German Life and Letters

Papers
(The TQCC of German Life and Letters is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
OTHERTONGUES: MULTILINGUALISM, NATALITY AND EMPOWERMENT IN SHARON DODUA OTOO'S ADAS RAUM9
UNDOING THE OCULAR: POETIC SENSE IN PAUL CELAN'S ‘ORTSWECHSEL’ AND ‘SPRACHGITTER’*3
KOLONIALE GEOGRAFIE BEI DÖBLIN: DIE GRÜNDUNG DES BUNDES DER WAHRHAFT SCHWACHEN IM ZEICHEN DER KOHLE IM CHINESISCHEN ROMAN DIE DREI SPRÜNGE DES WANG‐LUN2
DEUTSCHER KANON UNDER CONSTRUCTION: ZU SHARON DODUA OTOOS UND HEINRICH BÖLLS GESAMMELTES SCHWEIGEN (2022) UND FATMA AYDEMIRS DOKTO2
„IN MEINER LICHTEN BESTRICKENDEN WILDNIS“. INTERVIEW MIT DER DICHTERIN DOROTHEA GRÜNZWEIG ÜBER NATURERLEBEN, LAUTVERWANDSCHAFTEN ZWISCHEN DEN SPRACHEN UND DIE HEILENDE KRAFT DER DICHTUNG1
HERESY AND ORTHODOXY: A TEXTUAL VARIANT IN THOMAS MANN'S DOKTOR FAUSTUS1
CONCEPTUALISING THE PEDAGOGUE AS WANDERER: WILHELM GENAZINO'S WENN WIR TIERE WÄREN (2011) AND FELICITAS HOPPE'S PIGAFETTA (1999)1
AFTERWORD: WEIMAR AND NOW — CULTURE, RACE, POLITICS1
ANATOMY LESSONS: TRANS LIFE BETWEEN PORTRAITURE AND PERFORMANCE IN PAUL B. PRECIADO'S ORLANDO, MY POLITICAL BIOGRAPHY (2023)1
INTRODUCTION: SCENES OF CLOSE READING1
THE CRISIS OF SOCIABILITY AND LAUGHTER IN THOMAS MANN'S DER ZAUBERBERG1
INTRODUCTION: IMAGINING THE BELIEFS OF OTHERS IN GERMAN LITERATURE FROM THE ENLIGHTENMENT TO THE PRESENT1
THE LEGACY OF TOLERATION: J. G. HERDER AND MOSES MENDELSSOHN'S DEFENCE OF PLURALISM0
MANNHEIM AND COMPANY: GENDER, ECONOMICS AND MODERATE STURM UND DRANG IN J. M. R. LENZ'S DER LANDPREDIGER (1777)10
INTRODUCTION: RADICAL AND MODERATE STURM UND DRANG0
INTRODUCTION: SHARON DODUA OTOO – LITERATURE, POLITICS, POSSIBILITY0
‘EINEN FILM DREHEN’: TECHNOPOLITICAL TURNS AND THE RENDERING OPERATIONAL OF SUBJECTIVITY IN FAROCKI'S LEBEN–BRD (1990) AND PETZOLD'S 0
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MOTHERS AND OTHERS IN FICTION BY SHARON DODUA OTOO AND OLIVIA WENZEL0
THE (QUEER) AESTHETICS OF JEAN PAUL'S SIEBENKÄS0
FROM MILAN TO WEST BERLIN: SPATIAL ALIENATION AND THE POST‐1945 ANXIOGENIC CITYSCAPE IN ANNA MARIA ORTESE'S SILENZIO A MILANO AND INGEBORG BACHMANN'S ‘EI0
VON DER ‘MACHT, WELT ZU MACHEN’: RADIKALE DEMOKRATIE IN SHARON DODUA OTOOS ADAS RAUM*0
‘VISIONEN VOM IDEALEN GESCHICHTE‐SCHREIBEN UND GESCHICHTE‐MACHENʼ: EPISTEMIC (IN)JUSTICE AND INSURRECTION IN SHARON DODUA OTOO'S HISTORICAL AND MEMORY ACTIVISM0
DISORIENTING EASTERN EUROPE: JUDITH HERMANN'S AFFECTIVE GEOGRAPHY0
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GOD IS BEAUTIFUL, UGLY, DEAD: NAVID KERMANI, FERIDUN ZAIMOGLU AND (MORE THAN) CHRISTIAN ART0
