Leonardo

Papers
(The TQCC of Leonardo is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Robert Rauschenberg and Surrealism: Art, “Sensibility” and War11
Leonardo Volume 5610
The Lab Book: Situated Practices in Media Studies9
Life in the Posthuman Condition: Critical Responses to the Anthropocene8
See the Change7
Musical Scores for Virtual Reality Headsets: Compositional Strategies and Performative Challenges7
Tending to the Life Web7
ACEVEDO in Context: Analog Media 1977–1987 · Digital Media 1983–20205
Aesthetics and Politics of Participation in Benoît Maubrey’s Speaker Sculptures4
Leonardo@Djerassi 2024: A Decade of Innovation at the Intersection of Art and Science4
Paris Pataphysique—L’Art des Solutions Imaginaires4
Temporal Dynamics of the “Living Picture” and Its Interference in the Photographic Medium: Unveiling the Impact of Cinemagraphs on Time Perception4
The Physical Weight of Sound: In Memory Of Phill Niblock4
Coenesthetic Defragmentation: An Artistic Installation Exploring the Relationship Between Sound, Movement, and Self-Awareness4
Freak Pictures, Fly Fishers, and Optical Illusions: Historical Antecedents of the Science of Fish Vision4
Into the Here and Now: Explorations within a New Acoustic Virtual Reality4
Applied Systems Aesthetics: Jack Burnham and Contemporary Video Game Art4
Primitive way country come look inside3
Handling Electric Light: Piotr Kowalski’s Illuminating Mesures à prendre3
The Politics of Visual Indeterminacy in Abstract AI Art3
The Scores Project: Essays on Experimental Notation in Music, Art, Poetry, and Dance, 1950–19753
Entangled Poetics: Two Bioartists in the Anthropocene3
Language Is Leaving Me: An AI Exploration of Epigenetic or Inherited Trauma of Cultures of Diaspora2
Measuring Is Making: The Radical Indeterminacy of Music2
Philip Mallory Jones’s Electronic Consciousness in Afrodiasporic Video2
Roman Verostko, Digital Art Pioneer2
Le Temps de L’Écrivain2
Object-Oriented Ontology in Shaping Perspective on Bacterial Art and Nonhuman Agency2
In Search for the Rarest Plant: Art, Drones, and AI2
Poems as Musical Instruments: an AI Music Performance Interface Based on the Concepts of Chinese Qin Songs2
Atmospheres of Projection: Environmentality in Art and Screen Media2
Sentience: The Invention of Consciousness2
Navigating the Ineffable2
Living Capsules: Reflections on an Ongoing Art-Sociology Collaboration2
The Soundscape of Johannesburg: Field Recording as Creative Cartography.2
Saint Ghetto of the Loans: Grimoire2
Frederik Ruysch and his Thesaurus Anatomicus: A Morbid Guide2
Remembering Dick Land (1932–2024)2
Artificial Intelligence and the Technological Imaginary1
Interactive Cinema: The Ambiguous Ethics of Media Participation1
Epigenetics and Intergenerational Trauma: An Interdisciplinary Exploration of the Afterlives of Famine in War1
Listening Through Bones, Opening Surroundings, and the Body1
Nervous Extensions for Planetary Balance in Nina Sobell’s Collaborative Séances1
The Weirdness of the World; The Science of Weird Shit: Why our Minds Conjure the Paranormal1
Auro Lecci’s Algorithmic Art: Toward the Computer as a Thinking Machine1
Codified Sonic Territories: Understanding Ubiquitous Music through Critical Spatial Theory1
Slow AI1
Frank Malina: Light Art and Scientific Abstraction1
The Unveiled City: Multicultural Representation of Tokyo by Hashtag Labeling on Instagram1
Promoting Unfamiliar Music Through Data Science: MARS, the Music Affect Recommender System for Digital Library Engagement1
Being Good Ancestors1
A Lesson with Francis Bacon Forced Me to See Outside the Software Box1
Experimental Environments and the Aesthetic Experience of Metabolic Processes1
The Art of Scientific Observation: An Art-Science Project on the Legacy of Barbara McClintock1
Exploring the Materiality of Augmented Reality Markers through Arts-Led Cocreation: Drawing, Weaving, and Tiling1
PlantConnect1
Voices of Climate Change1
LOL, a Sonic Détournement of the CCTV Surveillance Network1
Criptech and the Art of Access: Introduction to Special Issue1
Tipping the Scales: The Harrisons and the Force Majeure1
Men of Letters: Perspectives on Multisensory Environments in the Hall-McLuhan Correspondence, 1961–19771
An Ecological Oracle1
Visualizing Spatial Gaze Data in the Perception of 3D Objects1
