Germanic Review

Papers
(The median citation count of Germanic Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Alexander Kluge’s Post-Global Politics of Citation: Decolonial Modernity and the Rhetoric of History3
Schreibweisen des Exotismus. Sinnesfülle und Fremdheit in der westeuropäischen Literatur vom 18. bis zum 20. JahrhundertFranziska Bergmann. Schreibweisen des Exotismus. Sinnesfülle und 3
Connecting the Thoughts: Ernst Mach, Robert Musil, and the End(s) of Thinking 12
Dada Historiography; or, How to End One’s Work?2
Futur Drei: Queer of Color Presents, Ephemeral Art, and Germany’s Club Scene1
Dynamic Repetition: History and Messianism in Modern Jewish ThoughtGilad Sharvit. Dynamic Repetition: History and Messianism in Modern Jewish Thought . Waltham: Brandeis1
Esty’s Erlebnis and Moishe’s Mikveh: Experiencing Berlin in Netflix’s Unorthodox1
The Waiting Water: Order, Sacrifice, and Submergence in German Realism1
Introduction1
Tobias Wilke. Sound Writing: Experimental Modernism and the Poetics of Articulation1
Anmerkungen übers Theater. Remarks Concerning the Theatre1
Der engagierte Eremit : Critique and Escape in Arno Schmidt and Theodor W. Adorno1
Tales That Touch: Migration, Translation, and Temporality in Twentieth- and Twenty-First-Century German Literature and Culture Tales That Touch: Migration, Translation1
Civic Storytelling: The Rise of Short Forms and the Agency of Literature1
Christian Petzold: Interviews Christian Petzold: Interviews , by Marco Abel, Aylin Bademsoy, and Jaimey Fisher eds.0
Erica Weitzman. At the Limit of the Obscene: German Realism and the Disgrace of Matter0
The Entanglements of Matter, Mind, and Meaning: Novalis’s “Elastic Mode of Thinking”0
Writing Time: Studies in Serial Literature, 1780-18500
Emotions and the Archive: Felix Moeller’s Harlan: In the Shadow of Jew Süss (2008) and Malte Ludin’s 2 or 3 Things I Know About Him (2004)0
Low Tide, Black Shoals: Toward Offshore Formations in Celan Studies0
Orientalism, Europe’s Borderlands, and the Possibility of Genocide in Franz Werfel’s Die vierzig Tage des Musa Dagh (1933)0
Kracauer, Bachofen, and the “bedeutungsleere Naturfundament”0
Errant Equine Lines: Ornament and Embodiment in Kafka’s Drawings0
Of Apes and Mimesis: Art, Survival, and Aping in Kafka’s “Ein Bericht für eine Akademie”0
Über lyrische Sprache, Gedenken und historische Erfahrung: Paul Celan, gelesen mit José F.A. Oliver0
Kitchen and Cosmos: Chorus, Gender, and Politics in Aristophanes' Ekklesiazusai (Assembly Women)0
The Creation of an Avant-Garde Brand: Heiner Müller’s Self-Presentation in the German Public Sphere0
Remembrance Undisciplined: Reading Paul Celan with Max Czollek0
The Language of Trauma: War and Technology in Hoffmann, Freud, and Kafka0
Kleist and the Uncertainty of Things0
“The Right Despair”: Kafka’s Nihilist Technique0
“Der Tod in Venedig” und die Grenzgänge des Erzählens: Interkulturelle AnalysenThomas Mann, “Der Tod in Venedig” und die Grenzgänge des Erzählens: Interkulturelle Analysen 0
Instituting Theory as Style: The Frankfurt School in New York0
Marx im Chor (Hannah Arendt)0
Bettine Menke. Einfälle, Zufälle, Ausfälle: Der Witz Der Sprache0
Beyond Form: Poetry, Politics, and Feminist Interventions0
Ritter’s Musical Esthetics, Der Freischütz, and the Certainty of Nature in Early Nineteenth-Century Germany10
Ernst Jünger, Ernst Bloch and the Danger Zone of the Remnant0
Dalia Nassar. Romantic Empiricism: Nature, Art, and Ecology from Herder to Humboldt0
The End of Drawing: Kafka, Jugendstil, and Losing Weight in All Directions0
Protest and the Opacity of Literature: James Baldwin and Paul Celan0
Text & Critique: Gegenwartsliteratur0
Historical Turns: Weimar Cinema and the Crisis of Historicism0
Recognition and its Grounds in Sophocles’ Oedipus the King0
Man, Woman, Chorus. On Dramatic Figuration in Oskar Kokoschka’s Mörder Hoffnung der Frauen0
The Dramaturgy of Demise: On Goethe’s Der Groß-Cophta0
German Philosophy and the First World WarNicolas de Warren. German Philosophy and the First World War . Cambridge, UK: Cambridge University Press, 2023. 426 pp., $45.95.0
