Modern Drama

Papers
(The TQCC of Modern Drama is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-02-01 to 2024-02-01.)
ArticleCitations
Matters of the Heart: The Poetics of Trauma in Harold Pinter’sAshes to Ashes4
Distributed Agencies in Dramatic Form: A Posthuman Perspective on Lucy Prebble’sThe Sugar Syndromeand Sarah Ruhl’sDead Man’s Cell Phone2
Space, Symbols, and Speech in Gurpreet Kaur Bhatti’sBehztiand Its Reception2
“You Can’t Be Here”: The Playwriting Dialectic in Ella Hickson’s Oil2
Ashley E. Lucas, Prison Theatre and the Global Crisis of Incarceration1
The Domestic Sphere as Counter-Surveillance in Lorraine Hansberry’s A Raisin in the Sun1
Migrant Deaths and European Revenants in Thomas Köck’santigone. a requiem(2019): Sophocles’ Tragedy Recomposed and Decomposed1
Intimacy and Isolation in Jen Silverman’s Gothic Worlds1
A Mother’s Touch: Ethics and Maternal Corporeality in Harold Pinter’s Mountain Language1
The Concept of the Concept Musical: Love Life, Cabaret, Company1
Femi Osofisan’s Evolving Global Consciousness in Four Adaptations1
Contemporary African-American Drama at Visuality’s Limits1
Shattering Normalcy: Disability and Queerness in Tennessee Williams’s One Arm1
Narrating Arab-American Transnational Identity in Leila Buck’s Hkeelee [Talk to Me]1
S.N. Behrman, Comedy, and the Extermination of the Jews: Broadway, Christmas Eve, 19341
Stacy Wolf. Beyond Broadway: The Pleasure and Promise of Musical Theatre across America.1
An Invitation from the Displaced: Refuge Restaged in The Jungle and As Far as My Fingertips Take Me1
Medals and Metals: Speculating Freedom in Suzan-Lori Parks’sFather Comes Home from the Wars1
Note1
“These People in This House”: Intermedial Approaches to Decentring the Domestic in Harold Pinter’s A Slight Ache and The Homecoming1
Performing the Other: Post-Humanism and Mediatized Senses in The Wooster Group’s Production of The Room1
Writing and Staging Our Latinx Stories: The Utopian Performative in Teatro Luna0
Matthew Franks. Subscription Theater: Democracy and Drama in Britain and Ireland, 1880–19390
Artaud’s Surgical Theatre: War, Medicine, and Regeneration0
S.E. Jackson, The Problem of the Actress in Modern German Theatre and Thought0
Rohan McWilliam. London’s West End: Creating the Pleasure District, 1800–1914.0
April Sizemore-Barber. Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation0
Daphne P. Lei, Uncrossing the Borders: Performing Chinese in Gendered (Trans)Nationalism0
Michael Malek Najjar, Middle Eastern American Theatre: Communities, Cultures, and Artists0
Julia A. Walker. Performance and Modernity: Enacting Change on the Globalizing Stage0
Joshua Chambers-Letson, After the Party: A Manifesto for Queer of Color Life0
Jesse Rae Archibald-Barber, Kathleen Irwin, and Moira J. Day, eds., Performing Turtle Island: Indigenous Theatre on the World Stage0
Kirsten E. Shepherd-Barr, ed., The Cambridge Companion to Theatre and Science0
The “Nature of Theatre”: Herder’s Pursuit of a Human Theatre0
Post-Auschwitz Dramaturgy: Toward the Later Edward Bond0
New Approaches to Harold Pinter0
La Donna L. Forsgren, Sistuhs in the Struggle: An Oral History of Black Arts Movement Theater and Performance0
Jeffrey K. Coleman. The Necropolitical Theater: Race and Immigration on the Contemporary Spanish Stage.0
Julius B. Fleming, Jr. Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation0
Lars Bernaerts and Jarmila Mildorf, eds. Audionarratology: Lessons from Radio Drama0
Zander Brietzke, Magnum Opus: The Cycle Plays of Eugene O’Neill0
Finding T.S. Eliot’s “Little Devils”: Marionettes and Sweeney Agonistes0
