Film Quarterly

Papers
(The TQCC of Film Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Both Authors and Authored16
Shooting 2011–2115
“Netflix and Heal”12
On the Necessity of Bad Trans Objects9
An Introduction9
Scores9
From Binge-Watching to Binge-Scrolling4
Desire Lines3
Review: Life-Destroying Diagrams, by Eugenie Brinkema2
Poetics of Refraction2
From Spectatorship to “Survivorship” in Five Critical Propositions2
Women Auteurs, Western Promises2
Trump’s Ironic Effect on Political Satire1
The Radio of Cinema1
Are You Being Sirred? Work in Progress, Nanette, Douglas, and the New Butch Middlebrow1
The Inclusions and Occlusions of Expanded Refugee Narratives1
Knife to the Heart1
Baby Mine1
The Streaming Souls of White Folk1
The Train Is Always Leaving1
Review: How Do We Look? Resisting Visual Biopolitics, by Fatimah Tobing Rony1
Pixels, Police, and Batons1
The Transformers1
Everything Everywhere All at Once and the Intimate Public of Asian American Cinema1
Introduction1
Thinking about The Underground Railroad1
Prolegomenon1
Review: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan1
Global Black Cinema’s Personalized Archive1
Yolande Zauberman0
Sentimental Solidarities0
Backdating the Crip Technoscience Manifesto0
The Radical Unreal0
Review: Pleading the Blood: Bill Gunn’s “Ganja & Hess,” by Christopher Sieving0
Review: Women’s Voices in Digital Media: The Sonic Screen from Film to Memes, by Jennifer O’Meara0
A Profound Edge0
Editor’s Introduction0
Review: Latino TV: A History, by Mary Beltrán0
Geoblocking Fall 20200
Wake Work0
Proximities of Violence0
Review: Tracking Loach: Politics, Practices, Production, by David Archibald0
The Black Film Ambassador0
TV Snapshots0
Review: The Stuff of Spectatorship: Material Cultures of Film and Television, by Caetlin Benson-Allott0
Review: Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony, by Rochona Majumdar0
Review: Media Hot and Cold, by Nicole Starosielski0
Telluride Turns Fifty in Style, New York Hits Sixty-One0
Seeing Things0
Sundance 20220
The Other Replacement Theory0
Review: Twentieth Century Fox, by Frederick Wasser0
Helena Ignez, an Incendiary Monster of Brazilian Cinema0
Introduction0
Beyond Memory0
Review: Feminist Worldmaking and the Moving Image, edited by Erika Balsom and Hila Peleg0
Review: Mary Ellen Bute: Pioneer Animator, by Kit Smyth Basquin0
Review: Bombay Hustle: Making Movies in a Colonial City, by Debashree Mukherjee and Dancing Women: Choreographing Corporeal Histories of Hindi Cinema, by Usha Iyer0
The Veiled Avengers of Pakistan’s Streaming New Wave0
New Territories0
Review: Picturing Indians: Native Americans in Film, 1941–1960, by Liza Black0
Greta Gerwig’s Girlhood Trilogy0
The Busan International Film Festival0
Don’t Look Down0
What If No One Is There to Care? Dementia’s Narrative Demands0
Review: Horror Film and Otherness, by Adam Lowenstein0
Uncomfortable Television0
Review: Crisis Vision: Race and the Cultural Production of Surveillance, by Torin Monahan0
Review: Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster, by Jossianna Arroyo0
Review: Chinese Film: Realism and Convention from the Silent Era to the Digital Age, by Jason McGrath0
Review: Ideal Beauty: The Life and Times of Greta Garbo, by Lois W. Banner0
Getting Real0
Review: Cinema’s Original Sin: D. W. Griffith, American Racism, and the Rise of Film Culture, by Paul McEwan0
Review: Girl Head: Feminism and Film Materiality, by Genevieve Yue0
Review: Diminished Faculties: A Political Phenomenology of Impairment, by Jonathan Sterne0
Colombia Enchanted in Memoria and Encanto0
Looking for Laura & Meaning in Laura Citarella’s Trenque Lauquen0
Changing Times0
The General Audience Talks Back0
The Natural Order of Things0
Animating History at a Cellular Level0
Review: The Japanese Cinema Book, edited by Hideaki Fujiki and Alastair Phillips; Routledge Handbook of Japanese Cinema, edited by Joanne Bernardi and Shota T. Ogawa; A Companion to J0
The Brand of Peele0
Viola’s Body0
Review: Animated Film and Disability: Cripping Spectatorship, by Slava Greenberg0
Review: Climatic Media: Transpacific Experiments in Atmospheric Control, by Yuriko Furuhata0
