Novel-A Forum on Fiction

Papers
(The TQCC of Novel-A Forum on Fiction is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Women's Writing in the Foreground6
Introduction: Form and Medium4
The Racial Failures of Novel Form: Ralph Ellison's Three Days before the Shooting . . .3
Living on Pea-nuts: Gissing, Fiction, Subsistence3
Excessive Belief: Transport and Immersion in Nineteenth-Century Historical Fiction2
Prehistories of the Present: Conrad, Ngũgĩ, and the Global Historical Novel2
The Economy of Form: An Introduction2
Beyond Isabel Archer's Door: The Underground Railroad and the Condemned Plot for Freedom1
Believing in Novels: Hoax, Hocus, and the Fictionality of the Gothic1
Ride-Sharing with Little Nell: The Gig Economy of Charles Dickens'sThe Old Curiosity Shop1
Henry James, Minny Temple, and the “Demon of the Why, Whence, and Whither”1
“Too Much Arunning and Awalking”: Sites of Revelation in Anna Burns's Milkman1
The Edges of Fiction: Dostoevsky, Merezhkovsky, and the Birth of Novel Theory1
On Not Belonging1
A Swamp in Name Only: Imagined Geography, Abandonment, and the Archive in W. E. B. Du Bois's The Quest of the Silver Fleece1
“Lusting after Relevance”: The Allegorical Import of the African American Novel1
Emma's Choices: Economics and Modern Narratives of Decision-Making0
The Scarcities ofUdolpho0
Prosthetic Grand Synthesis0
In Default of Providence: Tragedy and Tess of the d'Urbervilles0
Suspicious Methods0
Capital Fictions in the Age of Fictitious Capital0
Misrecognizing Capital0
Ticket to a Museum: Reading Orhan Pamuk in Our Times0
Recovering Character's Science0
A Literary History of the American Smart Home0
Contre Proust . . . ?0
When We Were Humans: Kazuo Ishiguro's Never Let Me Go and Aloning0
The Institutionalist0
Trollope's Boxes: Liberal Privacy and Its Consequences in Phineas Finn and The Eustace Diamonds0
The Body of the Critic at Desk, Walking0
Postapocalyptic Fiction and the Problem of Cultural Anxiety0
Notes on the Novella0
“Things Can Always Be Otherwise”: Believing (in) Twenty-First-Century Fiction0
Unredeemed0
Document Style and Fictional Minds After Modernism0
Possible Futures0
The Art of Naturalization0
“Too Domestic to Admit of Calculation”: Jane Austen and Narrative Economics0
Carl Schmitt in Outer Space: On Cixin Liu's “Dark Forest”0
Thinking Contingently0
Reading (in) Graham Greene's The Ministry of Fear (1943)0
The Prosaics of Weak Grammar: Novel Theory at the Crossroads of Linguistic Transformation0
On Fiction by Opinion Writers0
Reading Literature within the Educational Apparatus0
Insurgent Talk in Late Imperial Literature0
Only Noticed When It Fails0
Conrad, Lawrence, and the Sabotage and Salvage of Genre0
The Art of Losing0
Genre and Futurity in the Historical Novel: Georg Lukács with Sylvia Townsend Warner0
Troubling Immediacy in Bret Easton Ellis's The Shards0
Modernism, Finance, Value, Form0
Typical Roundness: Fictional Character and the Culture Concept in Howards End0
How to Read The Pentagon Papers0
The End of the World as We Know It0
Norms of Embodiment and Transgender Recognition: The “Wrong Body” Problem, the Taboo on Translocation, and the Case of Henry James0
Making Meaning Meaningful: Intertextuality and Identification in Never Let Me Go and Daniel Deronda0
Looking Awry in Timothy Mo0
The Forms of Disavowal0
Beckett's Big House:Watt, Waste, and the Fiction of Irish Autonomy0
Torture, Imperial Citizenship, and Embodied Reading0
Whatever Happened to Interracial Literature?0
“Am I Being Paranoid?”0
“If It No Go So, It Go Near So”: Marlon James and Collective Memory0
Amitav Ghosh's Ibis Trilogy and the So-Called Secret of the Historical Novel0
Economic Ecosystems and Postcapitalist Futures in The Professor's House0
The Novel's Cybernetic Hypothesis: Coetzee and McCarthy in the Closed World0
Seeing the Chapter0
