Neophilologus

Article	Citations
The Germanic Onomasticon and the Etymology of Beowulf’s Name	7
Echoes of Eriugena in the Old English Boethius	4
Hopes Woven in Smoke: Reimagining Virgil’s Aeneid in Irene Vallejo’s El silbido del arquero	3
The Wanderer and the Legacy of Pathetic Fallacy	3
Correction to: La mujer disfrazada de hombre en el teatro de Shakespeare y Lope de Vega: articulación e implicaciones de un recurso dramático	2
Zur Realisierung der standardsprachlichen vokalischen Lautwandelprozesse des Frühneuhochdeutschen im Text der Hermannstädter Protokolle (1560–1565)	2
Homosexual Desire in the Poetry of Blai Bonet	2
Grendel’s Mother and the Women of the Völsung-Nibelung Tradition	2
A una flor nacida en una calavera: En torno al concepto de propagación contextual	2
Hear No Sievers, See No Sievers: Metrics and the Eddic Commentary Tradition	2
Julian of Norwich’s Mystic Vision as a Site for Rebuilding Societal Unity in the Aftermath of the Black Death	2
Sisterly Charity or Sisterly Venom in Rebekah Hyneman's "The Sister of Charity"?	1
Interplanetary Intimacy: Alien-Human Love in J.-H. Rosny aîné’s Martian Novels	1
The Invisibility of the Soul and the Rhetoric of Dissent: Conscience and the Wycliffite Heresy	1
Exciting Storms: Weather Phenomena as Catalysts of Chivalric Adventures	1
‘And You Shall Know That I am the Lord’: The Wanderer and the Book of Ezekiel	1
The Aesthetics of the Human Beast: A Comparative Study of Zola’s L’Assommoir, Galdós’ La Desheredada and Crane’s Maggie	1
The Six Ages of the World and Biblical Genealogy in Anglo-Saxon Encyclopaedic Notes	1
Mucho a la Majestad sagrada agrada: un soneto en eco en los cancioneros hispano-portugueses	1
Alcohol, Drunkenness, and Excess—Consumption and Transgression in European Medieval and Early Modern Literature	1
Análisis comparativo del Coro como personaje en tres tragedias griega y tres dramas españoles del Corpus DraCor	1
Andreas, Intertextuality, and Three Modes of Philology: Traditional, Oral, Digital	1
Constructions synonymiques dans Les mots comme marqueurs de l’idiostyle de J.-P. Sartre	1
Intertextual Potential and the Reader in the Bevis Tradition: Boeve de Haumtone, Bevis of Hampton and Beuve de Hantonne	1
New Ways of Identification: Black Diaspora and Memory in Caryl Phillips’s In the Falling Snow	1

Recuperating Ruíz de Alarcón: Los empeños de un engaño as Source Text for Calderón de la Barca and Sor Juana Inés de la Cruz	1
Ciencia y secularización en Las fuerzas extrañas, de Leopoldo Lugones	1
Glossing Aldhelm with Ælfric’s Grammar/Glossary	1
In Defence of Böðvarr bjarki	1
Beowulf and Ragnarǫk: A Reassessment	1
Herencia medieval y neologismo en el léxico cromático de textos historiográficos en el siglo de Oro según el Corpus diacrónico del español	1
Nature and the Supernatural in the Medieval and Early Modern Imagination	1
Nationalism and Memory in Europe: An Analysis of Robert Menasse’s Die Hauptstadt	1
Magic as Technological Dominion: John Dee’s Hydragogy and the Draining of the Fens in Ben Jonson’s The Devil is an Ass	1
Beans and Melons: Rousseau’s Vegetable Garden	1
Hawthorne’s New Pilgrim’s Progress and Antebellum America: Subversion and Containment in “The Celestial Railroad”	0
“von kindlichen Träumen belogen”: Joachim Ringelnatz’ (ent-)idealisierte Märchenwelt	0
The Heremod Digressions in Beowulf: A Reassessment	0
Stanza-Linking in Sir Gawain and the Green Knight: The Phenomenology of Narrative	0
Unthought Medievalism	0
The Criminal, the Advocate, and the Judge in 2 Samuel 13 and Tirso’s La venganza de Tamar	0
The Subversion of Francoist Rhetoric in Blas de Otero’s Pido la paz y la palabra	0
