Journal of Aesthetics and Art Criticism

Papers
(The median citation count of Journal of Aesthetics and Art Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
CATHARINE, ABELL. Fiction: A Philosophical Analysis29
On Experiencing Music from Within16
Landscape Appreciation: Theories since the Cultural Turn13
Is AI a Threat to Human Music? (a neo-Deweyan Perspective)8
On the Aesthetic Appreciation of Damaged Environments6
Autonomy and Community in Kant’s Theory of Taste6
What Makes Heavy Metal ‘Heavy’?6
Poetry and the Possibility of Paraphrase6
Nietzsche in The Office: the aesthetic justification of capitalist realism5
Hard to watch: how to fall in love with difficult movies5
Between the Lines: A Philosophy of Theatre5
Black and Latinx hermeneutical resources, hip hop music and white supremacy5
What Is a Photographic Register?5
Ethical Flaws in Artworks: An Argument for Contextual Conjunctivism5
Reconsidering Mood and Narrative Cinema5
Te heahea me ngā toi, te hikohiko: Productive Idiocy, mātauranga Māori and Art-activism Strategies in Aotearoa/New Zealand4
Notes from the Editors4
Contributors4
Take a Chance on Me: Aleatory Poetry, Generative AI, and the External Demarcation Problem4
Rational Sentimentalism4
Perplexing Plots: Popular Storytelling and the Poetics of Murder4
Image in the Making: Digital Innovation and the Visual Arts3
Resisting Tiny Heroes: Kant on the Mechanism and Scope of Imaginative Resistance3
Introduction: Symposium on Aesthetic Value3
A Simple Theory of Aesthetic Value3
Creative Agency as Executive Agency: Grounding the Artistic Significance of Automatic Images3
A Dual-Process Model of Xunzi’s Philosophy of Music2
Philosophical Skepticism as the Subject of Art: Maria Bussmann’s Drawings2
The Separability Thesis2
The Fictional Road Not Taken: A Weak Anti-realist Theory of Fiction2
Contributors2
Authenticity and Implicature2
Aesthetic Values Are Distal Versions of Practical Values2
Pluralism About Artwork Completeness2
Correction: Strong Comic Immoralism2
Artistic creativity and whimsy: a reply to Costello2
Supplementing Herder’s Naturalism: Expanding the Senses and Transcending Cultures2
The Aesthetic Value of Diverse Beliefs2
The Fable and the Novel: Rethinking History of Korean Fiction from the Perspective of Narrative Aesthetics2
The Aesthetics of Creative Activism: Introduction2
The Real Reasons Why Gamers Are not Performers—A Reply to Kania2
The Unseen Truth: When Race Changed Sight in America2
Photographic Registers Are Latent Images1
The Engagement Account of Aesthetic Value1
Contributors1
Author’s Reply forHerder’s Naturalistic Aesthetics1
Introduction to Symposium on Latinx Aesthetics1
Contributors1
By What Criteria Are Pictorial Styles Individuated?1
Comic objectification1
On the Adorning Arts; An Argument for Artistic Adornment1
Overwhelming Perfection: A Defense of Addison’s Account of the Sublime1
Quatremère de Quincy’s Moral Considerations on the Place and Purpose of Works of Art: Introduction and Translation1
Artistic Exceptionalism and the Risks of Activist Art1
Street Art, the Discontinuity Thesis, and the Artworld1
Nested Types and Musical Flexibility1
The Heritage Value of Culinary Items: A Rather Skeptical Tale1
The Art of Environmental Law, Governing with Aesthetics1
Aesthetic Normies and Aesthetic Communities1
How Do You Remember What You Don’t Remember? Other Stories/Historias Bravas by Koyoltzintli1
Why It’s OK to Love Bad Movies1
Making Space for Creativity: Niche Construction and the Artist’s Studio1
Hardcore Music Ontologies1
Journal of Aesthetics and Art Criticism | Call for Proposals for Special Issues 2025 and 20261
Notes from the Editors1
Contributors1
Musical Meaning and Authentic Work Performance: Three Dilemmas for the Interpretive Authenticist1
Artistic Manner as Autonomy: Creative Freedom and the Constraint of Rules in Vasari, Bellori and Kant1
Horror and Its Affects1
Hybridized, Influenced, or Evolved? A Typology to Aid the Categorization of New and Developing Arts1
Counterfactual Reasoning in Art Criticism1
Aesthetic Value as a Relational Value1
Bearing Witness and Creative Activism1
Philosophy and the Art of Writing1
The Truthful Portrait: Can Posing Be a Tool for Authenticity in Portraiture?1
The Genre View of Public Lands: The Case of National Monuments1
Aesthetic Blight, Aesthetic Agency, and Justice1
Player Engagement with Games: Formal Reliefs and Representation Checks1
Literary Indiscernibles, Referential Forgery, and the Possibility of Allographic Art1
