Journal of Aesthetics and Art Criticism

Papers
(The median citation count of Journal of Aesthetics and Art Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-03-01 to 2025-03-01.)
ArticleCitations
Books of Interest19
Jonathan Gilmore, Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind11
Landscape Appreciation: Theories since the Cultural Turn11
Rita Felski, Hooked: Art and Attachment10
Modeling Culinary Value7
The Genre View of Public Lands: The Case of National Monuments6
Texts without authors: ascribing literary meaning in the case of AI6
Two Thumbs Up: How Critics Aid Appreciation.5
Kivy’s Mystery: Absolute Music and What the Formalist Can (or Could) Hear5
Adornment Defended5
The Aesthetic Mediation of Cultural Memory: Two Case Studies from Papua New Guinea and Kimberley, Australia5
Tattoos Can Sometimes Be Art: A Modest Embellishment of Stephen Davies’sAdornment5
Contributors4
The Art of Environmental Law, Governing with Aesthetics4
Counterfactual Reasoning in Art Criticism4
Contributors4
Philosophy and the Art of Writing4
What Is the Monumental?3
Musical Exdurantism3
Experiencing Atmospheres in Paintings3
Korean Aesthetic Ideals: “Jayeon3
Puy on ‘Nested Types’3
Topiary and false jewels: Adam Smith on magnificence, aesthetic value, and market value3
Nested Types and Musical Flexibility3
Horror and Its Affects3
Soliciting Essay Submissions for the John Fisher Memorial Prize of 20253
Melting the Archive: The Irreconcilable Cover Song and Rock’s Recorded History3
Why the Sublime Is Aesthetic Awe2
Nanay, Bence. Aesthetics: A Very Short Introduction2
Autonomy and Community in Kant’s Theory of Taste2
Seeing in Mirrors2
Introduction to the Symposium on Korean Aesthetics: The Beginning is Half2
Metaphors in Neo-Confucian Korean philosophy2
The Primacy of Form over Color: On the Discussion of Primary and Secondary Qualities in Herder’s Pygmalion2
The Aesthetic Analysis of a Garden2
The Role of Teleological Thinking in Judgments of Persistence of Musical Works2
Introduction: Symposium on the Role of Aesthetics in Debating Culinary Cultural Heritage2
Frissons in Dance2
Virtual Fictional Actions2
The Engagement Account of Aesthetic Value2
Guilty Pleasures Revisited2
CATHARINE, ABELL. Fiction: A Philosophical Analysis2
On Experiencing Music from Within2
Rethinking Low, Middle, and High Art1
Contributors1
DAVIES, STEPHEN. Adornment: What Self-Decoration Tells Us About Who We Are1
Nonfiction Theater1
Reconsidering Mood and Narrative Cinema1
Predelli on Fictional Discourse1
How Empathy With Fictional Characters Undermines Moral Self-Trust1
PIPPIN, ROBERT B. Philosophy by Other Means: The Arts in Philosophy and Philosophy in the Arts1
Nietzsche in The Office: the aesthetic justification of capitalist realism1
Between the Lines: A Philosophy of Theatre1
Aesthetics as Philosophy of Art, or Hegel’s Reconciliation of Kantian Dualism1
Red Sea–Red Square–Red Thread. A Philosophical Detective Story1
Empathy in Appreciation: An Axiological Account1
Erratum to: Relief and the Structure of Intentions in Late Palaeolithic Cave ArtErratum to: Toward a Communitarian Theory of Aesthetic Value1
WILLARD, MARY BETH. Why It’s OK to Enjoy the Work of Immoral Artists1
On the Aesthetic Appreciation of Damaged Environments1
MAES, HANS and KATRIEN SCHAUBROECK, eds. Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration1
KANIA, ANDREW. Philosophy of Western Music: A Contemporary Introduction1
Black and Latinx hermeneutical resources, hip hop music and white supremacy1
Ethical Flaws in Artworks: An Argument for Contextual Conjunctivism1
Adorning Intentions1
Empathy’s Role in Different Levels of Understanding Literature: Empirical and Philosophical Perspectives1
What Is a Photographic Register?1
What Makes Heavy Metal ‘Heavy’?1
Apophatic Beauty in the Hippias Major and the Symposium1
Duchamp’s Telegram: From Beaux-Arts to Art-in-General1
Contributors1
Aesthetic Normies and Aesthetic Communities1
Poetry and the Possibility of Paraphrase1
The Philosophy of Mixed Martial Arts1
Graffiti Writing as Creative Activism: Getting Up, Sheeplike Subversion, and Everyday Resistance1
Big Tent Aesthetics1
Aesthetic Cognitivism and Serialized Television Fiction1
Correction to: A Dual-Process Model of Xunzi’s Philosophy of Music1
PAKES, ANNA. Choreography Invisible: The Disappearing Work of Dance1
Marking Radical Aesthetics in the Time of Racial Capitalism1
