Screen

Article	Citations
Dr Mabuse today: the centennial of Fritz Lang’s Dr Mabuse, the Gambler. Introduction	6
Kim Akass, Mothers on American Television: From Here to Maternity	5
Towards a natural history of film form: silver salts and the aesthetics of early studio-era Hollywood cinema	4
Born pink? Born queer!: The convergence of global TV formats and East Asian idol girl group cultures in contemporary China	4
To cut a long story short: the featurization of American sound serials	3
The Marcusian moment: sound, film, and the body of a woman	3
The Subversive Film Festival as a field of resonance	3
Screenwriting, poetics, horror: Full Circle: The Haunting of Julia	3
Pooja Rangan, The Documentary Audit: Listening and the Limits of Accountability	3
(Im)material abstractions: visions of cryptocurrency in Ivar Veermäe’s The Flood (2018)	2
The spirit of the local in translocal film collaboration in Asia: From Ten Years Hong Kong to the Ten Years International Project	2
Pamela Robertson Wojcik, Unhomed: Cycles of Mobility and Placelessness in American Cinema	2
Disaffection-images: Bruno Dumont and the sullen atheists of art cinema	2
Contributors	2
Cinematic ideorealm and cinema following Dao: theorizing film aesthetics through Daoism	2
Changing the frame: found-footage documentary and female reclaiming of the archive in The Notes of Anna Azzori	2
Iron patriotism, xuexing-masculinism, wode-ism: from Iron Soldiers to Wolf Warriors	2
Scott W. Klein and Michael Valdez Moses (eds), A Modernist Cinema: Film Art from 1914 to 1941	2
‘If I can change’: multigenerational cinematic franchises, retconning, and the spectre of Rocky IV	1
Producing a future on a wandering Earth	1
Fortress television: closed circuit television in the American home	1
Feminist histories of costuming film: Gordon Conway, 1930s British cinema and the collaborative world of Mayfair sewing	1
Catherine O’Rawe, The Non-Professional Actor: Italian Neorealist Cinema and Beyond, Federico Vitella, Maggiorate: Divismo e celebrità in Italia	1
Metamodern pastiche Introduction	1
The motorcycle diaries of a topolect cinema	1

Grace Lavery, Closures: Heterosexuality and the American Sitcom	1
Amy Holdsworth, On Living with Television	1
Incest, affect and ambiguous politics in two films by Claire Denis	1
Reformatting the stream: platformativity and the collapse of platform-area borders	1
Framing VR	1
Contributors	1
Mary Harrod, Suzanne Leonard and Diane Negra (eds), Imagining ‘We’ in the Age of ‘I’: Romance and Social Bonding in Contemporary Culture	1
Archiving the live music spectacle: Woodstock ’99 and MTV pay-per-view	1
David Martin-Jones, Columbo: Paying Attention 24/7	1
Contributors	1
Maggie Hennefeld, Death by Laughter: Female Hysteria and Early Cinema	1
The informal spread of queer Asian TV in translation	1
Springtime in a Chinese ruin: Fei Mu’s Spring in a Small Town (1948)	1
Philippa Gates and Katherine Spring (eds), Resetting the Scene: Classical Hollywood Revisited	0
Fingernail screen theory: women nail bloggers and their hands as media producers and screens	0
Richard Koszarski, Keep ’Em in the East: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
Contributors	0
Contributors	0
Cinematic faces and hands	0
Between unity and fragmentation: the highly choreographed long take	0
Coercive cinema: police film in schools, 1966–75	0
The Eastern Western: formation, problems, paradigms	0
Esha Niyogi De, Women’s Transborder Cinema: Authorship, Stardom and Filmic Labor in South Asia	0
The transnational homoroman-tivist: charting queer televisual Asiascapes in Handsome Stewardess and Getaway	0
Mary Ann Doane, Bigger Than Life: The Close-Up and Scale in the Cinema	0
Cinematic theatricality, queer anachronism and The Favourite	0
Contributors	0
The gag after #MeToo: feminist approaches to sex and humour in film and television	0
Jiří Anger, Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up (Thinking Media Series)	0
Queer TV Asia: emerging studies of queer TV in a globalising Asia Introduction	0
The legacy of Laura Marcus in film studies Introduction	0
Green fingers: Jean Genet’s hands and flowers	0
Contributors	0
Contributors	0
Registers of the melodramatic mode: the 1980s heroic bloodshed cycle in the history of the Hong Kong crime film	0
The shudder-image: psyche-soma, sex and knowledge in Hannibal	0
Contributors	0
Up-close and personal: millennial screen trauma and the 2004 Tsunami’s spectacle of the real	0
White lies: in defence of plot twists in contemporary documentaries	0
Three responses to ‘Bazin's third hand’	0
