Music & Letters

Article	Citations
The Cambridge Companion to Rhythm. Ed. by Russell Hartenberger and Ryan McClelland	4
The Oxford Handbook of Music and Medievalism. Ed. by Stephen C. Meyer and Kirsten Yri	3
Jean Sibelius’s Violin Concerto Tina K Ramnarine	2
Brahms’s Violin Sonatas: Style, Structure, Performance Joel Lester	2
Resounding the Sublime: Music in English and German Literature and Aesthetic Theory Miranda Eva Stanyon.	2
Haydn’s Last Creative Period. Federico Gon.	2
Bizet in Italy: Letters and Journals, 1857–1860 Hugh Macdonald	1
Authors of Articles in this Issue	1
The Westrup Prize	1
Haydn and the Aesthetics of Naivety	1
Thomas Adès in Five Essays. Drew Massey.	1
Songs for a Revolution: The 1848 Protest Song Tradition in Germany Eckhard John and David Robb	1
Brahms’s Hungarian Dances and the Early ‘Csárdás’ Recordings	1
Recipients of ‘Music & Letters Awards’	0
Georges Auric: A Life in Music and Politics Colin Roust	0
Tallis Kerry McCarthy.	0
From Servant to Savant: Musical Privilege, Property, and the French Revolution. Rebecca Dowd Geoffroy-Schwinden	0
Béla Bartók in Italy: The Politics of Myth-Making. Nicolò Palazzetti	0
Instructions to Authors	0
Thinking in and about Music: Analytical Reflections on Milton Babbitt’s Music and Thought Zachary Bernstein	0
‘Music & Letters’ Awards	0
Recipients of ‘Music & Letters’ Awards	0
Listening to China: Sound and the Sino-Western Encounter, 1770–1839. By Thomas Irvine	0
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania. Sarah Justina Eyerly.	0
Coquettes, Wives and Widows: Gender Politics in French Baroque Opera and Theater. By Marcie Ray	0

The Portuguese Court’s Acquisition of Musical Scores from Italy in the Late Eighteenth and Early Nineteenth Centuries and the Fundo do Conde de Redondo	0
‘Mad Men’ as a Sonic Symptomatology of Consumer Capitalism	0
The Art of Mbira: Musical Inheritance and Legacy Paul F. BerlinerMbira’s Restless Dance: An Archive of ImprovisationPaul F. Berliner and Cosmas Magaya	0
Mozart’s Requiem in Pamplona (1844): Study and Music Edition / El Réquiem de Mozart en Pamplona (1844): Studio y edición musical. By Miguel Ángel Marín. Music edition by Aurelio Sagaseta	0
Christoph Willibald Gluck: Bilder, Mythen, Diskurse. Ed. by Thomas Betzwieser, Michele Calella, and Klaus Pietschmann	0
Correcting the ‘grossest faults’: Charles Jennens and the Composition of Handel’s Messiah	0
Debussy’s Critics: Sound, Affect, and the Experience of Modernism. Alexandra Kieffer	0
Alien Listening: Voyager’s Golden Record and Music from Earth Daniel K. L Chua and Alexander Rehding	0
Music As Extended Agency: On Notation And Entextualization IN Improvised Music	0
The Cambridge Companion to Music and Romanticism Benedict Taylor	0
We Have always Been Minimalist: The Construction and Triumph of a Musical Style Levaux Christophe	0
Opera after the Zero Hour: The Problem of Tradition and the Possibility of Renewal in Postwar West Germany Emily Richmond Pollock.	0
Interconfessional Implications: Printed Plainchant in the Wake of the Reformation	0
Beethoven and Greco-Roman Antiquity Jos van der Zanden	0
Not just a Fairy Tale: Parody, Late Fascism, and Ghedini’s ‘La pulce d’oro’ (1940)	0
Loutna česká. The Czech Lute: Urtext. Adam Michna z Otradovic. Compositiones, 14. Ed. Petr Daněk, Adam Viktora, and Tereza Daňková	0
Liszt in Context Joanne Cormac	0
On Minimalism: Documenting a Musical Movement. Kerry O’Brien and William Robin	0
Instrumental Teaching in Nineteenth-Century Britain. David Golby.	0
To the Editors of ‘Music & Letters’	0
Mahler’s Symphony No. 1 in the Centre and on the Periphery	0
Music’s Monisms: Disarticulating Modernism. Daniel Albright	0
Instructions to Authors	0
The Music of Peter Maxwell Davies. By Nicholas Jones and Richard McGregor	0
