Music & Letters

Article	Citations
Instructions to Authors	2
Beethoven’s Conversation Books, iv: Nos. 32 to 43 (May 1823 to September 1823). Theodore Albrecht	2
How Sonata Forms: A Bottom-up Approach to Musical Form Yoel Greenberg	2
Nikolay Myaskovsky: A Composer and his Times Patrick Zuk	1
Instructions to Authors	1
What if the Artisans Knew What They Were Doing?	1
Authors of articles in this issue	1
‘Music & Letters’ Awards	1
Music Theory in Ethnomusicology . By Stephen Blum	1
The Indicative Mood: A Response to Margaret Bent	1
The Works of Kurt Weill: Transformations and Reconfigurations in 20th-Century Music. Ed. Naomi Graber and Marida Rizzuti	1
Tuning and Temperament: Practice vs Science, 1450–2020. Patrizio Barbieri	1
Instructions to Authors	0
On Minimalism: Documenting a Musical Movement. Kerry O’Brien and William Robin	0
Maistre Jan: La carriera di un cantore francese alla corte degli Este di Ferrara (1512–1538)	0
INSTRUCTIONS TO AUTHORS	0
Experimenting the Human: Art, Music, and the Contemporary Posthuman. By Douglas Barrett	0
J. S. Bach: The Organ Music. By George Stauffer	0
Borrowing from the Past: Scarlattian Phrase Structure, Type 2 Sonatas, and Phrygian Tonality in Isaac Albéniz’s Works	0
Songs Lost and Found: Katherine Philips’s ‘Pompey’s Ghost’	0
The Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions Serena Facci Michela Garda	0
Schubert’s String Quartets: The Teleology of Lyric Form. Anne M Hyland	0
Troubadour Texts and Contexts: Essays in Honor of Wendy Pfeffer. Edited by Courtney Joseph Wells, Lisa Shugert Bevevino, and Sarah-Grace Heller	0
‘You Get Words, You Play the Blues’: Towards A Melopoetics of Mercy Dee Walton’s ‘Have You Ever Been Out In the Country?’	0
The Comedians of the King: ‘Opéra-Comique’ and the Bourbon Monarchy on the Eve of Revolution Julia Doe	0

Changing Tunes: Narratives of Nation in South African Music-Themed Postage Stamps (1961–2015)	0
The Operas of Rameau: Genesis, Staging, Reception Graham Sadler Shirley Thompson Jonathan Williams	0
Authors of Articles in This Issue	0
Thomas Adès Studies. Edward Venn and Philip Stoecker	0
Return to Riemann: Tonal Function and Chromatic Music. By J. P. E. Harper-Scott and Oliver Chandler	0
Recipients of ‘music & letters’ awards	0
Instructions To Authors	0
Instructions to Authors	0
The Oxford Handbook of Music in China and the Chinese Diaspora	0
Monteverdi and the Marvellous: Poetry, Sound, and Representation. Roseen Giles	0
‘Music & Letters’ Awards	0
The Museum of Renaissance Music: A History in 100 Exhibits. Vincenzo Borghetti and Tim Shephard	0
The Aesthetic Legacy of Eduard Hanslick: Close Readings and Critical Perspectives , Ed. by Lee Rothfarb, Alexander Wilfing, and Christoph Landerer	0
The Bloomsbury Handbook of Music and Art Ed. by Sarah Mahler Kraaz and Charlotte de Mille	0
Authors of articles in this Issue	0
‘Music & Letters’ Awards	0
The Names of Minimalism: Authorship, Art Music, and Historiography in Dispute. Patrick Nickleson	0
Recent Titles	0
Mauro Giuliani at the Congress of Vienna: Musical Representations of Political Power and Conversation	0
Liszt in Context Joanne Cormac	0
The Songs of Jean Sibelius: Poetry, Music, Performance . By Gustav Djupsjöbacka	0
‘Artes Novae’	0
Medieval Polyphony and Song. Helen Deeming and Frieda van der Heijden	0
Music and Modernity in Enlightenment Spain. By Ana P. Sánchez-Rojo	0
Authors of Articles in This Issue	0
Times A-Changin’: Flexible Meter as Self-Expression in Singer-Songwriter Music. Nancy Murphy	0
The Oxford Handbook of the Hollywood Musical. Dominic Broomfield-McHugh	0
To the Editors of ‘Music & Letters’	0
Instructions to Authors	0
Kunst, Klang, Musik: Die Festkultur der europäischen Mächte im barocken Rom. Tobias C Weißmann	0