Theorizing the Intersection of Science and Art: A Case Study of an Online SciArt Exhibition in the Context of Science and Technology Studies (STS)1
Historic Avant-Garde Work on Paper1
Porous Embodiment and Poetic Knowledge: An Emergent Dialogue Between a Puppetry Artist and a Neuroscientist1
Exercises in Humility: Gregory Bateson on Contingency, Croquet, and Revising Habits of Thought through Play1
The Ecology of Knowledge: How the Complexity Sciences Can Explain the Peculiar Alliance between Art and Philosophy1
Deep Permutation Design: A New Potential Artificial Intelligence-Based Design Methodology1
’Pataphysics Unrolled1
Memorial Art for All: Supporting Marginalized Communities in Collective Healing1
Leonardo Graduate Abstracts: Top-Rated LABS Abstracts 20241
Collaborations in Art and Medicine: Institutional Critique, Patient Participation, and Emerging Entanglements1
Performing by the Book? Musical Negotiations Between Text and Act1
A Shift in Artistic Practices through Artificial Intelligence1
Para Ser Eterno Basta Ser Um Livro—Editorial e Design do Livro em Portugal no Século XX1
Leonardo@Djerassi 2022: Introduction1
From Virtual to Physical: AIGC-Driven Human–Computer Collaboration in Miao Costume Design1
Scalar Wave Paintings: A New Approach to Postdigital Art1
The Smartness Mandate1
Posthuman Subjectivity: The Interactive Art Installation Countdown X Hours1
Selected Writings on Visual Arts and Culture: Detour to the Imaginary1
Making AI-Infused Products and Services More Legible1
Leonardo Volume 581
BURTYNSKY, A Transformative Mind-Heart Experience: An Interview with Curator Marc Mayer1
Latent Ecologies of the Mind : Laying Down the Path for Ecopoietic Hyperfeedback Systems1
An Eye-Tracking Study on Viewer Compliance with the Gestalt Closure Principle: Analyzing the Impact of Gap Size and the Golden Ratio1
Leonardo Reviews Online1
Against Interaction Design1
The Hroswitha Club and the Impact of Women Book Collectors0
Experimental Afters: On Meaning-Making with Collective Visual Fieldnotes0
Self-Reference Design: A New Potential Design Methodology in the Age of Artificial Intelligence0
Audible Garden : Transcoding Literati Traditions in Landscape Representation Through a Multimodal Approach0
Illustration. A Theoretical and Contextual Perspective (3rd Edition)0
Epiphytic Memory: A Cognitive Assemblage of Plant-Human-Technology0
Unearthing the Underworld: A Natural History of Rocks0
Fragile Freedoms: Memory and Medium, a Curated Dialogue0
Reporting Guidelines for Music-Based Interventions: The Importance of Reporting Quality to Advances in Arts and Health Research0
Neuroarts: At the Intersection of the Arts, Research, Technology, and Practice0
Our Monsters0
An Image Dispute Resulting from Pareidolia?0
Novelty and Utility: How the Arts May Advance Question Creation in Contemporary Research0
A Revolution in Music: The History of the Groupe de Recherches Musicales0
Against Interaction Design0
Memory in the Life of a Cajun Prairie0
Right Amygdala Synchronization and the Risk of Social Rejection: A Neurocinematic Study Using the Cinegraph0
Unveiling the Unspoken and Invisible: Analyzing Artistic Responses to Radiophobia0
A World Full of Creativity0
Immersive Synthetic Memories: Transforming AI-Generated 2D Memories into Virtual Environments0
The Music of Heart Rate Variability0
Artificial Intelligence: the paradox of a victorious retreat0
Modernité du livre: De nouvelles maisons d’édition pour de nouveaux lectorats0
Exploring the Synergy of Scientific Data and Music: Multifaceted Approaches to the Sounds of Biological Active Compounds0
Frieder Nake and the Ethics of Cold War Computer Art0
Histories, Legacies, and Futures of Image-Processing0
From Recommendations to Generation: Tools Without Interfaces0
The Arrogant Ape: The Myth of Human Exceptionalism and why it Matters0
ImproVision: Visual Communication and Human-Computer Interactions for Musical Creativity0
Intr/Ansitif. Poétique De L’Interstice0
The *.* Group’s Contribution to the Development of Technological Art in Brazil0
Navigating Critical Zones: Indeterminate and Intimate Geographies0
Urban Intonation: Listening to the Rats of New York City0
Resonant Realms: Cross-Disciplinary Exploration of Sound0