Ric Knowles. International Theatre Festivals and 21st-Century Interculturalism0
Deadly Pinter: Ghostly Precedents and New Possibilities for Staging0
“A Positive Statement of a Negative Thing”: Nietzschean Eternal Recurrence as Dramatic Form in Samuel Beckett’s Waiting for Godot0
Destined to Hope or Remorse: T.S. Eliot, Francis Bacon, and Their Furies0
“As Inspiring as the Muses, as Righteous as the Supreme Court”: The Trial of the Catonsville Nine and Jurisprudential Drama0
Touching Back while Black: Self-Defence and the Politics of Black US Citizenship in Paul Green’s In Abraham’s Bosom0
Penny Farfan and Lesley Ferris, eds. Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century.0
Dispute in the Diaspora: Metaphor and Contradiction in Twenty-First-Century Arab American Family Dramas0
Shepard’s Political Economy: Curse of the Starving Class in Neoliberal Capitalism0
Juliane Braun, Creole Drama: Theatre and Society in Antebellum New Orleans0
Founding Pedagogies of Modern Drama0
Foregrounding (Lost) Rituals in the Irish and Harlem Renaissances: John Millington Synge, Zora Neale Hurston, and the Transatlantic Gesture0
Between Paper and Performance: Suspicion, Race, and Casting inThe Piano Teacher0
Corey Wakeling. Beckett’s Laboratory: Experiments in the Theatre Enclosure0
Loren Kruger, A Century of South African Theatre0
Decolonizing Curriculum: Teaching the Twenty-First-Century Dramatic Canon0
“Imagination Is Now the World”: W.B. Yeats and the Staging of Visionary Experience0
Pausing on a Sunday: Sondheim and the Composition of the Secular in the American Musical0
Hana Worthen, Humanism, Drama, and Performance: Unwriting Theatre0
Sunny Stalter-Pace. Imitation Artist: Gertrude Hoffmann’s Life in Vaudeville and Dance0
Marissia Fragkou, Ecologies of Precarity in Twenty-First Century Theatre: Politics, Affect, Responsibility0
A Fan through the Ages: Layers of Adaptation in SITI Company’s Hanjo0
Thrill Me: Queerness, Spectatorship, and the Utopian Performative in South Korean Musical Theatre0
Martin Revermann. Brecht and Tragedy: Radicalism, Traditionalism, Eristics0
“Africa Claiming Her Own”: Unveiling Natural Hair and African Diasporic Identity in Lorraine Hansberry’s UnabridgedA Raisin in the Sun0
Magda Romanska and Kathleen Cioffi, eds., Theatermachine: Tadeusz Kantor in Context0
Candice Amich. Precarious Forms: Performing Utopia in the Neoliberal Americas.0
Sharell D. Luckett, David Román, and Isaiah Matthew Wooden, eds. Tarell Alvin McCraney: Theater, Performance, and Collaboration0
W.B. Yeats and the Delegated Voice:The Words upon the Window-PaneandA Full Moon in March0
Listening to Los Angeles in the Theatre of Anna Deavere Smith and Gabriel Kahane0
Liz Tomlin, Political Dramaturgies and Theatre Spectatorship: Provocations for Change0
Yana Meerzon, ed., Theatre and (Im)migration. New Essays on Canadian Theatre Series0
Ubu Roi in W.B. Yeats’s The Green Helmet and The Player Queen0
Diana Taylor, ¡Presente!: The Politics of Presence0
Matthew Sturgis. Oscar Wilde: A Life0
Outstanding Article Award for 20210
Sarah Mackenzie. Indigenous Women’s Theatre in Canada: A Mechanism of Decolonization0
Macelle Mahala. Black Theater, City Life: African American Arts Institutions and Urban Cultural Ecologies0
Stacie Selmon McCormick, Staging Black Fugitivity0
The “Supernatural Artist” and the Tarot Fool: Transnational Esotericism in W.B. Yeats’s On Baile’s Strand0
Front Matter0
Marlis Schweitzer. Bloody Tyrants and Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century0
Jennifer Buckley. Beyond Text: Theater and Performance in Print after 1900.0
