Notes and Queries

Article	Citations
The Faerie Queene’s Spelling in Context	2
Orlando’s Beard and Love Cures in As You Like It	2
William Poole (ed.), The Complete Works of John Milton. Volume XI: Manuscript Writings	2
A Further Echo of Studley’s Translation of Seneca’S Medea in Shakespeare’s Macbeth	1
A Previously Unnoticed Copy of the Articles of the Worshipful Company of Broderers, 1528	1
The Old English Pronoun Þæge: An Addendum to the Addendum	1
Skelton’s English Diodorus and the 1481 Edition of Poggio’s Latin Translation	1
Beowulf and the Southern Sun (Beowulf, 603b–06, 1965b–66a)	1
Co-Authorship in King John: Further Evidence	1
Cymbeline and Artistic Temptation in the ‘Aeolus’ and ‘Scylla and Charybdis’ Episodes of Ulysses	1
Winston Churchill and ‘Ye men of valour’: Sources and Corrections	1
‘Odium’ in John Gauden’s Political and Religious Pamphlets	1
Ben Jonson and Robert Browne of the Boar’s Head	1
Allen Walker Read's Lexical Evidence from Folk Epigraphy (1935) and the Obelisk Press	1
The Infernal Punishment of Livestock Thieves in an Anonymous Old English Homily and Redaction VI of the Visio Pauli	1
Old English Gǣsil in the Runic Inscription from King’s Somborne	1
Who is the Queen?	1
Suppressed Polemic in Thomas Stanley’s Cambridge Manuscript	1
Shifting Heads to Solve a Crux in Comedy of Errors	1
John Blanke’s Hat in the Westminster Tournament Roll	1
Rachel Crossland, Modernist Physics: Waves, Particles, and Relativities in the Writing of Virginia Woolf and D. H. Lawrence	1
A Formerly Untraced Comment by ‘Coleridge’ in an Article by W. B. Yeats, and Its Origin in Coventry Patmore’s Writing	1
‘Widow Dido’ and ‘Widower Aeneas’: Some Undeciphered Ribaldry in The Tempest	1
Four Unpublished George Henry Lewes Letters	1
Sources of Photographs in Jack London’s The People of the Abyss	1

The Expression to Fanny About	1
Thomas Carlyle and the London Library: Three Unpublished Letters	1
Pearl, Line 761: “Yor Worlde Wete”	1
Francis Williams and the Question of Translation	1
Anna Battigelli (ed.), Art and Artifact in Austen	1
Linguistic Change and Metre: A Reply	0
Mallecho or Malligo? A Crux in Hamlet Revisited	0
‘I Feeling Mine Too Much’: A Textual Crux in Edward Herbert’s ‘Parted Souls’	0
A Tale of Two Essays: The Inklings on the Alliterative Meter	0
Magic Chant in the ‘Old Man’s Lament’: A Reconsideration of Beowulf 2460B–2461A	0
Stephen Hawes and the Death of Henry VII	0
The Influence of Philip Massinger’s The Maid of Honour on The Roman Actor	0
Rotas Square Articles	0
Jib as a Verb: An Earlier Use and Disputed Etymologies	0
Paradise Lost’s ‘Sad Cure’ as a Source for Wallace Stevens’s ‘Cure Beyond Forgetfulness’ in ‘The Rock’	0
Supernaculum: Nashe’s Dog Latin for a Germanic Drinking Custom	0
‘Fro dedly synne we dyd hym schelve’: A Problematic Word in The Castle of Perseverance	0
Motto of Katherine Parr	0
Katharine Tynan as the Source of Lionel Johnson ‘Barstool’ Myth in Ezra Pound’s Hugh Selwyn Mauberley (1920)	0
Some Mislineations in Piers Plowman A: The End of the Line for Scribes and Editors	0
A Peasant Lessee of Seigniorial Cattle, 1359	0
An Unedited Version of the Medieval French Heraldic Oath	0
Chaucer’s Truth and Phillipps MS 11409: A Retraction	0
The Laurence Nowell Enigma: The Enquiries of Anthony Wood	0
The Influence of Ariosto’s Orlando Furioso on Fletcher and Massinger’s The Sea Voyage	0