Conscience and Controversy0
He Insists! From Apprentice Editor to Elder Statesman of the Black Documentary Tradition0
Be Wary of Anniversaries0
This Is a True Story about a True Story0
Redemption Song0
Digging Up the Future0
Shock Absorber0
Review: Branding Brazil: Transforming Citizenship on Screen, by Leslie L. Marsh0
Vision Portraits0
An Urgent Legacy0
Strange Way of Life0
Review: Deadpan: The Aesthetics of Black Inexpression, by Tina Post0
Review: Horrible White People: Gender, Genre, and Television’s Precarious Whiteness, by Taylor Nygaard and Jorie Lagerwey0
On Virtuality and the Diasporic Imagination0
Transatlantic Crossings0
How Long, Not Long0
Listening in Crip Time0
Review: Perplexing Plots: Popular Storytelling and the Poetics of Murder, by David Bordwell0
Realist Cinema as World Cinema0
Millennial Messiahs, Female Fixers, and Corporate Boards0
Sundance on Your Couch0
Review: A Theory of Assembly: From Museums to Memes, by Kyle Parry0
Remembering Lesbians0
Bodies that Persist0
Review: Videographic Cinema: An Archaeology of Electronic Images and Imaginaries, by Jonathan Rozenkrantz0
Edith Kramer0
Review: Cinema Off Screen: Moviegoing in Socialist China, by Chenshu Zhou0
Identity Remakes in and out of Time0
Between Sound and Image0
An Introduction0
Specters of Brexit in Recent British Horror0
Interview0
Shakespeare, Casablanca, and Screen Responsibility0
Review: Everyday Movies: Portable Film Projectors and the Transformation of American Culture, by Haidee Watson0
Telluride and After0
Review: Italian Neorealism: A Cultural History, by Charles L. Leavitt IV0
Almodóvar Looks Back, translated by Carla Marcantonio0
Review: The Two Revolutions: A History of the Transgender Internet, by Avery Dame-Griff0
Phantasms of Dissent0
On Listening, Talking, and Silence0
Pascale Ferran0
The Present and Future Dystopias of Nuevo orden and Medida provisória0
Carceral Feminism on Repeat0
Travel Beyond Streaming0
Black Obliteration around the Corner0
Review: Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture, by David C. Oh0
The Wiles of Spring0
Cannes at Seventy-Five0
The Radical Power of Gentle Cinema0
Cinema’s Cosmic Shifts0
Maestro-Maestra0
Pema Tseden (1969–2023)0
The Status of the Close-Up in the Age of the Selfie0
Review: Relaying Cinema in Midcentury Iran: Material Cultures in Transit, by Kaveh Askari0
Review: Atmospheres of Projection: Environmentality in Art and Screen Media, by Giuliana Bruno0
Review: Documentary’s Expanded Fields: New Media and the Twenty-First-Century Documentary, by Jihoon Kim0
Review: Specworld: Folds, Faults, and Fractures in Embedded Creator Industries, by John Thornton Caldwell0
Review: Italian Political Cinema: Figures of the Long ’68, by Mauro Resmini0
“Documentary Filmmaking Is an Absolute Delight”0
Telluride Film Festival0
Ruby at the Helm0
A Woman’s Korea0
Thessaloniki0
Review: Post-Horror: Art, Genre and Cultural Elevation, by David Church0
Bellocchio’s Histories, Personal and Public0
Can’t No Grave Hold My Body Down0
Review: The Cinema of Sara Gómez: Reframing Revolution, edited by Susan Lord and María Caridad Cumaná with Víctor Fowler Calzada0
Taylor Sheridan Is Sorry but His Characters Are Not0
Pressure Drop0
Review: Operational Images: From the Visual to the Invisual, by Jussi Parikka0
Review: Mean . . . Moody . . . and Magnificent!: Jane Russell and the Marketing of a Hollywood Legend, by Christina Rice0
Review: World Socialist Cinema: Alliances, Affinities, and Solidarities in the Global Cold War, by Masha Salazkina0
The Films of Laura Mulvey and Peter Wollen0
Dead Ringers and the Horror of Childbirth on the Small Screen0
Review: Television’s Spatial Capital: Location, Relocation, Dislocation, by Myles McNutt0
Review: Image Objects: An Archaeology of Computer Graphics, by Jacob Gaboury0
Huesera, Clara Sola, and Medusa0
At the Edges of Sleep0
Review: American Blockbuster: Movies, Technology, and Wonder, by Charles R. Acland0
Review: Sirens of Modernity: World Cinema via Bombay, by Samhita Sunya0
Review: Cinema of Exploration: Essays on an Adventurous Film Practice, edited by James Leo Cahill and Luca Caminati0
Arts of Healing0
