Gesta-International Center of Medieval Art

Papers
(The TQCC of Gesta-International Center of Medieval Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
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Witness Images and Oath-Stones: On Law and Pictorial Culture in the Eleventh Century2
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Painting the Sculptural Body in Lucca and Florence: Intermediality in Croci Dipinte1
Art, Relics, and the Senses in the Cult of Saint Demetrios of Thessaloniki1
Imago humilis: Humor, Irony, and the Rhetorical Wit of the Sacred in the Arena Chapel, Padua1
Making and Unmaking Love in the Macclesfield Psalter1
Brave as a Lion, Fierce like a Griffin: Heraldic Devices and Aristocratic Identity in the Frescoes of St. Panteleimon, Nerezi1
Between Wonder and Omen: Conjoined Twins and the Mandylion from Constantinople to Norman Sicily1
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“Go Forth and Learn”: Visual Exegesis in the Medieval Haggadah0
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Jerusalem in Rome: New Light on the Façade Mosaics of Gregory IX (1227–41) and Passion Relics in Old St. Peter’s0
Seeing the Music in the Psalter of Queen Philippa0
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Identifying a Literary Antecedent to the Siege of the Castle of Love in Gothic Ivories0
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Nile Valley Kin(g)ship: The Nubian with the Horned Crown at Maryam Qorqor (Tigray, Ethiopia) and the Legitimation of the Zagwe Kings0
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Monastic Imagination and Historical Preservation: The Role of Geoffrey Martel in the Translatio Scene on the Shrine of the Holy Tear at the Abbey of La Trinité, Vendôme0
Seeing Christ on the Cross in Late Antique Syria and Mesopotamia: Crosses, Crucifixes, and the Question of Iconicity0
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An African “Constantine” in the Twelfth Century: The Architecture of the Early Zagwe Dynasty and Egyptian Episcopal Authority0
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“The Image Is Not God”: Politics, Theology, and the Materiality of Images in San Marco, Venice0
Seeing through Sigebert: A Re-Examination of the Liturgical Portraits of Sigebert of Minden (1022–36)0
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The Façade of Saint-Gilles-du-Gard: The Visual Strategies of a Political Agenda0
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Leprosy, Dropsy, a Head Injury, and a Shrine: Reinterpretations and Reunions in an Early Thirteenth-Century Miracle Window of Canterbury Cathedral0
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Intermedial Visions of Saint Gregory on Lübeck’s Corpus Christi Confraternity Altarpiece0
An Exceptional Early Byzantine Censer in Antalya0
Animal Affinities: Monsters and Marvels in the Ambrosian Tanakh0
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Touching the Magdalene: The Cult of Mary Magdalene in Iberia in the Central Middle Ages0
Restaging Remnants of the Past: Royal Sculpture in Charles IV’s Prague0
“Poor Men and Brother Hermits”: The Spiritual Franciscans and a Late Thirteenth-Century Image of the Desert0
Forging the Augustinian Past: The Rule-Giving of Saint Augustine in a Duecento Gradual0
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Multimodal Icons in Byzantine Ritual0
Illumination Unbound: The Victoria and Albert Museum Cross and Its Parchment Miniatures0
The Columns from “the Tomb of Charlemagne” between Aachen and the Louvre: A Modern Spoliation Saga0
The Fictive Mosaics of Medieval Serbia0
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Word and Image in Madalberta’s Tabernacle Miniature0
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Singing the Magnificat from Prague to Siena: Altarpieces for the Feast of the Visitation, 1386–14230
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Between Biblical and Political: The Subversion of Samson in Twelfth-Century León-Castile0
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