Gesta-International Center of Medieval Art

Papers
(The TQCC of Gesta-International Center of Medieval Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Between Wonder and Omen: Conjoined Twins and the Mandylion from Constantinople to Norman Sicily2
Making and Unmaking Love in the Macclesfield Psalter2
Witness Images and Oath-Stones: On Law and Pictorial Culture in the Eleventh Century2
Art, Relics, and the Senses in the Cult of Saint Demetrios of Thessaloniki2
Multimodal Icons in Byzantine Ritual1
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“The Image Is Not God”: Politics, Theology, and the Materiality of Images in San Marco, Venice1
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Jerusalem in Rome: New Light on the Façade Mosaics of Gregory IX (1227–41) and Passion Relics in Old St. Peter’s0
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Brave as a Lion, Fierce like a Griffin: Heraldic Devices and Aristocratic Identity in the Frescoes of St. Panteleimon, Nerezi0
Identifying a Literary Antecedent to the Siege of the Castle of Love in Gothic Ivories0
Leprosy, Dropsy, a Head Injury, and a Shrine: Reinterpretations and Reunions in an Early Thirteenth-Century Miracle Window of Canterbury Cathedral0
The Bishops and the Lions0
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“Go Forth and Learn”: Visual Exegesis in the Medieval Haggadah0
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Nile Valley Kin(g)ship: The Nubian with the Horned Crown at Maryam Qorqor (Tigray, Ethiopia) and the Legitimation of the Zagwe Kings0
Between Biblical and Political: The Subversion of Samson in Twelfth-Century León-Castile0
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The Columns from “the Tomb of Charlemagne” between Aachen and the Louvre: A Modern Spoliation Saga0
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The Intermedial Image in Twelfth-Century Naples0
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Seeing through Sigebert: A Re-Examination of the Liturgical Portraits of Sigebert of Minden (1022–36)0
Forging the Augustinian Past: The Rule-Giving of Saint Augustine in a Duecento Gradual0
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Restaging Remnants of the Past: Royal Sculpture in Charles IV’s Prague0
Word and Image in Madalberta’s Tabernacle Miniature0
The Fictive Mosaics of Medieval Serbia0
Singing the Magnificat from Prague to Siena: Altarpieces for the Feast of the Visitation, 1386–14230
Embriachi Boxes and the Materialities of Fifteenth-Century Courts0
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Intermedial Visions of Saint Gregory on Lübeck’s Corpus Christi Confraternity Altarpiece0
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Epistolary Vessels0
Touching the Magdalene: The Cult of Mary Magdalene in Iberia in the Central Middle Ages0
Arian and Orthodox Apostles in Late Antique Ravenna0
“Poor Men and Brother Hermits”: The Spiritual Franciscans and a Late Thirteenth-Century Image of the Desert0
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Eco-Violence, Cultural Violence, and the Almost Human in a Fifteenth-Century French Chronicle0
Illumination Unbound: The Victoria and Albert Museum Cross and Its Parchment Miniatures0
Seeing the Music in the Psalter of Queen Philippa0
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An Exceptional Early Byzantine Censer in Antalya0
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Seeing Christ on the Cross in Late Antique Syria and Mesopotamia: Crosses, Crucifixes, and the Question of Iconicity0
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Monastic Imagination and Historical Preservation: The Role of Geoffrey Martel in the Translatio Scene on the Shrine of the Holy Tear at the Abbey of La Trinité, Vendôme0
An African “Constantine” in the Twelfth Century: The Architecture of the Early Zagwe Dynasty and Egyptian Episcopal Authority0
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