Finding (or Not) An Educator for a Prince—On the Recent Discovery of a Missing Letter from Leonhard Euler	0
‘Maimed, and Deformed’: Shakespeare’s First Folio and Beaumont and Fletcher’s Philaster	0
The Diggers’ Song	0
The Identities of Henry More’s Correspondents in his Letters on Self-Love	0
Felbinger Not the Author of De Doctrina Christiana, Currently Attributed to Milton	0
Roger Daniel and the Printing of Francis Finch’s Friendship (1654)	0
Sidney’s ‘Dribbed Shot’: A Poetics of Hallucination?	0
A New Source for Centlivre’s The Beau’s Duel	0
Three 17th-Century Letters Clarify the Textual History of Scipio Lentulus’ History of the Waldensians	0
Plutarch’s Island of Saturn as a Source for The Tempest	0
Rӕdels Reconsidered	0
The Game Prisoner’s Base in Early Modern English Literature	0
Walter Charleton, Tobias Rustat, and St. John’s Hospital, Bath in 1667–8	0
Does Hamlet Allude to the Coronation of James I?	0
Juliet’s Age Reconsidered	0
The Influence of Pearl on Thom Gunn’s ‘Lament’	0
‘See/How I Convey My Shame Out of Thine Eyes’: Breathing Dramatic Life into an Ancient Proverb in William Shakespeare’s Antony and Cleopatra, III.xi.51-4	0
The Old English Name Oeric	0
A Note on Beowulf, lines 2460–2462A	0
Hubert Stogdon and Laurence Sterne: An Amplification	0
Bromborough, Brunanburh, and Dingesmere	0
Ironic Allusions to Hebrews 13:4 and Romans 11:16 in William Congreve’s The Way of the World, Act III, Scene XVIII	0
A Note on the Etymology of Dear	0
Bishop Butler’s Hybrid Moral Faculty and the Wisdom of Solomon	0
More About Moore: The Celebrated Worm Doctor and his Practice in London, 1699–1737	0

Bad Sheep: References to Brain Infections in the Cloud of Unknowing	0
Gradus ad Parnassum: Step or Steps?	0
Corrigendum to: Chardin and Vesalius’ Inhuman Interiorities	0
Corrigendum to: Beowulf and the Southern Sun (Beowulf, 603b–06, 1965b–66a)	0
‘Upon Grounde’: A Note on Alliterative Significance in Sir Gawain and the Green Knight	0
The Painter William Sheppard (fl. 1641–60) at the Hague in 1647	0
The Actor George Bentley at Rotterdam in 1646	0
A Document About Touring Players: A New Copy and A Reply	0
King John is Written by Shakespeare and Peele	0
‘In the Search of the Eastern Tongues’: John Donne’s Arabic Learning	0
Elizabeth Jane Weston’s Verses on the Death of Holy Roman Emperor Rudolf II	0
Vita & Selma: A Note on the Reception of Selma Lagerlöf in the English-Speaking World	0
Thomas Watson, Thomas Kyd, and the re-use of Ovid	0
A Manuscript of Swinburne’s ‘The Garden of Proserpine’	0
Dogberry, The Book of Job, and Gabriel Harvey	0
A Letter for Thomas Hoccleve?	0
An Alternative Interpretation of the Background of the Frontipiece to Walker’s Appeal	0
A Possible Source for William Shakespeare’s ‘The Phoenix and the Turtle’	0
Further Allusions to Marlowe in The Comedy of Errors	0
Andrew O. Winckles, Eighteenth-Century Women’s Writing and the Methodist Media Revolution: ‘Consider the Lord as Ever Present Reader’	0
Sir Gawain and Saint Julian the Hospitaller: An Overlooked Allusion	0
An Early Icelandic Attestation of ÞVeit ‘Thwaite’	0
Woman Rules: A Ghost Restoration Comedy	0
Fragments of the Middle English Prose Brut in the Raynham Archives	0
The Cross in London, British Library MS Harley 2253	0
Antoine-Joseph Dezallier D’Argenville and the “Natural History of Shells” Series in the Gentleman’s Magazine, 1755–1759: A Supplement to the Union List	0