From Modes to Keys in Early Modern Music Theory. By Michael R. Dodds	0
Music and Death: Funeral Music, Memory, and Re-Evaluating Life. Ed. Wolfgang Marx	0
The Cambridge Companion to West Side Story By Paul R Laird and Elizabeth A Wells	0
Instructions to Authors	0
Verdi and the Art of Italian Opera: Conventions and Creativity. Steven Huebner	0
THE WESTRUP PRIZE	0
The Politicized Concert Mass (1967–2007): From Secularism to Pluralism . By Stephanie Rocke	0
Bach Reading Mattheson’s Critica Musica : The Second Version (1725) of the St John Passion	0
The Cambridge Companion to Music and Romanticism Benedict Taylor	0
A New Polyphonic Source from Sixteenth-Century Scotland	0
Musics with and after Tonality: Mining the Gap Paul Fleet	0
Tonality: An Owner’s Manual . By Dmitri Tymoczko	0
Les Modes du plain-chant . By Daniel Saulnier	0
Equal Temperament in the Eighteenth Century: The Ear versus Numbers . By Beverly Jerold	0
Indigenous Audibilities: Music, Heritage, and Collections in the Americaseh By Amanda Minks	0
Recent Titles	0
Music and the Making of Medieval Venice. By Jamie L Reuland	0
The Lyric Myth of Voice: Civilizing Song in Enlightenment Italy. Jessica Gabriel Peritz	0
The Westrup Prize	0
Collecting Music in Emigration? A Catholic Source of Sacred Songs with a Cantilena inhonesta from Early Hussite Bohemia	0

Poésie et musique à l’âge de l’Ars subtilior: Autour du manuscrit Torino BNU, J.II.9	0
Giacomo Puccini: Epistolario III, 1902–1904 . Ed. by Francesco Cesari and Matteo Giuggioli	0
Jules Massenet . By Jean-Christophe Branger	0
On African Music: Techniques, Influences, Scholarship . By Kofi Agawu	0
Manchester Beethoven Studies . Ed. by Barry Cooper and Matthew Pilcher	0
The Munich Court Chapel at 500: Tradition, Devotion, Representation . Ed. by Stefan Gasch	0
The Legacy of Elise Hall: Contemporary Perspectives on Gender and the Saxophone By Kurt Bertels and Adrianne Honnold	0
Networking Operatic Italy Francesca Vella	0
Socialist Laments: Musical Mourning in the German Democratic Republic Martha Sprigge	0
Early English Composers and the Credo: Emphasis as Interpretation in Sixteenth-Century Music. Wendy J Porter	0
Sounds of Apocalypse: Music in Poland under German Occupation. By Katarzyna Naliwajek	0
Music in the Flesh: An Early Modern Musical Physiology. Bettina Varwig	0
Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine. By Charles H. Cosgrove	0
‘Music & Letters’ Awards	0
Programming New Music against the Odds: Gabriel Pierné and the Concerts Colonne in Interwar Paris	0
Carmen à sa création: Une Andalousie âpre et fauve. By Hervé Lacombe Et Célestine Galli-Marié créa Carmen: Un féminicide à l’Opéra-Comique. By Patrick Taïeb	0
String Quartets in Beethoven’s Europe Nancy November	0
Music and Change in the Eastern Baltics before and after 1989. Rūta Stanevičiūtė	0
City of Song: Music and the Making of Modern Jerusalem. Michael A Figueroa	0
Vivre de la musique à Rome au XVIIIe siècle. Élodie Oriol	0
Chinese Whispers: Contextualizing the Finale of Messiaen’s Et exspecto	0
Mozart, Genius, and the Possibilities of Art. By Edmund J. Goehring	0
The Way of the Moderns: Six Perspectives on Modernism in Music Antoni Piza	0
From Ancient to Modern: Identifying Anglicanism in an Anglo-Jewish Hymnal	0
Transitions in Mid-Baroque Music: Style, Genre and Performance. Ed. by Carrie Churnside	0
Controlling Voices in Fourteenth-Century Salzburg: Singing and Identity in the ‘MÖnch von Salzburg’ Songs	0
Not just a Fairy Tale: Parody, Late Fascism, and Ghedini’s ‘La pulce d’oro’ (1940)	0
Music, Subjectivity, and Schumann Benedict Taylor	0
Xenakis Creates in Architecture and Music: The Reynolds Desert House. Roger Reynolds and Karen Reynolds	0
Three Odes with Orchestra By William Croft	0
