Leonardo

Papers
(The TQCC of Leonardo is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Robert Rauschenberg and Surrealism: Art, “Sensibility” and War12
Leonardo Volume 5610
The Lab Book: Situated Practices in Media Studies9
Life in the Posthuman Condition: Critical Responses to the Anthropocene8
Musical Scores for Virtual Reality Headsets: Compositional Strategies and Performative Challenges7
Tending to the Life Web7
See the Change7
ACEVEDO in Context: Analog Media 1977–1987 · Digital Media 1983–20205
The Physical Weight of Sound: In Memory Of Phill Niblock4
Coenesthetic Defragmentation: An Artistic Installation Exploring the Relationship Between Sound, Movement, and Self-Awareness4
Freak Pictures, Fly Fishers, and Optical Illusions: Historical Antecedents of the Science of Fish Vision4
Paris Pataphysique—L’Art des Solutions Imaginaires4
Applied Systems Aesthetics: Jack Burnham and Contemporary Video Game Art4
Leonardo@Djerassi 2024: A Decade of Innovation at the Intersection of Art and Science4
Temporal Dynamics of the “Living Picture” and Its Interference in the Photographic Medium: Unveiling the Impact of Cinemagraphs on Time Perception4
Into the Here and Now: Explorations within a New Acoustic Virtual Reality4
Aesthetics and Politics of Participation in Benoît Maubrey’s Speaker Sculptures4
The Scores Project: Essays on Experimental Notation in Music, Art, Poetry, and Dance, 1950–19753
The Politics of Visual Indeterminacy in Abstract AI Art3
Primitive way country come look inside3
Handling Electric Light: Piotr Kowalski’s Illuminating Mesures à prendre3
Entangled Poetics: Two Bioartists in the Anthropocene3
Roman Verostko, Digital Art Pioneer2
Frederik Ruysch and his Thesaurus Anatomicus: A Morbid Guide2
Remembering Dick Land (1932–2024)2
Navigating the Ineffable2
Poems as Musical Instruments: an AI Music Performance Interface Based on the Concepts of Chinese Qin Songs2
Leonardo Reviews Online2
Living Capsules: Reflections on an Ongoing Art-Sociology Collaboration2
Measuring Is Making: The Radical Indeterminacy of Music2
Object-Oriented Ontology in Shaping Perspective on Bacterial Art and Nonhuman Agency2
Language Is Leaving Me: An AI Exploration of Epigenetic or Inherited Trauma of Cultures of Diaspora2
The Soundscape of Johannesburg: Field Recording as Creative Cartography.2
Philip Mallory Jones’s Electronic Consciousness in Afrodiasporic Video2
Saint Ghetto of the Loans: Grimoire2
Atmospheres of Projection: Environmentality in Art and Screen Media2
Sentience: The Invention of Consciousness2
Le Temps de L’Écrivain2
In Search for the Rarest Plant: Art, Drones, and AI2
Porous Embodiment and Poetic Knowledge: An Emergent Dialogue Between a Puppetry Artist and a Neuroscientist2
Posthuman Subjectivity: The Interactive Art Installation Countdown X Hours1
Memorial Art for All: Supporting Marginalized Communities in Collective Healing1
Auro Lecci’s Algorithmic Art: Toward the Computer as a Thinking Machine1
BURTYNSKY, A Transformative Mind-Heart Experience: An Interview with Curator Marc Mayer1
An Eye-Tracking Study on Viewer Compliance with the Gestalt Closure Principle: Analyzing the Impact of Gap Size and the Golden Ratio1
From Virtual to Physical: AIGC-Driven Human–Computer Collaboration in Miao Costume Design1
A Shift in Artistic Practices through Artificial Intelligence1
The Unveiled City: Multicultural Representation of Tokyo by Hashtag Labeling on Instagram1
Interactive Cinema: The Ambiguous Ethics of Media Participation1
Epigenetics and Intergenerational Trauma: An Interdisciplinary Exploration of the Afterlives of Famine in War1
’Pataphysics Unrolled1
PlantConnect1
Visualizing Spatial Gaze Data in the Perception of 3D Objects1
Nervous Extensions for Planetary Balance in Nina Sobell’s Collaborative Séances1
Men of Letters: Perspectives on Multisensory Environments in the Hall-McLuhan Correspondence, 1961–19771
Tipping the Scales: The Harrisons and the Force Majeure1
Making AI-Infused Products and Services More Legible1
Codified Sonic Territories: Understanding Ubiquitous Music through Critical Spatial Theory1
Exploring the Materiality of Augmented Reality Markers through Arts-Led Cocreation: Drawing, Weaving, and Tiling1
Leonardo Volume 581
Exercises in Humility: Gregory Bateson on Contingency, Croquet, and Revising Habits of Thought through Play1
