OOIR: Observatory of International Research

Papers

(The median citation count of German Life and Letters is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
FREEDOM TIME: TEMPORAL INSURRECTIONS IN OLIVIA WENZEL'S 1000 SERPENTINEN ANGST AND SHARON DODUA OTOO'S ADAS RAUM	3
ERNST TOLLER'S LIVING NEWSPAPERS AND THE FEDERAL THEATRE PROJECT	2
GERMAN COLONIALISM IN EAST AFRICA AND ITS AFTERMATH IN ABDULRAZAK GURNAH'S NOVELS PARADISE AND AFTERLIVES AND IN CONTEMPORARY GERMAN LITERATURE	2
POLEN ALS NEGATIVFOLIE FÜR SELBSTENTWÜRFE IN DER DEUTSCHSPRACHIGEN GEGENWARTSLITERATUR	1
HUMBOLDT IN VENEZUELA AND CUBA: THE ‘SECOND SLAVERY’	1
HUMBOLDT AND METABIOGRAPHY	1
‘HERKUNFT IST ZUFALL’: ZU OFFENEN HERKUNFTS‐ UND HEIMATKONZEPTEN IN DER LITERATUR DER DEUTSCHEN POSTMIGRANTISCHEN GENERATION	1
EDUARD TRAUTNER (1890–1978): AN ELUSIVE LATE‐EXPRESSIONIST WRITER	1
THE NEW PRUSSIAN RENAISSANCE: LITERARY COMMEMORATIONS OF QUEEN LUISE	1
NARRATIVE AND EMPATHY: THE 2015 ‘REFUGEE CRISIS’ IN VLADIMIR VERTLIB'S VIKTOR HILFT AND OLGA GRJASNOWA'S GOTT IST NICHT SCHÜCHTERN	1
INTRODUCTION: PRE‐ROMANTIC AND POST‐ROMANTIC GENIUS	1
SEARCH MOVEMENTS: LITERATURE AND POLITICS BETWEEN THE WARS AND A CASE STUDY OF ERNST TOLLER'S I WAS A GERMAN (1934)	1
ALEXANDER VON HUMBOLDT'S CLIMATOLOGICAL WRITINGS	1
Issue Information	0
‘KEINE ZEIT ZU VERLIEREN’: TIME AND CARE IN INGEBORG BACHMANN'S ‘DAS GEBELL’ AND DAS BUCH FRANZA	0
EINFÜHRUNG. DYNAMIKEN DES ÜBERGANGS IM WERK VON SCHRIFTSTELLERINNEN DER GENERATION UM 1800 UND DES VORMÄRZ: KONTINUITÄTEN UND BRÜCHE	0
ROMANTIC NATIONALISM OR ROMANTIC RETREAT? RE‐EVALUATING THE POLITICS OF ARNIM AND BRENTANO'S DES KNABEN WUNDERHORN (1805/1808)	0
INTRODUCTION: RADICAL AND MODERATE STURM UND DRANG	0
‘KULTURKRIEG’ BEHIND BARBED WIRE: GERMAN THEATRE IN AN AUSTRALIAN FIRST‐WORLD‐WAR INTERNMENT CAMP	0
WINNETOU, WHITE INNOCENCE, AND SETTLER TIME	0
HERESY AND ORTHODOXY: A TEXTUAL VARIANT IN THOMAS MANN'S DOKTOR FAUSTUS	0
LITERARISCHE VISIONEN EMANZIPIERTEN HANDELNS: EMANZIPATIONSPOLITISCHE ZUSAMMENHÄNGE IM WERK LOUISE ASTONS	0
GOD IS BEAUTIFUL, UGLY, DEAD: NAVID KERMANI, FERIDUN ZAIMOGLU AND (MORE THAN) CHRISTIAN ART	0
BÜCHNER, BORDERS AND THE CONVERGING OF ‘CROWDS’: JACK THORNE'S WOYZECK (2017)	0
WORDS THAT MIGHT SAVE NECKS: PHILIPP KHABO KOEPSELL, EPISTEMIC MURDER AND POETIC JUSTICE¹	0

DOPPELTE BRECHUNGEN: DAS ‘DURCHS‐FERNGLAS‐SCHAUEN’ IN STIFTERS FRÜHEN ERZÄHLUNGEN	0
KOLONIALE GEOGRAFIE BEI DÖBLIN: DIE GRÜNDUNG DES BUNDES DER WAHRHAFT SCHWACHEN IM ZEICHEN DER KOHLE IM CHINESISCHEN ROMAN DIE DREI SPRÜNGE DES WANG‐LUN	0
‘ICH HATTE BEFEHLE’: MULTIDIRECTIONAL MEMORY AND THE VIETNAM WAR IN HEYNOWSKI AND SCHEUMANN'S PILOTEN IM PYJAMA (1968)^*	0
