Music & Letters

Article	Citations
From ‘Chinese Music’ to ‘Guoyue’: Shanghai Musicians and Translated Traditionality, 1919–1937	4
Music As Extended Agency: On Notation And Entextualization IN Improvised Music	3
‘From the Totem to the Antenna’: Musique Concrète and the Universal at the end of the French Empire	3
Inside Arabic Music: Arabic Maqam Performance and Theory in the 20th Century. By Johnny Farraj and Sami Abu Shumays	2
Beethoven and Neefe—A Reappraisal	2
‘Somewhat of an affectation’: Bach, Vivaldi, and the Early Films of Pier Paolo Pasolini	2
The Joy of Playing, the Joy of Thinking: Conversations about Art and Performance. By Charles Rosen and Catherine Temerson; trans. by Catherine Zerner	2
‘For all are born to the Ideal’: Joseph Joachim and Bettina von Arnim	1
Music, Myth and Story in Medieval and Early Modern Culture. Ed. by Katherine Butler and Samantha Bassler	1
Fragmenting Monumentality: Discontinuity and Incompleteness in Mahler’S ‘Der Abschied’	1
Made in Italy, tailored for Danes: Giuseppe Sarti and Italian Opera in Copenhagen	1
Which Came First, the Demandes d’amours or the Jeu-Parti? Evidence from Oxford, Bodleian Library, MS Douce 308	1
The Musical Conductors’ Association: Collective Podium Power in Wartime Britain?	1
The Law and the Profits: Lewis Granom and the Royal Licence as a Form of Music Copyright Protection	1
Reading Creativity Forwards and Backwards: Process and Product Revisited with Herbert Von Karajan’s Legato Aesthetic and Hypermasculinity	1
Correcting the ‘grossest faults’: Charles Jennens and the Composition of Handel’s Messiah	1
Hidden Treasures: Cultural, Social, and Political Commentary in Mahler’s Songs from Des Knaben Wunderhorn. Molly M Breckling	0
Haydn’s Last Creative Period. Federico Gon.	0
Authors of articles in this issue	0
Musicology Without Heroes	0
Mediated Community and Participatory Blackface in Gillette Original Community Sing (CBS, 1936–1937)	0
Musical Genre and Romantic Ideology: Belonging in the Age of Originality. Matthew Gelbart	0
‘Music & Letters’ Awards	0
Henry Purcell (attrib.), Oh that my Grief was Throughly Weigh’dRebecca Herissone	0
Beethoven’s Conversation Books, iv: Nos. 32 to 43 (May 1823 to September 1823). Theodore Albrecht	0

Before the Baton: Musical Direction and Conducting in Stuart and Georgian Britain. By Peter Holman	0
The Oxford Handbook of Music and Medievalism. Ed. by Stephen C. Meyer and Kirsten Yri	0
Recent Titles	0
Between Copyist and Editor: Away From Typologies of Error and Variance in Trouvère Song	0
Antoine Reicha and the Making of the Nineteenth-Century Composer Fabio Morabito and Louise Bernard de Raymond	0
‘Music & Letters’ Awards	0
Christoph Willibald Gluck: Bilder, Mythen, Diskurse. Ed. by Thomas Betzwieser, Michele Calella, and Klaus Pietschmann	0
An Opera of Convenience: Musical Diplomacy and Nationalist Politics at the Barcelona Premiere of Amaya in 1934	0
Luigi Cherubini: A Multifaceted Composer at the Turn of the 19th Century. Massimiliano Sala	0
Oral and Written Transmission in the Early Jeu-Parti	0
Desire in Chromatic Harmony: A Psychodynamic Exploration of Fin de Siècle TonalityKenneth M Smith	0
Bach in the World: Music, Society, and Representation in Bach’s Cantatas. By Markus Rathey	0
Three Men of Letters: Arnold Schönberg, Alban Berg and Anton Webern, 1906–1921 Kathryn Puffett Barbara Schingnitz	0
‘Music & Letters’ Awards	0
Jews and Music-Making in the Polish Lands. Ed. by François Guesnet, Benjamin Matis, and Antony Polonsky	0
Michael Custodis and Arnulf Mattes (eds.), The Nordic Ingredient: European Nationalisms and Norwegian Music since 1905.Ina Rupprecht (eds.), Persecution, Collaboration, Resistance: Music in	0
Recent Titles	0
