Modern Language Quarterly

Papers
(The TQCC of Modern Language Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Close, but No Cigar4
Infinite Variety: Literary Invention, Theology, and the Disorder of Kinds, 1688–17302
The Words on the Screen: I. A. Richards as Media Theorist2
The Confessional Rite as an Apology for the Theater in Marivaux’s Utopian Plays1
The Queerness of Character-Details1
Climate and the Making of Worlds: Toward a Geohistorical Poetics1
Scaling the Detail: Woolfian Proportions1
Lost Causes: Auden’s “New Year Letter” and the Politics of Tone1
Radical Bildung, Revolutionary Pedagogy, and Left Weltliteratur (Goethe, Nizan, Ding, Godard)1
The Ends of Meter in Modern Japanese Poetry: Translation and Form1
Lu Xun’s Heteromodal Realism1
Aerial Environments on the Early Modern Stage: Theatres of the Air, 1576–16091
Cut/Copy/Paste: Fragments from the History of Bookwork1
The Diva’s Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata1
Middle English Medical Recipes and Literary Play, 1375–15001
Whose Resistance Theory?1
George Gissing Goes Out in Style: The Syntax of Class after 18901
Women’s Epistolary Rhetorics in Late Sixteenth-Century Venetian–Ottoman Diplomacy1
Ovid and the Liberty of Speech in Shakespeare’s England1
Botanical Poetics: Early Modern Plant Books and the Husbandry of Print1
Fair Copy: Relational Poetics and Antebellum American Women’s Poetry1
King Learand the Irony of Capacity1
Vagrancy in the Victorian Age: Representing the Wandering Poor in Nineteenth-Century Literature and Culture1
Recontextualizing “Radical Dislocation”0
Continental England: Form, Translation, and Chaucer in the Hundred Years’ War0
An Eastern Account of Goethe’s World Literature0
Introduction: Criticism Now0
The Unpicturesque; or, Wen Yiduo in Chicago0
Modern Humanities and the Ancient Book: Karl Kerényi’s Media Theory0
Notework: Victorian Literature and Nonlinear Style0
The Quotations We Value0
Hamlet, Horatio, and Love0
The Activist Humanist: Form and Method in the Climate Crisis0
Folly and Feeling: Jeanne d’Albret’s Ample Declaration (1569) and Epistolary Emotion0
Paranoia, Diversion, and Semblance in William Cowper0
Shameful Specters: Remembering Spanish Slavery in Àngels Aymar’s La Indiana0
Uncertainty and Understanding in the Early Modern English Theater0
Collective Understanding, Radicalism, and Literary History, 1645–17420
In the Church of Saint Jane: Literature, Lived Religion, and the Descriptive Turn0
Domestic Georgic: Labors of Preservation from Rabelais to Milton0
Biblical and Theological Literacy and Victorian Studies Today0
Scripts of Blackness: Early Modern Performance Culture and the Making of Race0
The Novel and the Problem of New Life0
Phantom Belief and Belief in Phantoms: The Strange Objects of Literary Study0
The Environmental Unconscious: Ecological Poetics from Spenser to Milton0
Extinction Panic: C. S. Lewis and Planetary Nihilism0
The Revolutionary Romanticisms of Mo Yan and Yan Lianke0
Shakespeare Unlearned: Pedantry, Nonsense, and the Philology of Stupidity0
Fellow-Traveling: Reading Su Manshu and Byron Across Lands and Seas0
The Dynastic Imagination: Family and Modernity in Nineteenth-Century Germany0
The Broom of the System: Literary Sociology, Contemporary Publishing, and Dan Sinykin’s Big Fiction0
The Aesthetic Commonplace: Wordsworth, Eliot, Wittgenstein, and the Language of Every Day0
Transnational Dante: Inventing Argentine Cultural Identity0
The Detail, Revisited: Editorial Introduction0
Hildegard von Bingen’s Scivias in Weimar Germany: Media Theory by Hand0
The Age of the Author: Print and Precocity in the English Renaissance0
The Mark of the Detail: Universalism, Type, Difference0
Rewriting the Literary Past: D. H. Lawrence and Geoff Dyer’s Antibiography0
The Kinky RenaissanceGlorious Bodies: Trans Theology and Renaissance Literature0
Keeping Faith with Literature0
Cotton Mather’s Spanish Lessons: A Story of Language, Race, and Belonging in the Early Americas0
Communities of Care: The Social Ethics of Victorian Fiction0
Late Romanticism and the End of Politics: Byron, Mary Shelley, and the Last Men0
Unmaking Sex: The Gender Outlaws of Nineteenth-Century France0
Fathers, Mothers, Saints, Martyrs: Religion as a Lineage of Belief0
Deep Time: A Literary History0
Queer Angels in Post-1945 American Literature and Culture: Bad Beatitudes0
Unseasonable: Climate Change in Global Literatures0
Culture and Language at Crossed Purposes: The Unsettled Records of American Settlement0
Old “New Media” and Literary Studies before 19600
Medical Storyworlds: Health, Illness, and Bodies in Russian and European Literature at the Turn of the Twentieth Century0
Beckett and Buddhism0
Cacaphonies: The Excremental Canon of French Literature0
The Natural Laws of Plot: How Things Happen in Realist Novels0
The Location of Experience: Victorian Women Writers, the Novel, and the Feeling of Living0