Hair of the Dog	0
‘Now let the Strucken Deer go Weep’: What Does it Mean or Think?	0
The Mercian Rushworth Gloss as a Copy: Evidence from the Manuscript	0
The Oldest English Lawyer Joke? Guthlac A, l. 265a and Christ II, l. 733a	0
The Stylized Hedera in Cambridge, University Library, Kk.3.18	0
John Milton, Ambrose Barnes, and the Republic of Newcastle	0
Meanings Behind the Names of the ‘Fairies’ in Merry Wives of Windsor—An Explanation for ‘Bede’ and ‘Peane’ Leading to an Uncovering of Two Distinct Versions of the Taper-Trial Episode and a New	0
Sir Archibald Alison and The New English Dictionary	0
The Stylistic Unity of Arden of Faversham: Shakespeare, Thomas Kyd, and Pragmatic Markers	0
A Possible Identification of Dr Sylas Neville (1741–1840)	0
William Baldwin’s Beware the Cat: Some Further Light on Gregory Stremer	0
Richard Bovet’s PandæMonuim (1684) as Early Political Engagement With Paradise Lost	0
The Wives of the Actor Robert Reynolds (FL. 1616—Early 1640s)	0
Early Eighteenth-Century Anti-Mathematicism at the University of Cambridge	0
An Early Seventeenth-Century Reader of Samuel Daniel’s Philotas	0
The Limitations of Stylometry: Idiolect and the Authorship of Titus Andronicus	0
An Echo of Manilius’S Astronomica in Abraham Cowley’s Davideis	0
An Elegy for the Restoration Playwright, E. Polwhele?	0
Greek Anthology 7.311 and Three English Epigrams on Niobe	0
Gaimar’s Estoire des Engleis, Line 6460: What Gaimar did with the Books of the Welsh	0
Elizabeth Bronfen, Serial Shakespeare: An Infinite Variety of Appropriations in American TV Drama	0
The Half-Line Ferhđ Gefēonde in Old English Poetry, With a Note on Absolute Constructions	0
Milton’s Unblushing Roses	0
The Subject of John Gower’s Dicunt Scripture	0
Signets Reborn: H.D.’s Serpent-and-Thistle Signet Ring and Louvre Museum Item Number BJ 1212	0
‘For Whom the Bell Tolls’, John Donne, and William Perkins	0
A Previously Undiscovered Manuscript Version of a Herrick Poem	0
Horn Childe Lines 199 and 229: Þo or Þei	0
‘Rosalind’ and the Countess: The Newly Discovered Poetry of Marie Corelli (1854–1924)	0
Spies and Porters of the Mind in Andre Du Laurens’ Discourse of the Preservation of Sight	0
Attributions of Authorship in the Gentleman’s Magazine, 1818–1820: A Supplement to the Union List	0
Is There Sufficient Support for an Old English Strong Verb Getingan?	0
Jonson First Folio Copies in the Meisei Shakespeare Library	0
William Beckford’s Vathek and the American Book Trade	0
An Emily Dickinson Addressee Correctly Identified	0
Abdiel’s Preaching the Word ‘Out of Season’: An Allusion to 2 Timothy 4:2 in Milton’s Paradise Lost 5:850	0
The Medieval Origins of the Worm of Conscience in Shakespeare’s Richard III	0
A New Source for Philip Massinger’s The Great Duke of Florence (1627)	0
A Revised Chronological Scope for the National Archives’ Probate Inventory Series	0
The Venom-Repelling Ability of Italians in Robert Greene’s Notable Discouery of Coosenage	0
Frances Brooke’s The Siege of Sinope (1781): Sources and Historical Background	0
Shakespeare, Mantuan, and The Book of Sir Thomas More	0
Letters to Roden Noel	0
Some Corrections to the Periodical Publishing History of Marie Corelli (1854–1924)	0
The Camphor Case: The Identity of H. G. Wells’s Time Traveller	0
The Paper War between The Old Maid and The Connoisseur: Additional Exchanges	0
