Novel-A Forum on Fiction

Papers
(The median citation count of Novel-A Forum on Fiction is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Women's Writing in the Foreground6
Introduction: Form and Medium4
The Racial Failures of Novel Form: Ralph Ellison's Three Days before the Shooting . . .3
Living on Pea-nuts: Gissing, Fiction, Subsistence3
Prehistories of the Present: Conrad, Ngũgĩ, and the Global Historical Novel2
The Economy of Form: An Introduction2
Excessive Belief: Transport and Immersion in Nineteenth-Century Historical Fiction2
Henry James, Minny Temple, and the “Demon of the Why, Whence, and Whither”1
“Too Much Arunning and Awalking”: Sites of Revelation in Anna Burns's Milkman1
The Edges of Fiction: Dostoevsky, Merezhkovsky, and the Birth of Novel Theory1
On Not Belonging1
A Swamp in Name Only: Imagined Geography, Abandonment, and the Archive in W. E. B. Du Bois's The Quest of the Silver Fleece1
Trollope's Boxes: Liberal Privacy and Its Consequences in Phineas Finn and The Eustace Diamonds1
Beyond Isabel Archer's Door: The Underground Railroad and the Condemned Plot for Freedom1
Believing in Novels: Hoax, Hocus, and the Fictionality of the Gothic1
Ride-Sharing with Little Nell: The Gig Economy of Charles Dickens'sThe Old Curiosity Shop1
“Lusting after Relevance”: The Allegorical Import of the African American Novel1
Document Style and Fictional Minds After Modernism0
Detox, Binge, Filter, Ghost0
Anthony Trollope's Formal Experiment: Repetition and the Anti-romantic Marriage Plot0
Carl Schmitt in Outer Space: On Cixin Liu's “Dark Forest”0
“Too Domestic to Admit of Calculation”: Jane Austen and Narrative Economics0
Thinking Contingently0
Troubling Immediacy in Bret Easton Ellis's The Shards0
Minor Action in a Burning World0
On Fiction by Opinion Writers0
Romancing the State0
The Novel and the Ottoman Institution of Slavery: Domesticity and Slave Labor in Namık Kemal's İntibah0
Conrad, Lawrence, and the Sabotage and Salvage of Genre0
Reading Literature within the Educational Apparatus0
Insurgent Talk in Late Imperial Literature0
Constructing Attachment: Persistent and Elided Speech in Jane Austen's Novels0
Generic Gayness: Andrew Holleran's Dancer from the Dance and a Not-So-Grand Theory of the Gay Novel0
Containing Hoards0
The Scarcities ofUdolpho0
Norms of Embodiment and Transgender Recognition: The “Wrong Body” Problem, the Taboo on Translocation, and the Case of Henry James0
Typical Roundness: Fictional Character and the Culture Concept in Howards End0
Proust and the Powers of Language0
Capital Fictions in the Age of Fictitious Capital0
The Forms of Disavowal0
The Suspension of Disbelief, Again0
Always Be Prepared0
Revitalizing the National-Popular0
“Am I Being Paranoid?”0
The Missing Matter of Revolution: Hydroelectricity and the Terrain of Postcolonial Politics0
“If It No Go So, It Go Near So”: Marlon James and Collective Memory0
Amitav Ghosh's Ibis Trilogy and the So-Called Secret of the Historical Novel0
Economic Ecosystems and Postcapitalist Futures in The Professor's House0
A Book History of the Novel0
More Than Human0
“Things Can Always Be Otherwise”: Believing (in) Twenty-First-Century Fiction0
What Does Reading Do in the Anthropocene?0
Post-Victorianism in the Balance0
Strange Forms0
Objective Eventfulness0
Postapocalyptic Fiction and the Problem of Cultural Anxiety0
True Pleasure0
George Sand, Antisex Feminist0
The End of the City and the Coming of the Urban: Georges Perec's An Attempt at Exhausting a Place in Paris0
To the Victor Go the Potatoes0
We Might Be Giants: Claire Messud's The Woman Upstairs and the Space of the Protagonist in New Media0
Desire and Democracy0
Materializing Metafiction: Embedded Media and Embodied Reading in Ruth Ozeki's A Tale for the Time Being0
How to Read The Pentagon Papers0
Ticket to a Museum: Reading Orhan Pamuk in Our Times0