The Indian in the Kitchen: Colonialism, Cultural Identity, and Food inAugust: Osage County0
Denise Varney, Patrick White’s Theatre: Australian Modernism on Stage, 1960–20180
Sarah Balkin, Spectral Characters: Genre and Materiality on the Modern Stage0
Christin Essin, Working Backstage: A Cultural History and Ethnography of Technical Theater Labor0
Alex Ferrone, Stage Business and the Neoliberal Theatre of London0
The Circumstances of Colour: The Jim Crow Translation of Jonny spielt auf0
Brent Salter. Negotiating Copyright in the American Theatre: 1856–19510
Nic Leonhardt. Theatre Across Oceans: Mediators of Transatlantic Exchange (1890–1925).0
Evert Sprinchorn. Ibsen’s Kingdom: The Man and His Works.0
Liesbeth Groot Nibbelink. Nomadic Theatre: Mobilizing Theory and Practice on the European Stage.0
Carolyn Williams, ed., The Cambridge Companion to English MelodramaChristine Gledhill and Linda Williams, eds., Melodrama Unbound: Across History, Media, and National Cultures0
Soyica Diggs Colbert, Radical Vision: A Biography of Lorraine Hansberry0
Katrina M. Phillips, Staging Indigeneity: Salvage Tourism and the Performance of Native American History0
Camilla Stevens, Aquí and Allá: Transnational Dominican Theater and Performance0
Performing the Elements in Indian Eco-Theatre: Deepan Sivaraman’s The Legends of Khasak0
Lawrence La Fountain-Stokes, Translocas: The Politics of Puerto Rican Drag and Trans Performance0
Marcia Noe. Three Midwestern Playwrights: How Floyd Dell, George Cram Cook, and Susan Glaspell Transformed American Theatre0
The Kindness of Strangers: Eugenics and Tennessee Williams’s A Streetcar Named Desire0
Josephine Lee. Oriental, Black, and White: The Formation of Racial Habits in American Theater0
Lisa Woynarski. Ecodramaturgies: Theatre, Performance and Climate Change0
Milija Gluhovic and Jisha Menon, eds., Performing the Secular: Religion, Representation, and Politics0
Bonnie Marranca. Timelines: writings and conversations0
Gustavo Rodríguez Martín, ed. Bernard Shaw and the Spanish-Speaking World0
Bradley Rogers. This Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance0
Christine Bold. “Vaudeville Indians” on Global Circuits, 1880s1930s0
Understanding Drama as Performance Texts: Teaching Gao Xingjian’s Plays of the 1980s0
Patricia Gaborik, Mussolini’s Theatre: Fascist Experiments in Art and Politics0
Shannon Walsh, Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout0
Alice Brown Takes on Social Insecurity:Joint Owners in Spain0
Patrick Lonergan, Irish Drama and Theatre since 19500
Onnagata, Grotesque Beauty, and Aging: Reading Tennessee Williams’s Kabuki-Inspired Plays0
The Politics and Ethics of Collective Memory and Forgetting in Christina Reid’s My Name, Shall I Tell You My Name?0
Meredith Conti and Kevin J. Wetmore, Jr. eds. Theatre and the Macabre0
Babak Rahimi, ed. Theater in the Middle East: Between Performance and Politics.0
Transculturation, Reclamation, and Adaptation: Approaches to Teaching Father Comes Home from the Wars0
Aparna Bhargava Dharwadker, ed.A Poetics of Modernity: Indian Theatre Theory, 1850 to the Present.0
Drew Lichtenberg. The Piscatorbühne Century: Politics and Aesthetics in the Modern Theater after 19270
“Something Is Happening”: Medical Realism and the Problem of Acting in Harold Pinter’sA Kind of Alaska0
A New Feminist Absurd?: Women’s Protest, Fury, and Futility in Contemporary American Theatre0
Catherine Cole. Performance and the Afterlives of Injustice0
Christopher Bigsby. Staging America: Twenty-First Century Dramatists0
Diana Looser. Moving Islands: Contemporary Performance and the Global Pacific0
Maria Shevtsova, Rediscovering Stanislavsky0