Un poema europeo en el romanticismo español: El bulto vestido del negro capuz (1835) de Patricio de la Escosura	0
Did Old English Verse Have a “Morphological” Metre?	0
A Hard-Boiled Hero in an Atomized World: Manuel Vázquez Montalbán’s El hombre de mi vida and Milenio Carvalho Lament Neoliberal Alienation	0
Die Poesie der Zukunft: August Otto-Walsters Poetik von Prekarisierung und Prekarität in Am Webstuhl der Zeit (1873)	0
Cervantes y los servicios de inteligencia: Espías e informantes en “La gitanilla”	0
Ways of Seeing Christ the Judge: The Iconography of Christ III and its Visual Context	0
Los escombros de la grandeza: García Márquez o las fabulaciones de la demencia	0
Cotidianidad y paseo en Los lugares de Elvio Gandolfo	0
Saturnine Texts and Parodic Sunrises: Don Quixote and Le Roman Comique	0
La herida que sangra en presencia de la amada: evolución de una imagen en la poesía renacentista, de Cetina a D’Aubigné	0
Wonders that Speak: Computing the Poetics of Wonder in the Old English Andreas	0
La poesía de Quevedo al margen del Parnaso: hacia una edición crítica y anotada de la “musa décima”	0
Exiles: Medieval Experiences of Isolation	0
Metaphors in the Muspilli	0
Presencia del Autor en el Narrador y el Protagonista de El recurso del método, de Alejo Carpentier	0
Beowulf 501b and the authority of Old English poetical manuscripts	0
The Pilgrim’s Carnivalesque: The Textual Chaucer and the Negation of Narration in The Canterbury Tales	0
Becoming-Animal in the Icelandic Sagas	0
La separación de los esposos vista por la mujer en la literatura caballeresca germánica y romance de la Edad Media: un análisis comparado	0
Hidden Hoards, Past Pains: Treasures, Ancestors, and Ghosts in Beowulf and in the Nibelungenlied	0
Puesta en escena y proxémica en Dido y Eneas de Cristóbal de Morales Guerrero	0
La opinión como fuente de autoridad en el Nuevo Mundo: el discurso de Gregorio García sobre el origen de los indígenas americanos	0
Misunderstanding, Misperception and Mistakes: The Logic of the Grail in Old French Arthurian Romance and Thomas Malory’s Tale of the Sankgreal	0
Emblematic Language: A Multilingual Perspective on Wulfstan’s English and Latin Baptismal Homilies	0
Adaptation, Autobiography, and Divine Passibility in Patience	0
Locating Anglo-Italian Communities in Bevis and the Naples Manuscript	0
Celestina’s Influence on La casa de Bernarda Alba	0
Subject, Interest, and Community in Lynn Nottage’s Sweat and Dominique Morisseau’s Skeleton Crew	0
“Savage” and “Medieval” in C. S. Lewis’s The Discarded Image	0
The Lonely Afterlives of Early English Queens	0
Correction to: The Animal Nurse in Late Medieval Narrative and its Relation to Genre	0
El proyecto de edición del Poema del Cid del Marqués de Pidal para la Real Academia Española	0
Paris’s Choice (1670) by Charles Davenant: A Seventeenth-Century Play Preserved in a University Manuscript Miscellany	0

Perfil revisado: Vicente Aleixandre, Antonio Machado y otros lectores de Carolina Coronado en la Edad de Plata	0
Unequal Equality: Sex, Adultery, and Female Domination in Hartmann von Aue’s Erec	0
Dante, American-Style: Seymour Chwast’s Graphic Adaptations of the Divine Comedy and European Literature	0
Óðinn as Cargo-God: a Suggestion from Beowulf	0
In Memoriam Hendrikus Theodorus Oostendorp (1927–2022)	0
Valor y recepción de la lírica cantable en las fábulas mitológicas de Lope de Vega	0
2103, le retour de l’Éléphant: la science-fiction utopique en dialogue avec l’Écologie	0
Cómo lograr el éxito con una reedición: 1964, el Ferdydurke de Sudamericana y Ernesto Sabato	0