Merely Methodological Naturalism in Aesthetics: A Proposed Revision of Zuckert’s Herder Interpretation1
The Possibility of Paraphrase1
Two Concepts of Groove: Musical Nuances, Rhythm, and Genre1
Walking the Path of Taste: On the Kantian Roots of José Vasconcelos’s Aesthetics1
Debunking taste1
Game: Animals, Video Games and Humanity1
The Politics of Perception and the Aesthetics of Social Change1
Adorning Intentions1
High Art, High Artists1
Note from the Editors1
Attentional Engines: A Perceptual Theory of the Arts1
Adornment Defended1
Magic, Alief, and Make-Believe1
Learning Implicit Biases from Fiction0
The Philosophy of Comics: What They Are, How They Work, and Why They Matter0
A History of Western Philosophy of Music0
The Ambiguity of Aesthetic Value0
Thinking the Aesthetic: Towards a Noetic Conception of Aesthetic Experience The 2023 Richard Wollheim Memorial Lecture0
Kant’s (Moderate) Musical Antiformalism: A Reply to Sousa0
Musical works, types and modal flexibility reconsidered0
Introduction: The Art and Aesthetics of Capitalism0
Transnational Art: Crossing the Borders Between the Two Americas0
Philosophy of Comics: An Introduction0
Books of Interest0
Topiary and false jewels: Adam Smith on magnificence, aesthetic value, and market value0
Introduction to the Symposium on Korean Aesthetics: The Beginning is Half0
Mental Imagery and Poetry0
Dewey and the Aesthetic Unconscious:The Vital Depths of Experience0
Red Sea–Red Square–Red Thread. A Philosophical Detective Story0
Luchita Hurtado: Self-Portraiture, ‘Mountain and Leopard’0
Sculpture in Herder’s Naturalist Aesthetics0
The Philosophy of Mixed Martial Arts0
The Changing Meaning of Kitsch: From Rejection to Acceptance0
Artistic (Counter) Speech0
Cheap Art and Creative Activism0
Art and embodied knowledge: the bodily basis of aesthetic cognitivism0
Artistic Motives in Korean Art Traditions: Self-Cultivation, Self-Enjoyment, and Self-Forgetting0
Contributors0
Taste: A Philosophy of Food0
Action and Relation: Toward a New Theory of the Image0
An Unnatural Attitude: Phenomenology in Weimar Musical Thought0
Concept TV: An Aesthetics of the Television Series0
The Aesthetics of Virtual Reality.0
The Perceived Fit Between Music and Movement: A Multisensory Account of Dance as a Novel Feature Type0
Type Realism Reconsidered0
Correction to: A Dual-Process Model of Xunzi’s Philosophy of Music0
A Philosopher Looks at Architecture0
On Resisting Art0
Art by Proxy0
Speaking of Godot: Fiction, Reference, and Indeterminate Identities0
The Primacy of Form over Color: On the Discussion of Primary and Secondary Qualities in Herder’s Pygmalion0
Imagining Dinosaurs0
Contributors0
The Problems of Viewing Performance: Epistemology and Other Minds0
Paintings of Music0
Taylor Swift and the Philosophy of Re-recording: The Art of Taylor’s Versions0
Being in a Horror Movie0
Notes on Aesthetic Value0
Soliciting Essay Submissions for the John Fisher Memorial Prize of 20250
Debates on Culinary Norms0
Tattoos Can Sometimes Be Art: A Modest Embellishment of Stephen Davies’sAdornment0
Aesthetic Realism and Manifest Properties0
The Role of Teleological Thinking in Judgments of Persistence of Musical Works0
A Theory of Change for Artistic Activism0
Correction to: Taste: A Philosophy of Food0
Iconoclasm, Speculative Realism, and Sympathetic Magic0
Wittgenstein’s Artillery: Philosophy as Poetry0
Art: Visual Arts and the First Amendment on the Streets of New York0
Toward a Communitarian Theory of Aesthetic Value0
Motion Metaphors in Music Criticism0
Response to Currie and Robson, “Authenticity and Implicature”0
Ideological rug-pulling: race, reds, and red herrings in Jordan Peele’s Us0
Too Close to Nature: On the Representational Problems of Death Masks and Life Casts0
How Do You Solve a Problem like DALL-E 2?0
Soliciting essay submissions for the John Fisher Memorial Prize of 20250
Melting the Archive: The Irreconcilable Cover Song and Rock’s Recorded History0
Modeling Culinary Value0
Why Record Shops Matter Aesthetically: A Case Study in Aesthetic Institutions0
The Locative Function of Situated Art0
An argument for the aesthetic value of Latin American women’s art0
Nested Types, Modal Claims and Musical Works. Another Go0
The Routledge Companion to Music and Human Rights0
Crisis, Mourning, and the Everyday: Reading Wakanda Forever0
Aesthetics in Biodiversity Conservation0
Community and Conflict in Aesthetic Life: a Response to Song0
Arts of Address, Being Alive to Language and the World0