Contributors1
Notes on Aesthetic Value1
An Unnatural Attitude: Phenomenology in Weimar Musical Thought1
What History Feels Like1
Thinking the Aesthetic: Towards a Noetic Conception of Aesthetic Experience The 2023 Richard Wollheim Memorial Lecture1
Contributors1
Ideological rug-pulling: race, reds, and red herrings in Jordan Peele’s Us1
Concept TV: An Aesthetics of the Television Series1
Artistic Exceptionalism and the Risks of Activist Art1
Action and Relation: Toward a New Theory of the Image1
Cheap Art and Creative Activism1
EVANS, THOMAS. The Outwardness of Art: Selected Writings of Adrian StokesZWEITE, ARMIN. Gerhard Richter: Life and Work: In Painting Thinking is Painting1
Thinking the Sculpture Garden: Art, Plant, Landscape1
Sonic Pictures1
Wittgenstein’s Artillery: Philosophy as Poetry1
How not to defend aesthetic autonomism0
How Statues Speak0
Mental Imagery and Poetry0
PENNER, NINA. Storytelling in Opera and Musical Theater0
Books of Interest0
Arts of Address, Being Alive to Language and the World0
Artistic creativity and whimsy: a reply to Costello0
Musical works, types and modal flexibility reconsidered0
A Simple Theory of Aesthetic Value0
Introduction: The Art and Aesthetics of Capitalism0
Art by Proxy0
Aesthetics of the Narrative Climax in Contemporary TV Serials0
Te heahea me ngā toi, te hikohiko: Productive Idiocy, mātauranga Māori and Art-activism Strategies in Aotearoa/New Zealand0
Author’s Reply forHerder’s Naturalistic Aesthetics0
How Empathy with Fictional Characters Differs from Empathy with Real Persons0
The Case of (Digital) Wagner0
What Makes Value Aesthetic?0
Nested Types and Musical Versions: Replying to Davies’s Challenges0
A History of Western Philosophy of Music0
Comic objectification0
Contributors0
Robin James, The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics0
Literary Indiscernibles, Referential Forgery, and the Possibility of Allographic Art0
Debates on Culinary Norms0
Sculpture in Herder’s Naturalist Aesthetics0
Introduction: Symposium on Aesthetic Value0
Nested Types, Modal Claims and Musical Works. Another Go0
Aesthetics in Biodiversity Conservation0
Notes from the Editors0
Art Scents: Exploring the Aesthetics of Smell and the Olfactory Arts0
Philosophy of Comics: An Introduction0
Ready Player One? A Response to Ricksand0
Rhinestone Cowboys: The Problem of Country Music Costuming0
Philosophical Skepticism as the Subject of Art: Maria Bussmann’s Drawings0
Books of Interest0
Creativity, credit, and copyright in the age of artificial art0
Contributors0
Player Engagement with Games: Formal Reliefs and Representation Checks0
Debunking taste0
Artistic Manner as Autonomy: Creative Freedom and the Constraint of Rules in Vasari, Bellori and Kant0
Contributors0
An Aesthetics of (Popular) Music Radio0
The Separability Thesis0
Invisible Images and Indeterminacy: Why We Need a Multi-stage Account of Photography0
Aesthetic Value: The View from Here0
Response to Currie and Robson, “Authenticity and Implicature”0
Paintings of Music0
Motion Metaphors in Music Criticism0
Drawing the Line: What to Do with the Work of Immoral Artists from Museums to the Movies0
Nguyen, C. THI. Games: Agency as Art0
What Is Acting?0
Hardcore music ontologies0
Thinking Through Music: Wittgenstein’s Use of Musical Notation0
Fictional Creations0
Contributors0
Hegel and the Present of Art’s Past Character0
The Aesthetics of Creative Activism: Introduction0
Take a Chance on Me: Aleatory Poetry, Generative AI, and the External Demarcation Problem0
Correction to: Taste: A Philosophy of Food0
Rational Sentimentalism0
On the Adorning Arts; An Argument for Artistic Adornment0
Merely Methodological Naturalism in Aesthetics: A Proposed Revision of Zuckert’s Herder Interpretation0
Being in a Horror Movie0
Music as capitalist icon0
Correction: Strong Comic Immoralism0
Supplementing Herder’s Naturalism: Expanding the Senses and Transcending Cultures0
Descriptive Formalism and Evaluative Formalism in Kant’s Theory of Music: A Response to Young0
Relief and the Structure of Intentions in Late Palaeolithic Cave Art0
Making Space for Creativity: Niche Construction and the Artist’s Studio0
The Fictional Road Not Taken: A Weak Anti-realist Theory of Fiction0
Quatremère de Quincy’s Moral Considerations on the Place and Purpose of Works of Art: Introduction and Translation0
The Possibility of Paraphrase0
