Leonardo

Papers
(The TQCC of Leonardo is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Robert Rauschenberg and Surrealism: Art, “Sensibility” and War16
Leonardo Volume 5612
The Lab Book: Situated Practices in Media Studies11
Life in the Posthuman Condition: Critical Responses to the Anthropocene9
Musical Scores for Virtual Reality Headsets: Compositional Strategies and Performative Challenges7
Tending to the Life Web7
See the Change7
Aesthetics and Politics of Participation in Benoît Maubrey’s Speaker Sculptures5
Freak Pictures, Fly Fishers, and Optical Illusions: Historical Antecedents of the Science of Fish Vision5
Temporal Dynamics of the “Living Picture” and Its Interference in the Photographic Medium: Unveiling the Impact of Cinemagraphs on Time Perception5
ACEVEDO in Context: Analog Media 1977–1987 · Digital Media 1983–20205
Applied Systems Aesthetics: Jack Burnham and Contemporary Video Game Art4
Paris Pataphysique—L’Art des Solutions Imaginaires4
Handling Electric Light: Piotr Kowalski’s Illuminating Mesures à prendre4
Leonardo@Djerassi 2024: A Decade of Innovation at the Intersection of Art and Science4
Primitive way country come look inside4
The Politics of Visual Indeterminacy in Abstract AI Art4
Into the Here and Now: Explorations within a New Acoustic Virtual Reality4
The Physical Weight of Sound: In Memory Of Phill Niblock4
The Scores Project: Essays on Experimental Notation in Music, Art, Poetry, and Dance, 1950–19754
Coenesthetic Defragmentation: An Artistic Installation Exploring the Relationship Between Sound, Movement, and Self-Awareness3
Technoetic Ecologies of Another AI: Play, Process, and the Post-Biological Imagination3
Entangled Poetics: Two Bioartists in the Anthropocene3
The Ecology of Knowledge: How the Complexity Sciences Can Explain the Peculiar Alliance between Art and Philosophy2
Roman Verostko, Digital Art Pioneer2
Frederik Ruysch and his Thesaurus Anatomicus: A Morbid Guide2
Remembering Dick Land (1932–2024)2
Poems as Musical Instruments: an AI Music Performance Interface Based on the Concepts of Chinese Qin Songs2
The Soundscape of Johannesburg: Field Recording as Creative Cartography2
’Pataphysics Unrolled2
Navigating the Ineffable2
Philip Mallory Jones’s Electronic Consciousness in Afrodiasporic Video2
Living Capsules: Reflections on an Ongoing Art-Sociology Collaboration2
Measuring Is Making: The Radical Indeterminacy of Music2
Object-Oriented Ontology in Shaping Perspective on Bacterial Art and Nonhuman Agency2
Language Is Leaving Me: An AI Exploration of Epigenetic or Inherited Trauma of Cultures of Diaspora2
SORAURUSHI as Space Art: Reflecting Earth and Cosmos on Urushi Lacquer through a High-Altitude Balloon Experiment2
Experimental Environments and the Aesthetic Experience of Metabolic Processes2
Saint Ghetto of the Loans: Grimoire2
Atmospheres of Projection: Environmentality in Art and Screen Media2
Sentience: The Invention of Consciousness2
Le Temps de L’Écrivain2
In Search for the Rarest Plant: Art, Drones, and AI2
Porous Embodiment and Poetic Knowledge: An Emergent Dialogue Between a Puppetry Artist and a Neuroscientist2
Slow AI1
Codified Sonic Territories: Understanding Ubiquitous Music through Critical Spatial Theory1
Sinicization of Electronic Music Instruments: Tian Jinqin’s Pioneering Inventions and Designing Ideas1
Leonardo Volume 581
A Lesson with Francis Bacon Forced Me to See Outside the Software Box1
Spatial Transcriptions – Harnessing Reflections as a Spatial Medium to Transcribe Micro-topographies into Lightscapes1
Nervous Extensions for Planetary Balance in Nina Sobell’s Collaborative Séances1
Listening Through Bones, Opening Surroundings, and the Body1
Men of Letters: Perspectives on Multisensory Environments in the Hall-McLuhan Correspondence, 1961–19771
Auro Lecci’s Algorithmic Art: Toward the Computer as a Thinking Machine1
Posthuman Subjectivity: The Interactive Art Installation Countdown X Hours1
Selected Writings on Visual Arts and Culture: Detour to the Imaginary1
Aesthetic Experience of Metabolic Processes1
LOL, a Sonic Détournement of the CCTV Surveillance Network1
Curating the Moving Image1
Leonardo@Djerassi 2022: Introduction1
Relationships Between Arts Participation, Social Cohesion, and Well-Being in 18 US Communities: A New Theory of Change1
An Eye-Tracking Study on Viewer Compliance with the Gestalt Closure Principle: Analyzing the Impact of Gap Size and the Golden Ratio1