BÜCHNER, BORDERS AND THE CONVERGING OF ‘CROWDS’: JACK THORNE'S WOYZECK (2017)0
PHOTOMECHANICAL NACHLEBEN AND QUEER FAILURE: THE ‘AKTFOTOGRAFIE’ OF KRULL AND FLEISCHMANN0
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DAS HANDWERK DES ERZÄHLENS. POETOLOGISCHE ENTWÜRFE IN UWE TIMMS ALLE MEINE GEISTER0
ACROSS LANGUAGE BORDERS: WRITING INTEGRATION AND BELONGING IN KINDERTRANSPORT DIARIES0
WHAT IS RADICAL? BÜCHNER AND BRECHT READ LENZ0
NOSFERATU (1922) AND THE AFTERLIVES OF PROPERTY0
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J. M. R. LENZ AND THE PROBLEM OF SOLDIERS: BETWEEN MODERATE AND RADICAL STURM UND DRANG IN LENZ'S MILITARY REFORMS0
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THE GOTTSCHEERS: FROM A CENTRAL EUROPEAN ENCLAVE TO ASSIMILATION IN NORTH AMERICA0
RELATIONAL AMBIVALENCE AND THE CONSTRUCTION OF MASCULINITY: RE‐READING FREUD'S RAT MAN0
THE PROVINCIAL GLOBALISM OF WEIMAR CINEMA: POLA NEGRI, FRANZISKA GAAL AND THE FOREIGN ACCENT IN GERMAN SILENT AND SOUND FILM0
FAMILIES, SIMILARITIES AND MULTI‐FAITH FUTURES: RE‐IMAGINING ISLAM AND MUSLIMS IN LESSING AND NOVALIS0
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ENDOWED BY THEIR CREATOR: HUMAN RIGHTS AND RELIGION IN THE EIGHTEENTH AND NINETEENTH CENTURIES – INTRODUCTION0
DOPPELTE BRECHUNGEN: DAS ‘DURCHS‐FERNGLAS‐SCHAUEN’ IN STIFTERS FRÜHEN ERZÄHLUNGEN0
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GERMAN COLONIALISM IN EAST AFRICA AND ITS AFTERMATH IN ABDULRAZAK GURNAH'S NOVELS PARADISE AND AFTERLIVES AND IN CONTEMPORARY GERMAN LITERATURE0
POETICS AND POLITICS OF CLIMATE: STURM UND DRANG AND ENLIGHTENMENT‐ERA CLIMATE THEORY0
‘DAS JUNGE DEUTSCHLAND INTERESSIRT MICH SEHRʼ: ROSA MARIA ASSING UND DER GENERATIONELLE UMBRUCH UM 1830 IM SPIEGEL IHRER BRIEFE UND DIARISTIK AUS DER SAMMLUNG VARNHAGEN0
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‘DAS MÖRDERISCHE GESETZ DES LEBENS’: ABORTION, EUGENICS AND SOCIAL DARWINISM IN DOLOROSA'S UNFRUCHTBARKEIT (1905) AND DIE STARKEN (1907)0
INTRODUCTION. LETTERS IN THE WEB OF LIFE: TOWARDS AN ECOLOGICAL PHILOLOGY0
FROM TRASH TO TREASURE: RILKE AND VENICE REVISITED0
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THE INFLUENCE OF BRIGITTE REIMANN'S FRANZISKA LINKERHAND ON THE POLITICAL SONGS OF GERHARD GUNDERMANN0
‘WER ICH BIN, ERFÄHRST DU NICHT!’: TRANSFORMATIONS OF DON JUAN AND DON GIOVANNI IN EAST GERMAN MEDIA0
‘HERKUNFT IST ZUFALL’: ZU OFFENEN HERKUNFTS‐ UND HEIMATKONZEPTEN IN DER LITERATUR DER DEUTSCHEN POSTMIGRANTISCHEN GENERATION0
‘AN AUSTRIAN FATE’: TRAUMA, REPRESSION AND WAR IN ADRIAN GOIGINGER'S DER FUCHS (2022)0