The Invention of Latin American Music: A Transnational History Pablo Palomino	0
Ludwig van Beethoven: A Very Short Introduction. Mark Evan Bonds	0
Sound Heritage: Making Music Matter in Historic Houses. Jeanice Brooks Matthew Stephens and Wiebke Thormählen	0
The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy. Larry Wolff	0
Singing the English: Britain in the French Musical Lowbrow, 1870–1904. By Hannah L. Scott	0
The Karl Muck Scandal: Classical Music and Xenophobia in World War I America Melissa D Burrage	0
Ars Antiqua: Music and Culture in Europe, c. 1150–1330. Ed.Gregorio Bevilacqua and Thomas B. Payne.	0
Sundanese Reverberances: Untangling Contradictions about the Gamelan Spectacle at the 1889 Paris World’s Fair	0
Experimenting the Human: Art, Music, and the Contemporary Posthuman. By G. Douglas Barrett	0
The Etymology of the ‘English’ Cadence	0
Requiems by Giovanni Croce and Giovanni Rovetta: The Requiem Mass at St. Mark’s, Venice, in the Seventeenth Century. Jonathan R. J Drennan	0
‘Artes Novae’	0
Le Métier du maître de musique d’Église (XVIIe–XVIIIe siècles): Activités, sociologie, carrières. Ed.Bernard Dompnier and Jean Duron.	0
‘Music & Letters’ Awards	0
‘Music & Letters’ Awards	0
Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds. Bonnie Gordon	0
The Beatles in Context. Ed. by Kenneth Womack	0
Aux origines des collections musicales de la Bibliothèque nationale de France (1680–1815). Ed. Laurence Decobert and Denis Herlin	0
Roberto Gerhard: Re-appraising a Musical Visionary in Exile. Monty Adkins and Rachel E Mann	0
Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550 Sarah Ann Long.	0
Singing Repentance In Lutheran Germany During The Thirty Years War (1618–1648)	0
Piano-Playing Revisited: What Modern Players Can Learn from Period Instruments. David Breitman.	0
Sounding Latin Music, Hearing the Americas. Jairo Moreno	0
The Folk: Music, Modernity, and the Political ImaginationRoss Cole	0
Recent Titles	0
‘Music & Letters’ Awards	0

City of Song: Music and the Making of Modern Jerusalem. Michael A Figueroa	0
After Debussy: Music, Language, and the Margins of PhilosophyJulian Johnson	0
The Operas of Rameau: Genesis, Staging, Reception Graham Sadler Shirley Thompson Jonathan Williams	0
E. M. Forster and MusicTsung-Han Tsai	0
Instructions To Authors	0
Music and Philosophy in the Roman Empire Francesco Pelosi and Federico M Petruccci	0
Manuscripts, Music, Machaut: Essays in Honor of Lawrence Earp. Ed Jared C Hartt	0
The Consolations of History: Themes of Progress and Potential in Richard Wagner’s Götterdämmerung Alexander H Shapiro	0
The Poetics of the Wise Fool in the Music and Letters of Ignatius Sancho	0
Stories of Tonality in the Age of François-Joseph Fétis Thomas Christensen	0
‘Formalistic Freaks in Music’: ‘Ilya Golovin’, Shostakovich, and Zhdanovshchina for the Masses	0
Instructions To Authors	0
George Herbert and Early Modern Musical Culture. Simon Jackson	0
Prima Donna: The Psychology of Maria Callas Paul Wink	0
Songs for ‘Great Leaders’: Ideology and Creativity in North Korean Music and Dance. By Keith Howard	0
Cardew’s Lessons: The Scratch Orchestra’s Amateur Democracy (1967–1973)	0
Popular Song in the Nineteenth Century Derek B Scott	0
Instructions to Authors	0
Both from the Ears and Mind: Thinking about Music in Early Modern England. By Linda Phyllis Austern	0
‘Music & Letters’ Awards	0
Authors of Articles in this Issue	0
Music and Politics: An Introduction. By James Garratt	0
Isaac Bickerstaff and Edward TomsLove in a Village: A Comic OperaBerta Joncus with Žak Ozmo and Vanessa L Rogers.	0
Music Publishing and Composers (1750–1850). Ed. by Massimiliano Sala	0
