Journal of Aesthetics and Art Criticism

Papers
(The median citation count of Journal of Aesthetics and Art Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Landscape Appreciation: Theories since the Cultural Turn24
On Experiencing Music from Within16
Autonomy and Community in Kant’s Theory of Taste15
Is AI a Threat to Human Music? (a neo-Deweyan Perspective)11
Ethical Flaws in Artworks: An Argument for Contextual Conjunctivism9
Nietzsche in The Office: the aesthetic justification of capitalist realism8
What Is a Photographic Register?7
Hard to watch: how to fall in love with difficult movies7
Rule-Bound Creativity and the Art of Artificial Intelligence6
Contributors6
On the Aesthetic Appreciation of Damaged Environments6
Between the Lines: A Philosophy of Theatre5
Reconsidering Mood and Narrative Cinema5
Black and Latinx hermeneutical resources, hip hop music and white supremacy5
Contributors5
Foucault’s Aesthetics of Existence and Shusterman’s Somaesthetics: Ethics, Politics, and the Art of Living5
Te heahea me ngā toi, te hikohiko: Productive Idiocy, mātauranga Māori and Art-activism Strategies in Aotearoa/New Zealand4
Rational Sentimentalism4
Do We See Aesthetic Properties?3
Note from the Editors3
Artistic creativity and whimsy: a reply to Costello3
A Dual-Process Model of Xunzi’s Philosophy of Music3
Take a Chance on Me: Aleatory Poetry, Generative AI, and the External Demarcation Problem3
Correction: Strong Comic Immoralism3
Contributors3
Image in the Making: Digital Innovation and the Visual Arts3
Perplexing Plots: Popular Storytelling and the Poetics of Murder3
A Simple Theory of Aesthetic Value3
Contributors3
The Unseen Truth: When Race Changed Sight in America3
Bearing Witness and Creative Activism2
Nested Types and Musical Flexibility2
Overwhelming Perfection: A Defense of Addison’s Account of the Sublime2
Musical Meaning and Authentic Work Performance: Three Dilemmas for the Interpretive Authenticist2
The Separability Thesis2
Introduction: Symposium on Aesthetic Value2
The Fable and the Novel: Rethinking History of Korean Fiction from the Perspective of Narrative Aesthetics2
Philosophical Skepticism as the Subject of Art: Maria Bussmann’s Drawings2
Note from the Editors2
Artistic Exceptionalism and the Risks of Activist Art2
Philosophy and the Art of Writing2
Aesthetic Values Are Distal Versions of Practical Values2
The Aesthetic Value of Diverse Beliefs2
Authenticity and Implicature2
The Art of Environmental Law, Governing with Aesthetics2
On Style and Mere Stylishness in AI-Generated Art2
Aesthetic Blight, Aesthetic Agency, and Justice2
The Ethics and Aesthetics of True Crime2
The Aesthetics of Creative Activism: Introduction2
Texts without authors: ascribing literary meaning in the case of AI1
Drawing the Line: What to Do with the Work of Immoral Artists from Museums to the Movies1
Designing for Death: Learning from the Victorians1
Mass AI-art: A Moderately Skeptical Perspective1
Notes on Aesthetic Value1
Rethinking Aesthetic Properties: An Argument for Aesthetic Particularism1
Photographic Registers Are Latent Images1
On Stochastic Picassos and Why Vision Language Models Cannot Replace Artists1
Walking the Path of Taste: On the Kantian Roots of José Vasconcelos’s Aesthetics1
Debunking taste1
Quatremère de Quincy’s Moral Considerations on the Place and Purpose of Works of Art: Introduction and Translation1
Literary Indiscernibles, Referential Forgery, and the Possibility of Allographic Art1
Making Space for Creativity: Niche Construction and the Artist’s Studio1
Aesthetic Normies and Aesthetic Communities1
Artificial Intelligence, The Hedonic View of Appreciation and the Threat of Appreciative Deskilling1
How Do You Remember What You Don’t Remember? Other Stories/Historias Bravas by Koyoltzintli1
Hardcore Music Ontologies1
Contributors1
Raymonda1
Aesthetic Injustice1
Contributors1
The Aesthetic Analysis of a Garden1
Why It’s OK to Love Bad Movies1
The Possibility of Paraphrase1
Hybridized, Influenced, or Evolved? A Typology to Aid the Categorization of New and Developing Arts1
Notes from the Editors1
The Genre View of Public Lands: The Case of National Monuments1
The Politics of Perception and the Aesthetics of Social Change1
Mentalization and Literary Form Elisa Galgut1
Comic objectification1
AI Augments Musical Creativity: But Does the Music Swing?1
Journal of Aesthetics and Art Criticism | Call for Proposals for Special Issues 2025 and 20261