Edward Garnett and Arnold Bennett: The Publisher’s Reader and a Budding Novelist	0
Physical and Figural Animals in Patrick Deville’s Peste & Choléra	0
“A certaine whorish brauery”: Silenced Women in the Middle Ages and the Early Modern Period	0
Self and the City in Maruja Torres’s La amante en guerra: Reconstituting Feminine Subjectivity in Beirut	0
Spectres of Virginia Woolf: Rhythmic and Heterotopic Haunting in “A Haunted House”	0
Gender Differences, Authority’s Discredibility, and Political Crisis: A Comparative Reading of Wang Shifu’s Xixiang Ji and Lessing’s Minna von Barnhelm	0
Depolarizing the Polarized: Elif Shafakʼs Three Daughters of Eve and Turkey	0
Correction to: Mucho a la Majestad sagrada agrada: un soneto en eco en los cancioneros hispano‑portugueses	0
The Animal Nurse in Late Medieval Narrative and its Relation to Genre	0
“Un estado de la conciencia contemporánea”: género y moral en La sirena negra de Emilia Pardo Bazán	0
Hemmed In and Stitched Up: The Sewing Machine in John Law's A Manchester Shirtmaker (1890)	0
“Arrojóse el mancebito/al charco de los atunes” de Luis de Góngora y la representación paródica del héroe-galán mitológico.	0
Transforming Attitudes Towards the Turk in Edward Ravenscroft’s Mamamouchi, or The citizen turn’d gentleman (1672) and Molière’s Le bourgeois Gentilhomme (1668)	0
Chambers of Consciousness and Houses of Life: Nietzschean Hermeneutics in Arthur Machen’s The Great God Pan	0
To and Fro Between Eros and Thanatos: What Where and the Death Drive	0
“Think on the Bludy Serk:” Allegory and Figura in Henryson’s Minor Poem	0
Sylvie, or the End of Romanticism	0
Virtuelle Metamorphosen - Zur Subversion der Selbstoptimierung in Kevin Kuhns Roman Hikikomori	0
Stylistic Change in Early Modern Spanish Poetry Through Network Analysis (with an Especial Focus on Fernando de Herrera’s Role)	0
Versteckter Dialog und Dialog-Replik in Saša Stanišićs Roman Wie der Soldat das Grammofon repariert (2006)	0
„Aber was, […] wenn es nicht so ist?“ Ambivalente Figurationen der Zeit in Daniel Kehlmanns ‚Mahlers Zeit‘	0
La connotación en la invención léxica cadia cuento «La Cadia» de Elisa Chimenti	0
The Battle of Brunanburh: The Lanchester Hypothesis	0
Robert Garnier et le thème de l’immortalité de l’âme: l’invention poétique du chant choral aux vers 1323–1377 de La Troade	0
Why Does Mary Weep? Emotion and Gender in Advent Lines 164–213 (Advent Lyric VII)	0
Refining Themselves into Existence: Reading Portrait with Terence Davies’ Filmic Portraiture	0
The Glossary in London, British Library, Harley 107, fol. 72v	0
Staging Religious Toleration: Pierre Corneille’s Polyeucte martyr (1643)	0
A Choice of Two: Structure and Literary Form in “Auðunar þáttr vestfirska”	0
Luis Alberto de Cuenca el Bárbaro: mitos, sagas y tradición germánica	0
Déclin et célébration du vivant dans l’écriture d’Émile Verhaeren	0
Life, Letters and Exile in Early Medieval England	0
The Role of Richard Hakluyt’s The Principall Nauigations (1589) in the Introduction and Dissemination of Spanish Loanwords in the English Language	0
Elizabeth Acevedo, Laura Esquivel, and the Politics of Multilingualism	0
The Purpose of Double Accenting in the Ormulum and a Possible French Connection	0
Glossing Abbo with Ælfric’s Grammar/Glossary	0
Guildeluëc and the Virgin Mary: Legitimizing the Abbess as Holy Mother	0
Cuerpos que se rebelan contra la violencia en la cuentística de Pardo Bazán	0
Correction to: Recuperating Ruíz de Alarcón: Los empeños de un engaño as Source Text for Calderón de la Barca and Sor Juana Inés de la Cruz	0
The Name of Thor and the Transmission of Old Norse poetry	0
