Modern Language Review

Papers
(The TQCC of Modern Language Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Polemical Translation, Translating Polemic: Anne Dacier's Rhetoric in the Homer Quarrel0
Baroque Visions: Eugène Green's <em>La Sapienza</em> (2014)0
Defending the City in Pepetela's <em>O Tímido e as Mulheres</em>0
Volume Contents0
Borders, Bordering, and Irregular Migration in Novels by Dorothee Elmiger and Olga Grjasnowa0
Why Legs? On the Sources of Neruda's ‘Ritual de mis piernas’0
What is the EU Novel? Arche-Teleology, Queer Temporality, and the Contested Domain of Europe in Robert Menasse's <em>Die Hauptstadt</em> and Angela 0
An Alternative Geometry: <em>L'amica geniale</em> and the <em>Bildungsroman</em>0
Zola's Repetitions: On Repetition in Zola0
<em>Mais de quel roi parlez-vous, et de quel prince?</em> Sovereign Power, Freedom, and La Boétie's <em>La Servitude volontaire</em> in the 1580s0
Abstracts0
Front Matter0
At the Bard's Service: Italo Calvino's Anonymous Prefaces to Shakespeare0
‘Wite Þu me, werga’: The Old English <em>Soul & Body</em> in Literary-Historical Context0
Narrative Vortices: Accumulation, Dynamic Descriptions, and Narrativity in Gadda's <em>La cognizione del dolore</em>0
Architecture in Spanish Baroque Literature0
Key Themes of Ingmar Bergman's Cinema in Giuseppe Pontiggia's Writing0
Milton in his Letters: A Review Article0
The Gospel in the <em>Borgata</em>: Mario Cipriani in <em>Accattone</em>0
Front Matter0
Abstracts0
Redemption through Sin: Benjamin Stein's <em>Das Alphabet des Rabbi Löw</em> and the Heretical Dynamism of Contemporary German Jewish Literature and Identity0
‘the wind and I | Between us shared the world’: Reading Edward Thomas from a Daoist, Ecocritical Perspective0
A Scotian Reading of the Man of Law's Tale and the Clerk's Tale0
Abstracts0
Towards a History of the Emotions in Franco's Spain: Carmen Martín Gaite's <em>Ritmo lento</em> (1963)0
Death and Desire: Memories of Milena Jesenská in Jorge Semprún and Antonio Muñoz Molina0
The Pampas as Zero Landscape: Alexander von Humboldt, Johann Moritz Rugendas, and César Aira0
Abstracts0
Front Matter0
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‘Un homme marche dans la ville’: Parisian Flânerie and Jewish Cosmopolitanism in Patrick Modiano's <em>Dora Bruder</em>0
The Melancholic Complexion of Melibea0
Between France and Italy: Arthur's Parrot in <em>Le Conte du papegau</em>0
Back Matter0
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