Contributors1
The Aesthetics of Virtual Reality.1
On Resisting Art1
Contributors1
The Engagement Account of Aesthetic Value1
Toward Ideas: A Kantian Aesthetic Virtue1
Artistic Manner as Autonomy: Creative Freedom and the Constraint of Rules in Vasari, Bellori and Kant1
Racialized Beauty Ideals, Asymmetrical Harms, and Conflict1
Introduction to Symposium on Latinx Aesthetics1
The Heritage Value of Culinary Items: A Rather Skeptical Tale1
Game: Animals, Video Games and Humanity1
Aesthetic Value as a Relational Value1
High Art, High Artists1
The Uncanny as Antisublime1
Magic, Alief, and Make-Believe1
What Discordant Songs Show Us about Imaginative Resistance1
The Ambiguity of Aesthetic Value0
Art by Proxy0
Strange and Ordinary Tools: The Reciprocity of Art and Life for Nishida Kitarō and Alva Noë0
Too Close to Nature: On the Representational Problems of Death Masks and Life Casts0
AI Art and Artists: What They Are, What They Could Be, What They Should Be0
Introduction: The Art and Aesthetics of Capitalism0
Understanding and Appreciating the Interplay of Photography and AI in Image-Making Practices0
Musical Exdurantism0
Correction to: A Dual-Process Model of Xunzi’s Philosophy of Music0
What Makes Value Aesthetic?0
Community and Conflict in Aesthetic Life: a Response to Song0
Enjoyably Horrifying0
Speaking of Godot: Fiction, Reference, and Indeterminate Identities0
Aesthetic Cognitivism and Serialized Television Fiction0
Correction to: Disagreement in Aesthetics and Ethics: Against the Received Image0
An Argument for the Aesthetic Value of Latin American Women’s Art0
Taste: A Philosophy of Food0
The Changing Meaning of Kitsch: From Rejection to Acceptance0
Virtual Fictional Actions0
Existential Aesthetics0
Metaphors in Neo-Confucian Korean philosophy0
Interpretational Creativity in Generative AI: A Case from Persian Traditional Music0
Uncollected Writings: Writing on Art0
Topiary and false jewels: Adam Smith on magnificence, aesthetic value, and market value0
An Aesthetics of (Popular) Music Radio0
Aesthetic Life and Why it Matters0
The Problems of Viewing Performance: Epistemology and Other Minds0
Debates on Culinary Norms0
Descriptive Formalism and Evaluative Formalism in Kant’s Theory of Music: A Response to Young0
Aesthetics in Grief and Mourning: Philosophical Reflections on Coping with Loss0
Aesthetics of Care: Practice in Everyday Life0
Nine Explananda in Search of an Explanans0
Response to Currie and Robson, “Authenticity and Implicature”0
Strong Comic Immoralism0
The Poetic as an Aesthetic Category0
Conflict and Cosmopolitanism: A Critical Notice of Dominic McIver Lopes’s Aesthetic Injustice (Oxford University Press, 2024)0
Correction to: Taste: A Philosophy of Food0
The Routledge Companion to Music and Human Rights0
Toward a Responsible Artistic Agency: Mindful Representation of Fat Communities in Popular Media0
Philosophy of Comics: An Introduction0
Thinking Through Music: Wittgenstein’s Use of Musical Notation0
Red Sea–Red Square–Red Thread. A Philosophical Detective Story0
Will AI Produce Works of Extraordinary Aesthetic Value?0
How Do You Solve a Problem like DALL-E 2?0
Korean Aesthetic Ideals: “Jayeon0
Wittgenstein and Literary Studies0
Rhinestone Cowboys: The Problem of Country Music Costuming0
The Philosophy of Comics: What They Are, How They Work, and Why They Matter0
Introduction: Symposium on the Role of Aesthetics in Debating Culinary Cultural Heritage0
Thinking the Aesthetic: Towards a Noetic Conception of Aesthetic Experience The 2023 Richard Wollheim Memorial Lecture0
Duchamp’s Telegram: From Beaux-Arts to Art-in-General0
Iconoclasm, Speculative Realism, and Sympathetic Magic0
Aesthetics as Philosophy of Art, or Hegel’s Reconciliation of Kantian Dualism0
Frissons in Dance0
Aesthetic Value: Why Pleasure Counts0
Aesthetic Values in Everyday Life: Collaborating with the World through Action0
Beauty, Anger, and Artistic Activism0
Crisis, Mourning, and the Everyday: Reading Wakanda Forever0
Introduction to the Symposium on Korean Aesthetics: The Beginning is Half0
AI and Aesthetic Bias0
Creativity, credit, and copyright in the age of artificial art0
Against a Communitarian Theory of Aesthetic Value: A Response to Riggle0
Is AI a Medium?0
A Philosophy of Cover Songs0
Cosmopolitanism and the Creative Activism of Public Art0
Why Record Shops Matter Aesthetically: A Case Study in Aesthetic Institutions0