The Songs of Clara Schumann. Stephen Rodgers	0
Instructions to Authors	0
The Works of Kurt Weill: Transformations and Reconfigurations in 20th-Century Music. Naomi Graber and Marida Rizzuti	0
A Wayfaring Stranger: Ernst von Dohnányi’s American Years, 1949–1960. By Veronika Kusz	0
Richard Strauss in Context Morten Kristiansen and Joseph E. Jones.	0
Singing and Survival: The Music of Easter Island. By Dan Bendrups	0
Rancière and Music João Pedro Cachopo, Patrick Nickleson, and Chris Stover	0
Black Sea Sketches: Music, Place and People Jim Samson	0
An Unnatural Attitude: Phenomenology in Weimar Musical Thought Benjamin Steege	0
Prima Donna: The Psychology of Maria Callas Paul Wink	0
Opera after the Zero Hour: The Problem of Tradition and the Possibility of Renewal in Postwar West Germany Emily Richmond Pollock.	0
How Sonata Forms: A Bottom-up Approach to Musical Form Yoel Greenberg	0
German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Ed.Natasha Loges and Laura Tunbridge.	0
The Oxford Handbook of the Hollywood Musical. Dominic Broomfield-McHugh	0
Brahms’s A German Requiem: Reconsidering its Biblical, Historical, and Musical Contexts R. Allen Lott	0
The Oxford Handbook of Sound and Imagination Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard	0
Music and Philosophy in the Roman Empire Francesco Pelosi and Federico M Petruccci	0
Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik Michele Calella and Benedikt Lessmann	0
Tempo and Tactus in the German Baroque: Treatises, Scores, and the Performance of Organ Music Julia Dokter.	0
French Musical Life: Local Dynamics in the Century to World War II. Katharine Ellis	0
The Names of Minimalism: Authorship, Art Music, and Historiography in Dispute. Patrick Nickleson	0
Authors of Articles in This Issue	0
Monteverdi and the Marvellous: Poetry, Sound, and Representation. Roseen Giles	0
Dmitry Shostakovich Pauline Fairclough	0
‘Music & Letters’ Awards	0
Recent Titles	0
Music and Musicians at the Collegiate Church of St Omer: Crucible of Song, 1350–1550. Andrew Kirkman	0
Authors of Articles in this Issue	0
Edward J. Dent: A Life of Words and Music. Karen Arrandale	0
George Frederick Bristow Katherine Preston	0
‘Taken by the Devil’: The Censorship of Frank Wedekind and Alban Berg’s Lulu. By Margaret Notley	0
Recent Titles	0
Opera as Hypermedium: Meaning-Making, Immediacy, and the Politics of Perception Tereza Havelková	0

Instructions to Authors	0
The Search for Medieval Music in Africa and Germany, 1891–1961: Scholars, Singers, Missionaries Anna Maria Busse Berger	0
Authors of Articles in This Issue	0
Brahms’s Hungarian Dances and the Early ‘Csárdás’ Recordings	0
The Performance of Friendship: Paschal de L’estocart and His Circle at the University of Basel, 1581–1583	0
‘Allegri’s Miserere’ in the Sistine Chapel. By Graham O’Reilly	0
Bringing Heavenly Music Down to Earth: Global Exchange and Local Devotion at Segovia Cathedral, 1678	0
Beethoven: Variations on a Life Mark Evan Bonds	0
The Modern Brass Ensemble in Twentieth-Century Britain. By John Miller	0
Structural Dissonance Re-Imagined: The Finale of Elgar’s Violin Sonata, OP. 82	0
The Westrup Prize	0
Schoenberg’s Correspondence with Alma Mahler. Translated and edited by Elizabeth L. Kealey and Marilyn L. McCoy with Commentary by Elizabeth L. Kealey	0
Sounding the Past: Music as History and Memory. Ed.Karl Kügle.	0
Unsettled Scores: Politics, Hollywood, and the Film Music of Aaron Copland and Hanns Eisler. By Sally Bick	0
The Routledge Handbook to the Music of Alfred Schnittke Gavin Dixon	0
Jean Sibelius’s Violin Concerto Tina K Ramnarine	0
Die verwitwete Frau Capellmeisterin Bach: Studie über die Verteilung des Nachlasses von Johann Sebastian Bach Eberhard Spree	0
