OOIR: Observatory of International Research

Papers

(The TQCC of Seminar-A Journal of Germanic Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
Valences of the Human: Grief and Queer Utopia in Olga Grjasnowa’s Der Russe ist einer, der Birken liebt and Olivia Wenzel’s 1000 Serpentinen Angst	1
Dawid Kasprowicz and Stefan Rieger, editors. Handbuch Virtualität	1
Erkenntnis und Erleuchtung: Die Metaphern „Spiegel“ und „Licht“ bei David von Augsburg im Blickfeld von historischer Semantik und analogischer Bedeutungsbildung	1
Chronic Crisis Novels and the Quest for “the Good-Enough Life”: Kathrin Röggla’sdie alarmbereiten, Kristine Bilkau’sDie Glücklichen, and Thorsten Nagelschmidt’sArbeit	1
Understanding Irony in Literary Texts: A Cognitive Approach	1
Bildung, Negative Exceptionalism, and the End of Genealogy in Robert Walser’s Jakob von Gunten	1
Ingo Börner, Wolfgang Straub, Christian Zolles, editors. Germanistik digital: Digital Humanities in der Sprach- und Literaturwissenschaft	1
We Are All Curators Now	1
Arktische Superhelden: Strukturelle Parodie in Simon Schwartz’Packeis	1
Ivan Turgenev als Netzwerker: Digitale Kuratierung seiner europäischen, insbesondere deutschen literarischen Kontakte (am Beispiel seines Briefwechsels vom Juni 1868 bis Mai 1869)	1
Editors’ Notes	1
Louise Nuttall. Mind Style and Cognitive Grammar: Language and Worldview in Speculative Fiction	1
Embedded Mental States, Literariness, and the Mutual Cross-Disciplinary Benefits of Cognitive-Literary Analysis	1
Reading Minds	0
Zeitwahrnehmung und -darstellung in Ludwig Tiecks Die Elfen und den Kindermärchen E.T.A. Hoffmanns	0
Beyond the Personal: The Systemic Critique of German Graphic Medicine	0
Dietrich Grünewald. Visuelle Satire: Deutschland im Spiegel politisch-satirischer Karikaturen und Bildergeschichten. Kulturlandschaft Schaumburg 22. Edited by Dietrich Grünewald	0
Truth, Justice … and the Austrian Way? Opposing Political Agendas, Duelling Sovereignties, and Austrian Superheroes	0
Linda Leskau, Tanja Nusser, and Katherine Sorrels, editors. Disability in German-Speaking Europe: History, Memory, Culture	0
Olivia Landry. Movement and Performance in Berlin School Cinema	0
Katie Sutton. Sex between Body and Mind: Psychoanalysis and Sexology in the German-Speaking World, 1890s–1930s	0
Klaus Kastberger, Stefan Maurer, Christian Neuhuber, editors. Schauplatz Archiv: Objekt—Narrativ—Performanz	0
Visualizing Disease and ‘Depravity’ in the Weimar Republic: The Film Roles and Dance Performances of Anita Berber and Otto Dix’sBildnis der Tänzerin Anita Berber	0
Christina Gerhardt. Screening the Red Army Faction: Historical and Cultural Memory	0
Introduction: Digital Curation in German Studies	0

In Memoriam	0
Romana Weiershausen. Zeitenwandel als Familiendrama: Genre und Politik im deutschsprachigen Theater des 18. Jahrhunderts	0
John T. Hamilton. France/Kafka: An Author in Theory	0
Geschichte ist machbar: “Making” the History of 1968 and Its Terrorist Aftermath in Uwe Timm’s Rot and Bernhard Schlink’s Das Wochenende	0
Stefani Engelstein. Sibling Action: The Genealogical Structure of Modernity	0
Gastarbeiterulcus and Realism in Güney Dal: A Gastrointestinal Account of “Gastarbeiterliteratur”	0
Towards an Eco-Pedagogy in German Studies	0
Maria Stehle and Beverly Weber. Precarious Intimacies: The Politics of Touch in Contemporary Western European Cinema	0
„Sterben Sie weise!”—Dramatisierungen der Hypochondrie in Fallerzählungen des 18. Jahrhunderts	0