Permitting Art: Visual Arts and the First Amendment on the Streets of New York0
Making Meaning in Popular Song: Philosophical Essays Theodore Gracyk0
The Perceived Fit Between Music and Movement: A Multisensory Account of Dance as a Novel Feature Type0
Experiencing Atmospheres in Paintings0
The Tenderness of Silent Minds: Benjamin Britten and His War Requiem0
How Statues Speak0
Notes from the Editors0
Soliciting Essay Submissions for the John Fisher Memorial Prize of 20250
Rethinking Low, Middle, and High Art0
Being in a Horror Movie0
Sublime music0
Contributors0
Transnational Art: Crossing the Borders Between the Two Americas0
How Not to Defend Aesthetic Autonomism0
Artistic (Counter) Speech0
Melting the Archive: The Irreconcilable Cover Song and Rock’s Recorded History0
Stakeholders and Experts in Culinary Cultural Heritage0
Big Tent Aesthetics0
Contributors0
Could the Artist Not Be Wrong? A Critical Notice of Sherri Irvin's Immaterial: The Rules of Contemporary Art (Oxford: Oxford University Press, 2022)0
The Routledge Companion to the Philosophies of Painting and Sculpture0
Graffiti Writing as Creative Activism: Getting Up, Sheeplike Subversion, and Everyday Resistance0
Correction to: Thinking Through Music: Wittgenstein’s Use of Musical Notation0
Contributors0
Epistemological Horror0
Concept TV: An Aesthetics of the Television Series0
The World According to ProustThe Proustian MindProust’s In Search of Lost Time: Philosophical Perspectives0
A Theory of Change for Artistic Activism0
Books of Interest0
Wittgenstein’s Artillery: Philosophy as Poetry0
Contributors0
Aesthetic Harmony and Aesthetic Agonism0
Whither the Happy Dirge? A Curious Asymmetry in Song0
Apophatic Beauty in the Hippias Major and the Symposium0
Kant’s (Moderate) Musical Antiformalism: A Reply to Sousa0
Soliciting Essay Submissions for the John Fisher Memorial Prize of 20270
Soliciting essay submissions for the John Fisher Memorial Prize of 20250
Iconological Dualism Re-Thought: A New Variation on Two Old Theories0
When (Imagined) Evidence Explains Fictionality0
Nested Types, Modal Claims and Musical Works. Another Go0
Dewey and the Aesthetic Unconscious:The Vital Depths of Experience0
Poisoning the Pigeons in the Park: On Humorous Incongruity Between Music and Lyrics0
Magic, Illusion, and Alief: a Reply to Cavedon-Taylor0
Aesthetics in Biodiversity Conservation0
Mental Imagery and Poetry0
Capitalist and anti-capitalist placemaking through street art0
Luchita Hurtado: Self-Portraiture, ‘Mountain and Leopard’0
Art and embodied knowledge: the bodily basis of aesthetic cognitivism0
Rethinking Veridicality: Motor Response, Empirical Evidence, and Dance Appreciation0
Aesthetics and Video Games Christopher Bartel0
Taylor Swift and the Philosophy of Re-recording: The Art of Taylor’s Versions0
Cheap Art and Creative Activism0
Type Realism Reconsidered0
Sad Bangers and Emotional Mashups: Catharsis or Emotional Conversion?0
The Aesthetic Mediation of Cultural Memory: Two Case Studies from Papua New Guinea and Kimberley, Australia0
Performative Activism Redeemed0
Change is Central to Perfume Appreciation0
Hegel and the Present of Art’s Past Character0
A History of Western Philosophy of Music0
Contributors0
Contributors0
Ideological rug-pulling: race, reds, and red herrings in Jordan Peele’s Us0
Aesthetic Value: The View from Here0
Imagining Dinosaurs0
The Locative Function of Situated Art0
A Theory of Tragedy0
Motion Metaphors in Music Criticism0
Music as capitalist icon0
The Philosophy of Curatorial Practice: Between Work and World0
Artistic, Artworld, and Aesthetic Disobedience0
Artistic Motives in Korean Art Traditions: Self-Cultivation, Self-Enjoyment, and Self-Forgetting0
Disagreement in Aesthetics and Ethics: Against the Received Image0
Action and Relation: Toward a New Theory of the Image0
What to Save and Why: Identity, Authenticity, and the Ethics of Conservation Erich Hatala Matthes0
Creativity, Formula, and Constraint0
Exploring Discordant Songs0
Figurative Shaping of Peaks and Rocks on Geumgang Mountain: The Korean Temperament and Vision0
Algorithmic Recommendation and Aesthetic Flourishing0
Marking Radical Aesthetics in the Time of Racial Capitalism0
Contributors0
Canon and Cultural Negotiation0
An Unnatural Attitude: Phenomenology in Weimar Musical Thought0
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