Transformation or Conformation? The English Broadside Ballad and the Playhouse, 1797–1844	0
French Music in Britain 1830–1914 Paul J Rodmell	0
The Malmariée in the Thirteenth-Century Motet. Dolores Pesce	0
‘Artes Novae’	0
Revisiting the Historiography of Postwar Avant-Garde Music. Anne-Sylvie Barthel-Calvet and Christopher Brent Murray	0
The Routledge Handbook to Music under German Occupation, 1938–1945: Propaganda, Myth and Reality. Ed. by David Fanning and Erik Levi	0
Bach’s Musical Universe: The Composer and his Work. By Christoph Wolff	0
Arthur Sullivan: A Life of Divine Emollient Ian Bradley	0
Authors of Articles in this Issue	0
Authors of Articles in this Issue	0
Tuning and Temperament: Practice vs Science, 1450–2020. Patrizio Barbieri	0
What Goes On: The Beatles, their Music and their Time. By Walter Everett and Tim Riley	0
Singing Cato: Poetic Grammar and Moral Citation in Medieval Latin Song	0
Authors of Articles in this issue	0
The Cambridge Companion to Rhythm. Ed. by Russell Hartenberger and Ryan McClelland	0
Recipients of ‘Music & Letters’ Awards	0
The Cambridge Companion to Wagner’s Der Ring des Nibelungen	0
Self-Quotation in Schubert: ‘Ave Maria’, the Second Piano Trio, and Other Works Scott Messing	0
Instructions to Authors	0
Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice. By Jane D. Hatter	0
Canonic Repertories and the French Musical Press: Lully to WagnerWilliam Weber Beverly Wilcox	0
Instructions to Authors	0
The Liber de tribus ordinibus: Identifying a Treatise Quoted in the Fourteenth-Century Commentum Oxoniense	0
Music in the Flesh: An Early Modern Musical Physiology. Bettina Varwig	0
Opera and Parody in Paris, 1860–1900 Clair Rowden	0
Authors of articles in this Issue	0
Aurélien de Réome: Musica disciplina Christian Meyer and Shin Nishimagi	0
Musical Exchange between Britain and Europe, 1500–1800: Essays in Honour of Peter Holman	0
Singers, Scores and Sounds: Making New Connections and Transforming Voices. Ellen Hooper	0
The Harmonious Musick of John Jenkins. Volume Two: Suites, Airs and Vocal Music. By Andrew Ashbee	0
‘Music & Letters’ Awards	0
Britten’s Donne, Hardy and Blake Songs: Cyclic Design and Meaning. Gordon Cameron Sly	0
Recipients of ‘Music & Letters Awards’	0
Authors of articles in this issue	0
Georges Auric: A Life in Music and Politics Colin Roust	0
Isaac Bickerstaff and Edward TomsLove in a Village: A Comic OperaBerta Joncus with Žak Ozmo and Vanessa L Rogers.	0
Greek and Latin Music Theory: Principles and Challenges. By Edward Nowacki	0
Bernstein and Robbins: The Early Ballets. Sophie Redfern.	0
Bach Studies: Liturgy, Hymnology, and Theology Robin A Leaver	0
Music and Moral Management in the Nineteenth-Century English Lunatic Asylum Rosemary Golding	0
Charles Ives and the Lied: Modelling in Ives’s Early German Song Repertory	0
Scoring the Hollywood Actor in the 1950s Gregory Camp	0
The Politics of Princely Entertainment: Music and Spectacle in the Lives of Lorenzo Onofrio and Maria Mancini Colonna. Valeria De Lucca.	0
Theorizing Affect in Mahler	0
The Fauré Song Cycles: Poetry and Music, 1861–1921Stephen Rumph	0
Authors of Articles in this Issue	0
OUP accepted manuscript	0
Controlling Voices in Fourteenth-Century Salzburg: Singing and Identity in the ‘MÖnch von Salzburg’ Songs	0
Music and the Identity Process: The National Churches of Rome and their Networks in the Early Modern Period M. Berti E. Corswarem.	0
Authors of articles in this Issue	0
Vivre de la musique à Rome au XVIIIe siècle. Élodie Oriol	0
Instructions To Authors	0
Music and Death: Funeral Music, Memory, and Re-Evaluating Life. Wolfgang Marx	0
Child Composers in the Old Conservatories: How Orphans Became Elite Musicians. By Robert O. Gjerdingen	0
