Gesta-International Center of Medieval Art

Papers
(The median citation count of Gesta-International Center of Medieval Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
Art, Relics, and the Senses in the Cult of Saint Demetrios of Thessaloniki2
Witness Images and Oath-Stones: On Law and Pictorial Culture in the Eleventh Century1
Making and Unmaking Love in the Macclesfield Psalter1
Front Cover1
Between Wonder and Omen: Conjoined Twins and the Mandylion from Constantinople to Norman Sicily1
Back Matter1
Painting the Sculptural Body in Lucca and Florence: Intermediality in Croci Dipinte1
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Monastic Imagination and Historical Preservation: The Role of Geoffrey Martel in the Translatio Scene on the Shrine of the Holy Tear at the Abbey of La Trinité, Vendôme0
Animal Affinities: Monsters and Marvels in the Ambrosian Tanakh0
An African “Constantine” in the Twelfth Century: The Architecture of the Early Zagwe Dynasty and Egyptian Episcopal Authority0
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Illumination Unbound: The Victoria and Albert Museum Cross and Its Parchment Miniatures0
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Seeing through Sigebert: A Re-Examination of the Liturgical Portraits of Sigebert of Minden (1022–36)0
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Compounding Greekness: St. Katherine “the Egyptian” and the Sta. Croce Micromosaic0
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Brave as a Lion, Fierce like a Griffin: Heraldic Devices and Aristocratic Identity in the Frescoes of St. Panteleimon, Nerezi0
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Imago humilis: Humor, Irony, and the Rhetorical Wit of the Sacred in the Arena Chapel, Padua0
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Seeing Christ on the Cross in Late Antique Syria and Mesopotamia: Crosses, Crucifixes, and the Question of Iconicity0
In Search of “Temps perdu pour Colombe”0
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Front Matter0
“Go Forth and Learn”: Visual Exegesis in the Medieval Haggadah0
Touching the Magdalene: The Cult of Mary Magdalene in Iberia in the Central Middle Ages0
Back Matter0
Front Matter0
The Fictive Mosaics of Medieval Serbia0
Forging the Augustinian Past: The Rule-Giving of Saint Augustine in a Duecento Gradual0
Front Matter0
Multimodal Icons in Byzantine Ritual0
Jerusalem in Rome: New Light on the Façade Mosaics of Gregory IX (1227–41) and Passion Relics in Old St. Peter’s0
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The Iberian Hebrew Bible: Rabbinic Writings and Ornamental Carpet Pages0
An Exceptional Early Byzantine Censer in Antalya0
Singing the Magnificat from Prague to Siena: Altarpieces for the Feast of the Visitation, 1386–14230
The Façade of Saint-Gilles-du-Gard: The Visual Strategies of a Political Agenda0
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Between Biblical and Political: The Subversion of Samson in Twelfth-Century León-Castile0
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The Columns from “the Tomb of Charlemagne” between Aachen and the Louvre: A Modern Spoliation Saga0
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Riders on the Throne: Animal Agency in Benedetto Antelami’s Parma Cathedra0
Seeing the Music in the Psalter of Queen Philippa0
Restaging Remnants of the Past: Royal Sculpture in Charles IV’s Prague0
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Puppets, Manuscripts, and Gendered Reading in the Hortus deliciarum0
Identifying a Literary Antecedent to the Siege of the Castle of Love in Gothic Ivories0
Word and Image in Madalberta’s Tabernacle Miniature0
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