Lifeboat films: cinematic responses to resource scarcity	0
Manus ludens. Mabuse’s playful hands	0
Becca Voelcker, Land Cinema in an Age of Extraction	0
Illuminating affect: a phenomenology of Wong Kar-wai’s mirror-shadow aesthetics	0
Odile Goerg, Tropical Dream Palaces: Cinema in Colonial West Africa, trans. Melissa Thackway	0
Disordering archives: Onyeka Igwe and Black feminist speculative histories	0
Remediating Sápmi: hypermediacy, the global Indigenous Arctic, and Samisk audiovisuell samling (2018–23)	0
Kevin Sanson, Mobile Hollywood: Labor and the Geography of Production	0
Contributors	0
Modern rhythms and resonant connection: Laura Marcus on sound, literature and cinema	0

Ageing, personhood and care in Chie Hayakawa’s Plan 75 (2022)	0
Global city by the cinematic sea: The Fishing Nut’s Diary series, and the imaginaries of Tokyo’s waterfront urbanism from the mid 1980s to mid 1990s	0
Lastingness and little madnesses	0
Richard Rushton, Modern European Cinema and Love	0
‘Better a bad image than no image’: interview with Richard Dyer on organizing the UK’s first lesbian and gay film season	0
Mark Nash, Curating the Moving Image	0
Ed Atkins’s dildonic hand	0
Cutting their cloth, counting their coupons: clothes rationing and British film production in the 1940s	0
Eugenie Brinkema, Life-Destroying Diagrams	0
Bonjour Tristesse , adieu censorship: Otto Preminger v. the weakening PCA	0
‘Women with careers should be shot!’: Bette Davis and the unwomaning threat of female stardom	0
Navigating place, space and land: Hong Kong social activist documentary film in the era of post-colonial neoliberal developmentalism	0
Gil Z. Hochberg, Becoming Palestine: Toward an Archival Imagination of the Future	0
Disorienting cinema: sensing beyond extractivism in the Peruvian Amazon	0
Contesting screens of energy: Gaia, the commons and infrastructure	0
A camera in the water: reframing the migrant image in documentary film	0
Lee Wallace, Reattachment Theory: Queer Cinema of Remarriage (a Camera Obscura book)	0
Close Up: Laura	0
Sarah Keller, Barbara Hammer: Pushing Out of the Frame	0
Korean Chinese in the borderland: border existence, fractured community, and minor transnational friendship in Zhang Lu’s Dooman River	0
Elena D. Hristova, Aimee-Marie Dorsten and Carol A. Stabile (eds), The Ghost Reader: Recovering Women’s Contributions to Media Studies	0
The hauntological essay film: navigating historical memory and collective trauma in The Image You Missed	0
Contributors	0
Queering BL televisuality across Asia: queer polylocality across Thailand, Hong Kong and South Korea	0
Contributors	0
Three responses to ‘Bazin's third hand’	0
Darshana Sreedhar Mini, Rated A: Soft-Porn Cinema and Mediations of Desire in India (Feminist Media Histories Series)	0
Three responses to ‘Bazin's third hand’	0
Games archcriminals play: Mabuse vs Fantômas	0
Action at a distance, or, props for an ecological age	0
Photography, postmemory and touch in Pedro Almodóvar’s Madres paralelas	0
Fluctuating layers: Scott Barley’s Sleep Has Her House and Simondon’s philosophy of individuation	0
Richard Maltby, Decoding the Movies: Hollywood in the 1930s (Exeter Studies in Film History Series)	0
Glyn Davis and Jaap Kooijman (eds), The Richard Dyer Reader	0
Fritz Lang’s cinema of interruption and the narrative of modernity	0
Visibility displaced: lesbian aurality and disruptive self-naming in Sukkar banat/Caramel and Three Centimetres	0
Tatiana Signorelli Heise, Transnational Memories and Post-Dictatorship Cinema: Brazil, Chile and Argentina .	0
Affective pastiche in teen dramas	0
Nicholas Baer, Historical Turns: Weimar Cinema and the Crisis of Historicism	0
Farrokh Ghaffari travels: aesthetic convergences and institutional formations	0
Discriminators for gender equality: deepfakes in feminist filmmaking	0
Rashna Wadia Richards, Cinematic TV: Serial Drama Goes to the Movies	0
‘Precision is key’: appreciating the labour of performance in RuPaul’s Drag Race	0
Justin Owen Rawlins, Imagining the Method: Reception, Identity, and American Screen Performance	0
Jie Li, Cinematic Guerrillas: Propaganda, Projectionists and Audiences in Socialist China	0
Holly Chard, Mainstream Maverick: John Hughes and the New Hollywood CinemaTimothy Shary and Frances Smith (eds), Refocus: The Films of John Hughes	0
Indigenous action cinema: embedded cosmovision and politics of translation	0
Contributors	0
More than law and order: film regulations and the control of Chinese theatres in colonial Hong Kong	0
Daniela Berghahn, Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film	0