Frissons in Dance0
A Philosophy of Cover Songs0
Rhinestone Cowboys: The Problem of Country Music Costuming0
Graffiti Writing as Creative Activism: Getting Up, Sheeplike Subversion, and Everyday Resistance0
Apophatic Beauty in the Hippias Major and the Symposium0
Fictional Creations0
Ars Erotica: Sex and Somaesthetics in the Classical Arts of Love0
How Statues Speak0
Experiencing Atmospheres in Paintings0
WILLARD, MARY BETH. Why It’s OK to Enjoy the Work of Immoral Artists0
Artistic, Artworld, and Aesthetic Disobedience0
The Poetic as an Aesthetic Category0
Hegel and the Present of Art’s Past Character0
Aesthetic Life and Why it Matters0
Blackening Aesthetic Experience0
Correction to: Thinking Through Music: Wittgenstein’s Use of Musical Notation0
Contributors0
Rethinking Veridicality: Motor Response, Empirical Evidence, and Dance Appreciation0
Erratum to: Relief and the Structure of Intentions in Late Palaeolithic Cave ArtErratum to: Toward a Communitarian Theory of Aesthetic Value0
Two Thumbs Up: How Critics Aid Appreciation.0
What History Feels Like0
Contributors0
Contributors0
Stakeholders and Experts in Culinary Cultural Heritage0
Books of Interest0
Toward a Responsible Artistic Agency: Mindful Representation of Fat Communities in Popular Media0
Texts without authors: ascribing literary meaning in the case of AI0
Wittgenstein and Literary Studies0
Aesthetic Value: The View from Here0
Introduction: Symposium on the Role of Aesthetics in Debating Culinary Cultural Heritage0
Performative Activism Redeemed0
The Aesthetic Analysis of a Garden0
Racialized Disgust, Embodied Affect, and the Portrayal of Native Americans in Classic Hollywood Westerns0
Cosmopolitanism and the Creative Activism of Public Art0
Some Considerations Regarding Adornment, the Gender “Binary,” and Gender Expression0
Nonfiction Theater0
Aesthetic Cognitivism and Serialized Television Fiction0
The Routledge Companion to the Philosophies of Painting and Sculpture (Routledge Philosophy Companions)0
Beauty, Anger, and Artistic Activism0
Marking Radical Aesthetics in the Time of Racial Capitalism0
Could the Artist Not Be Wrong? A Critical Notice of Sherri Irvin's Immaterial: The Rules of Contemporary Art (Oxford: Oxford University Press, 2022)0
The Philosophy of Curatorial Practice: Between Work and World0
The World According to ProustThe Proustian MindProust’s In Search of Lost Time: Philosophical Perspectives0
Metaphors in Neo-Confucian Korean philosophy0
Aesthetic Value: Why Pleasure Counts0
Aesthetic Values in Everyday Life: Collaborating with the World through Action0
Contributors0
Against a Communitarian Theory of Aesthetic Value: A Response to Riggle0
Douglas Sirk: Filmmaker and Philosopher0
Guilty Pleasures Revisited0
Magic, Illusion, and Alief: a Reply to Cavedon-Taylor0
Sublime music0
Aesthetics as Philosophy of Art, or Hegel’s Reconciliation of Kantian Dualism0
Big Tent Aesthetics0
What Is Acting?0
Iconological Dualism Re-Thought: A New Variation on Two Old Theories0
When (Imagined) Evidence Explains Fictionality0
Predelli on Fictional Discourse0
Duchamp’s Telegram: From Beaux-Arts to Art-in-General0
Musical Exdurantism0
Drawing the Line: What to Do with the Work of Immoral Artists from Museums to the Movies0
Strong Comic Immoralism0
Change is Central to Perfume Appreciation0
Thinking Through Music: Wittgenstein’s Use of Musical Notation0
Contributors0
Aesthetics of Care: Practice in Everyday Life0
Performance Review0
Aesthetics of the Narrative Climax in Contemporary TV Serials0
Contributors0
Disagreement in Aesthetics and Ethics: Against the Received Image0
MAES, HANS and KATRIEN SCHAUBROECK, eds. Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration0
Art Scents: Exploring the Aesthetics of Smell and the Olfactory Arts0
The Aesthetic Mediation of Cultural Memory: Two Case Studies from Papua New Guinea and Kimberley, Australia0
Capitalist and anti-capitalist placemaking through street art0
An Aesthetics of (Popular) Music Radio0
PIPPIN, ROBERT B. Philosophy by Other Means: The Arts in Philosophy and Philosophy in the Arts0
Notes from the Editors0
Nine Explananda in Search of an Explanans0
Korean Aesthetic Ideals: “Jayeon0
Canon and Cultural Negotiation0
Toward Ideas: A Kantian Aesthetic Virtue0
Virtual Fictional Actions0
Music as capitalist icon0
Contributors0
Figurative Shaping of Peaks and Rocks on Geumgang Mountain: The Korean Temperament and Vision0
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