Correction to: The Subversion of Francoist Rhetoric in Blas de Otero’s Pido la paz y la palabra	0
Un soneto olvidado de Calderón de la Barca para el Equilibrio cristiano político y moral de Gaspar Agustín de Lara (1680)	0
From Agnostic Heathen to Christian Convert: Trust in One’s Own Might and Main in the Viking Age	0
De France dulce m’unt tolud la flor”: On the Chanson de Roland and the Liber floridus	0
Vernacular Multilingualism. The use of French in Medieval Dutch Literature	0
The Prehistory of Frá Fornjóti ok hans ættmönnum: Connections with the Chronicon Lethrense and their Consequences	0
Lines of the Kingdom: Bloodshed and the Establishment of the Frankish Christian Identity in Chanson de Roland	0
El discurso fúnebre de Quevedo a la muerte del rey Gustavo Adolfo de Suecia: nuevos datos y manuscritos	0
La fantasma de Valencia y las comedias de Fiestas del jardín de Alonso de Castillo Solórzano: hipótesis de datación y circunstancias de representación	0
La Voz De La Hechicera: De La Narración Oral Al Registro Judicial	0
Las visionarias castellanas y la llegada de la Contrarreforma: el discurso y las emociones	0
Tense and Tension in Alice Munro’s “In Sight of the Lake”: A Cognitive Study	0
The Shropshire Redemption: John Audelay’s Carols, Repetition, and Confessional Authority	0
Multi-word Vernacular Formations in the Multilingual Durham Account Rolls	0
Effeminate Bodies, Individual Confusion and National Crisis: A Comparative Analysis of Robert Musil’s Die Verwirrungen des Zöglings Törleß and Yu Dafu’s “Boundless Night”	0
Form-Meaning Systematicity in Old English Alliterative Verse	0
Torture and Metamorphosis in Exeter Book Riddle 261	0
Scripted Revolution: Aspects of the Carnivalesque and Grotesque in Tirant lo Blanc and Curial i Güelfa	0
Hebban olla vogala: An Eleventh-Century Link Between Dutch and English Literary History	0
King Hygelac of the Geats: History, Legend, and Beowulf	0
The Old English Phoenix as a Model of Saintly Embodiment	0
Environnements nucléaires: imaginaire des centrales atomiques et perception du danger écologique dans le roman français contemporain	0
La Date de Composition de la Bible des sept Estaz du monde de Geufroi de Paris	0
Les devinettes des Adevineaux amoureux: hypothèses généalogiques et stratégies editoriales	0
Moses and Power: Mimetic Desire in Doris Lessing’s the Grass Is Singing	0
The Old English Pharaoh: A Neglected ubi sunt Poem	0
"Il y a un lutin dans le Bois aux Roches!": Formes et sens du merveilleux dans la série Johan et Pirlouit de Peyo	0
The Text of Bliss and Irony of the Object: The Sexual Ethics in Robbe-Grillet’s Later Novels	0
La traducción al español de las Questioni d’amore (Filocolo) de Boccaccio: del texto “vicioso” (Laberinto de amor) a la edición revisada (Trece cuestiones muy graciosas)	0
Speech and Translation in Patience	0
Window Women: A Way into Nineteenth-Century English Literature	0
Success is a Private Matter: Nabokov’s Christmas Stories	0

“Ningún lugar sagrado” de Rodrigo Rey Rosa: una ficción paranoica desde la diáspora centroamericana	0
“I Demand the Friendship of Zoroaster”: William Godwin and World Literature of Friendship	0
Chaucer’s Vision of the British Past: Literary Inheritance and Historical Memory in the Canterbury Tales	0
Man of the Theatre: Stage Performances of T. S. Eliot’s Work in Spain (1949–2016)	0
Una refundición moretiana de una comedia de Claramonte: El valiente justiciero y El rey don Pedro en Madrid	0
Ecophobia and Social Class Identity: An Ecocritical Approach to the Nature/Culture Divide in Oscar Wilde’s Fairy Tales “The Young King” and “The Star Child”	0