Rivista di Estetica

Papers
(The median citation count of Rivista di Estetica is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Ontological Frameworks for Food Utopias10
Climate issue: the principle of transgenerational responsibility4
The Paradox of the Living: Jonas and Schelling on the Organism’s Autonomy3
Rhythm ’n’ Dewey: an adverbialist ontology of art2
Improvisation and ontology of art2
On Form and Structure: Umberto Eco and the Basis for a Positive Philosophy of the Arts1
«All the principles of being and becoming»: Schelling’s ontogenetic hypothesis1
The Openness of Art. The Poetics of Art and Loss of Autonomy of Art1
Preformation vs. Epigenesis: Inspiration and Haunting Within and Outside Contemporary Philosophy of Biology1
Estetica aromatica1
Human Dignity: Final, Inherent, Absolute?1
Who is Schelling’s Bruno?1
Tv series and their boundaries1
Goethe, Schelling and the Melancholy of Nature1
The Ontology of Landscapes1
The Notion of System in the Work of Umberto Eco: Summa, Structure, Code, Encyclopaedia and Rhizome1
The Origins Of Umberto Eco’s Semio-Philosophical Project1
Common-surrounding world and qualitative social ontology – phenomenological insights for the environment and its crisis1
Organismality grounds species collective responsibility1
Filosofia e Border Studies. Dal confine come “oggetto” al confine come “dispositivo”1
Artists as Workers: Rethinking Creativity in a Post-Pandemic World0
Seriality as a Chronotope0
Schelling’s Dante0
Some Remarks on Eco’s Confession and His Mystical Raptus0
Eco and Berio between Music and Open Work0
Attaching Value to Membership: A Criterion?0
On tackling the environmental crisis through human rights0
0
Lettura e non-lettura secondo Simone Weil0
OSMODRAMA – Theatre for the Nose0
The Social Character of Literature: Adorno The Legacy of the Aesthetics of German Idealism0
The Aesthetics of Idealism: Facets and Relevance of a Theoretical Paradigm0
Pietro Montani, Dario Cecchi, Martino Feyles, Ambienti mediali0
Towards a Sociopolitical Aesthetics of Smell0
Economic performativity: beyond binaries?0
Solidarity and We-reasoning0
Roberta Dreon, Human Landscapes. Contributions to a Pragmatist Anthropology0
Per una fenomenologia dell’iper-lettura0
Emilio Garroni, Estetica. Uno sguardo-attraverso0
Re-humanizing Smell: A Conversation0
Ontology of finance: an introduction0
0
Ripensare l’esperienza estetica attraverso lo Zhuangzi0
Tradimenti, appropriazioni, ripensamenti. Arthur C. Danto e l’eredità della filosofia tedesca da Nietzsche a Kant0
La responsabilità ecologica0
Schelling again0
On Work’s Perdurance: Artworkers, Artworks and Contents0
Viewing the Value of Contemporary Artistic Work from the Angle of Conceptual Art0
Opening the Way for an Olfactory Aesthetics: Smell’s Cognitive Powers0
Narciso nel Quattrocento: percezione, conoscenza, arte0
On Two Kinds of Labor of Dagong Writers0
Kandinsky’s Composition and Zheng Xie’s Bamboo0
L’etica del cambiamento climatico alla prova dell’inefficacia causale individuale: Discutendo la libertà collettiva di emissione di gas serra rispetto all’obiettivo di 1.5°C0
Technics and the Sacred. The Path to Freedom and Authenticity in American Gods0
Music, Nature and Trasncendence0
0
Trust in Solidarity10
Prima pagina0
Per un catalogo geografico universale. Ontologie ibride, rappresentazioni cartografiche e intersezioni geo-informatiche0
Two interpretations of Gilbert’s plural-subj0
The private civilization0
Value Disgust: Appreciating Stench’s Role in Attention, Retention and Deception0
La solidarietà come funzione sociale10
Preface0
0
0
Rileggendo i Canti orfici. L’ombra di Nietzsche0
Lambert Wiesing, Luxus0
The Consciousness of the Real and the Reality of Consciousnes0
Epigraph Section Two0
Vincoli biologici e regole fenomenologiche. Osservazioni sulla percezione del suono0
Arte e società nell’estetica dell’idealismo italiano0
Tragedia attica e filosofia. Osservazioni sulla funzione cognitiva dell’arte tragica0
TV Series: A Form of Adaptation to The Contemporary Media Condition0
Ontological Anosmia0
Sensi di una fine. Danto e l’arte post-storica0
Solidarity and “Us” in three contexts: human, societal, political0
Hegel’s Conception of the Relationship Between Poetry and History0