THE OTHER DEMOSTHENES. ON POSSIBLE FORMS OF PHILIATION BETWEEN ECOLOGY AND PHILOLOGY0
Issue Information0
‘KEINE ZEIT ZU VERLIEREN’: TIME AND CARE IN INGEBORG BACHMANN'S ‘DAS GEBELL’ AND DAS BUCH FRANZA0
IN PURSUIT OF THE HOFFMANNESQUE0
HUMAN RIGHTS IN A GLOBAL WORLD: RACIALISATION AND RELIGION IN RATHLEF'S DIE MOHRINN ZU HAMBURG AND ZIEGLER'S DIE MOHRINN10
ERTRÄUMTE RÄUME DER FREIHEIT: LUISE MÜHLBACHS PROTAGONISTINNEN ZWISCHEN REALITÄT UND WUNSCHVORSTELLUNG0
VOICING VULNERABILITY: MEDIATING VIOLENCE, VICTIMISATION AND FEMALE SUBJECTIVITY IN NORA GOMRINGER'S MONSTER POETRY*0
OBITUARY: JOHN LEWIS FLOOD (1938–2021)0
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‘NICHTS ALS DIE HÖLLENFAHRT DER SELBSTERKÄNNTNIS BAHNT UNS DEN WEG ZUR VERGÖTTERUNG.’ HAMANN'S CONCEPT OF LITERATURE AS SELF‐REFLECTION0
EINFÜHRUNG. DYNAMIKEN DES ÜBERGANGS IM WERK VON SCHRIFTSTELLERINNEN DER GENERATION UM 1800 UND DES VORMÄRZ: KONTINUITÄTEN UND BRÜCHE0
DIE ARBEIT DES ÜBERSETZENS: RILKE UND MICHELANGELO („SE ’L MIE ROZZO MARTELLO‘‘)0
EIN INTERVIEW MIT DEM LYRIKER UND THEOLOGEN CHRISTIAN LEHNERT: GESPRÄCH ÜBER DICHTUNG, RELIGION, NATURMYSTIK UND SEINEN LYRIKBAND OPUS 8. IM FLECHTWERK (2022). MIT ZWEI UNVERÖFFENTLICHTEN GEDIC0
SELF‐IDENTITY AND THE JEWISH BODY: ASSIMILATED GERMAN‐SPEAKING JEWISH AUTHORS ON TRADITIONAL JUDAISM0
BLACKNESS AND DIS/ABILITY IN THE AFROFUTURIST CHRISTMAS NOVELLA SYNCHRONICITY (2015) BY SHARON DODUA OTOO*0
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LITURGICAL POLITICS IN THE POETRY OF PAUL CELAN*0
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THE ‘I’ OF SHAME AND RAGE: CONFESSION AND RUMINATION AT EITHER END OF A MILLENNIUM0
‘DIE WISSEN ALLE NOCH NICHT, WER DU BIST’: BODY NARRATIVE AND TRANS EMBODIMENT IN SABINE BERNARDI'S ROMEOS (2011)0
DIE GEDICHTE IN DÖBLINS DIE DREI SPRÜNGE DES WANG‐LUN: ZEICHEN EINER CHINESISCHEN POETOLOGIE0
PATHS TO OTHERS: THE NOMADIC SUBJECT IN INGEBORG BACHMANN'S ‘SIMULTAN’ AND ‘DREI WEGE ZUM SEE’0
KILLJOY POETICS IN ANTJE RÁVIK STRUBEL'S BLAUE FRAU (2021)0
THE LATENT RADICALISM OF ARISTOTLE AND J. M. R. LENZ0
ROOM AT THE INN? WERTHER IN WAHLHEIM0
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THE BOY APPEARING (AS) THE SISTER: GENDER AND SILENCE IN GEORG TRAKL*0
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ROBERT WALSER'S ‘BLEISTIFTWEG’: POETICS OF ATTENTION AS CRAFT0
WHO SOUNDS MOST WORTHY OF HUMAN RIGHTS? AURAL CULTURAL DIVERSITY, THE CONCEPT OF HUMANITY AND THEIR RELIGIOUS INVESTMENTS IN GERMAN LANGUAGE IDEOLOGIES0
THE DISCREPANCIES OF THE ‘ANTHROPOZOIC AGE’ IN ERNST HAECKEL'S INDISCHE REISEBRIEFE (1882)0
