OOIR: Observatory of International Research

Papers

(The median citation count of German Life and Letters is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
FREEDOM TIME: TEMPORAL INSURRECTIONS IN OLIVIA WENZEL'S 1000 SERPENTINEN ANGST AND SHARON DODUA OTOO'S ADAS RAUM	2
THE NEW PRUSSIAN RENAISSANCE: LITERARY COMMEMORATIONS OF QUEEN LUISE	1
‘HERKUNFT IST ZUFALL’: ZU OFFENEN HERKUNFTS‐ UND HEIMATKONZEPTEN IN DER LITERATUR DER DEUTSCHEN POSTMIGRANTISCHEN GENERATION	1
EDUARD TRAUTNER (1890–1978): AN ELUSIVE LATE‐EXPRESSIONIST WRITER	1
‘ANNIVERSARY CAPITAL’: INTRODUCTION	1
MACRO TRAKL: STRUCTURAL PARALLELS BETWEEN ‘HELIAN’ AND SEBASTIAN IM TRAUM	1
GERMAN COLONIALISM IN EAST AFRICA AND ITS AFTERMATH IN ABDULRAZAK GURNAH'S NOVELS PARADISE AND AFTERLIVES AND IN CONTEMPORARY GERMAN LITERATURE	1
NARRATIVE AND EMPATHY: THE 2015 ‘REFUGEE CRISIS’ IN VLADIMIR VERTLIB'S VIKTOR HILFT AND OLGA GRJASNOWA'S GOTT IST NICHT SCHÜCHTERN	1
HUMBOLDT IN VENEZUELA AND CUBA: THE ‘SECOND SLAVERY’	1
SOPHIE VON LA ROCHES ZEITSCHRIFT POMONA FÜR TEUTSCHLANDS TÖCHTER UND DER LITERARISCHE MARKT DER 1780ER JAHRE IM LICHTE UNVERÖFFENTLICHTER BRIEFE	1
CHRISTIAN ART, MASCULINE CRISIS, AND THE THREAT OF JEWISH CONVERSION IN BERTHA PAPPENHEIM'S SHORT STORIES	1
HUMBOLDT AND METABIOGRAPHY	1
POLEN ALS NEGATIVFOLIE FÜR SELBSTENTWÜRFE IN DER DEUTSCHSPRACHIGEN GEGENWARTSLITERATUR	1
THE ANNIVERSARY POLITICS OF 17 JUNE 1953 SINCE 1990	1
A MODERNIST MYSTIC: PHILOSOPHICAL ESSENCE AND POETIC METHOD IN GERDA WALTHER (1897–1977)^*	1
WER IST HIER DER FEIND? VERBÜNDETE UND GEGNER IN ALEXANDER SOLSCHENIZYNS DARSTELLUNG VON DEUTSCHLAND	1
‘MAN KANN DER VERANTWORTUNG NICHT ENTRINNEN’: REMEMBERING ROSENSTRASSE SEVENTY‐FIVE YEARS ON	0
POETICS AND POLITICS OF CLIMATE: STURM UND DRANG AND ENLIGHTENMENT‐ERA CLIMATE THEORY	0
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SAUL FITELBERG'S FAILED SEDUCTION: WORLDLINESS IN DOKTOR FAUSTUS	0
WINNETOU, WHITE INNOCENCE, AND SETTLER TIME	0
STAGING FAILURE? BERTA LASK'S THOMAS MÜNZER (1925) AND THE 400TH ANNIVERSARY OF THE GERMAN PEASANTS’ WAR	0
ON FINDING AND FABRICATING: MEMORY AND FAMILY HISTORY IN KATJA PETROWSKAJA'S VIELLEICHT ESTHER	0
‘TIEF / IN DER ZEITENSCHRUNDE’: READING TIME IN PAUL CELAN'S POETICS	0
MICROHISTORIES OF HEIMAT IN THE THIRD REICH	0

THINKING THE DEATH DRIVE BEYOND DEATH IN DER FLIEGENDE HOLLÄNDER^*	0
DAS SUBJEKT DER LYRIK ODER: FÜR EINE PHILOLOGIE DER DUNKELHEIT – LYRIK ALS (EIN) PARADIGMA DER MODERNE	0
BÜCHNER, BORDERS AND THE CONVERGING OF ‘CROWDS’: JACK THORNE'S WOYZECK (2017)	0
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WHO DO WE SEE IN THE PROTAGONIST OF THE CAPTAIN (2017)?	0