Heinrich von Kleist’s “Marquise von O….”: Literary Honesty and the Precarious Potential of Disclosure	0
Ralf König’sKondom des Grauensand a Socially Just Ethical Aesthetic	0
Katrin Trüstedt. Stellvertretung: Zur Szene der Person	0
Leila Mukhida. Sensitive Subjects: The Political Aesthetics of Contemporary German and Austrian Cinema	0
Jakob Norberg. The Brothers Grimm and the Making of German Nationalism	0
Patrick Eiden-Offe. Die Poesie der Klasse: Romantischer Antikapitalismus und die Erfindung des Proletariats	0
The Art of Acting Up: Johann Friedrich Löwen and the Genesis of German Theatre Historiography	0
Of Mutts and Mann: The Mischling Theme in Herr und Hund	0
The New Fascism Syllabus: Networked Knowledge in the Digital Public Sphere	0
Editorial	0
Illi Anna Heger’s Grammatical Futurity	0
Martin Wagner. The Narratology of Observation. Studies in a Technique of European Literary Realism. Paradigms: Literature and the Human Sciences	0
Das Geschichtsbild Walter Benjamins und die Inszenierung von Erinnerung in Regina Scheers RomanMachandel	0
Elizabeth Losh and Jacqueline Wernimont, editors. Bodies of Information: Intersectional Feminism and Digital Humanities	0
Charisma und Gehorsam. Zur Semantik kolonialer agency in der deutschen Kolonialliteratur	0
Introduction: The Social Justice Work of German Comics and Graphic Literature	0
“Fruchtcocktails” and “Explosionen”: Navigating War and Destruction in Olga Grjasnowa’sGott ist nicht schüchtern(2017)	0
Der Goldne Spiegel: Zoopolitik und ‚gehorsame Handlungsmacht‘ im Staatsroman	0
Glass Houses and Astral Societies as Models for a New Culture: Paul Scheerbart and Walter Benjamin	0
Undoing the Human in the Films of Maren Ade	0
Simone Pfleger and Carrie Smith, editors. Transverse Disciplines: Queer-Feminist, Anti-Racist, and Decolonial Approaches to the University	0
German Health Narratives between Life Reform and Medical Enlightenment, 1890–1930	0
Worldliness, Jewish Purpose, and the Non-Jewish Jewish Narrator in Olga Grjasnowa’s Der verlorene Sohn (2020)	0
Willi Goetschel. Heine and Critical Theory	0
L’usage des stéréotypes nationaux et ethniques et la structuration des dialogues interculturels dansFußnotende Nacha Vollenweider etIm Land der Frühaufsteherde Paula Bulling	0
Jennifer M. Kapczynski and Caroline A. Kita, editors. The Arts of Democratization: Styling Political Sensibilities in Postwar West Germany	0
David D. Kim. Cosmopolitan Parables: Trauma and Responsibility in Contemporary Germany	0
Joseph D. O’Neil. Figures of Natality: The Birth of the Political in the Age of Goethe	0
Paola Mayer. The Aesthetics of Fear in German Romanticism	0
Trauma, Haunting, and the Limits of Narration in Gabi Köpp’sWarum war ich bloß ein Mädchen, Leonie Biallas’s“Komm, Frau, raboti”: Ich war Kriegsbeute, and Renate Meinhof’sDas Tagebuch	0
Nina Schmidt. The Wounded Self: Writing Illness in Twenty-First-Century German Literature	0
White Noise and Black Boxes: Social Justice Discourses and Social Media Practices	0
Reforged or Deformed? Forced Labour, Human Instruments, and the Critique of the Gulag System in Herta Müller’s Atemschaukel	0
Randall Halle. Visual Alterity: Seeing Difference in Cinema	0
Karin Kukkonen. 4E Cognition and Eighteenth-Century Fiction: How the Novel Found Its Feet	0
Leben erzählen: Stefan Zweigs biographisches Erzählen und sein Leben als Gegenstand biographischer Repräsentation	0
