Screen

Article	Citations
Prosthetic architectures of the senses: museums and immersion	3
Techno-flowers: entwinements of technology and nature in The Birth of a Flower and Little Joe	3
‘Real-time’ virtual reality and the limits of immersion	3
Babylon Berlin’s bifocal gaze	2
Towards an-iconology: the image as environment	2
James Tweedie, Moving Pictures, Still Lives: Film, New Media and the Late Twentieth Century	2
Post-air-conditioning futures and the climate unconscious	2
Lesbian cinema without lesbians: portraits, lovers, siblings	2
Television in/of the banal Anthropocene: Introduction	2
Making conjunctions: thinking topologically with contemporary artists’ moving images	1
Post-war girlhoods: Jill Craigie, British social realism and local stardom	1
The science of affection: algorithmic love matches on TV	1
Cinematic animism and contemporary Southeast Asian artists’ moving-image practices	1
A dispositif of wonder: cinema spectatorship, pedagogy and the avant garde in 1930s Spain	1
The plane, the city, the chase: Killing Eve and European aviation culture	1
Foraging in the ruins: Nguyễn Trinh Thi’s mycological moving-image practice	1
Designing the ideal film studio in Britain	1
Everything we are seeing we have already seen: citation in the cinema of Raúl Ruiz	1
More than law and order: film regulations and the control of Chinese theatres in colonial Hong Kong	1
White lies: in defence of plot twists in contemporary documentaries	1
Towards a natural history of film form: silver salts and the aesthetics of early studio-era Hollywood cinema	1
Framing VR	1
Absorbed in experience: new perspectives on immersive media Introduction	1
Colour-as-hue and colour-as-race: early Technicolor, ornamentalism and The Toll of the Sea (1922)	1
The origins, evolution and failure of the cultural vision for the Sheffield Media and Exhibition Centre	1

A digital cinematic museum of the everyday	1
Mackenzie Crook’s biosemiotic television	0
Contributors	0
The queer underside of La dolce vita: towards an ‘anal theory’ of looking	0
Drawing on his image: amputated sounds, sonic simulacra, and the death of Bill Robinson	0
Contributors	0
Projecting Maoist China: the PRC’s transnational film distribution, 1949 to 1966	0
A voice for elephants: Kirsten Tan’s Pop Aye and environmental dialogue in Southeast Asia	0
Projecting Cavell: new contexts, new questions Introduction	0
Contributors	0
Sarah Keller, Barbara Hammer: Pushing Out of the Frame	0
Orders from an unborn baby: maternal scepticism, vengeance and voicelessness in Alice Lowe’s Prevenge	0
Scott W. Klein and Michael Valdez Moses (eds), A Modernist Cinema: Film Art from 1914 to 1941	0
Contributors	0
Photography, postmemory and touch in Pedro Almodóvar’s Madres paralelas	0
Feminist histories of costuming film: Gordon Conway, 1930s British cinema and the collaborative world of Mayfair sewing	0
Petromodernity, the environment and historical film culture	0
Contributors	0
Contributors	0
Philippa Gates and Katherine Spring (eds), Resetting the Scene: Classical Hollywood Revisited	0
Incest, affect and ambiguous politics in two films by Claire Denis	0
Contributors	0
Manus ludens. Mabuse’s playful hands	0
Robert Dassanowsky, Screening Transcendence: Film under Austrofascism and the Hollywood Hope, 1933–1938	0
Found footage at the receding of the world	0
Outside television: Federico Fellini on exposure and attention in the age of abundance	0
‘Who wants a BlackBerry these days?’ Serialized new media and its trash	0
Contributors	0
Trauma collage, disturbing pastiche	0
Jing Meng, Fragmented Memories and Screening Nostalgia for the Cultural Revolution	0
Climate and culture in The Pioneer Woman	0
The sartorial Islamic Baroque: folded feminisms in the experimental cinema of Mania Akbari and Ana Nyma (Anonyme)	0
Interview with Alejandro G. Iñárritu	0
Producing a future on a wandering Earth	0
Merrie Snell, Lipsynching (Study of Sound Series)	0
Laura McMahon, Animal Worlds: Film, Philosophy and Time	0
Contributors	0
A flor, o fim do mundo: sensual media, lost futures and the end of cinema in Kleber Mendonça Filho’s Aquarius	0
Laura Mulvey, Afterimages: On Cinema, Women and Changing Times	0
Remediating Sápmi: hypermediacy, the global Indigenous Arctic, and Samisk audiovisuell samling (2018–23)	0
Cinematography, choreography and cultural influence: rethinking Maya Deren’s The Very Eye of Night	0