THE SINS OF THE FATHERS: LEONARD FORSTER'S REPLY TO AN EARLY CRITIC OF THE PENGUIN BOOK OF GERMAN VERSE10
EVERYDAY UTOPIAS: RE‐NEGOTIATIONS OF BELONGING AND IDENTITY IN TOMER GARDI'S BROKEN GERMAN AND SASHA MARIANNA SALZMANN'S AUßER SIC0
‘DIE MENSCHENRECHTE HABEN KEIN GESCHLECHT’: HEDWIG DOHM'S FEMINIST CONCEPTION OF HUMAN RIGHTS0
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VOCABULARY FOR AN UNTHINKABLE GRAMMAR: SHARON DODUA OTOO'S SYNCHRONICITY0
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ZWEI ‘ACHTUNDVIERZIGER VON ALTEM SCHROT UND KORNʼ SCHREIBEN ÜBER DEN VÖLKERFRÜHLING: LOUISE ASTON, MAX RING UND IHRE DARSTELLUNG DER MÄRZREVOLUTION0
ERNST MEISTER'S BOOK OF NATURE IN PYTHIUSA0
‘ICH HATTE BEFEHLE’: MULTIDIRECTIONAL MEMORY AND THE VIETNAM WAR IN HEYNOWSKI AND SCHEUMANN'S PILOTEN IM PYJAMA (1968)*0
F IS FOR FALCON: THE TRUE STORY OF THE ‘NOVELLE’0
AMBIVALENTE LYRISCHE PERSPEKTIVEN AUF DIE INDUSTRIELLE REVOLUTION BY LOUISE OTTO‐PETERS0
WINNETOU, WHITE INNOCENCE, AND SETTLER TIME0
‘PAST‐PAST TIME’: ANTHROPOCENE ARRHYTHMIA AND REPARATIVE PHILOLOGY IN ULRIKE DRAESNER'S DOGGERLAND (2021)0
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MICROHISTORIES OF HEIMAT IN THE THIRD REICH0
‘QUOD NON EST IN BEROLINA, NON EST IN MUNDO’: VIEWS FROM THE PERIPHERY0
GHANAIAN FOLK THOUGHT, AKAN RELIGION AND AN ETHIC OF CARE IN SHARON DODUA OTOO'S ADAS RAUM*0
PERIPHERY TO CENTRE STAGE: THE SARRASANI CIRCUS IN WEIMAR GERMANY0
CONSTRUCTION, DEMOLITION, EXTIRPATION? THE PALAST DER REPUBLIK AND THE CONFLICTING DESIRES OF GERMAN UNIFICATION0
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INSECT LIFE AND LETTERS: THE STUDIES OF HANNS HEINZ EWERS AND OTTO AND ROSE HECHT0
‘ZWISCHEN DEN ZEILEN’: A CLOSE READING OF STEFANIE‐LAHYA AUKONGO'S NEUROQUEER POETRY0
DER KOMPONIST ALS „VERBRECHER“. BÜLOW CONTRA NIETZSCHE – NIETZSCHE VERSUS WAGNER: EINE RETOURKUTSCHE MIT ADRESSATENWECHSEL?0
BETWEEN THE ORBITS: TRANSLATING SHARON DODUA OTOO'S ADAS RAUM0
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AFTERWORD0
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LOST AT SEA: MARITIME MODERNITY AND THE NEGOTIATION OF IDENTITY IN THEODOR STORM'S ‘HANS UND HEINZ KIRCH’0
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ZWEIGS SAMMLUNG | SAMMLUNG ZWEIG: LITERARY PROVENANCE AND THE STEFAN ZWEIG COLLECTIONS IN BRITAIN0
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‘KULTURKRIEG’ BEHIND BARBED WIRE: GERMAN THEATRE IN AN AUSTRALIAN FIRST‐WORLD‐WAR INTERNMENT CAMP0
DIE ‘GOTTESRECHTE DES MENSCHEN’: HUMAN RIGHTS AS SECULARISED RIGHTS IN HEINRICH HEINE'S ESSAYS0