BLACKNESS AND DIS/ABILITY IN THE AFROFUTURIST CHRISTMAS NOVELLA SYNCHRONICITY (2015) BY SHARON DODUA OTOO*	0
‘ICH HATTE BEFEHLE’: MULTIDIRECTIONAL MEMORY AND THE VIETNAM WAR IN HEYNOWSKI AND SCHEUMANN'S PILOTEN IM PYJAMA (1968)^*	0
THE FREEDOM OF A PLAYWRIGHT: STURM UND DRANG AESTHETIC INNOVATION THROUGH A LUTHERAN LENS	0
ʻEIN ENGEL SPIELTE SANFT AUF BLAUEN TASTENʼ: ELSE LASKER‐SCHÜLERS LYRISCHE MUSIKPOETIK	0
ROOM AT THE INN? WERTHER IN WAHLHEIM	0
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TO ACTIVELY NOT DO OR NOT TO DO: REFLECTIONS ON THE DOUBLE COMMANDMENT TO AVOID ACTION ON THE SHABBAT DAY AS A FORM OF PRIMARY REJECTION¹	0
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SCHATTEN‐ UND LICHTSEITEN DER GENIETHEORIE OTTO WEININGERS	0
QUEER ADOLESCENCE IN MÄDCHEN IN UNIFORM	0
THE LATE ARRIVAL OF ‘DER DEUTSCHE PROUST’: TRANSLATING A LA RECHERCHE DU TEMPS PERDU INTO GERMAN	0
GENIE UND KLASSE: ROBERT BURNS UND DIE WIENER SOZIALDEMOKRATIE UM 1900	0
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WORDS THAT MIGHT SAVE NECKS: PHILIPP KHABO KOEPSELL, EPISTEMIC MURDER AND POETIC JUSTICE¹	0
SEARCH MOVEMENTS: LITERATURE AND POLITICS BETWEEN THE WARS AND A CASE STUDY OF ERNST TOLLER'S I WAS A GERMAN (1934)	0
ADAPTING SCHILLER'S DON KARLOS: VERDI, POSA, AND THE PROBLEM OF THE ‘FAMILIENGEMÄLDE’	0
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GHANAIAN FOLK THOUGHT, AKAN RELIGION AND AN ETHIC OF CARE IN SHARON DODUA OTOO'S ADAS RAUM^*	0
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‘VISIONEN VOM IDEALEN GESCHICHTE‐SCHREIBEN UND GESCHICHTE‐MACHENʼ: EPISTEMIC (IN)JUSTICE AND INSURRECTION IN SHARON DODUA OTOO'S HISTORICAL AND MEMORY ACTIVISM	0
SCHILLER GOES TRANSNATIONAL: JULIE PAUCKER AND ROBERT SCHUSTER'S ‘MALALAI – DIE AFGHANISCHE JUNGFRAU VON ORLEANS’ (2017)	0
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CHALLENGING THE POLITICS OF GERMAN VICTIMHOOD: MEMORY ACTIVISM AND THE CONTESTED ANNIVERSARY OF THE DRESDEN BOMBINGS SINCE 2005	0
FILIAL DEPENDENCE AND AUTONOMY IN THE STURM UND DRANG: READING KLINGER, WAGNER AND MÜLLER WITH ROUSSEAU	0
MÜSSIGGANG IST ALLER LASTER ANFANG? LITERARISCHE UND FILMISCHE TYPEN DER VERWEIGERUNG IM MILIEU DER DEUTSCHEN GEGENKULTUR DER 1960ER/70ER JAHRE	0
INFERNAL MATTER(S) AND THE POWER OF THE WORD IN FERIDUN ZAIMOGLU'S EVANGELIO	0
INTRODUCTION: ERNST TOLLER IN EXILE	0
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PRIVATE RELIGION AS RESISTANCE IN ANNA SEGHERS’ DER PROZESS DER JEANNE D'ARC ZU ROUEN 1431 (1937) AND BERTOLT BRECHT'S 1952 STAGE ADAPTATION	0
INTRODUCTION: IMAGINING THE BELIEFS OF OTHERS IN GERMAN LITERATURE FROM THE ENLIGHTENMENT TO THE PRESENT	0
