Leonardo

Papers
(The TQCC of Leonardo is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Crypto Art: A Decentralized View50
Visual Indeterminacy in GAN Art16
Guerilla Science: Mixing Science with Art, Music and Play in Unusual Settings9
Chinese Traditional Handicraft Education Using AR Content9
The Main Course Was Mealworms: The Epistemics of Art and Science in Public Engagement8
Emergent Knowledge in the Third Space of Art-Science7
How Music AI Is Useful: Engagements with Composers, Performers and Audiences7
What Does Augmented Reality Mean as a Medium of Expression for Computational Artists?6
Who (or What) Is an AI Artist?6
Stepping Inside the Classification Cube: An Intimate Interaction with an AI System6
Body RemiXer: Extending Bodies to Stimulate Social Connection in an Immersive Installation4
Exhibiting Mutator VR: Procedural Art Evolves to Virtual Reality4
Slow Looking at Slow Art: The Work of Pierre Bonnard4
Art-Science Collaborations: Why Do They Matter to Medicine?3
Performing WIKI-PIANO.NET: Strategies for Realizing Alexander Schubert's Ever-Changing Internet-Composed Piano Work3
Is There a Place in Human Consciousness Where Surveillance Cannot Go?Noor: A Brain Opera3
The Politics of Visual Indeterminacy in Abstract AI Art3
The Soundlapse Project: Exploring Spatiotemporal Features of Wetland Soundscapes3
Samuel Beckett in Virtual Reality: Exploring Narrative Using Free Viewpoint Video3
The Computer-Based Generation of Fonts in the Style of Kandinsky3
Exploratory Discoveries from Eye-Tracking Tests of Wertheimer’s Gestalt Patterns3
Hybrid Embroidery: Exploring Interactive Fabrication in Handcrafts3
Eye Tracking, Spatial Biases and Normative Spectatorship in Museums3
Interactive Design of Random Aesthetic Abstract Textures by Composition Principles3
Conversations in Caves3
Toward a Critical NeuroArt for a Critical Neuroscience2
Toward Interspecies Art and Design: Prosthetic Habitat-Structures in Human-Owl Cultures2
Defining the Role of “Relational Producer” in Arts-and-Health Collaborations in Hospitals: A Reflection on Catalysts and Partnerships2
Non-Euclidean Geometry in Russian Art History: On a Little-Known Application of a Scientific Theory2
Biofeedback Painting: Let the Heart Lead the Brush2
Abstract of: A Reactive Brain Computer Interface: A Novel Sonification and Visualization Approach Evoked by Illusions2
An Alchemy of DNA: Exploring the Chemistry of Biology through Bioart2
Science and Art: Understanding the Cross-Disciplinary Dialogue2
Illusory Planes in Fred Sandback’s Sculpture2
Art Exists Because the Viewer Exists: How François Morellet’s Triple X Neonly Influences Postural Control and Subjective Aesthetic Appreciation2
A Performed Solution to the Pythagorean Problem: The Three Bodies Project2
The Observer Effect: The Artistic Image as a Metaphor for Scientific Interpretations of the Natural World2
Beyond Neurocinematics: Investigating Biased Social Perception through Collaboration between Neuroscience and Filmmaking2
TransHuman Saunter:Multispecies Storytelling in Precarious Times2
The Leonardo COVID-19 Diaries2
Earth-Centered Communication Technology:Lichen as a Model Interface2
Perception as Media: Reconsidering the Arts and Neurotechnology2
KIMA: The Wheel–Voice Turned into Vision: A Participatory, Immersive Visual Soundscape Installation2
Inner Rhythms: Vessels as a Sustained Brain-Body Performance Practice2
Raw Harmonies: Transmediation through Raw Data2
A Computational Study of Empty Space Ratios in Chinese Landscape Painting, 618–20112
Ruptures and Wrong-Footings: Destabilizing Disciplinary Cultures2
Women With Impact: Taking One Small Step into the Universe2
Graphical Data Sets as Compositional Structure: Sonification of Color Graphs in RGB for Clarinet and Piano2
In the Circle of Sense and Nonsense: Through a Mathematical Model of Meaning2
Music, Art, Machine Learning, and Standardization2
Confronting the Limitations of the MFA as Preparation for PhD Study2
ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art: Jeffrey Shaw2
Portrait Map Art Generation By Asymmetric Image-to-Image Translation2
Representing Theoretical Physics Research in and on Ceramics2
Sound of Ikebana: Fluid Artwork Created under Zero-G Using Parabolic Flight2
A Visual Translation of the Pandemic2
Colored Strip Patterns and Front-Back Symmetry in Warp-Faced Pre-Columbian Textiles2
An Optimized Nontoxic Electrolytic Etching Procedure for Fine Art Printmaking2