The Lyric Myth of Voice: Civilizing Song in Enlightenment Italy. Jessica Gabriel Peritz	0
The Museum of Renaissance Music: A History in 100 Exhibits. Ed. by Vincenzo Borghetti and Tim Shephard	0
A New Polyphonic Source from Sixteenth-Century Scotland	0
Rubble Music: Occupying the Ruins of Postwar Berlin, 1945–1950 Abby Anderton	0
Songs of Sacrifice: Chant, Identity, and Christian Formation in Early Medieval Iberia Rebecca Maloy	0
‘Music & Letters’ Awards	0
William Byrd: Eight Fragmentary SongsAndrew Johnstone	0
The Oxford Handbook of Music and Advertising Siu-Lan Tan Ron Rodman	0
Schoenberg as Analyst	0
The Origins and Ascendancy of the Concert Mass Stephanie Rocke.	0
Anthems and Politics in the Restoration Chapel Royal	0
Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London. By Cheryll Duncan	0
Instructions to Authors	0
The Operetta Empire: Music Theater in Early Twentieth-Century Vienna Micaela Baranello	0
Authors of Articles in this issue	0
Modes of Communication in Stravinsky’s Works: Sign and Expression. By Per Dahl	0
From ‘L’Orlando Furioso’ to ‘Roland’: Lully and Quinault Reading Ariosto	0
The Way of the Moderns: Six Perspectives on Modernism in Music Antoni Piza	0
‘Music & Letters’ Awards	0
Towards a History of the Eccentric Artist: Beethoven’s Bad Manners and the Lure of the Anecdote	0
Music and Instruments of the Elizabethan Age: The Eglantine Table Michael Fleming and Christopher Page	0
Unbinding Gentility: Women Making Music in the Nineteenth-Century South Candace Bailey.	0
‘MUSIC & LETTERS’ awards	0
Vaughan Williams. Eric Saylor	0
The Music of Leoš Janáček: Motive, Rhythm, Structure Zdeněk Skoumal Eastman Studies in Music	0
Authors of Articles in This Issue	0
Fragments notés: Paris, Archives Nationales et Solesmes, Abbaye Saint-Pierre. Laura Albiero and Christian Meyer	0
Noise as a Constructive Element in Music: Theoretical and Music-Analytical Perspectives. Mark Delaere	0
Ce que la musique fait à l’hypnose: Une relation spectaculaire au XIXe siècle. By Céline Frigau Manning	0
Authors of articles in this Issue	0
The Comedians of the King: ‘Opéra-Comique’ and the Bourbon Monarchy on the Eve of Revolution Julia Doe	0
String Quartets in Beethoven’s Europe Nancy November	0
Musics with and after Tonality: Mining the Gap Paul Fleet	0
Inside Arabic Music: Arabic Maqam Performance and Theory in the 20th Century. By Johnny Farraj and Sami Abu Shumays	0
The Strasbourg Cantiones of 1539: Protestant City, Catholic Music. Daniel Trocmé-Latter	0
The Fauré Song Cycles: Poetry and Music, 1861–1921Stephen Rumph	0
Socialist Laments: Musical Mourning in the German Democratic Republic Martha Sprigge	0
Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera Sean M Parr	0
A Stuart Musician’s Conversion to Catholicism: Richard Dering and the Venerable English College, Rome	0
Understanding the Old Hispanic Office: Texts, Melodies, and Devotion in Early Medieval Iberia. By Kati Ihnat Raquel Rojo Carrillo Emma Hornby, and Rebecca Maloy	0
With a Grace Not to Be Captured: Representing the Georgian Theatrical Dancer, 1760–1830 Michael Burden and Jennifer Thorp	0
Concerts and Cures at the Crichton Royal Institution, 1840–1860	0
Henry Purcell (attrib.), Oh that my Grief was Throughly Weigh’dRebecca Herissone	0
Music, Politics and Society in Ancient Rome. Harry Morgan	0
Music, Dance and Drama in Early Modern English Schools Winkler Amanda Eubanks	0
Beethoven’s Conversation Books Theodore Albrecht	0
Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain. Edited Roberta Montemorra Marvin	0
Granville Bantock (1868–1946): A Guide to Research. By John C. Dressler	0
Music and Change in the Eastern Baltics before and after 1989. Rūta Stanevičiūtė	0
The Malmariée in the Thirteenth-Century Motet. Dolores Pesce	0
