German Life and Letters

Papers
(The median citation count of German Life and Letters is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
ʻEIN ENGEL SPIELTE SANFT AUF BLAUEN TASTENʼ: ELSE LASKER‐SCHÜLERS LYRISCHE MUSIKPOETIK4
KOLONIALE GEOGRAFIE BEI DÖBLIN: DIE GRÜNDUNG DES BUNDES DER WAHRHAFT SCHWACHEN IM ZEICHEN DER KOHLE IM CHINESISCHEN ROMAN DIE DREI SPRÜNGE DES WANG‐LUN2
ALEXANDER VON HUMBOLDT'S CLIMATOLOGICAL WRITINGS2
Issue Information1
HUMBOLDT AND THE AMERICAN WEST: DEFENDING OR DEFEATING THE ‘MANIFEST DESTINY’?11
QUEER ADOLESCENCE IN MÄDCHEN IN UNIFORM1
OTHERTONGUES: MULTILINGUALISM, NATALITY AND EMPOWERMENT IN SHARON DODUA OTOO'S ADAS RAUM1
INTRODUCTION: ERNST TOLLER IN EXILE1
OBITUARY: JOHN LEWIS FLOOD (1938–2021)1
UNDOING THE OCULAR: POETIC SENSE IN PAUL CELAN'S ‘ORTSWECHSEL’ AND ‘SPRACHGITTER’*1
THE CRISIS OF SOCIABILITY AND LAUGHTER IN THOMAS MANN'S DER ZAUBERBERG1
HERESY AND ORTHODOXY: A TEXTUAL VARIANT IN THOMAS MANN'S DOKTOR FAUSTUS1
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‘LIKE SHEEP TO THE SLAUGHTER’: ANIMAL AGENCY AND ECHOES OF THE HOLOCAUST IN WOLFDIETRICH SCHNURRE'S WRITING0
EIN INTERVIEW MIT DEM LYRIKER UND THEOLOGEN CHRISTIAN LEHNERT: GESPRÄCH ÜBER DICHTUNG, RELIGION, NATURMYSTIK UND SEINEN LYRIKBAND OPUS 8. IM FLECHTWERK (2022). MIT ZWEI UNVERÖFFENTLICHTEN GEDIC0
ROOM AT THE INN? WERTHER IN WAHLHEIM0
‘KULTURKRIEG’ BEHIND BARBED WIRE: GERMAN THEATRE IN AN AUSTRALIAN FIRST‐WORLD‐WAR INTERNMENT CAMP0
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‘VISIONEN VOM IDEALEN GESCHICHTE‐SCHREIBEN UND GESCHICHTE‐MACHENʼ: EPISTEMIC (IN)JUSTICE AND INSURRECTION IN SHARON DODUA OTOO'S HISTORICAL AND MEMORY ACTIVISM0
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WHAT IS RADICAL? BÜCHNER AND BRECHT READ LENZ0
‘DIE MENSCHENRECHTE HABEN KEIN GESCHLECHT’: HEDWIG DOHM'S FEMINIST CONCEPTION OF HUMAN RIGHTS0
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DIE ARBEIT DES ÜBERSETZENS: RILKE UND MICHELANGELO („SE ’L MIE ROZZO MARTELLO‘‘)0
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INTRODUCTION: PRE‐ROMANTIC AND POST‐ROMANTIC GENIUS0
‘DAS JUNGE DEUTSCHLAND INTERESSIRT MICH SEHRʼ: ROSA MARIA ASSING UND DER GENERATIONELLE UMBRUCH UM 1830 IM SPIEGEL IHRER BRIEFE UND DIARISTIK AUS DER SAMMLUNG VARNHAGEN0
DIE ‘GOTTESRECHTE DES MENSCHEN’: HUMAN RIGHTS AS SECULARISED RIGHTS IN HEINRICH HEINE'S ESSAYS0
AN UPDATED CHRONOLOGY OF ERNST TOLLER'S LIFE AND WORKS0
ERNST TOLLER SPEAKS AT THE WORLD CONGRESS OF WRITERS IN NEW YORK, 8–10 MAY 19390
