Research in African Literatures

Papers
(The TQCC of Research in African Literatures is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
The Nigeria Prize for Literature and Current Nigerian Writing: Politics, Process, and Price of Literary Legitimation4
Writing About the Dead in the Present Tense: <em>Half of a Yellow Sun</em> as a Work of Postmemory4
Into the Heart of Nature: Conradian Echoes in Helon Habila’s <em>Oil on Water</em>2
“My Mother Was a Fish”: Racial Trauma, Precarity, and Grief in K. Sello Duiker’s <em>Thirteen Cents</em>2
Social Mind as Author(ity) in J. M. Coetzee’s <em>Foe</em>2
Metafiction, Dissidence, and Dictatorship in M. G. Vassanji’s <em>The In-Between World of Vikram Lall</em>1
Braiding Worlds: Disharmonious Encounters in Mariama's African Hair Salon in <em>Americanah</em> by Chimamanda Ngozi Adichie1
A Critique of Afropolitanism: Toward the Formation of a New Reading Model—Nigeriopolitanism1
Narrating Silence in André Brink's <em>The Other Side of Silence</em> (2002): A Performative Analysis1
Email Scams, Nollywood Movies, and the New African Literary Novel: Adaobi Tricia Nwaubani’s <em>I Do Not Come to You by Chance</em> in the Post-Global Age1
Postapartheid Ephemerality in Marlene van Niekerk’s <em>Triomf</em>1
Remediating Biafra: Adichie’s <em>Half of a Yellow Sun</em> as a Symbolic Vehicle of Postwar Reconciliation1
Exploration of Moral Corruption and Yoruba Religion through Wole Soyinka’s Philosophical Plays1
A Practical Poetics for Orality: Nnabuenyi Ugonna's “Igidi” and Ezenwa-Ohaeto's Poetics and <em>The Voice of the Night Masquerade</em>1
A Contextual and Aesthetic Analysis of <em>Jesus of the Deep Forest</em>: Teaching an African Oral Poem1
Mirroring Domestic Crises of Black Women’s In/Visibility in Ousmane Sembène’s <em>La noire de …</em> and Henriette Akofa’s <em>Une esclave moderne</em>1
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