Erin McGlothlin. The Mind of the Holocaust Perpetrator in Fiction and Nonfiction	0
From Photobook to Digital Book: Curating Weimar Germany’s New Visual Literacy Online	0
Erica Wickerson. The Architecture of Narrative Time: Thomas Mann and the Problems of Modern Narrative	0
Homophobia and Antisemitism in Otto Julius Bierbaum’sPrinz Kuckuck(1907/08)	0
Introduction: In Touch with the In/Human	0

Katrin Sieg. Decolonizing German and European History at the Museum	0
Michael Stolberg. Gelehrte Medizin und ärztlicher Alltag in der Renaissance	0
Teaching for a Green Mindset in the Era of Climate Change	0
„Die Wirklichkeit ist die Unwahrscheinlichkeit, die eingetreten ist“: Wahrscheinlichkeit, Wirklichkeit und Wahrheit im Werk Friedrich Dürrenmatts	0
The (In)conspicuous Body: Perceiving and Visually Representing Physical Sensations: A Visual Essay	0
“Stars in the Water”: Hermann Broch’s Die Unbekannte Größe and the Language of Interwar Experience	0
DDGC and Digital Misfit Archives	0
Barbara Beßlich. Das Junge Wien im Alter: Spätwerke neben der Moderne	0
The Sound of Life in Marcel Beyer’sFlughunde (The Karnau Tapes)	0
Stefan Höppner. Goethes Bibliothek. Eine Sammlung und ihre Geschichte.	0
Crag Hill, editor. Teaching Comics through Multiple Lenses: Critical Perspectives	0
Nicole Coleman. The Right to Difference: Interculturality and Human Rights in Contemporary German Literature	0
Haiko Wandhoff. Vom Finden der Liebe in der Literatur: Die erzählte Poetik des höfischen Romans	0
Rick McCormick. Sex, Politics, and Comedy: The Transnational Cinema of Ernst Lubitsch	0
To the Rescue: First Responders and Medical(ized) Bodies inFin-de-SiècleVienna	0
Carina Pape and Holger Sederström, eds. 230 Jahre Beantwortung der Frage: Was ist Aufklärung?	0
Barbara Hales and Valerie Weinstein, editors. Rethinking Jewishness in Weimar Cinema	0
Babylon Berlin: Bargaining with Shadows	0
Michael Gamper and Peter Schnyder, editors. Dramatische Eigenzeiten des Politischen im 18. und 19. Jahrhundert	0
Julia Abel and Christian Klein, editors. Comics und Graphic Novels. Eine Einführung	0
Erica Tortolani and Martin F. Norden, editors. Refocus: The Films of Paul Leni	0
Kata Gellen. Kafka and Noise: The Discovery of Cinematic Sound in Literary Modernism	0
Selbstgestaltung in aller Seelenruhe. Lebenskunst in Christoph Martin WielandsAristipp und einige seiner Zeitgenossen(1800/1801)	0
Multidirectionality and Collaborative Practice: Reggae and Dancehall Music between Germany and Jamaica	0
Shuang Xu. Prekäre Kollektive: Das Gemeinschafts-Denken bei Kafka und Derrida	0
Playful Distance: On the Relationship between Fossils and Time in Eduard Mörike’s “Göttliche Reminiscenz”	0
From Marginalia to the Museum: The Transfiguration of the Doodle by Gottfried Keller, Hans Prinzhorn, and Jean Dubuffet	0
Textual Infection: Syphilis in Grimmelshausen’s Courasche	0
The Genre of Disobedience: Is the Bildungsroman beyond Discipline?	0
No Light against Entropy: Elfriede Jelinek’s Translation of Thomas Pynchon’sGravity’s Rainbowand Its Impact onDie Kinder der Toten	0
The Education of Desire: Unsettling Sexuality, Gender, and Racial Politics in Contemporary Medical Romance	0
Multicultural Politics at the Stratford Festival: Birgit Schreyer Duarte’ Nathan the Wise and Antoni Cimolino’s Birds of a Kind	0
Stefanie Stockhorst, ed. Krieg und Frieden im 18. Jahrhundert. Kulturgeschichtliche Studien	0
Claudia Lauer, Uta Störmer-Caysa, and Anna Sara Lahr, eds. Handbuch Frauenlob	0