WHO SOUNDS MOST WORTHY OF HUMAN RIGHTS? AURAL CULTURAL DIVERSITY, THE CONCEPT OF HUMANITY AND THEIR RELIGIOUS INVESTMENTS IN GERMAN LANGUAGE IDEOLOGIES0
ON FINDING AND FABRICATING: MEMORY AND FAMILY HISTORY IN KATJA PETROWSKAJA'S VIELLEICHT ESTHER0
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FROM TRASH TO TREASURE: RILKE AND VENICE REVISITED0
THE (QUEER) AESTHETICS OF JEAN PAUL'S SIEBENKÄS0
WINNETOU, WHITE INNOCENCE, AND SETTLER TIME0
ENDOWED BY THEIR CREATOR: HUMAN RIGHTS AND RELIGION IN THE EIGHTEENTH AND NINETEENTH CENTURIES – INTRODUCTION0
AMBIVALENTE LYRISCHE PERSPEKTIVEN AUF DIE INDUSTRIELLE REVOLUTION BY LOUISE OTTO‐PETERS0
GHANAIAN FOLK THOUGHT, AKAN RELIGION AND AN ETHIC OF CARE IN SHARON DODUA OTOO'S ADAS RAUM*0
‘DAS MÖRDERISCHE GESETZ DES LEBENS’: ABORTION, EUGENICS AND SOCIAL DARWINISM IN DOLOROSA'S UNFRUCHTBARKEIT (1905) AND DIE STARKEN (1907)0
MANNHEIM AND COMPANY: GENDER, ECONOMICS AND MODERATE STURM UND DRANG IN J. M. R. LENZ'S DER LANDPREDIGER (1777)10
INTRODUCTION: SHARON DODUA OTOO – LITERATURE, POLITICS, POSSIBILITY0
INTRODUCTION: RADICAL AND MODERATE STURM UND DRANG0
THE DISCREPANCIES OF THE ‘ANTHROPOZOIC AGE’ IN ERNST HAECKEL'S INDISCHE REISEBRIEFE (1882)0
‘HERKUNFT IST ZUFALL’: ZU OFFENEN HERKUNFTS‐ UND HEIMATKONZEPTEN IN DER LITERATUR DER DEUTSCHEN POSTMIGRANTISCHEN GENERATION0
Issue Information0
BETWEEN THE ORBITS: TRANSLATING SHARON DODUA OTOO'S ADAS RAUM0
‘RECLUSION IS NO MORE POSSIBLE WHILE OUR WORLD STANDS IN FLAMES’: EMERGING POLITICAL SUBTEXTS IN THE GENESIS OF STEFAN ZWEIG'S UNGEDULD DES HERZENS0
ERNST TOLLER'S LIVING NEWSPAPERS AND THE FEDERAL THEATRE PROJECT0
GERMAN COLONIALISM IN EAST AFRICA AND ITS AFTERMATH IN ABDULRAZAK GURNAH'S NOVELS PARADISE AND AFTERLIVES AND IN CONTEMPORARY GERMAN LITERATURE0
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‘KEINE ZEIT ZU VERLIEREN’: TIME AND CARE IN INGEBORG BACHMANN'S ‘DAS GEBELL’ AND DAS BUCH FRANZA0
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THE FREEDOM OF A PLAYWRIGHT: STURM UND DRANG AESTHETIC INNOVATION THROUGH A LUTHERAN LENS0
SCHATTEN‐ UND LICHTSEITEN DER GENIETHEORIE OTTO WEININGERS0
WILHELM VON HUMBOLDT AND HEINRICH VON KLEIST: IMAGINING THE STATE IN THE WAKE OF THE FRENCH REVOLUTION0
THE NEW PRUSSIAN RENAISSANCE: LITERARY COMMEMORATIONS OF QUEEN LUISE0
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DOPPELTE BRECHUNGEN: DAS ‘DURCHS‐FERNGLAS‐SCHAUEN’ IN STIFTERS FRÜHEN ERZÄHLUNGEN0
‘ICH HATTE BEFEHLE’: MULTIDIRECTIONAL MEMORY AND THE VIETNAM WAR IN HEYNOWSKI AND SCHEUMANN'S PILOTEN IM PYJAMA (1968)*0