Ivo Blom, Quo Vadis?, Cabiria and the ‘Archaeologists’: Early Italian Cinema’s Appropriation of Art and Archaeology	0
Brian R. Jacobson (ed.), In the Studio: Visual Creation and its Material Environments	0
Dr Mabuse today: the centennial of Fritz Lang’s Dr Mabuse, the Gambler. Introduction	0
Lotte Eisner: pioneer of the art and craft of collecting	0
Dreams and nightmares of diasporic modernity: reading, cinema and the railway in Mira Nair’s The Namesake	0
To cut a long story short: the featurization of American sound serials	0
Brews and brows: shaping stories from eyebrows to scousebrows	0
Stanley Cavell and the queer thought of movies	0
Mary Ann Doane, Bigger Than Life: The Close-Up and Scale in the Cinema	0

Close Up: Laura	0
Between audience and community: exploring emergent questions of collective patrimony and cultural continuity at the 2021 Folk Film Gathering	0
Contributors	0
Haidee Wasson, Everyday Movies: Portable Projectors and the Transformation of American Culture	0
Amy Holdsworth, On Living with Television	0
Peter Snowdon, The People Are Not the Image Vernacular Video After The Arab Spring	0
Stefano Baschiera and Miriam De Rosa (eds), Film and Domestic Space: Architectures, Representations, Dispositif	0
Mark Nash, Curating the Moving Image	0
Big Perpetrator Cambodian cinema, the documentary duel and moral resentment	0
David Martin-Jones, Columbo: Paying Attention 24/7	0
‘The Great Unknown’: Thea von Harbou’s script for Dr Mabuse, der Spieler	0
Bruce Isaacs, The Art of Pure Cinema: Hitchcock and His Imitators	0
Modern rhythms and resonant connection: Laura Marcus on sound, literature and cinema	0
Towards a new model for approaching conflict images: glimpsing war through Hito Steyerl’s political cinema	0
Bird-watching TV: getting intimate with wildlife on Planet Earth II	0
Fluctuating layers: Scott Barley’s Sleep Has Her House and Simondon’s philosophy of individuation	0
Zimbabwe: cinema exhibition and consumption in a shadow economy	0
Ben Lamb, You’re Nicked: Investigating British Television Police Series	0
In a sea of binary algae: Marker’s Level Five as non-representational documentary	0
Rethinking the family melodrama: Thomas Elsaesser, Mildred Pierce and the business of family	0
‘Nothing else besides a father’: Logan and the paternal melodrama	0
Adrian Martin, Mise en Scène and Film Style: From Classical Hollywood to New Media Art. Adrian Martin, Mysteries of Cinema: Reflections on Film Theory, History and Culture	0
Gil Z. Hochberg, Becoming Palestine: Toward an Archival Imagination of the Future	0
Richard Maltby, Decoding the Movies: Hollywood in the 1930s (Exeter Studies in Film History Series)	0
Rehearing modernity: the black religious voice across media landscapes	0
Games archcriminals play: Mabuse vs Fantômas	0
Thomas Elsaesser, European Cinema and Continental Philosophy: Film as Thought Experiment	0
Tom Rice, Films for the Colonies: Cinema and the Preservation of the British Empire.	0
Cinematic ideorealm and cinema following Dao: theorizing film aesthetics through Daoism	0
Genetic affect, as seen on TV	0
Nostalgic nationalism and the banal Anthropocene on Diners, Drive-Ins and Dives	0
Cutting their cloth, counting their coupons: clothes rationing and British film production in the 1940s	0
The spirit of the local in translocal film collaboration in Asia: From Ten Years Hong Kong to the Ten Years International Project	0
The digital human something; or, the case of Miquela	0
David Martin-Jones, Cinema Against Doublethink: Ethical Encounters with the Lost Pasts of World History	0
From one who went forth to learn what ‘cinema’ was. What the Prussian Staatsbibliothek knows about film	0
Parichay Patra and Michael Kho Lim (eds), Sine Ni Lav Diaz: A Long Take on the Filipino Auteur	0
James Leggott, In Fading Light: The Films of the Amber Collective	0
Translating grace, magnifying glass: reframing spectatorship in Like Someone in Love	0
Paul Frosh, The Poetics of Digital Media	0
Caetlin Benson-Allott, The Stuff of Spectatorship: Material Cultures of Film and Television	0
Curating the Godardian institution: agency and critique in film and contemporary art	0
Affective pastiche in teen dramas	0
The shudder-image: psyche-soma, sex and knowledge in Hannibal	0
Screenwriting, poetics, horror: Full Circle: The Haunting of Julia	0
