Modern Drama

Papers
(The H4-Index of Modern Drama is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Distributed Agencies in Dramatic Form: A Posthuman Perspective on Lucy Prebble’sThe Sugar Syndromeand Sarah Ruhl’sDead Man’s Cell Phone2
Stacy Wolf. Beyond Broadway: The Pleasure and Promise of Musical Theatre across America.1
The Domestic Sphere as Counter-Surveillance in Lorraine Hansberry’sA Raisin in the Sun1
Shattering Normalcy: Disability and Queerness in Tennessee Williams’s One Arm1
A Mother’s Touch: Ethics and Maternal Corporeality in Harold Pinter’s Mountain Language1
The Concept of the Concept Musical: Love Life, Cabaret, Company1
Ashley E. Lucas, Prison Theatre and the Global Crisis of Incarceration1
Medals and Metals: Speculating Freedom in Suzan-Lori Parks’sFather Comes Home from the Wars1
Narrating Arab-American Transnational Identity in Leila Buck’s Hkeelee [Talk to Me]1
S.N. Behrman, Comedy, and the Extermination of the Jews: Broadway, Christmas Eve, 19341
Femi Osofisan’s Evolving Global Consciousness in Four Adaptations1
An Invitation from the Displaced: Refuge Restaged in The Jungle and As Far as My Fingertips Take Me1
Migrant Deaths and European Revenants in Thomas Köck’santigone. a requiem(2019): Sophocles’ Tragedy Recomposed and Decomposed1
“These People in This House”: Intermedial Approaches to Decentring the Domestic in Harold Pinter’s A Slight Ache and The Homecoming1
Performing the Other: Post-Humanism and Mediatized Senses in The Wooster Group’s Production of The Room1
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