INFERNAL MATTER(S) AND THE POWER OF THE WORD IN FERIDUN ZAIMOGLU'S EVANGELIO0
J. M. R. LENZ AND THE PROBLEM OF SOLDIERS: BETWEEN MODERATE AND RADICAL STURM UND DRANG IN LENZ'S MILITARY REFORMS0
HUGO BALL'S RELIGIOUS CONVERSION0
FILIAL DEPENDENCE AND AUTONOMY IN THE STURM UND DRANG: READING KLINGER, WAGNER AND MÜLLER WITH ROUSSEAU0
THE LATE ARRIVAL OF ‘DER DEUTSCHE PROUST’: TRANSLATING A LA RECHERCHE DU TEMPS PERDU INTO GERMAN0
THE GOTTSCHEERS: FROM A CENTRAL EUROPEAN ENCLAVE TO ASSIMILATION IN NORTH AMERICA0
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‘SCHÖNE JUGENDLICHE MÄDCHENKÖPFE’: GENDER AND ‘GENIE’ IN LOU ANDREAS‐SALOMÉ’S MENSCHENKINDER0
MAKING THE CASE AGAINST PARAGRAPH 218: NARRATIVE AND DISCURSIVE STRATEGIES IN ELSE KIENLE'S FRAUEN: AUS DEM TAGEBUCH EINER ÄRZTIN★0
‘TAT UND ARBEIT, STATT PUBLICITY UND TRÄUMEREI’: ERNST TOLLER AND THE AMERICAN GUILD FOR GERMAN CULTURAL FREEDOM0
THE ‘DUNKELMÄNNER’ OF DOKTOR FAUSTUS: HUMANISTS VERSUS THEOLOGIANS0
EINFÜHRUNG. DYNAMIKEN DES ÜBERGANGS IM WERK VON SCHRIFTSTELLERINNEN DER GENERATION UM 1800 UND DES VORMÄRZ: KONTINUITÄTEN UND BRÜCHE0
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ZWEI ‘ACHTUNDVIERZIGER VON ALTEM SCHROT UND KORNʼ SCHREIBEN ÜBER DEN VÖLKERFRÜHLING: LOUISE ASTON, MAX RING UND IHRE DARSTELLUNG DER MÄRZREVOLUTION0
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BULWARK AGAINST RACISM? HUMBOLDT'S INFLUENCE ON THE RACIAL NOTIONS OF GERMAN WRITERS IN MEXICO (1920s–1940s)0
FAMILIES, SIMILARITIES AND MULTI‐FAITH FUTURES: RE‐IMAGINING ISLAM AND MUSLIMS IN LESSING AND NOVALIS0
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BETWEEN FIGHTING SPIRIT AND DESPAIR: THE GROWING DISTRUST OF LANGUAGE IN ERNST TOLLER'S WORK IN EXILE0
ANTI‐FASCISM AND FREE SPEECH ON CAMPUS: ERNST TOLLER'S QUEENS COLLEGE AFFAIR10
LITURGICAL POLITICS IN THE POETRY OF PAUL CELAN*0
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(UN)EINIG? GENERATIONEN VON SCHRIFTSTELLERINNEN IM DIALOG ÜBER DIE EMANZIPATION VON FRAUEN: HELMINA VON CHÉZY, AMALIA SCHOPPE UND AMALIE STRUVE*0
MADE BY HISTORY: HEINRICH VON TREITSCHKE'S HERO AND THE ANXIETIES OF NINETEENTH‐CENTURY GERMAN HISTORIOGRAPHY0
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THE LEGACY OF TOLERATION: J. G. HERDER AND MOSES MENDELSSOHN'S DEFENCE OF PLURALISM0
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HUMBOLDT IN VENEZUELA AND CUBA: THE ‘SECOND SLAVERY’0
CONSTRUCTION, DEMOLITION, EXTIRPATION? THE PALAST DER REPUBLIK AND THE CONFLICTING DESIRES OF GERMAN UNIFICATION0
