of Shakespeare. By Laura Kolb The Loss of the “Trades Increase”: An Early Modern Maritime Catastrophe. By Richmond Barbour	0
Drowning the First Folio: Co-laboring and the Value of Knowledge in The Tempest	0
“And golden vizards on their faces”: Theatrical Awakening in All Is True	0
White People in Shakespeare: Essays on Race, Culture and the Elite, Arden Shakespeare. Edited by Arthur L. Little, Jr	0
Shakespeare in the Theatre: Sir William Davenant and the Duke’s Company. Arden Shakespeare. By Amanda Eubanks Winkler and Richard Schoch Performing Re	0
The Power of 0: Computing and Modeling Silence in Shakespeare’s Drama	0
Shakespeare and the Romantics. By David Fuller	0
From the Editor	0
Shakespeare and Digital Pedagogy: Case Studies and Strategies. Arden Shakespeare. Edited by Diana E. Henderson and Kyle Sebastian Vitale	0
¿Shakespeare para todos?	0
“A Moniment, without a tombe”: Institution, Instruction, and Succession in Shakespeare’s First Folio	0
Contributors	0