Journal of Aesthetics and Art Criticism

Papers
(The TQCC of Journal of Aesthetics and Art Criticism is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Landscape Appreciation: Theories since the Cultural Turn24
On Experiencing Music from Within16
Autonomy and Community in Kant’s Theory of Taste15
Is AI a Threat to Human Music? (a neo-Deweyan Perspective)11
Ethical Flaws in Artworks: An Argument for Contextual Conjunctivism8
Nietzsche in The Office: the aesthetic justification of capitalist realism8
Between the Lines: A Philosophy of Theatre7
Hard to watch: how to fall in love with difficult movies7
On the Aesthetic Appreciation of Damaged Environments6
Foucault’s Aesthetics of Existence and Shusterman’s Somaesthetics: Ethics, Politics, and the Art of Living6
Reconsidering Mood and Narrative Cinema6
Contributors5
Rule-Bound Creativity and the Art of Artificial Intelligence5
What Is a Photographic Register?5
Rational Sentimentalism5
Black and Latinx hermeneutical resources, hip hop music and white supremacy5
Te heahea me ngā toi, te hikohiko: Productive Idiocy, mātauranga Māori and Art-activism Strategies in Aotearoa/New Zealand5
Contributors4
Perplexing Plots: Popular Storytelling and the Poetics of Murder4
The Aesthetic Value of Diverse Beliefs3
Contributors3
Correction: Strong Comic Immoralism3
Do We See Aesthetic Properties?3
A Dual-Process Model of Xunzi’s Philosophy of Music3
Take a Chance on Me: Aleatory Poetry, Generative AI, and the External Demarcation Problem3
Image in the Making: Digital Innovation and the Visual Arts3
The Unseen Truth: When Race Changed Sight in America3
The Aesthetics of Creative Activism: Introduction3
A Simple Theory of Aesthetic Value3
Artistic creativity and whimsy: a reply to Costello3
Philosophy and the Art of Writing2
Introduction: Symposium on Aesthetic Value2
Nested Types and Musical Flexibility2
Bearing Witness and Creative Activism2
Aesthetic Blight, Aesthetic Agency, and Justice2
Aesthetic Normies and Aesthetic Communities2
Counterfactual Reasoning in Art Criticism2
The Fable and the Novel: Rethinking History of Korean Fiction from the Perspective of Narrative Aesthetics2
Aesthetic Values Are Distal Versions of Practical Values2
Philosophical Skepticism as the Subject of Art: Maria Bussmann’s Drawings2
On Style and Mere Stylishness in AI-Generated Art2
AI Augments Musical Creativity: But Does the Music Swing?2
The Uncanny as Antisublime2
The Art of Environmental Law, Governing with Aesthetics2
The Separability Thesis2
Authenticity and Implicature2
Note from the Editors2
Overwhelming Perfection: A Defense of Addison’s Account of the Sublime2
Artistic Exceptionalism and the Risks of Activist Art2
Mentalization and Literary Form . Elisa Galgut2
Walking the Path of Taste: On the Kantian Roots of José Vasconcelos’s Aesthetics1
The Engagement Account of Aesthetic Value1
How Do You Remember What You Don’t Remember? Other Stories/Historias Bravas by Koyoltzintli1
Contributors1
Game: Animals, Video Games and Humanity1
Contributors1
Hardcore Music Ontologies1
Two Concepts of Groove: Musical Nuances, Rhythm, and Genre1
Journal of Aesthetics and Art Criticism | Call for Proposals for Special Issues 2025 and 20261
Drawing the Line: What to Do with the Work of Immoral Artists from Museums to the Movies1
What Discordant Songs Show Us about Imaginative Resistance1
Raymonda1
Quatremère de Quincy’s Moral Considerations on the Place and Purpose of Works of Art: Introduction and Translation1
Mass AI-art: A Moderately Skeptical Perspective1
Notes on Aesthetic Value1
The Aesthetic Analysis of a Garden1
Making Space for Creativity: Niche Construction and the Artist’s Studio1
Racialized Beauty Ideals, Asymmetrical Harms, and Conflict1
Introduction to Symposium on Latinx Aesthetics1
Why It’s OK to Love Bad Movies1
The Possibility of Paraphrase1
Musical Meaning and Authentic Work Performance: Three Dilemmas for the Interpretive Authenticist1
Texts without authors: ascribing literary meaning in the case of AI1
Could the Artist Not Be Wrong? A Critical Notice of Sherri Irvin's Immaterial: The Rules of Contemporary Art (Oxford: Oxford University Press, 2022)1
Magic, Alief, and Make-Believe1
Contributors1
Artistic Manner as Autonomy: Creative Freedom and the Constraint of Rules in Vasari, Bellori and Kant1
On Resisting Art1
The Politics of Perception and the Aesthetics of Social Change1
Aesthetic Injustice1
The Genre View of Public Lands: The Case of National Monuments1
Comic objectification1
Toward Ideas: A Kantian Aesthetic Virtue1
On Stochastic Picassos and Why Vision Language Models Cannot Replace Artists1
Photographic Registers Are Latent Images1
Notes from the Editors1
Literary Indiscernibles, Referential Forgery, and the Possibility of Allographic Art1
Artificial Intelligence, The Hedonic View of Appreciation and the Threat of Appreciative Deskilling1
Debunking taste1
Aesthetic Value as a Relational Value1
Artistic Motives in Korean Art Traditions: Self-Cultivation, Self-Enjoyment, and Self-Forgetting1
Hybridized, Influenced, or Evolved? A Typology to Aid the Categorization of New and Developing Arts1
The Aesthetics of Virtual Reality.1
The Heritage Value of Culinary Items: A Rather Skeptical Tale1
Contributors1
High Art, High Artists1
Designing for Death: Learning from the Victorians1
Rethinking Aesthetic Properties: An Argument for Aesthetic Particularism1
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