Revitalizing the National-Popular0
Containing Hoards0
The Inside Story: Body Language and Free Indirect Discourse in Aphra Behn's Oroonoko0
What Does Reading Do in the Anthropocene?0
Post-Victorianism in the Balance0
Fossil Hunts and Fuel Exhaustion in Late Victorian Fiction0
Desire and Democracy0
Freudian Friction0
George Sand, Antisex Feminist0
The Missing Matter of Revolution: Hydroelectricity and the Terrain of Postcolonial Politics0
Post-extraction Possibility: Genre and Landscape in George Eliot's The Mill on the Floss0
The Arts of War0
Materializing Metafiction: Embedded Media and Embodied Reading in Ruth Ozeki's A Tale for the Time Being0
Mental Reflexes0
Colson Whitehead's Paranoid Styles0
Typicality in the Novel and Novel Theory0
Enduring Police0
From Alienation to Fictionality: Writing Depersonalization as High Modernism Turns Late0
More Than Human0
Anthony Trollope's Formal Experiment: Repetition and the Anti-romantic Marriage Plot0
The Privilege of Art0
World Theory as Reading Method0
Server the Servants0
Hogarth's Networks and the Eighteenth-Century “Graphic” Novel0
Inhuman Character0
Detox, Binge, Filter, Ghost0
Romancing the State0
The Will to Power0
Literary Realignment0
Minor Action in a Burning World0
“She Knew She Ought to Be Happy”: Socialized Subjects in Emma0
Contemporary Transnational Historical Fiction: Forging Solidarities in the Global South Novel0
Open-Circuit Narrative: Programmed Reading in Richard Powers0
Proust and the Powers of Language0
Victorians, Digitized0
Colonial Power and the Law against Feeling0
Reading Angles0
Always Be Prepared0
“A Look She Cannot Read”: Novelistic Epistemology Between Genre and Narrative Mode in Paul Lynch's Prophet Song0
Why Always That Dorothea? Realism and the Rise of Meaning0
Describe and Narrate0
Finding the Center:Mrs Dalloway's Bureaucrats and State Centralization0
Generic Gayness: Andrew Holleran's Dancer from the Dance and a Not-So-Grand Theory of the Gay Novel0
A Book History of the Novel0
Literary Value and the Prizewinning African Novel0
Introduction: Belief and Disbelief After Secularization0
Narrative, Time, and Disaster0
True Pleasure0
Speculating on Empty Time0
Governmentality on the Road0
The Racial Economy of Perception: Reading Black Sociality in the Nineteenth Century0
Latin American Fiction and the Politics of the Present0
Scenario Fiction and the Novel Claims of Insurance0
Strange Forms0
Objective Eventfulness0
Amitav Ghosh's Historical Genre Fictions0
We Might Be Giants: Claire Messud's The Woman Upstairs and the Space of the Protagonist in New Media0
From the Papers of a Formalist Critic: Kierkegaard's Theory of the Novel0
The End of the City and the Coming of the Urban: Georges Perec's An Attempt at Exhausting a Place in Paris0
To the Victor Go the Potatoes0
Small-Scale Institutions in Karen Tei Yamashita's I Hotel0
In Praise of Happy Endings: Precarity, Sustainability, and the Novel0
The Hero of This Novel Is a Tree: Biocentric Narrative Strategies in Contemporary Eco-fiction0
Walter Scott's Loose Leaves: Books, Scraps, and Dispersive Reading0
A Sublime Fantasy: Benjamin Disraeli's Coningsby and Populist Desire0
Faulkner's Glitches0
Print Internationalism's Uneasy Adjacencies0
The Activist Novel: Pastoral Political Mediations in England and Aotearoa New Zealand0
Late Enough0
Period, Break, Form0
A Settler-Colonial Genealogy of Modernism: Albert Camus and the Aesthetics of Elimination0
The Ballot or the Blue Book0
The Novel and the Ottoman Institution of Slavery: Domesticity and Slave Labor in Namık Kemal's İntibah0
Ideas in and out of the Novel0
The Plot of Racial Data and George Schuyler's Black No More0
Constructing Attachment: Persistent and Elided Speech in Jane Austen's Novels0
Late Jameson0
The Suspension of Disbelief, Again0
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