Performing by the Book? Musical Negotiations Between Text and Act1
Flourishing as Ongoingness and Collectivity in Form and Process: A Dialectical Encounter1
Collaborations in Art and Medicine: Institutional Critique, Patient Participation, and Emerging Entanglements1
Criptech and the Art of Access: Introduction to Special Issue1
Artificial Intelligence and the Technological Imaginary1
Frank Malina: Light Art and Scientific Abstraction1
The Nature of Information: The Leonardo LASER, Telluride, 20241
Promoting Unfamiliar Music Through Data Science: MARS, the Music Affect Recommender System for Digital Library Engagement1
Latent Ecologies of the Mind : Laying Down the Path for Ecopoietic Hyperfeedback Systems1
Being Good Ancestors1
Para Ser Eterno Basta Ser Um Livro—Editorial e Design do Livro em Portugal no Século XX1
Exercises in Humility: Gregory Bateson on Contingency, Croquet, and Revising Habits of Thought through Play1
The Smartness Mandate1
Exploring the Materiality of Augmented Reality Markers through Arts-Led Cocreation: Drawing, Weaving, and Tiling1
The Art of Scientific Observation: An Art-Science Project on the Legacy of Barbara McClintock1
LASER Nomad: Road Maps for Art and Science Research into Ancestral Knowledge1
Leonardo Graduate Abstracts: Top-Rated LABS Abstracts 20241
Leonardo Volume 571
Theorizing the Intersection of Science and Art: A Case Study of an Online SciArt Exhibition in the Context of Science and Technology Studies (STS)1
Interactive Cinema: The Ambiguous Ethics of Media Participation1
BURTYNSKY, A Transformative Mind-Heart Experience: An Interview with Curator Marc Mayer1
Leonardo Reviews Online1
Epigenetics and Intergenerational Trauma: An Interdisciplinary Exploration of the Afterlives of Famine in War1
PlantConnect1
From Virtual to Physical: AIGC-Driven Human–Computer Collaboration in Miao Costume Design1
Weaving Joy Through the Power of Touch: Interactive Art Installation Using Knitted Sensors1
Memorial Art for All: Supporting Marginalized Communities in Collective Healing1
Interspecies Translation Technologies: Designing Interpretation Interfaces Referencing Simple to Poetically Complex Semiotic Frameworks1
Historic Avant-Garde Work on Paper1
Tipping the Scales: The Harrisons and the Force Majeure1
Deep Permutation Design: A New Potential Artificial Intelligence-Based Design Methodology1
Visualizing Spatial Gaze Data in the Perception of 3D Objects1
Scalar Wave Paintings: A New Approach to Postdigital Art1
An Ecological Oracle1
The Weirdness of the World; The Science of Weird Shit: Why our Minds Conjure the Paranormal1
Leonardo@Djerassi 2023: Gallery Introduction1
Making AI-Infused Products and Services More Legible1
Technology as Resistance: Pioneers of Korean Media Art from the 1960s to the 1990s1
The Unveiled City: Multicultural Representation of Tokyo by Hashtag Labeling on Instagram1
Energy Is Never Lost: A Portrait of Swiss Artist Margrit Fischer-Hotz1
Against Interaction Design1
Voices of Climate Change1
A Shift in Artistic Practices through Artificial Intelligence1
Transforming the Future: An Interview with Lining Yao on Morphing Matter and AI1
A Teaching Experiment on the Generation of AI-Assisted Interior Renderings0
The Belgian Photonovel, 1954–1985: An Introduction0
Exploring Past Images in a Digital Age: Reinventing the Archive0
A Book of Noises: Notes on the Auraculous0
The Chimeric Entity: Narratives and Algorithms in Hybrid Ecology0
Video as World Mandala: Nakajima Ko’s Animaker, Aniputer, and Cosmic Video0
The Chapter: A Segmented History from Antiquity to the Twenty-First Century0
Modernité du livre: De nouvelles maisons d’édition pour de nouveaux lectorats0
The Edge of Beginning Again0
Visibilis 433: Sensory Extension and Audiovisual Reinterpretation of 4′33″0
Mobilizing Creativity to Build a Culture of Peace0
Environing Media0
Metabolic Arts Gathering: Curatorial Notes0
Neural Networks0
A History of Fireworks: From their Origins to the Present Day0
The Traveling Gallery of Fluid Motion: The Coexistence of Order and Chaos0
Embracing Fragility: Exploring Vulnerability0
A Piano for Visuals: Affordances of Scan Processing Instruments0
Illustration. A Theoretical and Contextual Perspective (3rd Edition)0
Top-Rated LGA Abstracts 20230
Basic Artistic Research: The Foundations of Science and the Future of Art0