In Praise of Happy Endings: Precarity, Sustainability, and the Novel0
Typicality in the Novel and Novel Theory0
From Alienation to Fictionality: Writing Depersonalization as High Modernism Turns Late0
Server the Servants0
Looking Awry in Timothy Mo0
The Privilege of Art0
The Ballot or the Blue Book0
The End of the World as We Know It0
Period, Break, Form0
World Theory as Reading Method0
The Plot of Racial Data and George Schuyler's Black No More0
Only Noticed When It Fails0
Literary Realignment0
Reading (in) Graham Greene's The Ministry of Fear (1943)0
Whatever Happened to Interracial Literature?0
Contemporary Transnational Historical Fiction: Forging Solidarities in the Global South Novel0
Open-Circuit Narrative: Programmed Reading in Richard Powers0
Emma's Choices: Economics and Modern Narratives of Decision-Making0
Finding the Center:Mrs Dalloway's Bureaucrats and State Centralization0
Colonial Power and the Law against Feeling0
Reading Angles0
Suspicious Methods0
Recovering Character's Science0
Why Always That Dorothea? Realism and the Rise of Meaning0
A Sublime Fantasy: Benjamin Disraeli's Coningsby and Populist Desire0
Late Enough0
A Literary History of the American Smart Home0
Contre Proust . . . ?0
Inhuman Character0
Fossil Hunts and Fuel Exhaustion in Late Victorian Fiction0
Speculating on Empty Time0
Seeing the Chapter0
Governmentality on the Road0
Possible Futures0
The Art of Naturalization0
Unredeemed0
The Body of the Critic at Desk, Walking0
Scenario Fiction and the Novel Claims of Insurance0
Narrative, Time, and Disaster0
The Prosaics of Weak Grammar: Novel Theory at the Crossroads of Linguistic Transformation0
Freudian Friction0
Amitav Ghosh's Historical Genre Fictions0
From the Papers of a Formalist Critic: Kierkegaard's Theory of the Novel0
Walter Scott's Loose Leaves: Books, Scraps, and Dispersive Reading0
The Activist Novel: Pastoral Political Mediations in England and Aotearoa New Zealand0
Small-Scale Institutions in Karen Tei Yamashita's I Hotel0
The Hero of This Novel Is a Tree: Biocentric Narrative Strategies in Contemporary Eco-fiction0
Genre and Futurity in the Historical Novel: Georg Lukács with Sylvia Townsend Warner0
The Will to Power0
Faulkner's Glitches0
Hogarth's Networks and the Eighteenth-Century “Graphic” Novel0
“She Knew She Ought to Be Happy”: Socialized Subjects in Emma0
Literary Value and the Prizewinning African Novel0
The Art of Losing0
Victorians, Digitized0
Ideas in and out of the Novel0
A Settler-Colonial Genealogy of Modernism: Albert Camus and the Aesthetics of Elimination0
Making Meaning Meaningful: Intertextuality and Identification in Never Let Me Go and Daniel Deronda0
“A Look She Cannot Read”: Novelistic Epistemology Between Genre and Narrative Mode in Paul Lynch's Prophet Song0
Late Jameson0
Beckett's Big House:Watt, Waste, and the Fiction of Irish Autonomy0
Torture, Imperial Citizenship, and Embodied Reading0
Introduction: Belief and Disbelief After Secularization0
Prosthetic Grand Synthesis0
In Default of Providence: Tragedy and Tess of the d'Urbervilles0
Describe and Narrate0
Enduring Police0
Misrecognizing Capital0
The Novel's Cybernetic Hypothesis: Coetzee and McCarthy in the Closed World0
The Institutionalist0
Modernism, Finance, Value, Form0
The Racial Economy of Perception: Reading Black Sociality in the Nineteenth Century0
Print Internationalism's Uneasy Adjacencies0
Post-extraction Possibility: Genre and Landscape in George Eliot's The Mill on the Floss0
Latin American Fiction and the Politics of the Present0
The Inside Story: Body Language and Free Indirect Discourse in Aphra Behn's Oroonoko0
Notes on the Novella0
Mental Reflexes0
Colson Whitehead's Paranoid Styles0
The Arts of War0
When We Were Humans: Kazuo Ishiguro's Never Let Me Go and Aloning0
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