Books Received	0
The Custodial History of the Sadler Partbooks (Oxford, Bodleian Library MSS Mus. e. 1–5)	0
England’s Folk Revival and the Problem of Identity in Traditional Music. Joseph Williams	0
Refiguring the Poetic Elegy in Music: The Rhetoric of Mourning in Parry’s Elegy for Brahms	0
Towards a History of the Eccentric Artist: Beethoven’s Bad Manners and the Lure of the Anecdote	0
Haydn and the Aesthetics of Naivety	0
That Jealous Demon, My Wretched Health: Disease, Death and Composers. By Jonathan Noble	0
Music Patronage in Italy Galliano Ciliberti	0
D’Oyly Carte: The Decline and Fall of an Opera Company Paul Seeley	0

Songs Lost and Found: Katherine Philips’s ‘Pompey’s Ghost’	0
Delius and the Sound of Place. Daniel M. Grimley	0
Songs for a Revolution: The 1848 Protest Song Tradition in Germany Eckhard John and David Robb	0
The Partimenti of Giovanni Paisiello: Pedagogy and Practice Nicoleta Paraschivescu Chris Walton	0
Liszt and Virtuosity Robert Doran	0
La sonata veneziana (1615–1655). Aurelio Bianco and Massimo Di Sandro.	0
Music in World War II: Coping with Wartime in Europe and the United States Pamela M Potter Christina Baade , and Roberta Montemorra Marvin	0
‘I have just written a song which came out of my soul’: Lay Music Production and the Death of President John F. Kennedy	0
Claiming Wagner for France: Music and Politics in the Parisian Press, 1933–1944. By Rachel Orzech	0
Bizet in Italy: Letters and Journals, 1857–1860 Hugh Macdonald	0
The Garden as Interior: Reading Schoenberg’s Gardens in Context	0
From Silence to Sound: Beethoven’s Beginnings. By Jeremy Yudkin	0
Beethoven and Bohemia: Dramaturgical and Political Aspects of ‘Fidelio’ Reception in Prague	0
The Mysterious Souls of Hellé and Debussy’s Toys	0
New Orleans and the Creation of Transatlantic Opera, 1819–1859. Charlotte Bentley	0
Resounding the Sublime: Music in English and German Literature and Aesthetic Theory Miranda Eva Stanyon.	0
Beethoven’s Dedications: Stories behind the Tributes Artur Pereira	0
Recipients of ‘Music & Letters’ Awards	0
Non guardare nei miei Lieder! Mahler compositore orchestratore interpreteAnna Ficarella	0
Roberto Gerhard: Re-appraising a Musical Visionary in Exile. Monty Adkins and Rachel E Mann	0
Listening to China: Sound and the Sino-Western Encounter, 1770–1839. By Thomas Irvine	0
Songs for ‘Great Leaders’: Ideology and Creativity in North Korean Music and Dance. By Keith Howard	0
Genealogies of Music and Memory: Gluck in the 19th-Century Parisian Imagination. Mark Everist	0
The Beethoven Syndrome: Hearing Music as Autobiography. By Mark Evan Bonds	0
Brahms’s Violin Sonatas: Style, Structure, Performance Joel Lester	0
Debating English Music in the Long Nineteenth CenturyJohn Ling	0
Recent Titles	0
La Maturation artistique de Debussy dans son contexte historique (1884–1902) François de Médicis	0
Staging Euridice: Theatre, Sets, and Music in Late Renaissance Florence. By Tim Carter and Francesca Fantappiè	0
Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London. By Cheryll Duncan	0
Instructions to Authors	0
Instructions to Authors	0
Critical Exchanges: Handel and Slave-Trading Companies	0
The Hum of the World: A Philosophy of Listening. By Lawrence Kramer	0
Singing the English: Britain in the French Musical Lowbrow, 1870–1904. By Hannah L. Scott	0
Ludwig van Beethoven: Streichquartett B-Dur Op. 130: Grande Fugue B-Dur Op. 133: Autograph. Ulrich Konrad.	0
Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century. By Megan Kaes Long	0
William Byrd: Eight Fragmentary SongsAndrew Johnstone	0
Creating a Tudor Musical Miscellany: the Mcghie/Tenbury 389 Partbooks	0
On Minimalism: Documenting a Musical Movement. Kerry O’Brien and William Robin	0