Letter Writing and the Female Self-in-Love in Early Modern Italy: Reshaping Gender in Isabella Andreini’s Lettere0
Avant-Garde Post–: Radical Poetics After the Soviet UnionThe Freest Speech in Russia: Poetry Unbound, 1989–20220
Minding Concepts0
Unsettling Ethnic Detail in Asian American Metafiction0
Pascal without Apology0
How to Talk about Religion and Literature: A Modest Proposal0
The Medium Is Not the Method0
New Ecological Realisms: Post-apocalyptic Fiction and Contemporary Theory0
The Lyre Book: Modern Poetic Media0
Dynamic Form: How Intermediality Made Modernism0
Novel Artifacts0
The Role of Religious Thought in Interdisciplinary “Law and Literature” Studies0
Containing the Unnamable0
Coterie Poetics and the Beginnings of the English Literary Tradition: From Chaucer to Spenser0
Joy of the Worm: Suicide and Pleasure in Early Modern English Literature0
It’s the End of the World and We Know It0
To Make Negro Literature: Writing, Literary Practice, and African American Authorship0
Unmoored: The Search for Sincerity in Colonial America0
Read Until You Understand: The Profound Wisdom of Black Life and Literature0
“Almost Worthless”: Edward Upward’s Failures0
“A Priest of the Eternal Imagination”: Modern Spiritual Authority in Joyce0
Obsessed with Translation: Bovaristic Reading of Translated Love Stories in Early Twentieth-Century China0
Subjects of Affection: Rights of Resistance on the Early Modern French Stage0
Did God WriteMoby-Dick?0
Resounding the Sublime: Music in English and German Literature and Aesthetic Theory, 1670–18500
Reading Christian Experience0
“To Consort with Eccentricities”: Edith Sitwell’s Eighteenth Century0
The Detail of Place and the Place of Detail0
From Carmenta to Justina: A Sketch of Female Readers in Early Modern European Prose0
To Detail a Dollhouse0
Modernism at the Beach: Queer Ecologies and the Coastal Commons0
The Science of Character: Human Objecthood and the Ends of Victorian Realism0
Structures All the Way Down: Literary Methods and the Detail0
On the Origins of the Witness-Protagonist0
Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature0
From “Gestural Language” to “Language Gesture”: André Jolles, Aby Warburg, and the Morphology of Mass Media0
The Burden of Rhyme: Victorian Poetry, Formalism, and the Feeling of Literary History0
Possible Knowledge: The Literary Forms of Early Modern Science0
Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England0
Close Reading/Mass Media: I. A. Richards’s Screen Tests0
The Fate of Progress in British Romanticism0
“Knowing Our Difference”: Class and the Literary Zombie0
Schools of Fiction: Literature and the Making of the American Educational System0
Evil in Exile: Fiction, Franzen, Faust0
Talking about Religion in Eighteenth- and Nineteenth-Century Studies0
Holy Digital Grail: A Medieval Book on the Internet0
Translation Effects: Language, Time, and Community in Medieval England0
Baroque Modernity: An Aesthetics of Theater0
Networking Print in Shakespeare’s England: Influence, Agency, and Revolutionary Change0
The Surface of the World: W. H. Auden and the Umwelt0
The Satisfactions of Satire: Neoliberalism, Populism, and the Dilemmas of Political Writing0
Who’s Afraid of Italo Svevo? Routes of European Modernism between Trieste and Virginia Woolf’s London0
In Praise of Idling: Johnson, Austen, and Literary Leisure0
Words about Words0
The Lithic Imagination from More to Milton0
Bad Blood: Staging Race between Early Modern England and Spain0
Glancing Visions: Surface and Depth in Nineteenth-Century American Literature0
A Useless Pyramid: Figure and Surplus in William Petty’s Treatise of Taxes0
Bonding Through Paper: Luisa de Carvajal y Mendoza and Sor Mariana de San José’s Lettered Community0
Wallace Stevens, Music Technology, and the Resonance of Poetry0
Stranger Fictions: A History of the Novel in Arabic Translation0
The Economy of Critical Attention: A Computational Analysis of Roland Barthes’s S/Z0
Justifying Sex in Arcadia0
Introduction to “A Web of Sentiments: Gender and Letter Writing in the Early Modern World”0
Worlds Woven Together: Essays on Poetry and Poetics0
Gender in an Early Modern Persian Epistolary Rant0
Aesthetic Historicism Now0
Working Critics0
Decolonizing Memory: Algeria and the Politics of Testimony0
Virginia Woolf, David Jones, and the Parenthetical Space of War0
Philology Goes to the Movies: The Task of the Critic in Kracauer and Auerbach0
The Permeable Self: Five Medieval Relationships0
The Decay of Singing: Remembering the Castrato0
Response to Review Forum on Criticism and Truth0
How to See Global Religion: Comparativism, Connectivity, and the Undisciplining of Victorian Literary Studies0
Digital Victorians: From Nineteenth-Century Media to Digital Humanities0
Losing the Plot: Film and Feeling in the Modern Novel0
Scorning the Gaze0
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