Observations on Performing Sine Waves with an Oscillator Ensemble2
Visualizing the Invisible: Performing Chaos Theory2
Pixel of Matter: New Ways of Seeing with an Active Volumetric Filmmaking System2
Of Metaphors and Molecules: Figurative Language Bridging STEM and the Arts in Education2
Symmetry in European Regional Folk Dress: A Multidisciplinary Analysis1
Being Formal without Being a Formalist1
Using a Drift Diffusion Model to Validate the Quantification of Style Prototypicality as Assessed by the Viewers of Paintings1
The Data Imaginaries of Climate Art: The Manifest Data Project1
Linking Science and Technology with Arts and the Next Generation: The STEAM Imaging Experimental Artist Residency, A Case Study1
Creative Futuring for More-Than-Human Worlds: Exhibitions as Sites to Ponder Environmental Governance1
Portable Projections: Analyzing Cocreated Site-Specific Video Walks1
Is War on the Arts War on Human Psychological Systems? A View from Experimental Psychology and Affective Neuroscience1
Conceptual Art and Abstraction: Deconstructed Painting1
Enhanced Family Tree: Evolving Research and Expression: Best Paper Award1
The Metamorphosis of a Periplaneta Americana1
Demiurge: A Music of Babel1
Exploring 4D Image Sets of Early Heart Development Using Gesture and an Immersive, Spatial Operating Environment1
A Neural Network Looks at Leonardo’s(?) Salvator Mundi1
Fungal Pigments, Wood Coloring Technology and Their Applications in the Play The Blue Forest1
REALational Perspectives: Strategies for Expanding beyond the Here and Now in Mobile Augmented Reality (AR) Art1
Lithobox: Exploring Hybrid Crafting Practices through a Collaboration across Digital Fabrication and Fine Arts1
Transformation of Buddhist Mandalas into a Virtual Reality Installation1
The Making of Sci-Art1
Tipping the Scales: The Harrisons and the Force Majeure1
Narcissus and Echo:Reflections on an Art-Science Collaboration1
Remembering “Things that Happened the Week After Next”: Reverse Time in Dreams, Art and Time Travel1
Collective Currents: Exploring Sustainability through a Collaborative and Interactive Installation1
Drawing to Extend Waddington's Epigenetic Landscape1
The Heart of Leonardo1
Cosmos, Chaos and Order: Mapping as Knowing1
Cocreation across Spaces of Uncertainty: Interdisciplinary Research and Collaborative Learning1
Chromatophony: A Potential Application of Living Images in the Pixel Era1
InnerBody: Using Interactive and Multisensory Interfaces to Design Behavioral Change1
Soap Bubbles Between Art & Science1
A Strata-Based Approach to Discussing Artistic Data Sonification1
Interactive Evolution of a Bicontinuous Structure1
The Sacred Geometry of Velázquez's Las Meninas1
Breath of Light: Reclaiming Shared Breathing Through a Meditative Installation1
Harold Cohen and AARON: Collaborations in the Last Six Years (2010–2016) of a Creative Life1
Transdesign: A Prospective Exercise on Design Transformation1
Ambiguus Tiles: Origami Rhombic Pyramid Tiles for Creating Dual-View Tile Mosaics1
The Tactile Comics of Shapereader1
Rilievo: Artistic Scene Authoring via Interactive Height Map Extrusion in VR1
The Missing Female Homunculus1
Living Capsules: reflections on an ongoing art-sociology collaboration1
Volumetric Reconstructions of Found Footage:Stressing the Nonidentity of 3D Replicas1
Creative Works Exploring Our Information Ecosystem: 1970–19791
Computational Art Inspired by Genome Browsers1
How Choreostorming Informs Thinking in Molecular Genetics and Cancer Biology1
Cultural Viz: An Aesthetic Approach to Cultural Analytics1
StellarScape: An Immersive Multimedia Performance Inspired by the Life of a Star1
Art’s Work in the Age of Biotechnology: Shaping Our Genetic Futures1
Artistic Defamiliarization in the Age of Algorithmic Prediction1
Sensations of History: Animation and New Media Art by James J. Hodge. University of Minnesota Press, Minneapolis, MN, 2019. Electronic Mediations Series 57. 232 pp., illus. Trade, paper. ISBN: 1
LASER Nomad: Road Maps for Art and Science Research into Ancestral Knowledge1
Resisting Normality with Cultural Accessibility and Slow Technology1
Be More Conceptual Regarding Non-Fungible Tokens (NFTs) as Art1
Sustaining Resources for Tomorrow1
Intimate Visions: Representations of the Imperfect Body in the Age of Digital Medicine1
Representing Hierarchies of Visual Regard in Eye-Tracking Analysis1
Art, Science and Anthropology: Co-Creating Knowledge and Building Peace in Colombia1