The Marriage of Tristan and Isolde: Love, Marriage, and Adultery in Eilhart von Oberg’sTristrant(before 1190)	0
Framing the Path to Conformity: Comics Strategies and Social Justice in Barbara Yelin’s Irmina	0
Claudia Breger. Making Worlds: Affect and Collectivity in Contemporary European Cinema	0
Jörg Echternkamp and Stephan Jaeger, eds. Views of Violence: Representing the Second World War in German and European Museums and Memorials. Spektrum: Publications of the German Studies Associa	0
Lars Schmeink and Ingo Cornils, editors. New Perspectives on Contemporary German Science Fiction	0
Derek Parker Royal, editor. Visualizing Jewish Narrative: Jewish Comics and Graphic Novels	0
Adam A. Blackler. An Imperial Homeland: Forging German Identity in Southwest Africa	0
Introduction: Genres of Obedience	0
Regine Criser and Ervin Malakaj, editors. Diversity and Decolonization in German Studies	0
Unsettling German Memory Culture: The Role of Archives in Natascha Wodin’s Sie kam aus Mariupol	0
Becoming Queer In/Human in Sasha Marianna Salzmann’s Außer sich (2017)	0
Queering the Screen: Spectral Figures and German-Taiwanese Encounters in Monika Treut’sGhosted	0
Introduction: Medicine’s Two Bodies	0
John Zilcosky. The Language of Trauma: War and Technology in Hoffmann, Freud, and Kafka	0
Holding of the Nothing: Nihilation in Paul Celan’s Sprachgitter and Die Niemandsrose	0
Birgit Nemec. Norm und Reform: Anatomische Körperbilder in Wien um 1925	0
Jeff Hayton. Culture from the Slums: Punk Rock in East and West Germany	0
The Language of Dance, the Dancer’s Eye, and Aesthetic Experience in Mary Wigman’s Hexentanz II	0
Waiting to Be Human: The Cruel Optimism of Christian Petzold’s Transit	0
Time Kept and Lost: On the Complexity of the Thematization of Old Age in Wolfgang Hildesheimer’sMonolog	0
Theatre Meets Quantum Physics: René Pollesch’s Theatre for the Age of Technoscience	0
Andrew Piper. Enumerations: Data and Literary Study	0
Risking Representation: Abstraction, Affect, and the Documentary Mode in Birgit Weyhe’sMadgermanes	0
Tiffany N. Florvil and Vanessa D. Plumly, eds. Rethinking Black German Studies: Approaches, Interventions and Histories	0
The Role of Empathy in Literary Reading: FromEinfühlungto the Neuroscience of Embodied Cognition, with the Example of Kafka’sThe Metamorphosis	0
Intertextualities in Elfriede Jelinek’sRein Gold: Ein Bühnenessay	0
The Global Medieval Sourcebook: Creating a Sustainable Digital Anthology of Medieval Texts and Translations	0
“Hollow Men” and Übermenschen: The Aporia of Competing Intertextual Motifs in Elfriede Jelinek’s Rechnitz (Der Würgeengel)	0
Auf den Spuren ihrer Geschichte: Black German Detectives and the Cases of Anäis Schmitz and Fatou Fall	0
Diversity, Social Justice, and Accessibility in Grenzenlos Deutsch: Reflections on Digital Curation	0
Hester Baer. German Cinema in the Age of Neoliberalism	0
August Sander’s Portfolio “The Doctor and the Pharmacist”: German Patients between Professional and Lay Medicine	0
Sean Eedy. Four-Color Communism: Comic Books and Contested Power in the German Democratic Republic	0
Anne Fuchs. Precarious Times: Temporality and History in Modern German Culture	0
Elisabeth Krimmer and Patricia Anne Simpson, editors. German #MeToo: Rape Cultures and Resistance, 1770–2020	0
Ewa Stańczyk, editor. Comic Books, Graphic Novels and the Holocaust: Beyond Maus	0
ReclaimingHeimat, Uprooting National Socialism in Anna Seghers’s “Das Ende”	0