Dyed Cloth in the London Thornton Manuscript	0
‘Out of My Lord Orrerys Play Being Sauls Tragedy’: New Extracts in Manuscript, and an Old Attribution	0
Ralph Ellison’s Macbeth	0
George Henry Lewes’s Annotations of the Comedies in Charles Knight’s Shakspere, (2nd Edition, 1842–1844)	0
Evidence That Swift’s Drapier’s Letters were produced by Sarah Harding, not John Harding	0
Identifying ‘A Presbyter of the United Church of England and Ireland’	0
Was Shakespeare Cuckoo about Wrens?	0
An Unreported Chaucer Epitaph in English	0

Act Division and The Spanish Tragedy	0
Æstel and Divine Law	0
Did Chaucer Know Livy?	0
A Note on Old English Forpǣran and Middle English Forpēren	0
Marianne’s £2,000—‘I Am Sure I Am Not Extravagant in My Demands.’	0
Leonard Woolf on Selma Lagerlöf’s Mårbacka: The Reception of Lagerlöf in the English-Speaking World Part II	0
The Sources of Order and Disorder 8.369–382	0
The Politics of Prophecy in Mum and the Sothsegger	0
Andrew Hadfield, Lying in Early Modern English Culture: From the Oath of Supremacy to the Oath of Allegiance.	0
Books Received	0
A Source for the Satirised Vocabulary in Poetaster	0
George Meredith on ‘Killing One’s Darlings’	0
A Charm Against Thieves as a Textual Amulet	0
Refining the Date for an Emily Dickinson Letter	0
No Such Thing as Bad Publicity?: Confirmation of John Hampson’s Book Thieving	0
‘See, See, Where Christ’s Blood Streams in the Firmament’: Marlowe’s Recollection of a Corpus Christi Doomsday Pageant	0
The Hero in the Doorway: King Cynewulf of Wessex and His Analogues in Gesta Danorum	0
The Rope Dancers William and Thomas Peadle at Amsterdam in 1640	0
More on the Rope-Dancing Couple Jacob Hall (fl. 1670–1681/2) and Susanna Roy	0
Coining a Phrase: ‘My Two Cents’ Worth’	0
A Further Echo of George Herbert in Edward Benlowes’ Poetry	0
A Conjecture for Piers Plowman A.12.15	0
Bromborough, Brunanburh, and Dingesmere Revisited: A Response to Michael Deakin	0
The Authorship of Arden of Faversham	0
Cant in Henry Fielding’s Jonathan Wild	0
A Scandinavian Manuscript Witness to the 1405 Richard Scrope Execution Verses	0
BHL 2178: A New Source for Ælfric’s Life of Dionysius	0
Four Manuscript Pages of John Eliot’s Ortho-Epia Gallica	0
Trinity College Dublin MS 661 and the Attribution of ‘On Time’ to John Skelton	0
Titus Andronicus: Peele, Shakespeare, Peele	0
The Old Law Table and Arden of Feversham	0
William Wycherley’s The Gentleman Dancing-Master (1672): The First Black Teacher on the Early Modern Stage?	0
Thomas Ravenscroft: A Brief ‘Civil’ Discourse	0
Robert Frost and T. S. Eliot: A New Source for ‘Directive’	0
Possible Clarification for Two Previously Unidentified Dickinson References	0
‘Our Ingenious Correspondent at Dublin’: Was Andrew Caldwell the Gentleman’s Magazine’s ‘Jack Prancer’, et al., Architectural Contributor, 1784–1800?	0
Sir Samuel Tuke’s Brush With the Law, 1653–1654: New Evidence	0
Samuel Johnson’s Greek Epigram on the Duke of Marlborough	0
Fame, Civic Pageantry, and the Standard in Cheapside	0
The Early Years of David Bandinel, the Italian Huguenot First ‘Anglican’ Dean of Jersey (1620–1645)	0
The Treasonous Tailor: A Note on I II 22 of Macbeth	0
The Occasion of John Gower’s Unanimes Esse	0
New Life Records for Thomas Usk	0
LawIne 17: A Doubtful Emendation	0
The Flattering Milliner, Lost Play by William Combe, Discovered	0