Andy Warhol: Computational Thinking, Computational Process1
Plantae Agrestis:Distributed, Self-Organizing Cybernetic Plants in a Botanical Conservatory1
Constructive Friction Creates a Third Space for Art/Science Collaborations1
The Vera Icona Installation and Performance: A Reflection on Face Surveillance in Contemporary Society1
Reordering the Assemblages of the Digital through Art and Open Prototyping1
From Fingers to Digits: An Artificial Aesthetic1
Animation, Theory of Mind and Humanoid Robots: Creating a Social Robot Video Task1
Dialectics of Nature: Metabolic Architectures Meet Intelligent Guerrilla Beehives1
The Multi-Tuned Piano: Keyboard Music without a Tuning System1
Cosmic Inspirations and Explorations by Soviet Nonconformist Artists1
Mobile Communications Technologies in Tree Time: The Listening Wood1
Scientific Delirium Madness 6.0: Gallery0
Erratum0
Dictionary of Untranslatables: A Philosophical Lexicon0
The Phantom Scientist0
Programmoire: Refiguring Witchcraft for a Creative Agency via Computational Art Practice0
Embodied Composition: Composing the Body with Sound0
A Forest of Symbols: Art, Science, and Truth in the Long Nineteenth Century by Andrei Pop. Zone Books, New York, NY, 2019. 320 pp., illus. Trade. ISBN: 978-1935408369.0
Abstract of: Creative Interpretation of Images Created by Scanning Electron Microscope as a Premise within Image-Centered Science0
Evaporated: Explorations in Art, Science, and Salt0
Infinite Barnacle: The AI Image and Imagination in GANs from Personal Snapshots0
Together, a Beautiful and Sustainable Future Begins Today0
Inside the Spiral: The Passions of Robert Smithson0
La bande dessinée en France à la Belle époque. 1880–19140
The Sustainability Mindset Principles: A Guide to Developing a Mindset for a Better World0
Aesthetics of Turntable Art0
Vital Forms: Biological Art, Architecture, and the Dependencies of Life by Jennifer Johung. University of Minnesota Press, Minneapolis, MN, 2019. 200 pp., illus. Trade, paper. ISBN: 978-51790300
The Colony: An Evo Devo Art Performance on Social Life0
Sentience: The Invention of Consciousness0
Giving Bodies Back to Data: Image Makers, Bricolage, and Reinvention in Magnetic Resonance Technology0
Nothing But the Music: Documentaries from Nightclubs, Dance Halls & a Tailor’s Shop in Dakar0
Pareidolia and the Pitfalls of Subjective Interpretation of Ambiguous Images in Art History0
Signal to Noise Loops: A Cybernetic Approach to Musical Performance with Smart City Data and Generative Music Techniques0
Abstract of: Audiovisual Installation as Ecological Performativity0
I am _your_Pyrate Dancer: Choreographic Computabilities Dancing inside the Interstices of a Visceral World0
ACEVEDO in Context: Analog Media 1977–1987 · Digital Media 1983–20200
Fermenting Futures: An Artistic Exploration of Yeast Biotechnology0
Aesthetic In-Access: Notes from th CripTech Metaverse Lab0
Climatic Media: Transpacific Experiments in Atmospheric Control0
SoundRunner: Out of the Starting Blocks0
Abstract of: Caring for Curious Ecologies: An Open-Ended, Multispecies Collaboration with Metal Organic Frameworks (MOFs)0
Between Piano and Forte: Hearing with Aids0
Animating Truth: Documentary and Visual Culture in the 21st Century0
Early Phenomenological Light Works0
Des opérations d'écriture qui ne disent pas leur nom0
Primitive way country come look inside0
The Drive to Draw: Perceptual Attention and Communicative Intention0
Do It Yourself, Rain! Dabbling Drops, Splashes, and Waves: Experiments in Art and Science0
With Bodies: Narrative Theory and Embodied Cognition0
Brecha De Género en el Audiovisual Español (The Gender Gap in Spanish Audiovisual Production)0
Contemporary Photography in France: Between Theory and Practice0
Van Gogh's Sunflowers Illuminated: Art Meets Science edited by Maarten van Bommel, Ella Hendriks, Marije Vellekoop and Muriel Geldof. Amsterdam University Press, Amsterdam, NL, 2019. 256 pp., i0
See the Change0
The Network0
Entangled Poetics: Two Bioartists in the Anthropocene0
Helen and Newton Harrison: Visionary EcoArtists0
Eco-Art: On the Topography of the Harrisons0
Sound Arts Now0
O-Tū-Kapua (What Clouds See): A Mixed Reality Exploration of Atmospheric Science0
Animal Crisis: A New Critical Theory0
Robert Rauschenberg and Surrealism: Art, “Sensibility” and War0
Art, Censorship and Nuclear Warfare0
Touching Variables: Decolonial Approaches and New Tools for Ecological Data Visualization0