Being Good Ancestors1
Experimental Environments and the Aesthetic Experience of Metabolic Processes1
LOL, a Sonic Détournement of the CCTV Surveillance Network1
Leonardo@Djerassi 2022: Introduction1
Relationships Between Arts Participation, Social Cohesion, and Well-Being in 18 US Communities: A New Theory of Change1
Voices of Climate Change1
Transforming the Future: An Interview with Lining Yao on Morphing Matter and AI1
The Smartness Mandate1
Scalar Wave Paintings: A New Approach to Postdigital Art1
Criptech and the Art of Access: Introduction to Special Issue1
Artificial Intelligence and the Technological Imaginary1
Listening Through Bones, Opening Surroundings, and the Body1
Slow AI1
Deep Permutation Design: A New Potential Artificial Intelligence-Based Design Methodology1
Frank Malina: Light Art and Scientific Abstraction1
Latent Ecologies of the Mind : Laying Down the Path for Ecopoietic Hyperfeedback Systems1
Historic Avant-Garde Work on Paper1
The Ecology of Knowledge: How the Complexity Sciences Can Explain the Peculiar Alliance between Art and Philosophy1
Against Interaction Design1
Flourishing as Ongoingness and Collectivity in Form and Process: A Dialectical Encounter1
A Lesson with Francis Bacon Forced Me to See Outside the Software Box1
Selected Writings on Visual Arts and Culture: Detour to the Imaginary1
Collaborations in Art and Medicine: Institutional Critique, Patient Participation, and Emerging Entanglements1
Performing by the Book? Musical Negotiations Between Text and Act1
Leonardo Graduate Abstracts: Top-Rated LABS Abstracts 20241
The Weirdness of the World; The Science of Weird Shit: Why our Minds Conjure the Paranormal1
Para Ser Eterno Basta Ser Um Livro—Editorial e Design do Livro em Portugal no Século XX1
The Art of Scientific Observation: An Art-Science Project on the Legacy of Barbara McClintock1
An Ecological Oracle1
Promoting Unfamiliar Music Through Data Science: MARS, the Music Affect Recommender System for Digital Library Engagement1
Theorizing the Intersection of Science and Art: A Case Study of an Online SciArt Exhibition in the Context of Science and Technology Studies (STS)1
Using a Drift Diffusion Model to Validate the Quantification of Style Prototypicality as Assessed by the Viewers of Paintings0
When Image Processing Becomes Image Creation: Gregory Zinman in Conversation with LoVid0
Sculptural Hybridization: Combining Digital Parametric Modeling and Manufacturing with Traditional Handcrafting Techniques0
The Network0
An Infinity of Worlds: Cosmic Inflation and the Beginning of the Universe0
“Tint and Form”: The Geometric Philosophy Underlying Oliver Byrne’sElements0
Transdisciplinarity, Composition, Expression: Reflections on a Spherical Way of Thinking0
Leonardo@Djerassi 2022: Gallery0
Neuroarts: At the Intersection of the Arts, Research, Technology, and Practice0
Exploring Past Images in a Digital Age: Reinventing the Archive0
Reimagining Creativity: Gaussian Splatting as an Organological Extension of Imagination in Artistic Processes0
Unveiling the Unspoken and Invisible: Analyzing Artistic Responses to Radiophobia0
“Dancing with Atoms”: A Tribute to Sheila Tinney0
Living Surfaces0
An Image Dispute Resulting from Pareidolia?0
Exploring the Artful Mind: Introducing Leonardo’s Focus on Neuroarts, Healing, and Innovation0
Architecture of Life: Soviet Modernism and the Human Sciences0
(Nip)ulations: The Nipulator Electronic Bra and the Embodiment of the Image Processing Tool0
Nonhuman Companionship: Practicing Free Improvisation Through Interaction with Machines0
The Chapter: A Segmented History from Antiquity to the Twenty-First Century0
Raster Manipulations0
Algorithms of Oppression: How Search Engines Reinforce Racism0
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria0
The Anthology of Black Mountain College Poetry0
Immersive Synthetic Memories: Transforming AI-Generated 2D Memories into Virtual Environments0
The Cult of Creativity: A Surprisingly Recent History0
Sonic Faction: Audio Essay as Medium and Method0
Visibilis 433: Sensory Extension and Audiovisual Reinterpretation of 4′33″0
The Epistemic Case for Sci-Art: Toward a Posthuman Praxis0
The Network0
Neural Networks0
AI-Generated Art Perception: A Population Study0
Parallel Public: Experimental Art in Late East Germany0
Experiential AI: Between Arts and Explainable AI0