The labour of authenticity: mafia television, regionalism and production cultures	0
Contributors	0
Stuart Hall, Writings on Media: History of the Present, ed. Charlotte Brunsdon	0
Disordering archives: Onyeka Igwe and Black feminist speculative histories	0
Allyson Nadia Field and Marsha Gordon (eds), Screening Race in American Nontheatrical Film	0
Apichatpong Weerasethakul’s planetary cinema	0
Holly Chard, Mainstream Maverick: John Hughes and the New Hollywood CinemaTimothy Shary and Frances Smith (eds), Refocus: The Films of John Hughes	0
Contributors	0
Odile Goerg, Tropical Dream Palaces: Cinema in Colonial West Africa, trans. Melissa Thackway	0
Virginia Crisp and Gabriel Menotti, Practices of Projection: Histories and Technologies	0
The Subversive Film Festival as a field of resonance	0
Genre pastiche and Community	0
Contributors	0
Politics of indeterminacy: utopia and crisis in the essay film	0
The rise and fall of set design	0
The Marcusian moment: sound, film, and the body of a woman	0
Across the narrow screen: televisual world-building in Game of Thrones	0
Italian anti-colonial cinema: global liberation movements and the third-worldist films of the long ’68	0
Resisting modernist primitivism: Dr Mabuse’s exclusionary aesthetics	0
Bergfelder Tim, Erica Carter, Deniz Göktürk and Claudia Sandberg, The German Cinema Book: Second Edition	0
Disaffection-images: Bruno Dumont and the sullen atheists of art cinema	0
Michael Winterbottom, Dark Matter: Independent Filmmaking in the 21st Century	0
Ann duCille, Technicolored: Reflections on Race in the Time of TV	0
Lee Wallace, Reattachment Theory: Queer Cinema of Remarriage (a Camera Obscura book)	0
Patrick Keating, The Dynamic Frame: Camera Movement in Classical Hollywood (Film and Culture Series)	0
Screening vulnerability in the Anthropocene: Island of The Hungry Ghosts and the eco-ethics of refugee cinema	0
New legibilities: rethinking post-war French film with Nicole Vedrès’s La Vie commence demain	0
Cinematic theatricality, queer anachronism and The Favourite	0
Eugenie Brinkema, Life-Destroying Diagrams	0
Daniel Fairfax, The Red Years of Cahiers du cinéma (1968–1973)	0
Rashna Wadia Richards, Cinematic TV: Serial Drama Goes to the Movies	0
Filming-gardening in the neoliberal age: ambivalences in the life and work of Anne Charlotte Robertson	0
Nilo Couret, Mock Classicism: Latin American Film Comedy, 1930–1960.	0
Contributors	0
Scientific affiliation in reality-based media: affect, intimacy, spectacle. Introduction	0

Fortress television: closed circuit television in the American home	0
‘If I catch you, I’ll kill you’: The Chaser, South Korean serial killer cinema and the crisis of sovereignty	0
Hideaki Fujiki and Alastair Phillips (eds), The Japanese Cinema Book	0
Up-close and personal: millennial screen trauma and the 2004 Tsunami’s spectacle of the real	0
Naoki Yamamoto, Dialectics without Synthesis: Japanese Film Theory and Realism in a Global Frame	0
Richard Koszarski, Keep ’Em in the East: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
Iron patriotism, xuexing-masculinism, wode-ism: from Iron Soldiers to Wolf Warriors	0
Katharina Loew, Special Effects and German Silent Film: Techno-Romantic Cinema	0
Tracing the Anthropocene in Southeast Asian film and artists’ moving image	0
The legacy of Laura Marcus in film studies Introduction	0
Lotte Eisner: a reappraisal Introduction	0
Metamodern pastiche Introduction	0
Hollywood’s white privacy: Stanley Cavell and James Baldwin	0
‘Precision is key’: appreciating the labour of performance in RuPaul’s Drag Race	0
The corruption of non-professional performance: Pasolini and Salò	0
The motorcycle diaries of a topolect cinema	0
Through the looking-glass: Lotte H. Eisner and Éric Rohmer on Murnau	0
Engendering ethnographic filmmaking in Francoist Spain: hysteria and the queer forest of Far from the Trees (1970)	0
Chris Grosvenor, Cinema on the Front Line: British Soldiers and Cinema in World War One	0
Parody, pastiche and millennial socialism in the YouTube video essay	0
Out and about: Lotte Eisner at the Film-Kurier 1927–33	0
Erratum to: Designing the ideal film studio in Britain	0
Italian neorealism and the ‘woman’s film’: Selznick, De Sica and Stazione Termini	0
Fritz Lang’s cinema of interruption and the narrative of modernity	0
In defence of F. W. Murnau	0
Togetherness?	0
Advertising ancestry through the algorithm	0