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VOICING VULNERABILITY: MEDIATING VIOLENCE, VICTIMISATION AND FEMALE SUBJECTIVITY IN NORA GOMRINGER'S MONSTER POETRY^*	0
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THE GOTTSCHEERS: FROM A CENTRAL EUROPEAN ENCLAVE TO ASSIMILATION IN NORTH AMERICA	0
WHAT IS RADICAL? BÜCHNER AND BRECHT READ LENZ	0
OBITUARY: PROFESSOR ROY ALBERT WISBEY (1929–2020)	0
ERNST TOLLER'S FILM PROJECTS	0
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THE GERMAN MUSEUM AND THE EARLY RECEPTION OF GERMAN LETTERS IN BRITAIN, 1800–1801¹	0
BULWARK AGAINST RACISM? HUMBOLDT'S INFLUENCE ON THE RACIAL NOTIONS OF GERMAN WRITERS IN MEXICO (1920s–1940s)	0
PROTECTING THE PUBLIC SPHERE(S): THE CAMPAIGN FOR PETER‐PAUL ZAHL	0
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THE EVENTISATION OF ANNIVERSARY ACTIVITY: INVESTING IN 1989	0
GOD IS BEAUTIFUL, UGLY, DEAD: NAVID KERMANI, FERIDUN ZAIMOGLU AND (MORE THAN) CHRISTIAN ART	0
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NEUE MENSCHEN, NEUE POETEN: EXPRESSIONISMUS, GENIE UND ARBEITERDICHTUNG	0
INTRODUCTION: THE LEGACY OF ALEXANDER VON HUMBOLDT (1769–1859). A CRITICAL REAPPRAISAL 250 YEARS ON	0
INTRODUCTION: THE POLITICS AND POETICS OF REFUSAL. TOWARDS A THEORY OF PRIMARY REJECTION¹	0
THE (QUEER) AESTHETICS OF JEAN PAUL'S SIEBENKÄS	0
KOLONIALE GEOGRAFIE BEI DÖBLIN: DIE GRÜNDUNG DES BUNDES DER WAHRHAFT SCHWACHEN IM ZEICHEN DER KOHLE IM CHINESISCHEN ROMAN DIE DREI SPRÜNGE DES WANG‐LUN	0
THE BOY APPEARING (AS) THE SISTER: GENDER AND SILENCE IN GEORG TRAKL^*	0
ERNST TOLLER'S LETTERS FROM EXILE, 1933–1939	0
DAS GENIE IM SCHAFFEN NIETZSCHES	0
AN UPDATED CHRONOLOGY OF ERNST TOLLER'S LIFE AND WORKS	0
DER VERWEIGERTE KNIEFALL EINES BUCHBINDERS: EINE ‘PRIMARY REJECTION’ AM 31. MAI 1839 IN INGOLSTADT	0
ERMÄCHTIGUNG DES PUBLIKUMS UND ENTMÄCHTIGUNG DES KÜNSTLERS: GENIEDISKURSE DER NACHROMANTIK MIT BLICK AUF DEN FRÜHEN MOZARTKULT UND GRILLPARZER	0
ERNST TOLLER SPEAKS AT THE WORLD CONGRESS OF WRITERS IN NEW YORK, 8–10 MAY 1939	0
ROMANTIC NATIONALISM OR ROMANTIC RETREAT? RE‐EVALUATING THE POLITICS OF ARNIM AND BRENTANO'S DES KNABEN WUNDERHORN (1805/1808)	0
TWO POEMS	0
STANDING OUTSIDE ONESELF: TRANSGENDER GAZING IN ANTJE RÁVIK STRUBEL'S KÄLTERE SCHICHTEN DER LUFT (2007) AND IN DEN WÄLDERN DES MENSCHLICHEN HERZENS (2016)	0
‘ES IST EINE DESOLATE IDEE, GENIE WERDEN ZU WOLLEN’: ZUM BÖRSENWERT DES BEGRIFFS GENIE BEI NESTROY	0
DER KOBOLD DER EROTISCHEN IRONIE – PLATON‐LEKTÜREN MIT THOMAS MANN	0
ERNST TOLLER'S LIVING NEWSPAPERS AND THE FEDERAL THEATRE PROJECT	0
COMMEMORATIONS AND NATIONAL IDENTITY: THE 1967 CENTENARY OF KÄTHE KOLLWITZ IN THE GDR	0