VOICING VULNERABILITY: MEDIATING VIOLENCE, VICTIMISATION AND FEMALE SUBJECTIVITY IN NORA GOMRINGER'S MONSTER POETRY*0
WHO DO WE SEE IN THE PROTAGONIST OF THE CAPTAIN (2017)?0
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MOTHERS AND OTHERS IN FICTION BY SHARON DODUA OTOO AND OLIVIA WENZEL0
THE SINS OF THE FATHERS: LEONARD FORSTER'S REPLY TO AN EARLY CRITIC OF THE PENGUIN BOOK OF GERMAN VERSE10
VON DER ‘MACHT, WELT ZU MACHEN’: RADIKALE DEMOKRATIE IN SHARON DODUA OTOOS ADAS RAUM*0
INTRODUCTION: THE LEGACY OF ALEXANDER VON HUMBOLDT (1769–1859). A CRITICAL REAPPRAISAL 250 YEARS ON0
SCHILLER GOES TRANSNATIONAL: JULIE PAUCKER AND ROBERT SCHUSTER'S ‘MALALAI – DIE AFGHANISCHE JUNGFRAU VON ORLEANS’ (2017)0
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TWO POEMS0
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EDUARD TRAUTNER (1890–1978): AN ELUSIVE LATE‐EXPRESSIONIST WRITER0
VOCABULARY FOR AN UNTHINKABLE GRAMMAR: SHARON DODUA OTOO'S SYNCHRONICITY0
PROTECTING THE PUBLIC SPHERE(S): THE CAMPAIGN FOR PETER‐PAUL ZAHL0
‘ES IST EINE DESOLATE IDEE, GENIE WERDEN ZU WOLLEN’: ZUM BÖRSENWERT DES BEGRIFFS GENIE BEI NESTROY0
PRIVATE RELIGION AS RESISTANCE IN ANNA SEGHERS’ DER PROZESS DER JEANNE D'ARC ZU ROUEN 1431 (1937) AND BERTOLT BRECHT'S 1952 STAGE ADAPTATION0
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LITERARISCHE VISIONEN EMANZIPIERTEN HANDELNS: EMANZIPATIONSPOLITISCHE ZUSAMMENHÄNGE IM WERK LOUISE ASTONS0
BLACKNESS AND DIS/ABILITY IN THE AFROFUTURIST CHRISTMAS NOVELLA SYNCHRONICITY (2015) BY SHARON DODUA OTOO*0
‘BIG DATA’ AND ALEXANDER VON HUMBOLDT'S APPROACH TO SCIENCE0
WORDS THAT MIGHT SAVE NECKS: PHILIPP KHABO KOEPSELL, EPISTEMIC MURDER AND POETIC JUSTICE10
ENGAGEMENT IN BRIEFEN: FANNY TARNOWS TEILHABE AN DEN EREIGNISSEN VON 1848/49 ANHAND IHRER KORRESPONDENZ AUS DEN 1830ER UND 1840ER JAHREN0
ERMÄCHTIGUNG DES PUBLIKUMS UND ENTMÄCHTIGUNG DES KÜNSTLERS: GENIEDISKURSE DER NACHROMANTIK MIT BLICK AUF DEN FRÜHEN MOZARTKULT UND GRILLPARZER0
THE BOY APPEARING (AS) THE SISTER: GENDER AND SILENCE IN GEORG TRAKL*0
ERTRÄUMTE RÄUME DER FREIHEIT: LUISE MÜHLBACHS PROTAGONISTINNEN ZWISCHEN REALITÄT UND WUNSCHVORSTELLUNG0
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EVERYDAY UTOPIAS: RE‐NEGOTIATIONS OF BELONGING AND IDENTITY IN TOMER GARDI'S BROKEN GERMAN AND SASHA MARIANNA SALZMANN'S AUßER SICH0
THE VIEW FROM 1933: ERNST TOLLER'S EINE JUGEND IN DEUTSCHLAND AS EXILE LITERATURE – ON THE FINAL AMENDMENTS BEFORE PUBLICATION OF THE BOOK EDITION0