Pseudo-Memoirs: Life and Its Imitation in Modern Fiction0
Revolutionary Romanticism: Carl Schmitt on Bettina von Arnim0
Introduction to “Heine and World Literature”0
‘Unleashing the Globe:’ Diversity and Planetary Knowledge in Reportages by Ilija Trojanow0
World Literature and Defeat0
Alienating Choruses in German-speaking Performing Arts0
Conference Report: „ich lebe ich schreibe“: Friederike Mayröcker (1924-2021)0
“Youth, Ladies and Gentlemen, Honored Academy”: Rainald Goetz and the “Literaturbetrieb”0
Vogelfrei: Marx and the Worker in Exile0
The Frankfurt School in New York0
Oliver Simons. Literary Conclusions: The Poetics of Ending in Lessing, Goethe, and Kleist0
Reading Celan Today0
The Unsettling of the Human Form: Kafka’s “The Trees”0
Nodes of Translation: Intellectual History between Modern India and Germany0
Langsame Katastrophen. Eine Poetik der Erdgeschichte0
Mendelssohn’s Upending of Canonical Appropriation0
The Return of “Empfindsamkeit?” Mapping “New Sensibility” Literature0
Critique as Counterproduction: Repair Work in Alexander Kluge0
Iris Meinen, and Nils Lehnert (Eds.). Öffnung–Schließung–Übertritte. Körperbilder in der deutschsprachigen Gegenwartsliteratur0
The Arabic-Spanish-Jewish School of Poets: Heinrich Heine’s “Jehudah Ben Halevy” and World Literature0
Queer Time in Contemporary German Cinema0
Time Machine TV: Digital Television in Netflix’s Dark0
Hofmannsthal and his Publishers0
Caroline Duttlinger. Attention & Distraction in Modern German Literature, Thought, & Culture. Oxford: Oxford University Press, 2022. 437 pp., $115. ISBN 978-0-19-285630-20
Staging Flight. The Theater as a Transitory Space 10
Lesbian Desire and the Jump Cut in Monika Treut’s Von Mädchen und Pferden0
Demonic Ambiguity, Natural Philosophy, and the Politics of the Pregnant Word: Marx and Benjamin on Law and Language0
To the Collector Belong the Spoils: Modernism and the Art of Appropriation0
Communism of Spirits0
Nothing to Lose but Their Borrowing Privileges: the Frankfurt School at Columbia0
On the Possibility of Poetic Embodiment: Articulatory Gesture in Paul Celan’s “Offene Glottis”0
Remembering the Holocaust in a Digital Age: Katja Petrowskaja at the End of Europe0
The Glass Between: Window and Telescope as Framing Devices in Adalbert Stifter’s Der Hochwald0
Screening Work: The Films of Christian Petzold0
Nature, Condensed: Reading Paul Celan, Esther Kinsky, and Theodor W. Adorno in the Anthropocene0
Aby Warburg. Briefe in 2 Bänden, by Michael Diers and Steffen Haug, eds.Berlin: De Gruyter, 2021, 1430 pp. b/w ill., $103.99. ISBN 978-3-11-053369-90
A View from Morningside Heights: Adorno and Horkheimer at Columbia0
Gustav Landauer, Briefe 1899–1919, 7 Bde0
The Literary Grammar of Entrances: On the Work of Juliane Vogel0
Sorrow and Unification with Nature in the Fragment von Hyperion : Hölderlin and the Kantian Picture of Human Agency0
Eco-Szenarien der Finsternis. Chorisches im Anthropozän0
Hugo von Hofmannsthal and the Color of Classicism0
Exotismus und koloniale Biomacht: Edgar Freiherr von Spiegel über die Marshallinseln0
Temporality of Tolerance and Acts of Endurance in Fremde Haut0
Planetary Textuality: Reading Asmus Trautsch’s “Die Urwälder Europas”0
Sketchy! Kafka’s Drawings in Medias Res0
Lotte at the Movies: Gendered Spectatorship and German Histories of Violence in Babylon Berlin0
Lyrical Touch: Paul Celan and Yunus Emre in the Poetry of Zafer Şenocak0
Kafka’s Drawings and the Social History of Art0
Enter with Courage: Emergence and Ground in Shakespeare, Arendt, and Tillich0
A Forgotten Soldier: Entry of the Nonheroic in Sophocles’s Philoctetes0
“Wutpilger-Streifzüge.” Celans Wörter, aus dem Netz gefischt0
Mark Christian Thompson. The Critique of Nonviolence: Martin Luther King, JR., and Philosophy0
Kafka in Motion0
Uncertainty in Early German Romanticism0
Tiger, Advancing: Energéia, Adventure, Emergence in Goethe’s Novella0
Antonia Villinger. Dramen der Schwangerschaft. Friedrich Hebbels “Judith”, “Maria Magdalena” und “Genoveva”0
Kafka on the Page: On the Relationship of Drawings, Writing, and the Page in Franz Kafka’s Draftsmanship0