Exploring the Synergy of Scientific Data and Music: Multifaceted Approaches to the Sounds of Biological Active Compounds0
Diversified Perspectives: Modes of Attention in Algorithmic Information Processing0
Leonardo@Djerassi 2022: Gallery0
A Revolution in Music: The History of the Groupe de Recherches Musicales0
ImproVision: Visual Communication and Human-Computer Interactions for Musical Creativity0
Conflict as Catalyst : Cross-Disciplinary Perspectives on Art, Science, and Technology0
The Source of Novelty: Exploring semiotic and poetic mechanisms in biological systems0
Cold War in the White Cube: U.S. Exhibitions of Latin American Art, 1959–19680
Transformed Strangely: Lyotardian Indeterminacy in John Cage’sChild of Tree0
On Developing Enhancement Artifacts for Musical Instruments via 3D Printing: A Case Study on the Euphonium0
(Nip)ulations: The Nipulator Electronic Bra and the Embodiment of the Image Processing Tool0
Staring Back: Hacking Intersectional Oppression through Eco-Crip: Cybotanical Futures0
Neuroarts: At the Intersection of the Arts, Research, Technology, and Practice0
“Tint and Form”: The Geometric Philosophy Underlying Oliver Byrne’sElements0
Epiphytic Memory: A Cognitive Assemblage of Plant-Human-Technology0
Architecture of Life: Soviet Modernism and the Human Sciences0
On the Anarchic Organization of Cinematic Spaces0
Reimagining Creativity: Gaussian Splatting as an Organological Extension of Imagination in Artistic Processes0
Lessons from the Harrisons0
Sculptural Hybridization: Combining Digital Parametric Modeling and Manufacturing with Traditional Handcrafting Techniques0
Against Technoableism: Rethinking who Needs Improvement, The Double Bind of Disability: How Medical Technology Shapes Bodily Authority0
The Network0
Exploring the Artful Mind: Introducing Leonardo’s Focus on Neuroarts, Healing, and Innovation0
The Network0
Against Interaction Design0
Memory in the Life of a Cajun Prairie0
The Anthology of Black Mountain College Poetry0
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria0
DNA Dance Revolution0
On Pedantry: A Cultural History of the Know-it-all0
Shamans and Robots: On Ritual, the Placebo Effect, and Artificial Consciousness0
Creative Simulations: George Mallen and the Early Computer Arts Society0
The Prospect of Art-Science Interplay in Filmmaking as Research: From Abstract to Implicit Film0
Vermeer’s Afterlives0
Towards a Cosmotechnical AI: Planetary Futures and Artificial Wisdom from Latin American Imagination0
Streams in the Veins : Harmonic Cycle of Multimodal Signals for Interspecies Interactive Composing0
Remediating the Individual and the Collective0
A World Full of Creativity0
Sound of Ikebana: Fluid Artwork Created under Zero-G Using Parabolic Flight0
INTR/ANSITIF. Poétique de L’Interstice0
An Image Dispute Resulting from Pareidolia?0
Trafficking | Transmission | Translation: Exploring Embodiment as a Mode of Knowledge Construction in Science Art Installations0
Our Monsters0
Composing Interwoven Sound Spaces: on writing for networked halls, interactive textiles, and musicians0
Simulated Environments and Environmental Consciousness: Extending Ecoacoustic Monitoring into Sound Art0
Reporting Guidelines for Music-Based Interventions: The Importance of Reporting Quality to Advances in Arts and Health Research0
Introduction to Graphic Design: A Guide to Thinking, Process, and Style0
The Epistemic Case for Sci-Art: Toward a Posthuman Praxis0
Reflections on Light: Developing New Methods for Producing Anamorphic Sculpture0
Reclaiming Wisdom in the Algorithmic Age0
Camilla_Horde : A Thermo-Artistic Device for Hauntological Computing0
Touching Variables: Decolonial Approaches and New Tools for Ecological Data Visualization0
Inside the Spiral: The Passions of Robert Smithson0
Into the Deep: AI, Monsters, and Mapping the Unknown0
Generative Sonification of Synthetic Virology Data with Waveshaping and Granular Synthesis Techniques0
Artists for the Utopia of Peace and Justice0
“Dancing with Atoms”: A Tribute to Sheila Tinney0
LOVEWEAR: haptic clothing that allows intimate exploration for movement-impaired0
gOd, mOther and sOldier: A Story of Oppression, Told through the Lens of AI0
Interspecies Interfaces in Artistic Contexts: Forest Signals as the Basis for Ecosystemic Intelligence0
The Power of Poor AI: Exploring the Potential for Defiance and the Nature of Disruption0