Handmade Pixels: Independent Video Games and the Quest for Authenticity0
Star Wars after Lucas: A Critical Guide to the Future of the Galaxy by Dan Golding. University of Minnesota Press, 2019. 264 pp., illus. Trade. ISBN: 978-1517905422.0
Shells: A Cultural and Natural History0
Krøyer: An International Perspective; In the Light of Italy: A Danish-Norwegian Artist Community 1879–18860
Les troubles du récit: pour une nouvelle approche des processus narratifs0
From Structure to Atoms: From Compression/Tension Systems to a Molecular Tensegrity0
Dopostoria0
Research, Representation, and Conservation of Mani Heaps: The Digitalization Projects0
The Empathy Diaries: A Memoir0
Brutal Aesthetics: Dubuffet, Bataille, Jorn, Paolozzi, Oldenburg0
The Work of Art in an Age of Mechanical Generation0
Lessons from the Harrisons0
The Lab Book: Situated Practices in Media Studies0
Culturescape: Environment, Science, and Art at Bundanon0
Freemasonry and the Visual Arts from the Eighteenth Century Forward: Historical and Global Perspectives0
How Can It Not Know What It Is?: Remembering Disability as Part of the Whole0
The Unfinished Business of Unsettled Things: Art from an African American South0
Acoustic to Electronic and Public to Private: An Introduction to Music in the Great Expansion (1700–2100 CE)0
Abstract of: Reflections on Pushing Against the Watershed: A Live Video Streamed Art Performance0
The Network0
Leonardo Reviews Online0
South Side Venus: The Legacy of Margaret Burroughs by Mary Ann Cain. Northwestern University Press, Evanston, IL, U.S.A., 2018. 240 pp., illus. Paper. ISBN: 978-0810137950.0
Seize the Moment: A Transdisciplinary Initiative0
Abstract of: Toward Interspecies Art: Prosthetic Habitats in Human and Owl Cultures0
The *.* Group’s Contribution to the Development of Technological Art in Brazil0
Leonardo Reviews Online0
A Layered, Bounded, Integrated Approach to Research on the Arts across Disciplines0
Ruth Stone’s Vast Library of the Female Mind0
Neo-Avant-Gardes: Post-War Literary Experiments Across Borders0
Annotation0
Introduction to Special Section: Disremembering the Harrisons0
Interactive Moiré Patterns Reflecting on the Traditional Nanjing Baiju0
Abstract of: Traces of The Spruit0
Thinking with Sound: A New Program in the Sciences and Humanities Around 19000
Tending to the Life Web0
Exploring the Third Space in Art-Science: The Identifying Successful STARTS Methodologies Project0
Artistic License in Heritage Visualization: VR Sydney Cove circa 1800: SIGGRAPH Asia 2019 Featured Paper0
Earth Day, Regeneration and Arts-Sci-Tech0
Life, Matter, Poetry: Blurred Lines and Bilayered Representations of Materials Science0
Leonardo Volume 560
Soma-Based Nonphysical Instrument Design in Electronic Music Performance0
Special Section: Leonardo Abstracts Service: Top-Rated LABS Abstracts 20190
Resisting Clarity/Highlighting Form: Comparing Vanguard Approaches in Poetry and Programming0
On the Animal Trail0
Dandelion Rebellion: Creating Crip Natures0
Archive, Photography and the Language of Administration0
Advancing the Use of Games as a Model for Scientific Practice0
Colourworks: Chromatic Innovation in Modern French Poetry and Art Writing0
In Motion: Amiri Baraka0
Leonardo Reviews Online0
The Great Awakening: Are We Up to the Challenge?0
The Network0
Weaving Systemic Wisdom: Nurturing a Mycorrhizal Learning Network0
Remote Access: Crip Nightlife, Artistry, and Technoscience0
Terra Forma: A Book of Speculative Maps0
In-Habitant: An Inquiry into a Non-Dualistic Duality of Human and Nonhuman0
Six Concepts for the End of the World by Steven Beard. MIT Press for Goldsmiths, University of London, 2019. 190 pp. Trade. ISBN: 978-1912685097. Being Material by Marie-Pierre Boucher, 0
A Book of Noises: Notes on the Auraculous0
Modernist Magazines and the Social Ideal0
The “Frozen, Darkened Soul” Rises into Space: Travels in Siberia and the Plight of Life on Earth0
Gyorgy Kepes: Undreaming the Bauhaus0
Live Coding in Music Theater—A Comprehensive Technique? The Case ofDumrul and the Grim Reaper0
Views on Thresholds by Transdisciplinary Partners: A Shared Journey Continues0
Piranesi and the Modern Age0
Ferment: Cultural Reincarnations and Reflections0
The Cult of Creativity: A Surprisingly Recent History0
Life in the Posthuman Condition: Critical Responses to the Anthropocene0
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