OOIR: Observatory of International Research

Papers

(The TQCC of Nottingham French Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
Translating ‘Le Pagnol des Comores’: Ali Zamir's Anguille Sous Roche in English Translation	2
The Gospel According to Maryse Condé: Black Feminist Literary Ethic in L’Évangile du nouveau monde (2021) and What’s Love and Laughter Got to Do with It	2
Attention Seeking: Tristan Tzara's Art Critical Prose Poetry	2
Women’s Fiction in Postfeminist France: Léonora Miano, Camille Laurens, and Chick-Lit or Romances urbaines	2
Notes on Contributors	1
Introduction	1
Mémoire de fille (dé)rangée: relire Ernaux à la lumière de Beauvoir	1
Front matter	1
Sartre and Bourdieu on Flaubert’s Authorship between the Two Versions of L’Éducation sentimentale	1
Kamel Daoud's Meursault, contre-enquête (2013) and Camus's L’Étranger (1942): from Postcolonial Remake to De-Narration	0
Introduction: Tracing Women's Activism through Crises	0
Introduction: Keith Reader, 1945–2022	0
Maurice Blanchot: ‘Theorist’ of the Diary?	0
Notes on Contributors	0
Nostalgia, Melancholy, Trauma: Backlash Postfeminism in Contemporary French Screen Romance	0
Back matter	0
Front matter	0
Front matter	0
Visual Cultures of the Banlieues: Precarious Peripheries or Creative Centres?	0
Croient or Croivent: French Language Commentary on Twitter	0
Sex Workers, Thinkers and Activists in France Today: A ‘Real’ Feminist Vanguard	0
Notes on Contributors	0
Le Journal avec et après Barthes: de l’écriture désœuvrée à l’écriture exposée	0
Voltaire, Derrida et les ruses de la raison	0
Bearing Witness Through Sound: Migration and Mourning in the Films of Mati Diop	0

Notes on Contributors	0
‘Man Spekeþ, bere brayeþ’: The Zoopoetics of Bear Roaring and Silence in the Middle Ages	0
Where Heaven Meets Hell: A Literary Representation of a Postcolonial Society in Priya Hein’s Riambel (2023)	0
Slavery with a Smile: Comedy, Memory and Historical Terror in Case départ (2011)	0
Front matter	0
Femmes en crise, femmes en colère : Activating Rage in Amandine Gay’s Une poupée en chocolat (2021)	0
The Long Twilight of French Marxism	0
‘Quels sont les moyens de rendre plus politique un texte qui ne l’est pas assez?’ Nathalie Quintane’s Revolution as Game and Double-bind	0
Back matter	0
Introduction: Early-Career Voices in French Studies – The Articles	0
Decidedly For and Against the Future: Dada and Other Arts for Life	0
Notes on Contributors	0
Open Your Ears, Paris Dada! Where Is Your Music Coming From?	0
Stepping into the Void? Examining the Political Trajectories of Cinema and Bande Dessinée in France	0
Vampiric Masculinity. Rachilde's Le grand saigneur (1922) and the Writing of Gender Violence in Post-War France	0
Introduction: The Twenty-First Century Social Novel in French	0
Artaud et l’expérience des langues: les glossolalies comme performance thérapeutique	0
Camille: Seeds, Lactation, Semen and the Ecofeminist Voice	0
Precolonial Remains: Michèle Rakotoson and the Neo-Andevo Narrative	0
Notes on Contributors	0
Front matter	0
Faire is the Heaven: Action and Utopia in Simone de Beauvoir’s Pyrrhus et Cinéas	0
Du corps-victime au corps-vengeur: de la fiction comme une arme	0
Introduction: Diaries and the Question of Literature	0
Notes on Contributors	0
Winged Things: Insects and Birds as Flying Messengers in Céline Arnauld's Poetry	0
Front matter	0
Jean Rollin and Terroir: Return to Les Raisins de la mort	0
‘Unhinged Women’: Violence and Gender in Rachilde’s La Marquise de Sade (1887) and Eliza Clark’s Boy Parts (2020)	0
The Impossibility of Logging Off: Technological Disconnection in Jean-Philippe Toussaint’s La Clé USB (2019)	0
Front matter	0
La Séparation tragique: les lieux et l’espace dans Médée, Bérénice et Ariane	0
Front matter	0
Notes on contributors	0
‘Les objets plus ou moins déformés’: Émile Zola’s Screen Theory of Representation and the Rougon-Macquart Cycle	0
Hiding in Plain Sight: Intersectional Violence and Postfeminism in Chanson douce (2016) by Leïla Slimani	0
Notes on Contributors	0
Réinventer le toucher dans La Démangeaison de Laurence Nobécourt	0
Between Poetry and Music: Delavigne, Lamartine, De Musset and the Poetic Cantata	0
« Exposer les tabous au grand jour » – théâtre politique (?) de Céline Delbecq	0
Le Loup et les spectres: souverain et justice chez Derrida	0
Front matter	0
Le Mariage heureux du féminisme et du néolibéralisme: pistes pour analyser une union récente	0
Obéir pour se libérer: stratégies d’héroïsation dans le film Indigènes de Rachid Bouchareb	0
Back matter	0
Les Écrivaines qui font recettes: discours critique par le livre pratique	0
An Oral History of the BUMIDOM	0
Back matter	0
Reeling: Violence, Exploitation and Artistic Labour in Lola Lafon’s Chavirer (2020)	0
The Baby and the Bathwater? Bourdieu’s Critique of ‘Jacobin Ideology’ and the Neo-liberal Assault on Education	0