‘BIG DATA’ AND ALEXANDER VON HUMBOLDT'S APPROACH TO SCIENCE	0
EULENSPIEGEL IM KRIEG: DER NARR UND DIE ERZӒHLTRADITION IN DANIEL KEHLMANNS ROMAN TYLL	0
THE LATENT RADICALISM OF ARISTOTLE AND J. M. R. LENZ	0
BETWEEN THE ORBITS: TRANSLATING SHARON DODUA OTOO'S ADAS RAUM	0
MAKING THE CASE AGAINST PARAGRAPH 218: NARRATIVE AND DISCURSIVE STRATEGIES IN ELSE KIENLE'S FRAUEN: AUS DEM TAGEBUCH EINER ÄRZTIN^★	0
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‘NACH UND NACH MÜSSEN WIR ALLES ABLEHNEN’: HYPERBOLISCHE NEGATIVITÄT BEI THOMAS BERNHARD	0
MANNHEIM AND COMPANY: GENDER, ECONOMICS AND MODERATE STURM UND DRANG IN J. M. R. LENZ'S DER LANDPREDIGER (1777)¹	0
DORA AND HER SISTERS: FEMALE TROUBLEMAKERS AND THE CULTURAL POLITICS OF DETACHMENT1	0
EIN INTERVIEW MIT DEM LYRIKER UND THEOLOGEN CHRISTIAN LEHNERT: GESPRÄCH ÜBER DICHTUNG, RELIGION, NATURMYSTIK UND SEINEN LYRIKBAND OPUS 8. IM FLECHTWERK (2022). MIT ZWEI UNVERÖFFENTLICHTEN GEDIC	0
THE POLITICS OF ‘PRIMARY REJECTION’ IN HERMAN MELVILLE'S BARTLEBY AND HITO STEYERL'S HOW NOT TO BE SEEN: RACISM, (IL)LEGIBILITY, SURVEILLANCE, AND DETERMINATE NEGATION	0
THE ‘DUNKELMÄNNER’ OF DOKTOR FAUSTUS: HUMANISTS VERSUS THEOLOGIANS	0
INTRODUCTION: PRE‐ROMANTIC AND POST‐ROMANTIC GENIUS	0
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THE DISCREPANCIES OF THE ‘ANTHROPOZOIC AGE’ IN ERNST HAECKEL'S INDISCHE REISEBRIEFE (1882)	0
ʻDIE GESCHICHTE HÄLT ZUR BETONUNG INNEʼ (NACH BEN LERNER: ʻHISTORY PAUSES / FOR EMPHASISʼ, AUS THE LICHTENBERG FIGURES)^*	0
KARL MOOR'S FAILED REVOLUTION: RADICAL CRITIQUE AND MODERATE POLITICS IN SCHILLER'S DIE RÄUBER	0
VON DER ‘MACHT, WELT ZU MACHEN’: RADIKALE DEMOKRATIE IN SHARON DODUA OTOOS ADAS RAUM*	0
ANTI‐FASCISM AND FREE SPEECH ON CAMPUS: ERNST TOLLER'S QUEENS COLLEGE AFFAIR¹	0
‘EIN ORT, WO SICH ALLES IN EINEN HAUFEN ZUSAMMENDRÄNGT’: BERLIN'S ZELTENPLATZ AS CONTESTED URBAN SPACE	0
ANNIVERSARIES, THE PUBLIC, AND ACADEMIA	0
ALEXANDER VON HUMBOLDT'S CLIMATOLOGICAL WRITINGS	0
FAMILIES, SIMILARITIES AND MULTI‐FAITH FUTURES: RE‐IMAGINING ISLAM AND MUSLIMS IN LESSING AND NOVALIS	0
INTRODUCTION: SHARON DODUA OTOO – LITERATURE, POLITICS, POSSIBILITY	0
MOBILISING DISGUST AND COMPASSION: ELPIS MELENA'S GEMMA; ODER, TUGEND UND LASTER (1877) AND THE ANTI‐VIVISECTION MOVEMENT	0
HUGO BALL'S RELIGIOUS CONVERSION	0
TALKING BACK: SHARON DODUA OTOO'S HERR GRÖTTRUP SETZT SICH HIN AND THE EPISTEMOLOGY OF RESISTANCE	0
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‘RECLUSION IS NO MORE POSSIBLE WHILE OUR WORLD STANDS IN FLAMES’: EMERGING POLITICAL SUBTEXTS IN THE GENESIS OF STEFAN ZWEIG'S UNGEDULD DES HERZENS	0