Iconoclasm, Speculative Realism, and Sympathetic Magic0
Imagining Dinosaurs0
Kant on Aesthetic Ideas, Rational Ideas and the Subject-Matter of Art0
Contributors0
Speaking of Godot: Fiction, Reference, and Indeterminate Identities0
Perplexing Plots: Popular Storytelling and the Poetics of Murder0
Contributors0
Dewey and the Aesthetic Unconscious:The Vital Depths of Experience0
Learning Implicit Biases from Fiction0
When (Imagined) Evidence Explains Fictionality0
Image in the Making: Digital Innovation and the Visual Arts0
Attentional Engines: A Perceptual Theory of the Arts0
Street Art, the Discontinuity Thesis, and the Artworld0
Art Criticism in the Contracted Field0
Nine Explananda in Search of an Explanans0
The Real Reasons Why Gamers Are not Performers—A Reply to Kania0
Hybridized, Influenced, or Evolved? A Typology to Aid the Categorization of New and Developing Arts0
Game: Animals, Video Games and Humanity0
Bearing Witness and Creative Activism0
Notes from the Editors0
Taste: A Philosophy of Food0
Douglas Sirk: Filmmaker and Philosopher0
Pluralism About Artwork Completeness0
How Do You Solve a Problem like DALL-E 2?0
Artistic Motives in Korean Art Traditions: Self-Cultivation, Self-Enjoyment, and Self-Forgetting0
Sublime music0
Erratum to: Kant on Form or DesignErratum to: Authorship and Creation0
The Philosophy of Curatorial Practice: Between Work and World0
Aesthetic Life and Why it Matters0
The Politics of Perception and the Aesthetics of Social Change0
Ars Erotica: Sex and Somaesthetics in the Classical Arts of Love0
A Philosopher Looks at Architecture0
The Changing Meaning of Kitsch: From Rejection to Acceptance0
Type Realism Reconsidered0
Artistic, Artworld, and Aesthetic Disobedience0
Toward a Communitarian Theory of Aesthetic Value0
Contributors0
Two Concepts of Groove: Musical Nuances, Rhythm, and Genre0
Aesthetic Values in Everyday Life: Collaborating with the World through Action0
Aesthetic Values Are Distal Versions of Practical Values0
Existential Aesthetics0
Looking for Profundity (in All the Wrong Places)0
A Dual-Process Model of Xunzi’s Philosophy of Music0
Too Close to Nature: On the Representational Problems of Death Masks and Life Casts0
Soliciting essay submissions for the John Fisher Memorial Prize of 20250
Blackening Aesthetic Experience0
Authorship and Creation0
Kant’s (Moderate) Musical Antiformalism: A Reply to Sousa0
Some Considerations Regarding Adornment, the Gender “Binary,” and Gender Expression0
On Resisting Art0
Journal of Aesthetics and Art Criticism | Call for Proposals for Special Issues 2025 and 20260
High Art, High Artists0
The World According to ProustThe Proustian MindProust’s In Search of Lost Time: Philosophical Perspectives0
The Problems of Viewing Performance: Epistemology and Other Minds0
Wittgenstein and Literary Studies0
Julian Dodd. Being True to Works of Music0
Aesthetic Value: Why Pleasure Counts0
The Routledge Companion to Music and Human Rights0
Contributors0
Two Kinds of “Bad” Musical Performance: Musical and Moral Mistakes0
Aesthetic Value as a Relational Value0
The Truthful Portrait: Can Posing Be a Tool for Authenticity in Portraiture?0
The Perceived Fit Between Music and Movement: A Multisensory Account of Dance as a Novel Feature Type0
Cosmopolitanism and the Creative Activism of Public Art0
Rethinking Veridicality: Motor Response, Empirical Evidence, and Dance Appreciation0
Aesthetics of Care: Practice in Everyday Life0
Notes from the Editors0
Photographic Registers Are Latent Images0
The Aesthetic Value of Diverse Beliefs0
Aesthetic Realism and Manifest Properties0
The Fable and the Novel: Rethinking History of Korean Fiction from the Perspective of Narrative Aesthetics0
Figurative Shaping of Peaks and Rocks on Geumgang Mountain: The Korean Temperament and Vision0
A Philosophy of Cover Songs0
By What Criteria Are Pictorial Styles Individuated?0
Iconological Dualism Re-Thought: A New Variation on Two Old Theories0
Introduction: The Peter Kivy Prize Symposium0
Why It’s OK to Love Bad Movies0
Authenticity and Implicature0
Strong Comic Immoralism0
The Ambiguity of Aesthetic Value0
Harold, James. Dangerous Art: On Moral Criticism of Artworks0
Beauty, Anger, and Artistic Activism0
Disagreement in Aesthetics and Ethics: Against the Received Image0
Artistic (Counter) Speech0
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