The Cambridge Companion to Video Game Music Melanie Fritsch and Tim Summers.	0
Awangarda: Tradition and Modernity in Postwar Polish Music. Lisa Cooper Vest.	0
Gerald Finzi’s Letters, 1915–1956Diana McVeagh	0
The Event of Music HistoryJ. P. E Harper-Scott	0
Bach-Werke-Verzeichnis (BWV). Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian BachChristine Blanken, Christoph Wolff, and Peter Wollny	0
Beethoven and Neefe—A Reappraisal	0

Recent Titles	0
Jazz Places: How Performance Spaces Shape Jazz HistoryKimberly Hannon Teal	0
Jewish difference and recovering ‘commedia’: erich w. korngold’s ‘die tote stadt’ in post-first world war austria	0
Prokofiev’s Soviet Operas. By Nathan Seinen, The Operas of Sergei Prokofiev. By Christina Guillaumier	0
Verdi and the Art of Italian Opera: Conventions and Creativity. Steven Huebner	0
Shakespeare: Songs & Sonnets	0
The Songs of Fanny Hensel Stephen Rodgers	0
The Joy of Playing, the Joy of Thinking: Conversations about Art and Performance. By Charles Rosen and Catherine Temerson; trans. by Catherine Zerner	0
Networking Operatic Italy Francesca Vella	0
The Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions Serena Facci Michela Garda	0
The Ballad-Singer in Georgian and Victorian London Oskar Cox Jensen	0
Sounds, Ecologies, Musics. Aaron S Allen and Jeff Todd Titon	0
Critical Exchanges: Handel and Slave-Trading Companies	0
Song, Dance, and Sex: The Social Role of the Carole in Thirteenth-Century Clerical Thought and Vernacular Literature	0
Recent Titles	0
Genre beyond Borders: Reassessing Operetta. Ed. by Bruno Bower Elisabeth Honn Hoegberg, and Sonja Starkmeth	0
Representing Russia’s Orient: From Ethnography to Art Song Adalyat Issiyeva.	0
Beethoven Studies 4 Keith Chapin and David Wyn Jones	0
Borrowing from the Past: Scarlattian Phrase Structure, Type 2 Sonatas, and Phrygian Tonality in Isaac Albéniz’s Works	0
Schoenberg’s Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function Jack Boss	0
Postbop Jazz in the 1960s: The Compositions of Wayne Shorter, Herbie Hancock and Chick Corea. Keith Waters.	0
‘Somewhat of an affectation’: Bach, Vivaldi, and the Early Films of Pier Paolo Pasolini	0
Musical Exchange between Britain and Europe, 1500–1800: Essays in Honour of Peter Holman	0
Richard Strauss in Context Morten Kristiansen and Joseph E. Jones.	0
Instructions to authors	0
Henry Purcell: Dido and Aeneas. Robert Shay	0
Music, Modernity, and Publicness in India. By Tejaswini Niranjana	0
The Cambridge Companion to the Eroica Symphony. Ed. by Nancy November	0
Book Review	0
Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice. By Jane D. Hatter	0
Canonic Repertories and the French Musical Press: Lully to WagnerWilliam Weber Beverly Wilcox	0
La Musique religieuse en France au XIXe siècle: Le sentiment religieux entre profane et sacré (1830–1914) Nicolas Dufetel	0
Contextualizing Melodrama in the Czech Lands in Concert and on Stage Judith A Mabary	0
Recipients of ‘Music & Letters Awards’	0
‘Music & Letters’ Awards	0
What Goes On: The Beatles, their Music and their Time. By Walter Everett and Tim Riley	0
Singing Cato: Poetic Grammar and Moral Citation in Medieval Latin Song	0
From Ancient to Modern: Identifying Anglicanism in an Anglo-Jewish Hymnal	0
Performing ‘Art for the People’: Politics, Spectatorship, and Schoenberg’s Music at the Berlin VolksbÜhne	0
The World of Sound as a Prison: Ideal and Actual Concepts of Music in the Writings of Huldrych Zwingli	0
‘Music & Letters’ Awards	0
Recipients of ‘music & letters’ awards	0
Sondheim in Our Time and His W. Anthony Sheppard	0
The Partimenti of Giovanni Paisiello: Pedagogy and Practice Nicoleta Paraschivescu Chris Walton	0
The Law and the Profits: Lewis Granom and the Royal Licence as a Form of Music Copyright Protection	0