Rubble Music: Occupying the Ruins of Postwar Berlin, 1945–1950 Abby Anderton	0
Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture Anthony R DelDonna	0
Alien Listening: Voyager’s Golden Record and Music from Earth Daniel K. L Chua and Alexander Rehding	0
The Voice of Virtue: Moral Song and the Practice of French Stoicism, 1574–1652. By Melinda Latour	0
Authors of Articles in this Issue	0
The Oxford Handbook of Music and the Middlebrow . Ed. by Kate Guthrie and Christopher Chowrimootoo	0
Musical Topics and Musical Performance. Ed. Julian Hellaby	0
Mediated Community and Participatory Blackface in Gillette Original Community Sing (CBS, 1936–1937)	0
Avant-Garde on Record: Musical Responses to Stereos . By Jonathan Goldman	0
Die verwitwete Frau Capellmeisterin Bach: Studie über die Verteilung des Nachlasses von Johann Sebastian Bach Eberhard Spree	0
Manuel de Falla’s El amor brujo, By Carol A Hess	0
Claiming Wagner for France: Music and Politics in the Parisian Press, 1933–1944. By Rachel Orzech	0
AUTHORS OF ARTICLES IN THIS ISSUE	0
Restoration Theatre Airs . Transcribed and edited by Peter Holman and Andrew Woolley	0
RECENT TITLES	0
The Songs of Clara Schumann. Stephen Rodgers	0
Tell It to the World: The Broadway Musical Abroad By David Savran	0
Noble Magnificence: Culture of the Performing Arts in Rome 1644–1740. Ed. by Anne-Madeleine Goulet and Michela Berti	0
Towards a History of the Eccentric Artist: Beethoven’s Bad Manners and the Lure of the Anecdote	0
Manuscript Albums and Their Cultural Context: Collectors, Objects, and Practices . Edited by Janine Droese and Janina Karolewski	0
From ‘L’Orlando Furioso’ to ‘Roland’: Lully and Quinault Reading Ariosto	0
The Operetta Empire: Music Theater in Early Twentieth-Century Vienna Micaela Baranello	0
Recipients of ‘Music & Letters Awards’	0
Schubert’s Workshop, i: Towards an Early Maturity . By Brian Newbould	0
Computing Taste: Algorithms and the Makers of Music Recommendation. By Nick Seaver	0
The State of Afterness: Contemporary Music in and about Israel. By Assaf Shelleg	0
Sundanese Reverberances: Untangling Contradictions about the Gamelan Spectacle at the 1889 Paris World’s Fair	0
Requiems by Giovanni Croce and Giovanni Rovetta: The Requiem Mass at St. Mark’s, Venice, in the Seventeenth Century. Jonathan R. J Drennan	0
From Servant to Savant: Musical Privilege, Property, and the French Revolution. Rebecca Dowd Geoffroy-Schwinden	0
Gaston Crunelle and Flute Playing in Twentieth-Century France	0
Interwar Symphonies and the Imagination: Politics, Identity, and the Sound of 1933 . By Emily MacGregor	0
The Edinburgh Companion to Literature and Music By Delia da Sousa Correa	0
Four Ways of Hearing Video Game Music . By Michiel Kamp	0
Opera and British Print Culture in the Long Nineteenth Century. Ed. by Christina Fuhrmann and Alison Mero	0
Sondheim in Our Time and His W. Anthony Sheppard	0
An Opera of Convenience: Musical Diplomacy and Nationalist Politics at the Barcelona Premiere of Amaya in 1934	0
‘MUSIC & LETTERS’ AWARDS	0
‘Booted, to Betoken’: Bonny Boots, Thomas Watson, and the Discovery of a New Oriana	0
Ancient and Modern in Eighteenth-Century British Music Criticism: The Contradictory Case of Henry Purcell’s Te Deum and Jubilate	0
The Partimenti of Giovanni Paisiello: Pedagogy and Practice Nicoleta Paraschivescu Chris Walton	0
Mapping Artistic Networks: Eighteenth-Century Italian Theatre and Opera across Europe Tatiana Korneeva	0
Non guardare nei miei Lieder! Mahler compositore orchestratore interpreteAnna Ficarella	0
Schubert’s Piano. Ed. by Matthew Gardner and Christine Martin	0
The Cambridge Companion to Serialism. Ed. by Martin Iddon	0
Waltzing across the ‘Great Divide’: Exploring Continuities of Art Music and Popular Musics through Convention-orientated Analysis	0