OTHERTONGUES: MULTILINGUALISM, NATALITY AND EMPOWERMENT IN SHARON DODUA OTOO'S ADAS RAUM	0
J. M. R. LENZ AND THE PROBLEM OF SOLDIERS: BETWEEN MODERATE AND RADICAL STURM UND DRANG IN LENZ'S MILITARY REFORMS	0
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THE SINS OF THE FATHERS: LEONARD FORSTER'S REPLY TO AN EARLY CRITIC OF THE PENGUIN BOOK OF GERMAN VERSE¹	0
OTTOKAR DOMMA: A SATIRIST, BUT FOR OR AGAINST GDR SOCIALISM?	0
MADE BY HISTORY: HEINRICH VON TREITSCHKE'S HERO AND THE ANXIETIES OF NINETEENTH‐CENTURY GERMAN HISTORIOGRAPHY	0
CONTEMPLATION AND EMPATHY: ON THE JOY OF NATURE (‘NATURGENUSS’) AND FEELING FOR NATURE (‘NATURGEFÜHL’) IN ALEXANDER VON HUMBOLDT'S APPROACH TO SCIENCE	0
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NACH DEM SCHICKSAL: NAPOLEON BEI HEINE UND TOLSTOJ	0
WILHELM VON HUMBOLDT AND HEINRICH VON KLEIST: IMAGINING THE STATE IN THE WAKE OF THE FRENCH REVOLUTION	0
TOWARDS A TENTATIVE TYPOLOGY OF THE LITERARY REFUSENIK	0
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‘TAT UND ARBEIT, STATT PUBLICITY UND TRÄUMEREI’: ERNST TOLLER AND THE AMERICAN GUILD FOR GERMAN CULTURAL FREEDOM	0
VOCABULARY FOR AN UNTHINKABLE GRAMMAR: SHARON DODUA OTOO'S SYNCHRONICITY	0
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THE VIEW FROM 1933: ERNST TOLLER'S EINE JUGEND IN DEUTSCHLAND AS EXILE LITERATURE – ON THE FINAL AMENDMENTS BEFORE PUBLICATION OF THE BOOK EDITION	0
MOTHERS AND OTHERS IN FICTION BY SHARON DODUA OTOO AND OLIVIA WENZEL	0
‘SCHÖNE JUGENDLICHE MÄDCHENKÖPFE’: GENDER AND ‘GENIE’ IN LOU ANDREAS‐SALOMÉ’S MENSCHENKINDER	0
HUMBOLDT AND THE AMERICAN WEST: DEFENDING OR DEFEATING THE ‘MANIFEST DESTINY’?1	0
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BETWEEN ‘URBILD’ AND ‘ABBILD’: THE CONCEPTION OF THE IMAGE IN CELAN'S POEMS ‘BEI WEIN UND VERLORENHEIT’, ‘TENEBRAE’, AND ‘HALBZERFRESSENER’	0
SELF‐IDENTITY AND THE JEWISH BODY: ASSIMILATED GERMAN‐SPEAKING JEWISH AUTHORS ON TRADITIONAL JUDAISM	0
BETWEEN FIGHTING SPIRIT AND DESPAIR: THE GROWING DISTRUST OF LANGUAGE IN ERNST TOLLER'S WORK IN EXILE	0
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‘KEINE ZEIT ZU VERLIEREN’: TIME AND CARE IN INGEBORG BACHMANN'S ‘DAS GEBELL’ AND DAS BUCH FRANZA	0
THE SLOTHFUL PROTEST: ACEDIA IN TERÉZIA MORA'S DARIUS‐KOPP TRILOGY AND IRIS HANIKA'S DAS EIGENTLICHE	0
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BEYOND NARCISSISM: THE MULTI‐LAYERED NARCISSUS REFERENCE IN HERMANN HESSE'S NARZISS UND GOLDMUND^*	0
OBITUARY: JOHN LEWIS FLOOD (1938–2021)	0
INTRODUCTION: RADICAL AND MODERATE STURM UND DRANG	0
SUCCEEDING BY FAILING: THE BERNAUER STRASSE WALL MEMORIAL AS PERFORMATIVE MEMORIAL	0