Mapping Artistic Networks: Eighteenth-Century Italian Theatre and Opera across Europe Tatiana Korneeva	0
The Liber de tribus ordinibus: Identifying a Treatise Quoted in the Fourteenth-Century Commentum Oxoniense	0
The Oxford Handbook of Western Music and Philosophy Tomás McAuley Nanette Nielsen Jerrold Levinson and Associate Editor Ariana Phillips-Hutton	0
Recipients of ‘Music & Letters Awards’	0
Music and the Sonorous Sublime in European Culture, 1680–1880 Sarah Hibberd and Miranda Stanyon	0
Times A-Changin’: Flexible Meter as Self-Expression in Singer-Songwriter Music. Nancy Murphy	0
Madama Butterfly/Madamu Batafurai: Transpositions of a ‘Japanese Tragedy’. Arthur Groos	0
Recent Titles	0
From ‘Chinese Music’ to ‘Guoyue’: Shanghai Musicians and Translated Traditionality, 1919–1937	0
Bach in the World: Music, Society, and Representation in Bach’s Cantatas. By Markus Rathey	0
Knowledge Building in Early Modern English Music Katie Bank	0
Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century. By Megan Kaes Long	0
Devotional Refrains in Medieval Latin Song. By Mary Channen Caldwell	0
Recent Titles	0
Minstrels and Minstrelsy in Late Medieval England. Richard Rastall with Andrew Taylor	0
Tuning and Temperament: Practice vs Science, 1450–2020. Patrizio Barbieri	0
Rethinking Mendelssohn. Ed. by Benedict Taylor	0
Changing Tunes: Narratives of Nation in South African Music-Themed Postage Stamps (1961–2015)	0
Instructions to Authors	0
Mozart’s Operas and National Politics: Canon Formation in Prague from 1791 to the Present. By Martin Nedbal	0
Waiting for Verdi: Opera and Political Opinion in Nineteenth-Century Italy, 1815–1848 Mary Ann Smart	0
Musical Topics and Musical Performance. Ed. Julian Hellaby	0
Fragmenting Monumentality: Discontinuity and Incompleteness in Mahler’S ‘Der Abschied’	0
Colonial Mobility and the Cultural Replication of British Music: Granville Bantock’s Australian Tour, 1938–1939	0
Authors of Articles in This Issue	0
Mahler in Context. Ed.Charles Youmans.	0
Songs at the Docks: Nicolas-Claude Fabri de Peiresc and Musical Entanglements in Seventeenth-Century Marseille	0
What the Ballad Knows: The Ballad Genre, Memory Culture, and German Nationalism. Adrian Daub	0
The Domestic Music Market and Musical Circulation in Two Late-Georgian Binders’ Volumes from the North-East of England	0
Recent Titles	0
The Works of Kurt Weill: Transformations and Reconfigurations in 20th-Century Music. Ed. Naomi Graber and Marida Rizzuti	0
Marimbo Chimes And The Wizard’s Monster Band: Music In Theatrical Magic Shows	0
Plagiarism and the Napoleonic Potpourri	0
The Life and Music of Elizabeth Maconchy. Erica Siegel	0
Instructions to authors	0
Made in Italy, tailored for Danes: Giuseppe Sarti and Italian Opera in Copenhagen	0
Samuel Barber: His Life and Legacy. Howard Pollack	0
L’Air italien sur la scène des théâtres parisiens (1687–1715) Barbara Nestola	0
Authors of Articles in this Issue	0
Kitty Clive, or the Fair Songster Berta Joncus	0
Early Sound Recordings: Academic Research and Practice. Edited Eva Moreda Rodríguez and Inja Stanović	0
‘Music & Letters’ Awards	0
The Music of Frederick Delius: Style, Form and Ethos. Jeremy Dibble	0
Charles Ives and the Lied: Modelling in Ives’s Early German Song Repertory	0
Boulez’s Formative Years: Two Labyrinths	0
Fruits of the Cross: Passiontide Music Theater in Habsburg Vienna Robert L Kendrick	0
Living Intimately with Loss: Embodied Memory in Nadia Boulanger’s Post-1918 Work of Mourning	0
Magician of Sound: Ravel and the Aesthetics of Illusion Jessie Fillerup	0
Maurice Ravel and the Poetics of Originality, 1907–14	0
Capturing the Zeitgeist: Dvořák’s Prague Debut and the Politics of Patriotism	0