OOIR: Observatory of International Research

Papers

(The median citation count of Nottingham French Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)

Article	Citations
The Gospel According to Maryse Condé: Black Feminist Literary Ethic in L’Évangile du nouveau monde (2021) and What’s Love and Laughter Got to Do with It	2
Sartre and Bourdieu on Flaubert’s Authorship between the Two Versions of L’Éducation sentimentale	1
Front matter	1
Translating ‘Le Pagnol des Comores’: Ali Zamir's Anguille Sous Roche in English Translation	1
Mémoire de fille (dé)rangée: relire Ernaux à la lumière de Beauvoir	1
Women’s Fiction in Postfeminist France: Léonora Miano, Camille Laurens, and Chick-Lit or Romances urbaines	1
Notes on Contributors	1
Attention Seeking: Tristan Tzara's Art Critical Prose Poetry	1
Notes on Contributors	0
L’Enfant entre soi-même et l’autre: l’écriture de la maladie et de la mort de l’enfant dans la littérature française contemporaine	0
Notes on Contributors	0
Voltaire, Derrida et les ruses de la raison	0
Kamel Daoud's Meursault, contre-enquête (2013) and Camus's L’Étranger (1942): from Postcolonial Remake to De-Narration	0
Back matter	0
The Impossibility of Logging Off: Technological Disconnection in Jean-Philippe Toussaint’s La Clé USB (2019)	0
Jean Rollin and Terroir: Return to Les Raisins de la mort	0
Precolonial Remains: Michèle Rakotoson and the Neo-Andevo Narrative	0
Becoming Édouard Louis and the Transmedial Social Novel	0
Sex Workers, Thinkers and Activists in France Today: A ‘Real’ Feminist Vanguard	0
Inspiration, Creation and Memory in Linda Lê’s Autres jeux avec le feu	0
The Long Twilight of French Marxism	0
De L'œil du savant au regard impudique dans La Curée	0
Le Malheur de Sophie et des autres: violences contre les petites filles dans l’œuvre romanesque de la comtesse de Ségur	0
Performing the Paradox in the Theatre of Tristan Tzara	0
Condé, Creation, Consumption and Cannibalism	0

Notes on Contributors	0
‘Working Girl’: Sex Work and Intersubjectivity in Georges Bataille's Madame Edwarda	0
Notes on Contributors	0
Notes on Contributors	0
Back matter	0
Rétif de La Bretonne's Lettre d’un singe (1781): Challenging Slavery through Hybridity and ‘spéculation imaginative’	0
Gisèle Pineau, or the Literary Voice of a Caregiver	0
Front matter	0
Notes on contributors	0
Introduction	0
Front matter	0
Vanessa Springora, Gabriel Matzneff and the Problem of Consent	0
Back matter	0
La Séparation tragique: les lieux et l’espace dans Médée, Bérénice et Ariane	0
An Oral History of the BUMIDOM	0
Open Your Ears, Paris Dada! Where Is Your Music Coming From?	0
Between Poetry and Music: Delavigne, Lamartine, De Musset and the Poetic Cantata	0
Introduction: The Twenty-First Century Social Novel in French	0
Zola and the Science of Painting	0
The Child Protagonist: Children’s Agency in International Children’s Rights Law and in Four Francophone African Novels	0
Back matter	0
Back matter	0
Pulling It Out of a Hat: Picabia, Lanson and Man Ray's Cover for Littérature	0
Nostalgia, Melancholy, Trauma: Backlash Postfeminism in Contemporary French Screen Romance	0
Le Défi des diaristes maghrébins: situations, contraintes et horizons de l’écriture journalière au Maghreb	0
Slavery with a Smile: Comedy, Memory and Historical Terror in Case départ (2011)	0
Sabine Macher et le chantier du poème	0
La Critique et le dépassement de la « méthode expérimentale » dans Thérèse Raquin	0
‘Sans offenser l'ordre’: Voice, Order, and Gender in Les Caquets de l'accouchée (1622)	0
La Foi expérimentale: Lourdes d'Émile Zola	0
Introduction: Keith Reader, 1945–2022	0
Back matter	0
Émile Zola and the Literary Language of Climate Change	0
Front matter	0
Visual Cultures of the Banlieues: Precarious Peripheries or Creative Centres?	0
Obéir pour se libérer: stratégies d’héroïsation dans le film Indigènes de Rachid Bouchareb	0
Reading Subjects Amidst Subjection in Jean D’Amérique’s Soleil à Coudre (2021) and Emmelie Prophète’s Les Villages de Dieu (2020)	0
Vampiric Masculinity. Rachilde's Le grand saigneur (1922) and the Writing of Gender Violence in Post-War France	0
Stepping into the Void? Examining the Political Trajectories of Cinema and Bande Dessinée in France	0
Hiding in Plain Sight: Intersectional Violence and Postfeminism in Chanson douce (2016) by Leïla Slimani	0
Front matter	0
Introduction	0
English Fiction in France: A Cross-Channel Dialogue at the Turn of the Twenty-First Century	0
‘Man Spekeþ, bere brayeþ’: The Zoopoetics of Bear Roaring and Silence in the Middle Ages	0
Red Threads: a ‘Left-Melancholic’ Walk Through Paris in Joseph Andras’s Au loin le ciel du sud (2021)	0
‘Quels sont les moyens de rendre plus politique un texte qui ne l’est pas assez?’ Nathalie Quintane’s Revolution as Game and Double-bind	0
Where Heaven Meets Hell: A Literary Representation of a Postcolonial Society in Priya Hein’s Riambel (2023)	0
Back matter	0
Notes on Contributors	0
Front matter	0