BETWEEN THE ORBITS: TRANSLATING SHARON DODUA OTOO'S ADAS RAUM	0
THE LATENT RADICALISM OF ARISTOTLE AND J. M. R. LENZ	0
WHO DO WE SEE IN THE PROTAGONIST OF THE CAPTAIN (2017)?	0
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ROOM AT THE INN? WERTHER IN WAHLHEIM	0
‘DAS MÖRDERISCHE GESETZ DES LEBENS’: ABORTION, EUGENICS AND SOCIAL DARWINISM IN DOLOROSA'S UNFRUCHTBARKEIT (1905) AND DIE STARKEN (1907)	0
MANNHEIM AND COMPANY: GENDER, ECONOMICS AND MODERATE STURM UND DRANG IN J. M. R. LENZ'S DER LANDPREDIGER (1777)¹	0
THE FREEDOM OF A PLAYWRIGHT: STURM UND DRANG AESTHETIC INNOVATION THROUGH A LUTHERAN LENS	0
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QUEER ADOLESCENCE IN MÄDCHEN IN UNIFORM	0
VOCABULARY FOR AN UNTHINKABLE GRAMMAR: SHARON DODUA OTOO'S SYNCHRONICITY	0
GENIE UND KLASSE: ROBERT BURNS UND DIE WIENER SOZIALDEMOKRATIE UM 1900	0
Issue Information	0
DAS GENIE IM SCHAFFEN NIETZSCHES	0
‘TAT UND ARBEIT, STATT PUBLICITY UND TRÄUMEREI’: ERNST TOLLER AND THE AMERICAN GUILD FOR GERMAN CULTURAL FREEDOM	0
Issue Information	0
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BLACKNESS AND DIS/ABILITY IN THE AFROFUTURIST CHRISTMAS NOVELLA SYNCHRONICITY (2015) BY SHARON DODUA OTOO*	0
ERNST TOLLER'S FILM PROJECTS	0
BETWEEN ‘URBILD’ AND ‘ABBILD’: THE CONCEPTION OF THE IMAGE IN CELAN'S POEMS ‘BEI WEIN UND VERLORENHEIT’, ‘TENEBRAE’, AND ‘HALBZERFRESSENER’	0
TOWARDS A TENTATIVE TYPOLOGY OF THE LITERARY REFUSENIK	0
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PROTECTING THE PUBLIC SPHERE(S): THE CAMPAIGN FOR PETER‐PAUL ZAHL	0
Issue Information	0
‘SCHÖNE JUGENDLICHE MÄDCHENKÖPFE’: GENDER AND ‘GENIE’ IN LOU ANDREAS‐SALOMÉ’S MENSCHENKINDER	0
INTRODUCTION: ERNST TOLLER IN EXILE	0
OBITUARY: JOHN LEWIS FLOOD (1938–2021)	0
SELF‐IDENTITY AND THE JEWISH BODY: ASSIMILATED GERMAN‐SPEAKING JEWISH AUTHORS ON TRADITIONAL JUDAISM	0
VOICING VULNERABILITY: MEDIATING VIOLENCE, VICTIMISATION AND FEMALE SUBJECTIVITY IN NORA GOMRINGER'S MONSTER POETRY^*	0
AMBIVALENTE LYRISCHE PERSPEKTIVEN AUF DIE INDUSTRIELLE REVOLUTION BY LOUISE OTTO‐PETERS	0
POETICS AND POLITICS OF CLIMATE: STURM UND DRANG AND ENLIGHTENMENT‐ERA CLIMATE THEORY	0
DISORIENTING EASTERN EUROPE: JUDITH HERMANN'S AFFECTIVE GEOGRAPHY	0
OBITUARY: PROFESSOR ROY ALBERT WISBEY (1929–2020)	0
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‘DAS JUNGE DEUTSCHLAND INTERESSIRT MICH SEHRʼ: ROSA MARIA ASSING UND DER GENERATIONELLE UMBRUCH UM 1830 IM SPIEGEL IHRER BRIEFE UND DIARISTIK AUS DER SAMMLUNG VARNHAGEN	0
Issue Information	0
THE INFLUENCE OF BRIGITTE REIMANN'S FRANZISKA LINKERHAND ON THE POLITICAL SONGS OF GERHARD GUNDERMANN	0