Reclaiming Arab “Skin”0
Theater Reopenings and Vaccinated Viewings in Pandemic Year Two0
Cinematic TV0
Film Festivals in Winter0
When Beauty Is in the Eye of the Beholder0
Il Cinema Ritrovato 20220
Review: Digital Lethargy: Dispatches from an Age of Disconnection, by Tung-Hui Hu0
Review: Ends of Cinema, edited by Richard Grusin and Jocelyn Szczepaniak-Gillece0
Review: The New Female Antihero: The Disruptive Women of Twenty-First-Century US Television, by Sarah Hagelin and Gillian Silverman0
Review: Sovereign Intimacy: Private Media and the Traces of Colonial Violence, by Laliv Melamed0
Wintering Over0
Aerobics on Tape0
Review: Josephine Baker’s Cinematic Prism, by Terri Simone Francis0
Review: Kill the Documentary: A Letter to Filmmakers, Students, and Scholars, by Jill Godmilow0
Felt Pleasures0
The Human Voice0
Review: Struggles for Recognition: Melodrama and Visibility in Latin American Silent Film, by Juan Sebastián Ospina León0
Julia Child in Three Acts0
From Diversity Hire to Diverse Critic0
Things You Can Tell by Looking0
Review: Molecular Capture: The Animation of Biology, by Adam Nocek0
Review: Adrian Brunel and British Cinema of the 1920s: The Artist versus the Money Bags, by Josephine Botting0
Ambivalent Masculinities in Contemporary Film and TV0
Death by the Numbers0
Review: The Generic Closet: Black Gayness and the Black-Cast Sitcom, by Alfred L. Martin Jr.0
The One with All the Netflix0
Hollywood’s Embassies0
Review: How Documentaries Went Mainstream: A History, 1960–2022, by Nora Stone0
Cannes 20230
Tearing, Stitching, Quilting0
Review: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan0
The Effect of the Real0
Review: Women in the Irish Film Industry: Stories and Storytellers, edited by Susan Liddy0
Toward a Nonfiction Cinema of Audience Accountability0
Empowerment by Design0
Listening to Metal0
Revisiting the Decade0
The Revolution Has Always Been Queer0
The Ennui of the Scroll0
A Night of Knowing Nothing0
Inflection Points0
Review: Feminista Frequencies: Community Building through Radio in the Yakima Valley, by Monica De La Torre0
Review: The Counterfeit Coin: Videogames and Fantasies of Empowerment, by Christopher Goetz0
Wallmapu in Contemporary Chilean Cinema0
Twenty Queers of Madame Satã0
Streaming Hope, Streaming Despair, Still Streaming0
Cinematic Guerrillas0
Antipodal Connections0
Review: The White Indians of Mexican Cinema: Racial Masquerade throughout the Golden Age, by Mónica García Blizzard0
Review: Alluring Monsters: The Pontianak and Cinemas of Decolonization, by Rosalind Galt0
The Video Revolution, according to the Museum of Modern Art0
Narrative Plenitude in The Ultimatum: Queer Love0
Review: Refugees and Migrants in Contemporary Film, Art and Media, edited by Deniz Bayrakdar and Robert Burgoyne0
Ghosts of Cho0
Review: Queering the Migrant in Contemporary European Cinema, edited by James S. Williams0
Review: Digital Black Feminism, by Catherine Knight Steele0
Queer Cinema’s Practicing Muslims and Practicing Homosexuals0
Stepping Up, and Out0
The Histories We Tell0
Michelle Porte0
Review: Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art, by Nicole Erin Morse0
Remembering Walter Bernstein0
Review: A Decolonizing Ear: Documentary Film Disrupts the Archive, by Olivia Landry0
Review: Making Worlds: Affect and Collectivity in Contemporary European Cinema, by Claudia Breger0
Review: Prison Media: Incarceration and the Infrastructures of Work and Technology, by Anne Kaun and Fredrik Stiernstedt0
Review: The Channeled Image: Art and Media Politics after Television, by Erica Levin0
A24 and the Asian American Prestige Film0
Review: Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-liang, by Nicholas de Villiers0
Film and the Right to Privacy0
Disability Cinema’s Next Wave0
Review: Vulgar Beauty: Acting Chinese in the Global Sensorium, by Mila Zuo0
Review: Hollywood Sports Movies and the American Dream, by Grant Wiedenfeld0
“A Hand to Your Darkness”0
Stuttering Cinema, Stuttering Democracy, Stuttering Globalism0
Queer African Cinemas0
An Introduction0
Tragedy Plus Time0
Low Country Lamentations0
Political Camerawork0
0.036882877349854