Introduction	0
Foreword: Hope Labour, Precarious Research, and the Future of French Studies	0
Les Écrivaines qui font recettes: discours critique par le livre pratique	0
Revisiting the Abject Phallus in a Post-#metoo/#balancetonporc World	0
Renoir's La Règle du jeu between Automata and the Phantasmagoria, or How to Show the Collapse of the European Enlightenment Project when Rational Truth-telling becomes Impossible	0
Artaud et l’expérience des langues: les glossolalies comme performance thérapeutique	0
Faire is the Heaven: Action and Utopia in Simone de Beauvoir’s Pyrrhus et Cinéas	0
Le Mariage heureux du féminisme et du néolibéralisme: pistes pour analyser une union récente	0
Le Journal avec et après Barthes: de l’écriture désœuvrée à l’écriture exposée	0
Réinventer le toucher dans La Démangeaison de Laurence Nobécourt	0
Notes on Contributors	0
Back matter	0
Jean-Luc Nancy and the Hospital: Imagining Clinical Environments of Strangeness and Multiplicity	0
Introduction: Diaries and the Question of Literature	0
Notes on Contributors	0
‘Unhinged Women’: Violence and Gender in Rachilde’s La Marquise de Sade (1887) and Eliza Clark’s Boy Parts (2020)	0
Front matter	0
Conceptualizing Linguistic and Cultural Identity among Breton and Arabic Users in Brittany	0
Reeling: Violence, Exploitation and Artistic Labour in Lola Lafon’s Chavirer (2020)	0
Demythologizing de Gaulle: History as Myth and Myth as Hermeneutic in France after Vichy and Algerian Independence	0
Guillaume des Autelz et Antoine Perrenot de Granvelle: l’exemple du Sonnet pour Estreine, un poème inédit	0
‘Il nous présenta de la liqueur’: An Alimentary Reading of Drinking, Manipulation and Education in Le Rideau levé, ou L’Éducation de Laure (1786)	0
Le Loup et les spectres: souverain et justice chez Derrida	0
Front matter	0
Winged Things: Insects and Birds as Flying Messengers in Céline Arnauld's Poetry	0
Catulle Mendès: écrivain du monstre, écrivain monstrueux	0
Front matter	0
Front matter	0
Annie Ernaux’s ‘Photojournal’ in Écrire la vie: Photo-Diaristic Archives as a Model of Life Writing	0
Front matter	0
Notes on Contributors	0
Introduction	0
Decidedly For and Against the Future: Dada and Other Arts for Life	0
Back matter	0
Back matter	0
« Exposer les tabous au grand jour » – théâtre politique (?) de Céline Delbecq	0
Front matter	0
Marivaux empiriste: la fiction comme expérience de pensée	0
‘Dans le tissage de la vie’: The Poetic Notebook as an Ecological Form of Exploration	0
Le Roman graphique face aux tragédies contemporaines: le cas de Lamia Ziadé et de Zeina Abirached	0
Croient or Croivent: French Language Commentary on Twitter	0
Introduction: Early-Career Voices in French Studies – The Articles	0
The Baby and the Bathwater? Bourdieu’s Critique of ‘Jacobin Ideology’ and the Neo-liberal Assault on Education	0
Writing Paris	0
Back matter	0
City Escapes: Around the World in Eight Free DaysRemembering Nick Hewitt	0
Medical Humanism or Scientia Sexualis? Building a Sexological Concept in Fécondité	0
Back matter	0
Maurice Blanchot: ‘Theorist’ of the Diary?	0
Le Journal romain 1985–1986 de Renaud Camus et la fétichisation du Journal	0
‘Les objets plus ou moins déformés’: Émile Zola’s Screen Theory of Representation and the Rougon-Macquart Cycle	0
Notes on Contributors	0