WHAT IS RADICAL? BÜCHNER AND BRECHT READ LENZ	0
BULWARK AGAINST RACISM? HUMBOLDT'S INFLUENCE ON THE RACIAL NOTIONS OF GERMAN WRITERS IN MEXICO (1920s–1940s)	0
GHANAIAN FOLK THOUGHT, AKAN RELIGION AND AN ETHIC OF CARE IN SHARON DODUA OTOO'S ADAS RAUM^*	0
MICROHISTORIES OF HEIMAT IN THE THIRD REICH	0
‘GRADE, WEIL ICH MICH ALS DEUTSCHEN FÜHLE’: THE PROGRESSIVE PATRIOTISM OF DIE WELTBÜHNE	0
HUGO BALL'S RELIGIOUS CONVERSION	0
INTRODUCTION: THE LEGACY OF ALEXANDER VON HUMBOLDT (1769–1859). A CRITICAL REAPPRAISAL 250 YEARS ON	0
THE VIEW FROM 1933: ERNST TOLLER'S EINE JUGEND IN DEUTSCHLAND AS EXILE LITERATURE – ON THE FINAL AMENDMENTS BEFORE PUBLICATION OF THE BOOK EDITION	0
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ERTRÄUMTE RÄUME DER FREIHEIT: LUISE MÜHLBACHS PROTAGONISTINNEN ZWISCHEN REALITÄT UND WUNSCHVORSTELLUNG	0
ʻEIN ENGEL SPIELTE SANFT AUF BLAUEN TASTENʼ: ELSE LASKER‐SCHÜLERS LYRISCHE MUSIKPOETIK	0
THE BOY APPEARING (AS) THE SISTER: GENDER AND SILENCE IN GEORG TRAKL^*	0
MOTHERS AND OTHERS IN FICTION BY SHARON DODUA OTOO AND OLIVIA WENZEL	0
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THE (QUEER) AESTHETICS OF JEAN PAUL'S SIEBENKÄS	0
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‘NACH UND NACH MÜSSEN WIR ALLES ABLEHNEN’: HYPERBOLISCHE NEGATIVITÄT BEI THOMAS BERNHARD	0
AN UPDATED CHRONOLOGY OF ERNST TOLLER'S LIFE AND WORKS	0
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ERMÄCHTIGUNG DES PUBLIKUMS UND ENTMÄCHTIGUNG DES KÜNSTLERS: GENIEDISKURSE DER NACHROMANTIK MIT BLICK AUF DEN FRÜHEN MOZARTKULT UND GRILLPARZER	0
THE ‘DUNKELMÄNNER’ OF DOKTOR FAUSTUS: HUMANISTS VERSUS THEOLOGIANS	0
CONSTRUCTION, DEMOLITION, EXTIRPATION? THE PALAST DER REPUBLIK AND THE CONFLICTING DESIRES OF GERMAN UNIFICATION	0
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‘ES IST EINE DESOLATE IDEE, GENIE WERDEN ZU WOLLEN’: ZUM BÖRSENWERT DES BEGRIFFS GENIE BEI NESTROY	0
OTHERTONGUES: MULTILINGUALISM, NATALITY AND EMPOWERMENT IN SHARON DODUA OTOO'S ADAS RAUM	0
NACH DEM SCHICKSAL: NAPOLEON BEI HEINE UND TOLSTOJ	0
CONTEMPLATION AND EMPATHY: ON THE JOY OF NATURE (‘NATURGENUSS’) AND FEELING FOR NATURE (‘NATURGEFÜHL’) IN ALEXANDER VON HUMBOLDT'S APPROACH TO SCIENCE	0
TO ACTIVELY NOT DO OR NOT TO DO: REFLECTIONS ON THE DOUBLE COMMANDMENT TO AVOID ACTION ON THE SHABBAT DAY AS A FORM OF PRIMARY REJECTION¹	0
‘BIG DATA’ AND ALEXANDER VON HUMBOLDT'S APPROACH TO SCIENCE	0
Issue Information	0
ANTI‐FASCISM AND FREE SPEECH ON CAMPUS: ERNST TOLLER'S QUEENS COLLEGE AFFAIR¹	0
MÜSSIGGANG IST ALLER LASTER ANFANG? LITERARISCHE UND FILMISCHE TYPEN DER VERWEIGERUNG IM MILIEU DER DEUTSCHEN GEGENKULTUR DER 1960ER/70ER JAHRE	0