The Guitar: Tracing the Grain Back to the Tree . By Chris Gibson and Andrew Warren	0
Music and Postwar Transitions in the 19th and 20th Centuries . Ed. by Anaïs Fléchet, Martin Guerpin, Philippe Gumplowicz, and Barbara L. Kelly	0
Classical Music Futures: Practices of Innovation. Ed. by Neil Thomas Smith, Peter Peters, and Karoly Molina	0
Recipients of ‘Music & Letters Awards’	0
Lieder in America: On Stages and in Parlors. Heather Platt	0

The Gothic Imagination in the Music of Franz Schubert. By Joe Davies	0
The Music Trade in Regional Britain, 1650–1800 . Ed. by Stephanie Carter and Simon D. I. Fleming	0
Bedřich Smetana, Vltava . Commentary by Hugh Macdonald and Olga Mojžíšová	0
Said on Opera . Ed. by Wouter Capitain	0
Early Music in the 21st Century By Mimi Mitchell	0
Johann Sebastian Bach’s Goldberg Variations Reimagined By Erinn E Knyt	0
A Stuart Musician’s Conversion to Catholicism: Richard Dering and the Venerable English College, Rome	0
Instrumental Lives: Musical Instruments, Material Culture, and Social Networks in East and Southeast Asia By Helen Rees	0
L’Air italien sur la scène des théâtres parisiens (1687–1715) Barbara Nestola	0
The Etymology of the ‘English’ Cadence	0
Music and Encounter at the Mediterranean Crossroads: A Sea of Voices Ruth F Davis and Brian Oberlander	0
RECIPIENTS OF ‘MUSIC & LETTERS AWARDS’	0
Correcting the ‘grossest faults’: Charles Jennens and the Composition of Handel’s Messiah	0
Instructions to authors	0
Experiencing Sound: The Sensation of Being By Lawrence Kramer	0
Catholicism as Musical Discourse: The Reconversion of Women through Seventeenth-Century French Sacred Songs . By Catherine E. Gordon	0
Mozart’s Operas and National Politics: Canon Formation in Prague from 1791 to the Present. Martin Nedbal	0
Liszt Recomposed: Exploring Intertextual Fluidity in Song. By Nicolás J F Puyané	0
George Herbert and Early Modern Musical Culture. Simon Jackson	0
Recent Titles	0
Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution. David Charlton	0
Humour and Caricature in Nielsen’s Symphonies	0
Inca Music Reimagined: Indigenist Discourses in Latin American Art Music, 1910–1930. Vera Wolkowicz	0
Knowledge Building in Early Modern English Music Katie Bank	0
The Invention of Latin American Music: A Transnational History Pablo Palomino	0
God Gave Rock and Roll to You . By Leah Payne	0
Authors of Articles in this issue	0
The Life and Music of Elizabeth Maconchy. Erica Siegel	0
Vincenzo Bellini on Stage and Screen, 1935–2020. Ed. by Emilio Sala, Graziella Seminara and Emanuele Senici	0
Key Constellations: Interpreting Tonality in Film . By Táhirih Motazedian	0
Annali della stampa musicale romana dei secoli XVI–XVIII By Saverio Franchi; ed. by Orietta Sartori	0
Recent Titles	0
Opera as Hypermedium: Meaning-Making, Immediacy, and the Politics of Perception Tereza Havelková	0
Bach: The Cello Suites By Edward Klorman	0
Narrative and Robert Schumann’s Songs: A New Approach to the Romantic Lied . By Andrew H. Weaver	0
Anton Bruckner and the Reception of His Music: A History of Dichotomies and Controversies By Miguel J. Ramirez	0
The World of Sound as a Prison: Ideal and Actual Concepts of Music in the Writings of Huldrych Zwingli	0
Concerts and Cures at the Crichton Royal Institution, 1840–1860	0
Byrd Studies in the Twenty-First Century. By Samantha Bassler, Katherine Butler and Katie Bank	0
Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception. By Simon P Keefe	0
‘MUSIC & LETTERS’ AWARDS	0
The Evolution of Music: Human and Non-Human	0
Beethoven’s Dedications: Stories behind the Tributes Artur Pereira	0
Music and Identity in Twenty-First-Century Monasticism By Amanda J Haste	0
Reviewing the Situation: The British Musical from Noël Coward to Lionel Bart	0