Correction to: The Works of Kurt Weill: Transformations and Reconfigurations in 20th-Century Music	0
George Frideric Handel Collected Documents Donald Burrows, Helen Coffey, John Greenacombe, and Anthony Hicks	0
The Cashaway Psalmody: Transatlantic Religion and Music in Colonial Carolina. By Stephen A. Marini	0
Musical Notation in the West James Grier	0
Music and Politics: An Introduction. By James Garratt	0
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania. Sarah Justina Eyerly.	0
REVIEWS: INDEX	0
The Combat of Tancred and Clorinda. Between Mannerism and the Baroque. By Pavel Sýkora	0
Medieval Polyphony and Song. Helen Deeming and Frieda van der Heijden	0
Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing Emily Zazulia	0
The Indicative Mood: A Response to Margaret Bent	0
Recent Titles	0
Tallis Kerry McCarthy.	0
Musicians’ Migratory Patterns: American–Mexican Border Lands. Ed. by Mauricio Rodríguez	0
Richard Wagner’s Essays on Conducting: A New Translation with Critical Commentary. Chris Walton.	0
Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland. Andrea F Bohlman	0
Hobrecht and His Singers Robert Nosow	0
The Songs of Fanny Hensel Stephen Rodgers	0
Music and Encounter at the Mediterranean Crossroads: A Sea of Voices Ruth F Davis and Brian Oberlander	0
Extreme Exoticism: Japan in the American Musical Imagination W. Anthony Sheppard.	0
Recent Titles	0
The Cambridge Companion to Wagner’s Der Ring des Nibelungen Mark Berry and Nicholas Vazsonyi	0
Compositional Process in Elliott Carter’s String Quartets: A Study in Sketches. By Laura Emmery	0
Lieder in America: On Stages and in Parlors. Heather Platt	0
Choreographing Sensibility: Innocence and Politeness in Haydn’s Hob. XVI: 40 and 42	0
Singing the News of Death: Execution Ballads in Europe 1500–1900. Una McIlvenna	0
‘Music & Letters’ Awards	0
The Stage Works of Philip Glass. Robert F. Waters	0
The Orient in Music—Music of the Orient Małgorzata Grajter	0
The Italian Opera Singers in Mozart’s Vienna. Dorothea Link	0
Renaissance Polyphony Fabrice Fitch	0
Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture Anthony R DelDonna	0
Rossini after Rossini: Musical and Social Legacy. Ed. by Arnold Jacobshagen	0
Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution. David Charlton	0
Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, BadiouSarah Hickmott	0
Instructions to authors	0
Authors of Articles in this Issue	0
The Cambridge Companion to Music in Digital Culture. Ed. by Nicholas Cook, Monique M. Ingalls, and David Trippett	0
Recent Titles	0
Quarrels on Harmonic Theories in the Venetian Enlightenment. Patrizio Barbieri.	0
Nikolay Myaskovsky: A Composer and his Times Patrick Zuk	0
Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine. By Charles H. Cosgrove	0
The Westrup Prize	0
Henry Purcell: Dido and Aeneas Bruce Wood	0
Postmodernity’s Musical Pasts. Ed. by Tina Frühauf	0
Writing about Polyphony, Talking about Civilization: Charles Burney’s Musical ‘Corns and Acorns’	0
Music, Subjectivity, and Schumann Benedict Taylor	0
Music in Twentieth-Century Oxford: New Directions. Robin Darwall-Smith and Susan Wollenberg	0
West Side Story, Gypsy, and the Art of Broadway Orchestration. By Paul R. Laird	0
Thomas Adès in Five Essays. Drew Massey.	0
Handling Tovey’s Bach	0
Julius Korngold: Atonale Götzendämmerung: Kritische Beiträge zur Geschichte der Neumusik-Ismen (Wien 1937). Erstveröffentlichung. Faksimile, mit Vorwort, Kommentar und Anmerkungen Arn	0
Gustav Mahler: The Arduous Road to Vienna (1860–1897). H.-L. de La Grange	0
City of Song: Music and the Making of Modern Jerusalem. Michael A Figueroa	0
The Cambridge History of Music Criticism. Ed. by Christopher Dingle	0