THE LATE ARRIVAL OF ‘DER DEUTSCHE PROUST’: TRANSLATING A LA RECHERCHE DU TEMPS PERDU INTO GERMAN	0
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FAMILIES, SIMILARITIES AND MULTI‐FAITH FUTURES: RE‐IMAGINING ISLAM AND MUSLIMS IN LESSING AND NOVALIS	0
INTRODUCTION: IMAGINING THE BELIEFS OF OTHERS IN GERMAN LITERATURE FROM THE ENLIGHTENMENT TO THE PRESENT	0
SCHILLER GOES TRANSNATIONAL: JULIE PAUCKER AND ROBERT SCHUSTER'S ‘MALALAI – DIE AFGHANISCHE JUNGFRAU VON ORLEANS’ (2017)	0
THE POLITICS OF ‘PRIMARY REJECTION’ IN HERMAN MELVILLE'S BARTLEBY AND HITO STEYERL'S HOW NOT TO BE SEEN: RACISM, (IL)LEGIBILITY, SURVEILLANCE, AND DETERMINATE NEGATION	0
THE GOTTSCHEERS: FROM A CENTRAL EUROPEAN ENCLAVE TO ASSIMILATION IN NORTH AMERICA	0
INFERNAL MATTER(S) AND THE POWER OF THE WORD IN FERIDUN ZAIMOGLU'S EVANGELIO	0
THE DISCREPANCIES OF THE ‘ANTHROPOZOIC AGE’ IN ERNST HAECKEL'S INDISCHE REISEBRIEFE (1882)	0
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THE GERMAN MUSEUM AND THE EARLY RECEPTION OF GERMAN LETTERS IN BRITAIN, 1800–1801¹	0
‘LIKE SHEEP TO THE SLAUGHTER’: ANIMAL AGENCY AND ECHOES OF THE HOLOCAUST IN WOLFDIETRICH SCHNURRE'S WRITING	0
ZWEI ‘ACHTUNDVIERZIGER VON ALTEM SCHROT UND KORNʼ SCHREIBEN ÜBER DEN VÖLKERFRÜHLING: LOUISE ASTON, MAX RING UND IHRE DARSTELLUNG DER MÄRZREVOLUTION	0
PRIVATE RELIGION AS RESISTANCE IN ANNA SEGHERS’ DER PROZESS DER JEANNE D'ARC ZU ROUEN 1431 (1937) AND BERTOLT BRECHT'S 1952 STAGE ADAPTATION	0
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LOST AT SEA: MARITIME MODERNITY AND THE NEGOTIATION OF IDENTITY IN THEODOR STORM'S ‘HANS UND HEINZ KIRCH’	0
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THE CRISIS OF SOCIABILITY AND LAUGHTER IN THOMAS MANN'S DER ZAUBERBERG	0
ENGAGEMENT IN BRIEFEN: FANNY TARNOWS TEILHABE AN DEN EREIGNISSEN VON 1848/49 ANHAND IHRER KORRESPONDENZ AUS DEN 1830ER UND 1840ER JAHREN	0
ON FINDING AND FABRICATING: MEMORY AND FAMILY HISTORY IN KATJA PETROWSKAJA'S VIELLEICHT ESTHER	0
EVERYDAY UTOPIAS: RE‐NEGOTIATIONS OF BELONGING AND IDENTITY IN TOMER GARDI'S BROKEN GERMAN AND SASHA MARIANNA SALZMANN'S AUßER SICH	0
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NEUE MENSCHEN, NEUE POETEN: EXPRESSIONISMUS, GENIE UND ARBEITERDICHTUNG	0
J. M. R. LENZ AND THE PROBLEM OF SOLDIERS: BETWEEN MODERATE AND RADICAL STURM UND DRANG IN LENZ'S MILITARY REFORMS	0
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‘RECLUSION IS NO MORE POSSIBLE WHILE OUR WORLD STANDS IN FLAMES’: EMERGING POLITICAL SUBTEXTS IN THE GENESIS OF STEFAN ZWEIG'S UNGEDULD DES HERZENS	0
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ERNST TOLLER'S LETTERS FROM EXILE, 1933–1939	0