POETICS AND POLITICS OF CLIMATE: STURM UND DRANG AND ENLIGHTENMENT‐ERA CLIMATE THEORY0
ERNST TOLLER'S LETTERS FROM EXILE, 1933–19390
‘LUMEN SUPERNATURALE ’ VS ‘LUMEN NATURALE ’: HUMAN RIGHTS AND THEIR RELIGIOUS IMPLICATIONS IN NATURAL LAW IN THE EARLY ENLIGHTENMENT (PUFENDORF – THOMASIUS – WOLFF)0
LOST AT SEA: MARITIME MODERNITY AND THE NEGOTIATION OF IDENTITY IN THEODOR STORM'S ‘HANS UND HEINZ KIRCH’0
GENIE UND KLASSE: ROBERT BURNS UND DIE WIENER SOZIALDEMOKRATIE UM 19000
SAUL FITELBERG'S FAILED SEDUCTION: WORLDLINESS IN DOKTOR FAUSTUS0
THE LATENT RADICALISM OF ARISTOTLE AND J. M. R. LENZ0
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THE GERMAN MUSEUM AND THE EARLY RECEPTION OF GERMAN LETTERS IN BRITAIN, 1800–180110
NACH DEM SCHICKSAL: NAPOLEON BEI HEINE UND TOLSTOJ0
DAS GENIE IM SCHAFFEN NIETZSCHES0
FREEDOM TIME: TEMPORAL INSURRECTIONS IN OLIVIA WENZEL'S 1000 SERPENTINEN ANGST AND SHARON DODUA OTOO'S ADAS RAUM0
MICROHISTORIES OF HEIMAT IN THE THIRD REICH0
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DISORIENTING EASTERN EUROPE: JUDITH HERMANN'S AFFECTIVE GEOGRAPHY0
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‘GRADE, WEIL ICH MICH ALS DEUTSCHEN FÜHLE’: THE PROGRESSIVE PATRIOTISM OF DIE WELTBÜHNE0
ERNST TOLLER'S FILM PROJECTS0
THE INFLUENCE OF BRIGITTE REIMANN'S FRANZISKA LINKERHAND ON THE POLITICAL SONGS OF GERHARD GUNDERMANN0
CONTEMPLATION AND EMPATHY: ON THE JOY OF NATURE (‘NATURGENUSS’) AND FEELING FOR NATURE (‘NATURGEFÜHL’) IN ALEXANDER VON HUMBOLDT'S APPROACH TO SCIENCE0
HUMBOLDT AND METABIOGRAPHY0
KARL MOOR'S FAILED REVOLUTION: RADICAL CRITIQUE AND MODERATE POLITICS IN SCHILLER'S DIE RÄUBER0
SELF‐IDENTITY AND THE JEWISH BODY: ASSIMILATED GERMAN‐SPEAKING JEWISH AUTHORS ON TRADITIONAL JUDAISM0
INTRODUCTION: IMAGINING THE BELIEFS OF OTHERS IN GERMAN LITERATURE FROM THE ENLIGHTENMENT TO THE PRESENT0
HUMAN RIGHTS IN A GLOBAL WORLD: RACIALISATION AND RELIGION IN RATHLEF'S DIE MOHRINN ZU HAMBURG AND ZIEGLER'S DIE MOHRINN10
DIE GEDICHTE IN DÖBLINS DIE DREI SPRÜNGE DES WANG‐LUN: ZEICHEN EINER CHINESISCHEN POETOLOGIE0
BÜCHNER, BORDERS AND THE CONVERGING OF ‘CROWDS’: JACK THORNE'S WOYZECK (2017)0
SEARCH MOVEMENTS: LITERATURE AND POLITICS BETWEEN THE WARS AND A CASE STUDY OF ERNST TOLLER'S I WAS A GERMAN (1934)0
NEUE MENSCHEN, NEUE POETEN: EXPRESSIONISMUS, GENIE UND ARBEITERDICHTUNG0
GOD IS BEAUTIFUL, UGLY, DEAD: NAVID KERMANI, FERIDUN ZAIMOGLU AND (MORE THAN) CHRISTIAN ART0
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