A Collaborative Approach in Mechanistic Music-Based Intervention and Pain Research: NCCIH Research Networks0
Self-Reference Design: A New Potential Design Methodology in the Age of Artificial Intelligence0
The AI Laocoön: Art and the Artificial Imagination, or Survival Aesthetics in the Anthropocene0
Artificial Intelligence: the paradox of a victorious retreat0
Mark: Sonya Kelliher-Combs0
Experiments in Art, Access and Technology0
Forgotten Pioneers of Media Art: Laboratory of Presentation Techniques0
The Hroswitha Club and the Impact of Women Book Collectors0
Raster Manipulations0
Slow Technology Reader: A Tool for Shaping Divergent Futures0
Interactive Moiré Patterns Reflecting on the Traditional Nanjing Baiju0
By the Bedside of The Patient: Lessons for the Twenty-First-Century Physician0
Unearthing the Underworld: A Natural History of Rocks0
Words and Lights : A Poetic Installation Embodying the Collective Creativity of the Generation of 270
Urban Intonation: Listening to the Rats of New York City0
Resonant Realms: Cross-Disciplinary Exploration of Sound0
The Cult of Creativity: A Surprisingly Recent History0
Living Surfaces0
Issue Welcome0
Histories, Legacies, and Futures of Image-Processing0
The *.* Group’s Contribution to the Development of Technological Art in Brazil0
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria0
MindClay : From Interactive Installations to a Digital Platform for Therapeutic Creative Arts0
From Recommendations to Generation: Tools Without Interfaces0
Marguerite’s Theorem (Le Théorème de Marguerite)0
The Splendor of Plainness: A Transformation of the Process of Qi as Expressed in the Generative Artwork UKON0
A Piano for Visuals: Affordances of Scan Processing Instruments0
One Never Knows0
Dynamics of Generative Cinematography: Virtual Cameras in Game Engine–Based 3D Real-Time Environments0
The Arrogant Ape: The Myth of Human Exceptionalism and why it Matters0
Scientists as “Specialist Audience” for Art that Addresses Climate Change: Weather Engines at Onassis, Athens, 20220
Human’ and ConversationN: Exploring Mirrored Human-AI Identities Through Dialogue Installations0
Character Creation in Drone Puppetry: Integrating Tradition and Technology in Isabella’s Flight0
Responsivity and Responsibility in Responsive Environments: Art and Interactivity on a Rupturing Planet0
Listening through bones, opening surroundings and body0
Electric Echoes: Conserving Chryssa’s Black-Light Sculptures0
How Do We Experience Digital Arts? An Exploration through Latour’s Modes of Existence0
Transdisciplinarity, Composition, Expression: Reflections on a Spherical Way of Thinking0
De tripas corazón (From Guts to Heart) : A Generative Art Audiovisual Exploration of the Gut-Brain Axis0
SoundRunner: Out of the Starting Blocks0
Hollis Frampton: Navigating the Infinite Cinema0
Our Bodies Demand Their Turn!: Live Synthesizer in Shigeko Kubota’s Riverrun—Video Water Poem0
An Algorithm for Human Embodiment and Computational Realization of Familiar and Novel African/Clave Rhythm0
AI-assisted Embodied Painting Therapy: Exploring New Approaches to Artistic Healing Through Delving into the Subconscious0
Molds, Mushrooms, and Medicines: Our Lifelong Relationship with Fungi0
Unveiling the Unspoken and Invisible: Analyzing Artistic Responses to Radiophobia0
Indeterminacy after AI: Introduction to Special Section0
Algorithms of Oppression: How Search Engines Reinforce Racism0
The Defining Role of Spatial Immersive Technologies in the Creation of the Electroacoustic Compositions Moments of Liberty I–IV0
Leonardo Gallery: Experiments in Art, Access and Technology0
Diffractive Rendezvous0
New Ways of Reading Drones in Art: Drones as Existential Technologies0
Immersive Synthetic Memories: Transforming AI-Generated 2D Memories into Virtual Environments0
Sand: An Assay —Observations on a Collaboration0
Experiential AI: Between Arts and Explainable AI0
Artistic Defamiliarization in the Age of Algorithmic Prediction0
An Infinity of Worlds: Cosmic Inflation and the Beginning of the Universe0
Parallel Public: Experimental Art in Late East Germany0
Nonhuman Companionship: Practicing Free Improvisation Through Interaction with Machines0
Typophoto: New Typography and the Reinvention of Photography0
La bande dessinée en France à la Belle époque. 1880–19140
The Extinction of Experience: Being Human in a Disembodied World0
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