Crip-Techno-Tinkerism: A Neurodivergent Learning Style Meets Machine Learning0
Listening through bones, opening surroundings and body0
The Night Albums: Visibility and the Ephemeral Photograph0
The Edge of Beginning Again0
De tripas corazón (From Guts to Heart) : A Generative Art Audiovisual Exploration of the Gut-Brain Axis0
SoundRunner: Out of the Starting Blocks0
The Music of Heart Rate Variability0
Against Reason: Tony Smith, Sculpture, and other Modernisms, Vol. 10
LOVEWEAR: haptic clothing that allows intimate exploration for movement-impaired0
Camilla_Horde : A Thermo-Artistic Device for Hauntological Computing0
Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz0
Frieder Nake and the Ethics of Cold War Computer Art0
A Revolution in Music: The History of the Groupe de Recherches Musicales0
Towards a Cosmotechnical AI: Planetary Futures and Artificial Wisdom from Latin American Imagination0
Indeterminacy after AI: Introduction to Special Section0
New Ways of Reading Drones in Art: Drones as Existential Technologies0
Audible Garden : Transcoding Literati Traditions in Landscape Representation Through a Multimodal Approach0
Scientists as “Specialist Audience” for Art that Addresses Climate Change: Weather Engines at Onassis, Athens, 20220
Intr/Ansitif. Poétique De L’Interstice0
Illustration. A Theoretical and Contextual Perspective (3rd Edition)0
The *.* Group’s Contribution to the Development of Technological Art in Brazil0
The Belgian Photonovel, 1954–1985: An Introduction0
Basic Artistic Research: The Foundations of Science and the Future of Art0
Reflections on Light: Developing New Methods for Producing Anamorphic Sculpture0
Our Monsters0
The Network0
The AI Laocoön: Art and the Artificial Imagination, or Survival Aesthetics in the Anthropocene0
Introduction to Graphic Design: A Guide to Thinking, Process, and Style0
Inside the Spiral: The Passions of Robert Smithson0
MindClay : From Interactive Installations to a Digital Platform for Therapeutic Creative Arts0
The Arrogant Ape: The Myth of Human Exceptionalism and why it Matters0
Forgotten Pioneers of Media Art: Laboratory of Presentation Techniques0
A Piano for Visuals: Affordances of Scan Processing Instruments0
The Prospect of Art-Science Interplay in Filmmaking as Research: From Abstract to Implicit Film0
Interactive Moiré Patterns Reflecting on the Traditional Nanjing Baiju0
Marguerite’s Theorem (Le Théorème de Marguerite)0
By the Bedside of The Patient: Lessons for the Twenty-First-Century Physician0
Mark: Sonya Kelliher-Combs0
The Power of Poor AI: Exploring the Potential for Defiance and the Nature of Disruption0
The Extinction of Experience: Being Human in a Disembodied World0
The Hroswitha Club and the Impact of Women Book Collectors0
Responsivity and Responsibility in Responsive Environments: Art and Interactivity on a Rupturing Planet0
Artificial Intelligence: the paradox of a victorious retreat0
A Teaching Experiment on the Generation of AI-Assisted Interior Renderings0
Urban Intonation: Listening to the Rats of New York City0
Sand: An Assay —Observations on a Collaboration0
A Book of Noises: Notes on the Auraculous0
Performing by the Book? Musical Negotiations Between Text and Act0
Metastable Venice0
Diversified Perspectives: Modes of Attention in Algorithmic Information Processing0
Code: From Information Theory to French Theory0
A History of Fireworks: From their Origins to the Present Day0
Right Amygdala Synchronization and the Risk of Social Rejection: A Neurocinematic Study Using the Cinegraph0
Against Interaction Design0
An Algorithm for Human Embodiment and Computational Realization of Familiar and Novel African/Clave Rhythm0
Art, Science, and the Politics of Knowledge0
Touching Variables: Decolonial Approaches and New Tools for Ecological Data Visualization0
The Unification of the Arts: A Framework for Understanding What the Arts Share and Why0
A World Full of Creativity0
ImproVision: Visual Communication and Human-Computer Interactions for Musical Creativity0
Conflict as Catalyst : Cross-Disciplinary Perspectives on Art, Science, and Technology0
“Carlos Trilnick: an electronic image-processing pioneer from Argentina”0
The Splendor of Plainness: A Transformation of the Process of Qi as Expressed in the Generative Artwork UKON0
Modernité du livre: De nouvelles maisons d’édition pour de nouveaux lectorats0