Dorinne Kondo, Worldmaking: Race, Performance, and the Work of Creativity0
Renata Kobetts Miller, The Victorian Actress in the Novel and on the Stage0
Bess Rowen. The Lines Between the Lines: How Stage Directions Affect Embodiment0
Revisiting HIV/AIDS Theatre: Black and Queer Spatio-Temporalities in Cheryl L. West’s Before It Hits Home0
Toward a Progressive Ethics of Shamelessness: Heresy and Affect in Bernard Shaw’s Saint Joan0
Mary Mcavoy, Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century0
Patrick Maley, After August: Blues, August Wilson, and American Drama0
Tavia Nyong’o. Afro-Fabulations: The Queer Drama of Black Life.0
Hermione Lee, Tom Stoppard: A Life0
Jean-Michel Rabaté, ed. The New Samuel Beckett Studies.0
Battering Rams at the Bastille: Rewriting the Drama of the New in Gordon Bottomley’s Gruach0
Staging Socrates: The Public Intellectual and Democracy in Maxwell Anderson’sBarefoot in Athens0
Mala Renganathan and Arnab Bhattacharya, eds. Rabindranath Tagore’s Drama in the Perspective of Indian Theatre0
Max Shulman and J. Chris Westgate, eds., Performing the Progressive Era: Immigration, Urban Life, and Nationalism on Stage0
Esther Kim Lee. Made-Up Asians: Yellowface During the Exclusion Era0
“American Homespun Fascists”: Seán O’Casey and the Returning Veteran at the American Negro Theatre0
Soyica Diggs Colbert, Douglas A. Jones, Jr., and Shane Vogel, eds. Race and Performance after Repetition.0
David Clare, Fiona Mcdonagh, and Justine Nakase, eds. The Golden Thread: Irish Women Playwrights, 1716–20160
Note0
“Heredity, Heredity!”: Recovering Henry James’s The Reprobate in Its Scientific and Theatrical Contexts0
Galina Kiryushina, Einat Adar & Mark Nixon, Samuel Beckett and Technology0
Joseph Cermatori. Baroque Modernity: An Aesthetics of Theater0
Kareem Khubchandani. Ishtyle: Accenting Gay Indian Nightlife.0
Teaching Ayad Akhtar’s Disgraced: Navigating Islamophobia and Orientalism in the Drama Classroom0
Miguel Escobar Varela, Theater as Data: Computational Journeys into Theater Research0
Hélène Lecossois. Performance, Modernity and the Plays of J.M. Synge0
Peter Dickinson, C.E. Gatchalian, Kathleen Oliver, and Dalbir Singh, eds., Q2Q: Queer Canadian Theatre and Performance0
Rethinking the Refugee Experience in Verbatim Theatre: Hospitality and Translation in Jessica Blank and Erik Jensen’s Aftermath0
“This Could Go On Forever”: Rethinking the End in Suzan-Lori Parks’s Apocalyptic Dramas0
Ibsen Postcards / Postcard Ibsens: Domesticating Modernism0
Elizabeth Brewer Redwine. Gender, Performance, and Authorship at the Abbey Theatre0
Jessica Nakamura. Transgenerational Remembrance: Performance and the Asia-Pacific War in Contemporary Japan.0
Sonali Pahwa, Theaters of Citizenship: Aesthetics and Politics of Avant-Garde Performance in Egypt0
Dance Nationand Its Representational Challenges0
“The Point Is, You Don’t Seem to Have Learnt Anything”: Reimagining J.B. Priestley’sAn Inspector Callsas a BrechtianLehrstückfor the Middle Classes0
Lindsay Brandon Hunter, Playing Real: Mimesis, Media and Mischief0
Paul Rae, Real Theatre: Essays in Experience0
Tom Stoppard and the Darkside of Drama, Theatre, and Philosophy0
Teaching The Colored Museum and Its Doubles: Black Queer Theatrical Aesthetics in Bootycandy and Ain’t No Mo’0
Gendered Violence and NeoliberalDesaparecidosin Luis Cano’sSocavón0
Outstanding Article Award for 20220
Jesse Gardiner. Soviet Theatre during the Thaw: Aesthetics, Politics and Performance0
Sergio Blanco’s Tebas Land: Staging an Authentic Fiction0
In Memoriam0
Black Indigeneity and Anti-Colonial Rebellion in Eugene O’Neill’sThe Emperor Jones0