Communication from the Editors	0
England’s Folk Revival and the Problem of Identity in Traditional Music. Joseph Williams	0
Evelyn Glennie: Sound Creator By Georgina Hughes	0
Correction to: The Works of Kurt Weill: Transformations and Reconfigurations in 20th-Century Music	0
Critical Exchanges: Handel and Slave-Trading Companies	0
Black Heritage and English Song: Amanda Ira Aldridge, ‘Domestic’ Music, and Transatlantic Networks (1866–1956)	0
E. M. Forster and MusicTsung-Han Tsai	0
Jazz Places: How Performance Spaces Shape Jazz HistoryKimberly Hannon Teal	0
Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing Emily Zazulia	0
Motets for Six and Eight Voices, Canons . By Ludwig Senfl. Ed. by Scott Lee Edwards, Stefan Gasch, and Sonja Tröster	0
Southside Impresarios: How Race Women Transformed Chicago’s Classical Music Scene By Samantha Ege	0
The Routledge Companion to Global Film Music in the Early Sound Era Ed. by Jeremy Barham	0
Gabriel Fauré, Catalogue des œuvres/Catalogue of works/Werkverzeichnis . By Jean-Michel Nectoux Gabriel Fauré, Iconographie .	0
Gallus Dressler: Complete Latin Motets. Ed. by Robert Forgács	0
‘Formalistic Freaks in Music’: ‘Ilya Golovin’, Shostakovich, and Zhdanovshchina for the Masses	0
Marchitelli, Mascitti e la musica strumentale napoletana fra Sei e Settecento. Guido Olivieri	0
The Music of Theology: Language – Space – Silence By Andrew W Hass, Laurens ten Kate and Mattias Martinson	0
The Oxford Handbook of Jewish Music Studies . Ed. by Tina Frühauf	0
Song, Landscape, and Identity in Medieval Northern France: Toward an Environmental History. By Jennifer Saltzstein	0
Devotional Refrains in Medieval Latin Song. By Mary Channen Caldwell	0
French Music in Britain 1830–1914 Paul J Rodmell	0
‘Innocent social delight’: Glee club life in Bath, 1782–1853	0
AUTHORS OF ARTICLES IN THIS ISSUE	0
Edward J. Dent: A Life of Words and Music. Karen Arrandale	0
‘MUSIC & LETTERS’ AWARDS	0
Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds. Bonnie Gordon	0
Hungarian “Gypsy-Band” Music in Vienna, 1850–1914: The Csárdás Craze	0
Delius and the Sound of Place. Daniel M. Grimley	0
Performing ‘Art for the People’: Politics, Spectatorship, and Schoenberg’s Music at the Berlin VolksbÜhne	0
The Italian Opera Singers in Mozart’s Vienna. Dorothea Link	0
Critical Exchanges: Handel and Slave-Trading Companies	0
The Cambridge Companion to The Magic Flute Ed. by Jessica Waldoff	0
AUTHORS OF ARTICLES IN THIS ISSUE	0
Music in Edwardian London. By Simon McVeigh	0
Critical Exchanges: Globalizing Comparative Musicology?	0
Bernhard Lang . By Christine Dysers	0
Opera in the Viennese Home from Mozart to Rossini. By Nancy November	0
Hidden Treasures: Cultural, Social, and Political Commentary in Mahler’s Songs from. Molly M Breckling	0
Instructions to authors	0
Cultures of the Popular in the Modern Hispanic World . Ed. by Alison Sinclair	0
Hans-Joachim Schulze, Commentaries on the Cantatas of Johann Sebastian Bach: A Selective Guide Translated by James A. Brokaw II	0
Beethoven’s Ninth Symphony: Rehearsing and Performing its 1824 Premiere . By Theodore Albrecht	0
Revisiting the Historiography of Postwar Avant-Garde Music. Anne-Sylvie Barthel-Calvet and Christopher Brent Murray	0
The Custodial History of the Sadler Partbooks (Oxford, Bodleian Library MSS Mus. e. 1–5)	0
Music’s Monisms: Disarticulating Modernism. Daniel Albright	0
Korngold in America: Music, Myth, and Hollywood . By Ben Winters	0
Congreve’s The Judgment of Paris : A New Source and a New Reading	0
Cardew’s Lessons: The Scratch Orchestra’s Amateur Democracy (1967–1973)	0
The Music of Leoš Janáček: Motive, Rhythm, Structure Zdeněk Skoumal Eastman Studies in Music	0
The Capitalist Imaginaries of Popular Music By Charles Fairchild	0