Martha’s Melancholia: Racial and Sexual Trauma in Gertrud Kolmar’s Die Jüdische Mutter (1931)0
Geschichten zerstören. Antinarrative Prosa in der österreichischen Literatur des 20. Jahrhunderts0
The Queer Voice and Gaze in Eichendorff’s Das Marmorbild0
Formlose Form. Epistemik und Poetik des Aggregats beim späten Goethe0
Hannah Arendt’s Transatlantic Walter Benjamin0
“Dies Bildnis ist bezaubernd schön”: On the Morphology of Eighteenth-Century Drama0
“Im Diskurs bleiben”: Kathrin Röggla’s Gegenwart as Catastrophe and the Possibilities of Critique0
Ivan Boldyrev. Die Ohnmacht des Spekulativen: Elemente einer Poetik von Hegels “Phänomenologie des Geistes”0
Lina Užukauskaitė. Das Schöne im Werk Ingeborg Bachmanns: Zur Aktualität Einer Zentralen Ästhetischen Kategorie Nach 19450
The GDR Tomorrow: Rethinking the East German Legacy0
Settled and Unsettled Spaces: Property and Ecological Networks in Sophie von La Roche’s Erscheinungen am See Oneida0
The Aesthetics of Impotentiation in Tieck and Hölderlin0
Hölderlin’s Heraclitean Canon0
Theoretische Neugierde: Horizonte Hans Blumenbergs. Mit einem unveröffentlichten Manuskript von Blumenberg.0
Goethes Bibliothek. Eine Sammlung und ihre Geschichte0
Mythos and Pathos: Herakles in Peter Weiss’s The Aesthetics of Resistance0
Die Arbeitsweise der Brüder Grimm0
Black Enlightenment0
The Play World: Toys, Texts, and the Transatlantic German Childhood. Patricia Anne Simpson0
Women in German Expressionism: Gender/Sexuality/Activism0
The Fantastic Regained in Reinhard Jirgl’s Nichts von euch auf Erden and Sharon Dodua Otoo’s Adas Raum0
Vigorous Leaps and Tragic Falls: Bodies in Distress in Kleist and Schiller0
“”? Texting Scenes: Digital Schreibzeug & Emoji Activism0
A Reading of Friedrich A. Kittler’s Reading of E.T.A. Hoffmann’s “Der Goldene Topf” (The Golden Pot) in Aufschreibesysteme 1800/1900 (Discourse Networks 1800/1900)0
Introduction: Friedrich Hölderlin’s “Communism of Spirits0
Without Beginning or End10
Fakten und Verunsicherung. Ordnungen von Wahrheit, Fiktion und Wirklichkeit0
Der komische Chor – das Chorische der ‚komischen Person‘0
Antennas of Critical Theory: On the Praxeological Role of Dictation in Theodor W. Adorno’s Work0
“Die Partei der Blumen und Nachtigallen”: Heine and Herder Between National and World Literature0
Paul Michael Lützeler. Hermann Broch und die Menschenrechte: Anti-Versklavung als Ethos der Welt0
Text*ile Subjectivity: Craft, Text, and Critique in Elfriede Jelinek’s Was geschah, nachdem Nora ihren Mann verlassen hatte oder Stützen der Gesellschaften (1979)0
German Netflix Culture0
“Who’s there?”: On the Crisis Structure of Entrances in Drama and Theater0
Writing in the Time of Photo-, Phono-, and Cinematography. On Images in Franz Kafka’s Novel The Trial0
Josephine the Singer or A People of Mice0
Germany Revisits the St. Louis Voyage: Die Ungewollten/The UnwantedDie Irrfahrt der St. Louis0
Temporal Displacement in Ulrike Ottinger’s Films0
Heinrich Heine und die „rote Weltliteratur“0
Untimeliness and the Balkan Queer Diaspora in Dennis Todorović’s Sasha0
Kafka’s Drawings: Introduction0
The Missing Word of History: Hölderlin and “Communism”0
Habsburg Horror: Freud on Netflix0
(Not) “Stuck on Adorno”: Dreamy Afterlives in Minoritized Key0
Sources and Methods: Theory of Canon and the Possibilities of Disciplinary Practice in German Studies0
Enter Goffman: On Entrance, Embarrassment, and Role in Erving Goffman’s Dramaturgical Sociology0
A Performance for Everyone? Othering and the Politics of Language in J.M.R. Lenz’s Die Soldaten (1776)0
Die Mosse-Frauen: Deutsch-jüdische Lebensgeschichten0
Die Konturen der Welt: Geschichte und Gegenwart visueller Bildung nach Otto Neurath0
Techniques of Narration, Notation, and Subjection in Döblin’s “Die Tänzerin und der Leib”0
Canonical Pressures: German Literature and its Voices of Difference0
Stifter’s Natives and Wandering Exotica: The Circulating Canons of “Die Narrenburg”0
Heine and World Literature0
Figuring the Planet: Post-Global Perspectives on German Literature0
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