REWILDING GERMAN STUDIES: NOTES FROM AN EXPERIMENT0
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PRIVATE RELIGION AS RESISTANCE IN ANNA SEGHERS’ DER PROZESS DER JEANNE D'ARC ZU ROUEN 1431 (1937) AND BERTOLT BRECHT'S 1952 STAGE ADAPTATION0
HUGO BALL'S RELIGIOUS CONVERSION0
SPEAKING YOUR MIND: THE TRANSLATION OF ORALITY IN MARLEN HAUSHOFER'S PROSE0
‘RECLUSION IS NO MORE POSSIBLE WHILE OUR WORLD STANDS IN FLAMES’: EMERGING POLITICAL SUBTEXTS IN THE GENESIS OF STEFAN ZWEIG'S UNGEDULD DES HERZENS0
REFUGE AND THE WILDED CLASSROOM: FIGURE, PRACTICE, SPACE0
PROVINCIALISING BERLIN IN MENSCHEN IM HOTEL0
TALKING CROWS AND A FIG‐TREE NARRATOR: THE UNCANNY AND THE GROTESQUE IN ÖZDAMAR'S EIN VON SCHATTEN BEGRENZTER RAUM AND SHAFAK'S TH0
LITERARISCHE VISIONEN EMANZIPIERTEN HANDELNS: EMANZIPATIONSPOLITISCHE ZUSAMMENHÄNGE IM WERK LOUISE ASTONS0
THE LATE ARRIVAL OF ‘DER DEUTSCHE PROUST’: TRANSLATING A LA RECHERCHE DU TEMPS PERDU INTO GERMAN0
‘GRADE, WEIL ICH MICH ALS DEUTSCHEN FÜHLE’: THE PROGRESSIVE PATRIOTISM OF DIE WELTBÜHNE0
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INTRODUCTION: THE WAITING ROOM OF WEIMAR HISTORY0
FILIAL DEPENDENCE AND AUTONOMY IN THE STURM UND DRANG: READING KLINGER, WAGNER AND MÜLLER WITH ROUSSEAU0
‘LUMEN SUPERNATURALE ’ VS ‘LUMEN NATURALE ’: HUMAN RIGHTS AND THEIR RELIGIOUS IMPLICATIONS IN NATURAL LAW IN THE EARLY ENLIGHTENMENT (PUFENDORF – THOMASIUS – WOLFF)0
THE GERMAN MUSEUM AND THE EARLY RECEPTION OF GERMAN LETTERS IN BRITAIN, 1800–180110
WHO DO WE SEE IN THE PROTAGONIST OF THE CAPTAIN (2017)?0
INFERNAL MATTER(S) AND THE POWER OF THE WORD IN FERIDUN ZAIMOGLU'S EVANGELIO0
‘LIKE SHEEP TO THE SLAUGHTER’: ANIMAL AGENCY AND ECHOES OF THE HOLOCAUST IN WOLFDIETRICH SCHNURRE'S WRITING0
THE FREEDOM OF A PLAYWRIGHT: STURM UND DRANG AESTHETIC INNOVATION THROUGH A LUTHERAN LENS0
KARL MOOR'S FAILED REVOLUTION: RADICAL CRITIQUE AND MODERATE POLITICS IN SCHILLER'S DIE RÄUBER0
STADTMITTE UMSTEIGEN? HEINZ KNOBLOCH AND THE ‘ARCHAEOLOGICAL’ TRACES OF BERLIN'S GHOST STATIONS0
REVOLUTION AND ROMANTICISM — THE MEDIATION OF LATIN AMERICAN POETRY IN DEFA DOCUMENTARY FILM OF THE 1970S0
ENGAGEMENT IN BRIEFEN: FANNY TARNOWS TEILHABE AN DEN EREIGNISSEN VON 1848/49 ANHAND IHRER KORRESPONDENZ AUS DEN 1830ER UND 1840ER JAHREN0
(UN)EINIG? GENERATIONEN VON SCHRIFTSTELLERINNEN IM DIALOG ÜBER DIE EMANZIPATION VON FRAUEN: HELMINA VON CHÉZY, AMALIA SCHOPPE UND AMALIE STRUVE*0
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MADE BY HISTORY: HEINRICH VON TREITSCHKE'S HERO AND THE ANXIETIES OF NINETEENTH‐CENTURY GERMAN HISTORIOGRAPHY0
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