Malte Hagener and Yvonne Zimmermann (eds), How Film Histories Were Made: Materials, Methods, Discourses	0
Chris Grosvenor, Cinema on the Front Line: British Soldiers and Cinema in World War One	0
‘It’s sleazy, it’s shocking, and it’s selling’: Don’t Open Till Christmas and the potential for British horror film during the video boom of the 1980s	0
Outside television: Federico Fellini on exposure and attention in the age of abundance	0
Chris Berry, Wafa Ghermani, Corrado Neri and Ming-yeh T. Rawnsley (eds), Taiwanese-Language Cinema: Rediscovered and Reconsidered	0
Contributors	0
Rethinking the family melodrama: Thomas Elsaesser, Mildred Pierce and the business of family	0
Bazin’s third hand	0
The prophet of the screen: the legacy of Bill Viola	0
Dreams and nightmares of diasporic modernity: reading, cinema and the railway in Mira Nair’s The Namesake	0
A blockbuster art film for the neoliberal age: blank style and ‘smart’ aesthetics in Maren Ade’s screwball tragedy Toni Erdmann	0
Towards an account of rhythmic phrasing in narrative film	0
(Don’t) hold my hand: narratives of adoption and refusals in Lamb	0
Engendering ethnographic filmmaking in Francoist Spain: hysteria and the queer forest of Far from the Trees (1970)	0
‘All the inside “dope”’: studio relay and textual analysis	0
Mackenzie Crook’s biosemiotic television	0
Iain Macdonald and Paula Williams (eds), Designing the BBC: A History of Motion Graphics	0
Marc Furstenau, The Aesthetics of Digital Montage: Film Editing and Technological Change (Cinema and Technology Series)	0
David Gillota, Dead Funny: The Humor of American Horror	0
Caetlin Benson-Allott, The Stuff of Spectatorship: Material Cultures of Film and Television	0
Trauma collage, disturbing pastiche	0
‘A stench in the ear’: sound and ethics in The Zone of Interest	0
(De)queering Elena Ferrante: the screen adaptations of Troubling Love, The Days of Abandonment and My Brilliant Friend	0
Moving-image mixtape: on Pixelvision film and video art	0
Kartik Nair, Seeing Things: Spectral Materialities of Bombay Horror	0
A flor, o fim do mundo: sensual media, lost futures and the end of cinema in Kleber Mendonça Filho’s Aquarius	0
Bliss Cua Lim, The Archival Afterlives of Philippine Cinema	0
Projecting Maoist China: the PRC’s transnational film distribution, 1949 to 1966	0
(Un)moving images of the Third World War: nuclear narrative and nuclear aesthetic of Chris Marker’s La Jetée	0
Drawing on his image: amputated sounds, sonic simulacra, and the death of Bill Robinson	0

Lesbian cinema without lesbians: portraits, lovers, siblings	0
Parody, pastiche and millennial socialism in the YouTube video essay	0
Jihoon Kim, Activism and Post-activism: Korean Documentary Cinema, 1981–2022	0
Ivo Blom, Quo Vadis?, Cabiria and the ‘Archaeologists’: Early Italian Cinema’s Appropriation of Art and Archaeology	0
Between audience and community: exploring emergent questions of collective patrimony and cultural continuity at the 2021 Folk Film Gathering	0
A knowledge of horror or the horror of knowledge? Frightfully insightful directors’ commentaries on Blu-rays and DVDs	0
Robert L. Bowen, The Human Shutter: Photographs, Stereoscopic Depth, and Moving Images; Brooke Belisle, Depth Effects: Dimensionality from Camera to Computation	0
In a sea of binary algae: Marker’s Level Five as non-representational documentary	0
‘The Great Unknown’: Thea von Harbou’s script for Dr Mabuse, der Spieler	0
Contributors	0
(Kin)aesthetic, prosthetic: articulating fat realities on television	0
Stuart Hall, Writings on Media: History of the Present, ed. Charlotte Brunsdon	0
Making a home (from) afar through gender and sexuality: the turn to China and Chinese diaspora in the Thai ‘Boys’ Love’ drama	0
Genre pastiche and Community	0
Trees on screen: materiality and symbolism	0
Resisting modernist primitivism: Dr Mabuse’s exclusionary aesthetics	0
‘Nothing else besides a father’: Logan and the paternal melodrama	0
Michael Winterbottom, Dark Matter: Independent Filmmaking in the 21st Century	0
Screening hands Introduction	0
Jinying Li, Anime’s Knowledge Cultures: Geek-Otaku-Zhai	0
Parichay Patra and Michael Kho Lim (eds), Sine Ni Lav Diaz: A Long Take on the Filipino Auteur	0
Timothy Corrigan, Describing Cinema	0
A life in pictures: trans visibility, invisible labour and the film career of Robert Allen	0
‘They expected luxury’: condo media and condo mediation	0
Lauren Stephenson, Robert Edgar and John Marland (eds), Horrifying Children: Hauntology and the Legacy of Children’s Television	0
Contributors	0