Research in African Literatures

Papers
(The median citation count of Research in African Literatures is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-01-01 to 2025-01-01.)
ArticleCitations
“My Mother Was a Fish”: Racial Trauma, Precarity, and Grief in K. Sello Duiker’s <em>Thirteen Cents</em>4
“Expanding the Present”: Utopianism and the Celebration of the Subaltern in Angolan Literature4
Postapartheid Ephemerality in Marlene van Niekerk’s <em>Triomf</em>2
A Contextual and Aesthetic Analysis of <em>Jesus of the Deep Forest</em>: Teaching an African Oral Poem2
Braiding Worlds: Disharmonious Encounters in Mariama's African Hair Salon in <em>Americanah</em> by Chimamanda Ngozi Adichie2
Metafiction, Dissidence, and Dictatorship in M. G. Vassanji’s <em>The In-Between World of Vikram Lall</em>1
The Other/Missing Side to the Botched Permissions Request Story Characterized in Ayi Kwei Armah’s The Eloquence of the Scribes: Veiled Censorship Attempt, Unreasonableness, Inflexibility, and Lack of 1
Submission Guidelines1
Spaces of Resistance in Assia Djebar's <em>Ombre Sultane</em> [<em>A Sister to Scheherazade</em>] and <em>Femmes d'Alger Dans Leur Appartement</em> [<em>Women1
The In-Between-Ness of the Life Narrative—Negotiating Disciplinary Boundaries in Selected Zimbabwean Political Life Narratives1
Writing About the Dead in the Present Tense: <em>Half of a Yellow Sun</em> as a Work of Postmemory1
Back Matter1
Into the Heart of Nature: Conradian Echoes in Helon Habila’s <em>Oil on Water</em>1
A Practical Poetics for Orality: Nnabuenyi Ugonna's “Igidi” and Ezenwa-Ohaeto's Poetics and <em>The Voice of the Night Masquerade</em>1
Social Mind as Author(ity) in J. M. Coetzee’s <em>Foe</em>1
Email Scams, Nollywood Movies, and the New African Literary Novel: Adaobi Tricia Nwaubani’s <em>I Do Not Come to You by Chance</em> in the Post-Global Age1
Evaluators for Volume 510
The Nigeria Prize for Literature and Current Nigerian Writing: Politics, Process, and Price of Literary Legitimation0
Narrating Silence in André Brink's <em>The Other Side of Silence</em> (2002): A Performative Analysis0
Front Matter0
So over the Rainbow—Inheritance, Innovation, and Intervention in South African Live Arts0
A Critique of Afropolitanism: Toward the Formation of a New Reading Model—Nigeriopolitanism0
Back Matter0
Submission Guidelines0
Mirroring Domestic Crises of Black Women’s In/Visibility in Ousmane Sembène’s <em>La noire de …</em> and Henriette Akofa’s <em>Une esclave moderne</em>0
Stepping out of Line in Independent Conakry0
Subverting Autobiography: Illness, Narrative, and Negotiating Dis-ease in Margaret Ogola's <em>Place of Destiny</em>0
Africa Pulse0
Exploration of Moral Corruption and Yoruba Religion through Wole Soyinka’s Philosophical Plays0
Front Matter0
Achebe on Conrad0
Remediating Biafra: Adichie’s <em>Half of a Yellow Sun</em> as a Symbolic Vehicle of Postwar Reconciliation0
Probably Ghostwritten, <em>L'enfant noir</em>: A Lost African Vision for Global Interdependence with 21st-Century Relevance0
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