Transformed Strangely: Lyotardian Indeterminacy in John Cage’sChild of Tree0
Difference and Repetition in the Robotic Art of Sisyphus0
Trafficking | Transmission | Translation: Exploring Embodiment as a Mode of Knowledge Construction in Science Art Installations0
From Recommendations to Generation: Tools Without Interfaces0
Resonant Realms: Cross-Disciplinary Exploration of Sound0
La bande dessinée en France à la Belle époque. 1880–19140
Analysis of the Potential of Telematic Chamber Music: Focusing on Korean Performances0
Reporting Guidelines for Music-Based Interventions: The Importance of Reporting Quality to Advances in Arts and Health Research0
Against Technoableism: Rethinking who Needs Improvement, The Double Bind of Disability: How Medical Technology Shapes Bodily Authority0
Experiments in Art, Access and Technology0
Environing Media0
The Creative Lives of Animals0
Reclaiming Wisdom in the Algorithmic Age0
How Do We Experience Digital Arts? An Exploration through Latour’s Modes of Existence0
Memory in the Life of a Cajun Prairie0
Unearthing the Underworld: A Natural History of Rocks0
Diffractive Rendezvous0
Cold War in the White Cube: U.S. Exhibitions of Latin American Art, 1959–19680
Hollis Frampton: Navigating the Infinite Cinema0
On Pedantry: A Cultural History of the Know-it-all0
Embracing Fragility: Exploring Vulnerability0
Artistic Defamiliarization in the Age of Algorithmic Prediction0
The Defining Role of Spatial Immersive Technologies in the Creation of the Electroacoustic Compositions Moments of Liberty I–IV0
Molds, Mushrooms, and Medicines: Our Lifelong Relationship with Fungi0
Self-Reference Design: A New Potential Design Methodology in the Age of Artificial Intelligence0
Simulated Environments and Environmental Consciousness: Extending Ecoacoustic Monitoring into Sound Art0
A Piano for Visuals: Affordances of Scan Processing Instruments0
Epiphytic Memory: A Cognitive Assemblage of Plant-Human-Technology0
On the Anarchic Organization of Cinematic Spaces0
Typophoto: New Typography and the Reinvention of Photography0
Top-Rated LGA Abstracts 20230
Histories, Legacies, and Futures of Image-Processing0
Game Forms of the Possible: A Personal Obituary of Leonardo Contributor and Co-Founder of Computer Art Herbert W. Franke, 1927–20220
DNA Dance Revolution0
A Collaborative Approach in Mechanistic Music-Based Intervention and Pain Research: NCCIH Research Networks0
Creative Simulations: George Mallen and the Early Computer Arts Society0
From Thought-Forms to Art Concret: Tracey M. Benson Interviews Paul Brown0
Words and Lights : A Poetic Installation Embodying the Collective Creativity of the Generation of 270
Human’ and ConversationN: Exploring Mirrored Human-AI Identities Through Dialogue Installations0
Mythical Mushrooms: Hybrid Perspectives on Transcendental Matters0
On Developing Enhancement Artefacts for Musical Instruments via 3D-Printing: A Case Study on the Euphonium0
Novelty and Utility: How the Arts May Advance Question Creation in Contemporary Research0
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria0
Exploring the Synergy of Scientific Data and Music: Multifaceted Approaches to the Sounds of Biological Active Compounds0
The Passing of Newton Harrison0
Electric Echoes: Conserving Chryssa’s Black-Light Sculptures0
Early Image Processing and Computer Animation in Colorado: Pat Lehman’s Video Vitae in Context0
Experimental Practices in Interdisciplinary Art: Engaging the Margins0
Remediating the Individual and the Collective0
Generative Sonification of Synthetic Virology Data with Waveshaping and Granular Synthesis Techniques0
Artists for the Utopia of Peace and Justice0
La Résidence D’auteurs Littérature, Territorialité et Médiations Culturelles0
Metabolic Arts Gathering: Curatorial Notes0
The Source of Novelty: Exploring semiotic and poetic mechanisms in biological systems0
gOd, mOther and sOldier: A Story of Oppression, Told through the Lens of AI0
Operational Images: From the Visual to the Invisual0
Staring Back: Hacking Intersectional Oppression through Eco-Crip: Cybotanical Futures0
Dynamics of Generative Cinematography: Virtual Cameras in Game Engine–Based 3D Real-Time Environments0
Leonardo Gallery: Experiments in Art, Access and Technology0
Lessons from the Harrisons0
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