Gesta-International Center of Medieval Art

Papers
(The TQCC of Gesta-International Center of Medieval Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
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Compounding Greekness: St. Katherine “the Egyptian” and the Sta. Croce Micromosaic2
Space, Image, Light: Toward an Understanding of Moldavian Architecture in the Fifteenth Century2
Holy, Holy, Holy: Hearing the Voices of Angels2
An African “Constantine” in the Twelfth Century: The Architecture of the Early Zagwe Dynasty and Egyptian Episcopal Authority1
Animal Affinities: Monsters and Marvels in the Ambrosian Tanakh1
The King in the Manuscript: The Presentation Inscription of the Vienna Latin Bible moralisée1
The Fictive Mosaics of Medieval Serbia1
Into the Desert: Demons, Spiritual Focus, and the Eremitic Ideal in Morgan MS M.6261
The Iberian Hebrew Bible: Rabbinic Writings and Ornamental Carpet Pages1
In Search of “Temps perdu pour Colombe”1
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Riders on the Throne: Animal Agency in Benedetto Antelami’s Parma Cathedra0
Identifying a Literary Antecedent to the Siege of the Castle of Love in Gothic Ivories0
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The Columns from “the Tomb of Charlemagne” between Aachen and the Louvre: A Modern Spoliation Saga0
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Touching the Magdalene: The Cult of Mary Magdalene in Iberia in the Central Middle Ages0
Art, Relics, and the Senses in the Cult of Saint Demetrios of Thessaloniki0
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Forging the Augustinian Past: The Rule-Giving of Saint Augustine in a Duecento Gradual0
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Restaging Remnants of the Past: Royal Sculpture in Charles IV’s Prague0
Imago humilis: Humor, Irony, and the Rhetorical Wit of the Sacred in the Arena Chapel, Padua0
Seeing Christ on the Cross in Late Antique Syria and Mesopotamia: Crosses, Crucifixes, and the Question of Iconicity0
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Seeing through Sigebert: A Re-Examination of the Liturgical Portraits of Sigebert of Minden (1022–36)0
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Monastic Imagination and Historical Preservation: The Role of Geoffrey Martel in the Translatio Scene on the Shrine of the Holy Tear at the Abbey of La Trinité, Vendôme0
Between Wonder and Omen: Conjoined Twins and the Mandylion from Constantinople to Norman Sicily0
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Painting the Sculptural Body in Lucca and Florence: Intermediality in Croci Dipinte0
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Witness Images and Oath-Stones: On Law and Pictorial Culture in the Eleventh Century0
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“Go Forth and Learn”: Visual Exegesis in the Medieval Haggadah0
Illumination Unbound: The Victoria and Albert Museum Cross and Its Parchment Miniatures0
(Re)Birth of a Seal: Power and Pretense at San Nicola, Bari, ca. 13000
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The Façade of Saint-Gilles-du-Gard: The Visual Strategies of a Political Agenda0
Singing the Magnificat from Prague to Siena: Altarpieces for the Feast of the Visitation, 1386–14230
Puppets, Manuscripts, and Gendered Reading in the Hortus deliciarum0
Making and Unmaking Love in the Macclesfield Psalter0
Brave as a Lion, Fierce like a Griffin: Heraldic Devices and Aristocratic Identity in the Frescoes of St. Panteleimon, Nerezi0
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Between Biblical and Political: The Subversion of Samson in Twelfth-Century León-Castile0
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Jerusalem in Rome: New Light on the Façade Mosaics of Gregory IX (1227–41) and Passion Relics in Old St. Peter’s0
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