Joanne Tompkins, Julie Holledge, Jonathan Bollen, and Liyang Xia. Visualising Lost Theatres: Virtual Praxis and the Recovery of Performance Spaces0
In Memoriam: Eric Bentley (1916–2020)0
Takeo Rivera. Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity0
Exhibiting the Nation: Identity and (Post)colonial Aesthetics in Hannah Khalil’s A Museum in Baghdad0
Barry Day, ed. Noël Coward on (and in) Theatre0
Yeats’s Doll and Donkey: Alienating theUpanishadsinThe Herne’s Egg0
Andrés Pérez-Simón, Baroque Lorca: An Archaist Playwright for the New Stage0
Learning to Love Medea: The Hungry Woman, Mojada, and the Pedagogy of Adaptation0
Theresa J. May. Earth Matters on Stage: Ecology and Environment in American Theater.0
Examining Martin Crimp’s Political Aesthetic inThe CountryandThe City0
Shannon Jackson. Back Stages: Essays across Art, Performance, and Public Life0
Michael D’alessandro. Staged Readings: Contesting Class in Popular American Theater and Literature, 1835750
Nicholas Ridout, Scenes from Bourgeois Life0
Barry Houlihan. Theatre and Archival Memory: Irish Drama and Marginalised Histories, 1951–19770
“A Terrible Art of Sharp-Shooting at the Audience”: Teaching the Shock of Modernist Drama via the Play of Ideas0
Christopher Morash, Yeats on Theatre0
Patricia Herrera. Nuyorican Feminist Performance: From the Café to Hip Hop Theater0
Sean Metzger, The Chinese Atlantic: Seascapes and the Theatricality of Globalization0
David Kornhaber. Theatre & Knowledge0
Jewish Immigrant Theatre and the Argentinean Avant-Gardes: The Case ofIbergusin 1926 Buenos Aires0
Rashna Darius Nicholson, The Colonial Public and the Parsi Stage: The Making of the Theatre of Empire (1853–1893)0
Clifford Mason, Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun0
Shana Redmond. Everything Man: The Form and Function of Paul Robeson.0
Michael Mckinnie. Theatre in Market Economies0
Olga Taxidou. Greek Tragedy and Modernist Performance: Hellenism as Theatricality0
Ruhls of the House: Surreal Spaces for Queer Homes in the Plays of Sarah Ruhl0
Clark Lunberry and Joseph Roach, eds., The Very Thought of Herbert Blau0
Chekhov, Boredom, and Pathology as Dramatic Technique0
Marcus Cheng Chye Tan and Charlene Rajendran, eds., Performing Southeast Asia: Performance, Politics and the Contemporary0
Jennifer Wallace, Tragedy since 9/11: Reading a World Out of Joint0
Kristin Gjesdal, The Drama of History: Ibsen, Hegel, Nietzsche0
Michelle Granshaw, Irish on the Move: Performing Mobility in American Variety Theatre0
Revision, Analogy, and the “Problem of Reality” in Michael Frayn’s Copenhagen and Human Touch0
The Afterlives of Enslavement: Histories of Racial Injustice in Contemporary Black British Theatre0
Shane Vogel, Stolen Time: Black Fad Performance and the Calypso Craze0
Julie Burelle, Encounters on Contested Lands: Indigenous Performances of Sovereignty and Nationhood in Québec0
Brandon Woolf, Institutional Theatrics: Performing Arts Policy in Post-Wall Berlin0
Marcus Nevitt and Tanya Pollard, eds., Reader in Tragedy: An Anthology of Classical Criticism to Contemporary Theory0
Kate Dossett. Radical Black Theatre in the New Deal0
The Dialectical Image of White Masochism and the Fugitive Spectator: On Claudia Rankine’s The White Card0
Katelyn Hale Wood, Cracking Up: Black Feminist Comedy in the Twentieth and Twenty-First Century United States0
“Tangled Passions”: Realism and Lyricism in the Plays of Peter Gill0
Juliet Guzzetta, The Theater of Narration: From the Peripheries of History to the Main Stages of Italy0
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