Back matter	0
Vanessa Springora, Gabriel Matzneff and the Problem of Consent	0
Back matter	0
De la désobeissance á la résistance (1939–1945): Héroïnes silencieuses des PTT	0
Introduction	0
Back matter	0
Reading Subjects Amidst Subjection in Jean D’Amérique’s Soleil à Coudre (2021) and Emmelie Prophète’s Les Villages de Dieu (2020)	0
Red Threads: a ‘Left-Melancholic’ Walk Through Paris in Joseph Andras’s Au loin le ciel du sud (2021)	0
Le Malheur de Sophie et des autres: violences contre les petites filles dans l’œuvre romanesque de la comtesse de Ségur	0
Le Journal romain 1985–1986 de Renaud Camus et la fétichisation du Journal	0
Sabine Macher et le chantier du poème	0
Conceptualizing Linguistic and Cultural Identity among Breton and Arabic Users in Brittany	0
Back matter	0
The Child Protagonist: Children’s Agency in International Children’s Rights Law and in Four Francophone African Novels	0
‘Il nous présenta de la liqueur’: An Alimentary Reading of Drinking, Manipulation and Education in Le Rideau levé, ou L’Éducation de Laure (1786)	0
Introduction	0
Guillaume des Autelz et Antoine Perrenot de Granvelle: l’exemple du Sonnet pour Estreine, un poème inédit	0
Writing Paris	0
Revisiting the Abject Phallus in a Post-#metoo/#balancetonporc World	0
Front matter	0
Le Défi des diaristes maghrébins: situations, contraintes et horizons de l’écriture journalière au Maghreb	0
Pulling It Out of a Hat: Picabia, Lanson and Man Ray's Cover for Littérature	0
Condé, Creation, Consumption and Cannibalism	0
Gisèle Pineau, or the Literary Voice of a Caregiver	0
Back matter	0
Notes on Contributors	0
Back matter	0
Becoming Édouard Louis and the Transmedial Social Novel	0
Rétif de La Bretonne's Lettre d’un singe (1781): Challenging Slavery through Hybridity and ‘spéculation imaginative’	0
Le Roman graphique face aux tragédies contemporaines: le cas de Lamia Ziadé et de Zeina Abirached	0
Front matter	0
‘Sans offenser l'ordre’: Voice, Order, and Gender in Les Caquets de l'accouchée (1622)	0
Renoir's La Règle du jeu between Automata and the Phantasmagoria, or How to Show the Collapse of the European Enlightenment Project when Rational Truth-t	0
Performing the Paradox in the Theatre of Tristan Tzara	0
‘Dans le tissage de la vie’: The Poetic Notebook as an Ecological Form of Exploration	0
Women and Activism: Making History in French Politics from Hubertine Auclert to Élisabeth Borne	0
Back matter	0
Annie Ernaux’s ‘Photojournal’ in Écrire la vie: Photo-Diaristic Archives as a Model of Life Writing	0
Foreword: Hope Labour, Precarious Research, and the Future of French Studies	0
L’Enfant entre soi-même et l’autre: l’écriture de la maladie et de la mort de l’enfant dans la littérature française contemporaine	0
Notes on Contributors	0
Jean-Luc Nancy and the Hospital: Imagining Clinical Environments of Strangeness and Multiplicity	0