How Do We Experience Digital Arts? An Exploration through Latour’s Modes of Existence0
On Developing Enhancement Artefacts for Musical Instruments via 3D-Printing: A Case Study on the Euphonium0
Mythical Mushrooms: Hybrid Perspectives on Transcendental Matters0
Game Forms of the Possible: A Personal Obituary of Leonardo Contributor and Co-Founder of Computer Art Herbert W. Franke, 1927–20220
Human’ and ConversationN: Exploring Mirrored Human-AI Identities Through Dialogue Installations0
Hollis Frampton: Navigating the Infinite Cinema0
Touching Variables: Decolonial Approaches and New Tools for Ecological Data Visualization0
The Passing of Newton Harrison0
The AI Laocoön: Art and the Artificial Imagination, or Survival Aesthetics in the Anthropocene0
Molds, Mushrooms, and Medicines: Our Lifelong Relationship with Fungi0
Electric Echoes: Conserving Chryssa’s Black-Light Sculptures0
Boundary Images0
Against Reason: Tony Smith, Sculpture, and other Modernisms, Vol. 10
Reimagining Creativity: Gaussian Splatting as an Organological Extension of Imagination in Artistic Processes0
Transformed Strangely: Lyotardian Indeterminacy in John Cage’sChild of Tree0
Algorithms of Oppression: How Search Engines Reinforce Racism0
La bande dessinée en France à la Belle époque. 1880–19140
The Little Database: A Poetics of Media Formats0
Metabolic Arts Gathering: Curatorial Notes0
By the Bedside of The Patient: Lessons for the Twenty-First-Century Physician0
Leonardo Gallery: Experiments in Art, Access and Technology0
An Infinity of Worlds: Cosmic Inflation and the Beginning of the Universe0
Wound Man: The Many Lives of a Surgical Image0
Basic Artistic Research: The Foundations of Science and the Future of Art0
On Pedantry: A Cultural History of the Know-it-all0
Experiments in Art, Access and Technology0
The Defining Role of Spatial Immersive Technologies in the Creation of the Electroacoustic Compositions Moments of Liberty I–IV0
Exploring Past Images in a Digital Age: Reinventing the Archive0
From Thought-Forms to Art Concret: Tracey M. Benson Interviews Paul Brown0
Reclaiming Wisdom in the Algorithmic Age0
Mark: Sonya Kelliher-Combs0
Interactive Moiré Patterns Reflecting on the Traditional Nanjing Baiju0
The Night Albums: Visibility and the Ephemeral Photograph0
Introduction to Graphic Design: A Guide to Thinking, Process, and Style0
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria0
A Teaching Experiment on the Generation of AI-Assisted Interior Renderings0
Simulated Environments and Environmental Consciousness: Extending Ecoacoustic Monitoring into Sound Art0
The Unification of the Arts: A Framework for Understanding What the Arts Share and Why0
A Piano for Visuals: Affordances of Scan Processing Instruments0
Remediating the Individual and the Collective0
Indeterminacy after AI: Introduction to Special Section0
“Carlos Trilnick: an electronic image-processing pioneer from Argentina”0
A Piano for Visuals: Affordances of Scan Processing Instruments0
The Source of Novelty: Exploring semiotic and poetic mechanisms in biological systems0
Marguerite’s Theorem (Le Théorème de Marguerite)0
Difference and Repetition in the Robotic Art of Sisyphus0
Creative Simulations: George Mallen and the Early Computer Arts Society0
Dynamics of Generative Cinematography: Virtual Cameras in Game Engine–Based 3D Real-Time Environments0
The Cult of Creativity: A Surprisingly Recent History0
Generative Sonification of Synthetic Virology Data with Waveshaping and Granular Synthesis Techniques0
Top-Rated LGA Abstracts 20230
Neural Networks0
The Network0
Analysis of the Potential of Telematic Chamber Music: Focusing on Korean Performances0
The Epistemic Case for Sci-Art: Toward a Posthuman Praxis0
Leonardo@Djerassi 2022: Gallery0
Listening through bones, opening surroundings and body0
Crip-Techno-Tinkerism: A Neurodivergent Learning Style Meets Machine Learning0
The Creative Lives of Animals0
Experiential AI: Between Arts and Explainable AI0
“Dancing with Atoms”: A Tribute to Sheila Tinney0
Conflict as Catalyst : Cross-Disciplinary Perspectives on Art, Science, and Technology0
Literature’s Elsewheres: On the Necessity of Radical Literary Practices0
Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz0
Video as World Mandala: The Role of Nakajima Kō’s Animaker and Aniputer in Defining a Cosmic Vision of Video0