MADE BY HISTORY: HEINRICH VON TREITSCHKE'S HERO AND THE ANXIETIES OF NINETEENTH‐CENTURY GERMAN HISTORIOGRAPHY	0
‘VISIONEN VOM IDEALEN GESCHICHTE‐SCHREIBEN UND GESCHICHTE‐MACHENʼ: EPISTEMIC (IN)JUSTICE AND INSURRECTION IN SHARON DODUA OTOO'S HISTORICAL AND MEMORY ACTIVISM	0
FILIAL DEPENDENCE AND AUTONOMY IN THE STURM UND DRANG: READING KLINGER, WAGNER AND MÜLLER WITH ROUSSEAU	0
THE SINS OF THE FATHERS: LEONARD FORSTER'S REPLY TO AN EARLY CRITIC OF THE PENGUIN BOOK OF GERMAN VERSE¹	0
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WILHELM VON HUMBOLDT AND HEINRICH VON KLEIST: IMAGINING THE STATE IN THE WAKE OF THE FRENCH REVOLUTION	0
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ERNST TOLLER SPEAKS AT THE WORLD CONGRESS OF WRITERS IN NEW YORK, 8–10 MAY 1939	0
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TWO POEMS	0
INTRODUCTION: THE POLITICS AND POETICS OF REFUSAL. TOWARDS A THEORY OF PRIMARY REJECTION¹	0
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VON DER ‘MACHT, WELT ZU MACHEN’: RADIKALE DEMOKRATIE IN SHARON DODUA OTOOS ADAS RAUM*	0
SCHATTEN‐ UND LICHTSEITEN DER GENIETHEORIE OTTO WEININGERS	0
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DER VERWEIGERTE KNIEFALL EINES BUCHBINDERS: EINE ‘PRIMARY REJECTION’ AM 31. MAI 1839 IN INGOLSTADT	0
HUMBOLDT AND THE AMERICAN WEST: DEFENDING OR DEFEATING THE ‘MANIFEST DESTINY’?1	0
SAUL FITELBERG'S FAILED SEDUCTION: WORLDLINESS IN DOKTOR FAUSTUS	0
DORA AND HER SISTERS: FEMALE TROUBLEMAKERS AND THE CULTURAL POLITICS OF DETACHMENT1	0
STANDING OUTSIDE ONESELF: TRANSGENDER GAZING IN ANTJE RÁVIK STRUBEL'S KÄLTERE SCHICHTEN DER LUFT (2007) AND IN DEN WÄLDERN DES MENSCHLICHEN HERZENS (2016)	0
BETWEEN FIGHTING SPIRIT AND DESPAIR: THE GROWING DISTRUST OF LANGUAGE IN ERNST TOLLER'S WORK IN EXILE	0
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MAKING THE CASE AGAINST PARAGRAPH 218: NARRATIVE AND DISCURSIVE STRATEGIES IN ELSE KIENLE'S FRAUEN: AUS DEM TAGEBUCH EINER ÄRZTIN^★	0
THE SLOTHFUL PROTEST: ACEDIA IN TERÉZIA MORA'S DARIUS‐KOPP TRILOGY AND IRIS HANIKA'S DAS EIGENTLICHE	0
(UN)EINIG? GENERATIONEN VON SCHRIFTSTELLERINNEN IM DIALOG ÜBER DIE EMANZIPATION VON FRAUEN: HELMINA VON CHÉZY, AMALIA SCHOPPE UND AMALIE STRUVE^*	0
KARL MOOR'S FAILED REVOLUTION: RADICAL CRITIQUE AND MODERATE POLITICS IN SCHILLER'S DIE RÄUBER	0
EIN INTERVIEW MIT DEM LYRIKER UND THEOLOGEN CHRISTIAN LEHNERT: GESPRÄCH ÜBER DICHTUNG, RELIGION, NATURMYSTIK UND SEINEN LYRIKBAND OPUS 8. IM FLECHTWERK (2022). MIT ZWEI UNVERÖFFENTLICHTEN GEDIC	0

SUCCEEDING BY FAILING: THE BERNAUER STRASSE WALL MEMORIAL AS PERFORMATIVE MEMORIAL	0
INTRODUCTION: SHARON DODUA OTOO – LITERATURE, POLITICS, POSSIBILITY	0