The Franklin’s Tale and The Tempest Again	0
A Probable Allusion to Edward Gibbon in a Letter of Hugh Trevor-Roper	0
Richard Hearne’s Ros CŒli (1640): More Piracies, Including Felltham’s ‘True Happiness’/‘Upon the Vanity of the World’	0
A 1587 Deed and a 1606 Will Correct the Biography of John Studley, Tudor Poet, Translator and Cleric	0
Hekatompathia (1582) and Thomas Watson’s Edition of Petrarch	0
‘Nip Some Young Doom in the Bud’: An Allusion to Beckett’s All That Fall in Cormac Mccarthy’s Suttree	0
New Evidence About Tudor Royal Players, George and John Birche and Their Connection With James Burbage	0
A Surprising Misattribution to Rochester by Bragge	0
Old English Þisses swa mÆg in the Deor refrain	0
A Posy for a Wedding Ring in 1622	0
Notes on a Catholic Manuscript Compilation in Oxford, Bodleian Libraries MS. Rawl. 107 D	0
Ricardian Poetry in Florence Converse’s Long Will (1903)	0
Latches in Shakespeare	0
The Brood-Devouring Earth: A Possible Source for the First Quatrain of Shakespeare’s Sonnet 19	0
Chuck in Shakespeare’s Plays	0
Old English esa gescot(es) in the Charm for a Sudden Stitch	0
Augustine and Enjambment: A source for Hopkins’s term ‘rove over’	0
‘The Sun for Sorrow Will Not Show His Head’: Shakespeare’s Romeo and Juliet and Virgil	0
Middle English Shiteburgh ‘A Privy’	0
A Rude Note from Shaw	0
‘On Poesy or Art’: A Poisoned Chalice?	0
A List of Fifty Toponyms in Robert Burton’s The Anatomy of Melancholy	0
Bishops are 77 Times Better: ‘How Dumbar was Desyrd to be Ane Freir’, Lines 21–25	0
An Early Reference to Penelope Devereux as ‘Stella’	0
‘In the Ambush of my Name’: The ‘Parable of the Talents’ in Measure for Measure	0
‘The Flitting Phantoms of Iniquity’: A Spenserian Source for Nathaniel Hawthorne’s ‘Fancy’s Show Box: A Morality’ in the Ninth Canto of Book Two of The Faerie Queene	0
Life-Records of the English Antiquary John Fenn	0
Epistrophe and the ‘Lost Line’ in The Spanish Tragedy 20.7.23	0
John Wiltshire, Frances Burney and the Doctors: Patient Narratives Then and Now	0
A New Source of Inspiration for Virginia Woolf’s ‘Modern Novels’	0
Sorrow Renewed: The Wanderer and Psalm 38	0
Were the Annals of Winchester Dedicated to Adam of Dryburgh?	0
Thomas Carlyle’s Practice as Historian: Three Unpublished Letters	0
A Transplanted Camellia Tree: Amy Lowell’s Poetic Debt to Lafcadio Hearn	0
The Transformation of Falstaff in The Merry Wives of Windsor and his Allusion in 5.1.1-4 to the Treble Goddess	0
Xenophon in English: The Sources of William Barker’s Education of Cyrus	0
‘Our soul is like a kite’: A Poem Misattributed to Oscar Wilde	0
Enker (Sir Gawain and the Green Knight 150 and 2477)	0
The Etymology of Releet ‘Road Junction’	0
Into Thin Air: Shakespeare’s The Tempest and Virgil	0
An Unpublished Letter From Oscar Wilde to Florence West	0
Barclay’s Eclogues and the Mantuan-Commentary of Josse Bade	0
Letter from William Davison to Sir Christopher Hatton	0
Hugh Selwyn Mauberley and Henry James’s Preface to Rupert Brooke’s Letters from America	0
The Second Element of Campshed	0
Dryden, Rymer & The Interested Gods	0
The Origin of the Phrase ‘Will no one rid me of this turbulent priest?’	0
Caesura and Syntax in Piers Plowman A.10.210	0
Hawthorne’s Bonfire of the Vanities: The Possible Influence of Girolamo Savonarola in ‘Earth’s Holocaust’	0
An Old English Progenitor for Middle English Accusative his	0