Beyond the Process After Schelling. Freedom and Creativity0
L’arte di scrivere la storia. Il narrativismo proposizionale di Arthur C. Danto0
From Babylon to Bitcoin: some philosophical reflections on the ontology of money0
The walking debt – On the morals of ownership in debt and its alienability0
Cibo e libertà di scelta. Verso nuove narrazioni alimentari compatibili con la mitigazione climatica0
Glancing, Gazing and Binging: On The Appeal of Contemporary Television Serials0
What is a financial crash?0
Introduction0
Danto, l’arte e i regimi di storicità. Un percorso di lettura0
Entanglement, Agency and Phenomena. Quantum Physics and Philosophy after Schelling0
Danto’s indiscernibility: an intercultural interpretation0
Objective smells and partial perspectives0
Enopé. Voce e volto dell’arte0
Reasons for Agreeing, Reasons for Complying: The Paris Agreement and the Compliance Issue0
Pio Colonnello, Sinestesie e anamorfismi0
Aesthetics of Contemporary Work0
The Dog Schema0
Aesthetical Ontology, Ontological Aesthetics: Rethinking Art and Beauty through Speculative Realism0
0
Sono una di voi. Il soggetto delle azioni transgenerazionali0
Alive as You and Me0
Singing Trees. Note su Tōru Takemitsu0
The Realism of Purposes: Schelling and Hegel on Kant’s Critique of Teleological Judgement0
Labour and Leviathan: Anish Kapoor and the Idea of an Embodied Polity0
A Life Extreme. Life and Ideal in Hegel’s Aesthetic Paradigm0
The Environmental Crisis and Its Injustice. An (Inevitably Short) Introduction0
Epic Performed: The Poetic Nature of TV Series0
Introduction: Think Through Art Globally0
Vindicating the Historical Condition of Art and its Consequences: Hegel’s Influence on Danto’s Philosophical System0
“Euripidean dilemma”: Nietzsche’s influence on Danto’s philosophical understanding of performance art0
Hölderlin’s Theory of (Aesthetic) Production10
Aorgico. Il sublime dialettico di Hölderlin0
Towards an ontology of digital arts. Media environments, interactive processes and effects of presence0
Power, Dangers and Resources of Forgery, from Theory to Novels0
The perfume and the spirit: from religion to perfumery0
Aesthetic Interactionism and My Brilliant Friend0
0
After Black(ness)0
Groups and Solidarity: Bridging a Gap in Contemporary Social Philosophy10
Indexes: Cultural Nature and Natural Culture0
Introduction0
Alessandro Armando, Giovanni Durbiano (a cura di) Critica della ragione progettuale0
Paul Ricœur’s hermeneutics as a bridge between aesthetics and ontology0
0
Introduzione0
0
0
Heritage, community and future generations: the transgenerational quest for justice0
Il problema della significazione del nulla in Anselmo d’Aosta0
Suna no Bi 砂の美. A critical appreciation of sand in Japanese karesansui 枯山水 gardens0
Sara Guindani e Alexis Nuselovici, Jacques Derrida, la dissémination à l’œuvre0
Philosophy against literalism0
Introduction0
Hierarchy and heterarchy in (impact) finance: an ontological analysis0
L’influsso morale dell’arte. Danto, Platone e le strategie della Mimesis0
Pietro Montani, Emozioni dell’intelligenza: un percorso nel sensorio digitale0
Hysteresis - Metaphysics of the Web0
A Missed Education. Avoiding the Ordinary in The Sopranos0
La rue est à nous. Dal mondo dell’arte a Google street view (e ritorno)0
La storia dell’arte dopo la fine della storia dell’arte0
Introduction0
The end of the working class and the tragic and ridiculous perversion of industry: Paolo Volponi’s Le mosche del capitale (1974-1989)0
0
Epigraph Section Three0
Michel foucault e “Raymond Roussel”0
Tying Climate Justice to Hydrological Justice0
0
Dystopias and Historiographical Objects: The Strange Case of The Middle Ages0
Bordi. Un confronto tra arte, filosofia e psicologia0
Epigraph Section One0
On Works and Workings of Art: A Perspective from Comparative Aesthetics0
Solidarity and Theories of Collective Action0
La ripetizione e il sublime. Danto, Lyotard, Wathol e la fine (differita) dell’arte0
Che cosa sono i gruppi sociali? Risposta ontologico-metafisica nella prospettiva dell’intero e delle parti0
Friedrich Hölderlin’s Die Bedeutung Der Tragödien: Paradox as the Foundation of Tragedy0
Ownership, preferences and offers0
L’errore di Danto0
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