(Nip)ulations: The Nipulator Electronic Bra and the Embodiment of the Image Processing Tool0
DNA Dance Revolution0
Programmable Analogue Drawing Machines, 1952–20230
The Splendor of Plainness: A Transformation of the Process of Qi as Expressed in the Generative Artwork UKON0
Forgotten Pioneers of Media Art: Laboratory of Presentation Techniques0
The Chapter: A Segmented History from Antiquity to the Twenty-First Century0
Lessons from the Harrisons0
Before Superman: Superhumans of the Radium Age0
Scientists as “Specialist Audience” for Art that Addresses Climate Change: Weather Engines at Onassis, Athens, 20220
Typophoto: New Typography and the Reinvention of Photography0
On the Anarchic Organization of Cinematic Spaces0
Sculptural Hybridization: Combining Digital Parametric Modeling and Manufacturing with Traditional Handcrafting Techniques0
The Network0
Art as Inquiry: Theoretical Perspectives on Research in Art and Science0
Transdisciplinarity, Composition, Expression: Reflections on a Spherical Way of Thinking0
Erratum0
The Network0
Staring Back: Hacking Intersectional Oppression through Eco-Crip: Cybotanical Futures0
Embracing Fragility: Exploring Vulnerability0
The Anthology of Black Mountain College Poetry0
Responsivity and Responsibility in Responsive Environments: Art and Interactivity on a Rupturing Planet0
Parallel Public: Experimental Art in Late East Germany0
Nonhuman Companionship: Practicing Free Improvisation Through Interaction with Machines0
Tales of Militant Chemistry: The Film Factory in a Century of War0
Cold War in the White Cube: U.S. Exhibitions of Latin American Art, 1959–19680
The Edge of Beginning Again0
MindClay : From Interactive Installations to a Digital Platform for Therapeutic Creative Arts0
Early Image Processing and Computer Animation in Colorado: Pat Lehman’s Video Vitae in Context0
Trafficking | Transmission | Translation: Exploring Embodiment as a Mode of Knowledge Construction in Science Art Installations0
LOVEWEAR: haptic clothing that allows intimate exploration for movement-impaired0
Environing Media0
La Résidence D’auteurs Littérature, Territorialité et Médiations Culturelles0
Raster Manipulations0
Towards a Cosmotechnical AI: Planetary Futures and Artificial Wisdom from Latin American Imagination0
The Extinction of Experience: Being Human in a Disembodied World0
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria0
Architecture of Life: Soviet Modernism and the Human Sciences0
A Book of Noises: Notes on the Auraculous0
Shanshui Journey: Using AI to Reproduce the Experience of Chinese Literati Ink Paintings0
Operational Images: From the Visual to the Invisual0
De tripas corazón (From Guts to Heart) : A Generative Art Audiovisual Exploration of the Gut-Brain Axis0
Reflections on Light: Developing New Methods for Producing Anamorphic Sculpture0
A History of Fireworks: From their Origins to the Present Day0
Code: From Information Theory to French Theory0
The Belgian Photonovel, 1954–1985: An Introduction0
Diversified Perspectives: Modes of Attention in Algorithmic Information Processing0
Inside the Spiral: The Passions of Robert Smithson0
SoundRunner: Out of the Starting Blocks0
Art, Science, and the Politics of Knowledge0
“Tint and Form”: The Geometric Philosophy Underlying Oliver Byrne’sElements0
The Prospect of Art-Science Interplay in Filmmaking as Research: From Abstract to Implicit Film0
Artists for the Utopia of Peace and Justice0
Wabi-Sabi in Virtual Reality Sketching: Toward a Digital Creator’s Posture Change0
Experimental Practices in Interdisciplinary Art: Engaging the Margins0
Diffractive Rendezvous0
An Algorithm for Human Embodiment and Computational Realization of Familiar and Novel African/Clave Rhythm0
The Power of Poor AI: Exploring the Potential for Defiance and the Nature of Disruption0
New Ways of Reading Drones in Art: Drones as Existential Technologies0
On Hope and Creatives for Earth0
A Collaborative Approach in Mechanistic Music-Based Intervention and Pain Research: NCCIH Research Networks0
Artistic Defamiliarization in the Age of Algorithmic Prediction0
gOd, mOther and sOldier: A Story of Oppression, Told through the Lens of AI0
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