Film Quarterly

Article	Citations
“Netflix and Heal”	21
Both Authors and Authored	16
Shooting 2011–21	15
From Binge-Watching to Binge-Scrolling	10
On the Necessity of Bad Trans Objects	10
An Introduction	9
Scores	9
Women Auteurs, Western Promises	3
Thinking about The Underground Railroad	3
Trump’s Ironic Effect on Political Satire	3
Desire Lines	3
Baby Mine	2
Poetics of Refraction	2
Greta Gerwig’s Girlhood Trilogy	2
Everything Everywhere All at Once and the Intimate Public of Asian American Cinema	2
From Spectatorship to “Survivorship” in Five Critical Propositions	2
Review: Life-Destroying Diagrams, by Eugenie Brinkema	2
Proximities of Violence	2
The Inclusions and Occlusions of Expanded Refugee Narratives	2
Cannes at Seventy-Five	1
The Streaming Souls of White Folk	1
Specters of Brexit in Recent British Horror	1
Review: How Do We Look? Resisting Visual Biopolitics, by Fatimah Tobing Rony	1
Pixels, Police, and Batons	1
Knife to the Heart	1

Identity Remakes in and out of Time	1
Ambivalent Masculinities in Contemporary Film and TV	1
The Radio of Cinema	1
Are You Being Sirred? Work in Progress, Nanette, Douglas, and the New Butch Middlebrow	1
Don’t Look Down	1
Stuttering Cinema, Stuttering Democracy, Stuttering Globalism	1
The Transformers	1
Global Black Cinema’s Personalized Archive	1
Thessaloniki	1
Introduction	1
The Train Is Always Leaving	1
Prolegomenon	1
Review: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan	1
Disability Cinema’s Next Wave	1
The Human Voice	0
Maestro-Maestra	0
Pascale Ferran	0
Review: Deadpan: The Aesthetics of Black Inexpression, by Tina Post	0
Revisiting the Decade	0
Faith in Fakes	0
The Other Replacement Theory	0
The Wiles of Spring	0
Remembering Walter Bernstein	0
Review: Videographic Cinema: An Archaeology of Electronic Images and Imaginaries, by Jonathan Rozenkrantz	0
Movies under the Influence	0
Pema Tseden (1969–2023)	0
Telluride Turns Fifty in Style, New York Hits Sixty-One	0
Bellocchio’s Histories, Personal and Public	0
Film and the Right to Privacy	0
Interview	0
Review: Specworld: Folds, Faults, and Fractures in Embedded Creator Industries, by John Thornton Caldwell	0
Review: Italian Political Cinema: Figures of the Long ’68, by Mauro Resmini	0
Introduction	0
Taylor Sheridan Is Sorry but His Characters Are Not	0
Queer African Cinemas	0
Cannes 2023	0
Queer Cinema’s Practicing Muslims and Practicing Homosexuals	0
Stepping Up, and Out	0
Empowerment by Design	0
Review: Networked Bollywood: How Star Power Globalized Hindi Cinema, by Swapnil Rai	0
Introduction	0
Listening to Metal	0
A Restored Perspective	0
Review: Prison Media: Incarceration and the Infrastructures of Work and Technology, by Anne Kaun and Fredrik Stiernstedt	0
Inflection Points	0
“Documentary Filmmaking Is an Absolute Delight”	0
Review: The Time of Laughter: Comedy and the Media Cultures of Japan, by David Humphrey	0
Civil War’s Unsentimental Imagination	0
Review: Feminista Frequencies: Community Building through Radio in the Yakima Valley, by Monica De La Torre	0
Be Wary of Anniversaries	0

How Long, Not Long	0
Antipodal Connections	0
Review: Cinema of Exploration: Essays on an Adventurous Film Practice, edited by James Leo Cahill and Luca Caminati	0
Review: Depth Effects: Dimensionality from Camera to Computation, by Brooke Belisle	0
Millennial Messiahs, Female Fixers, and Corporate Boards	0
Review: The White Indians of Mexican Cinema: Racial Masquerade throughout the Golden Age, by Mónica García Blizzard	0
Reclaiming Arab “Skin”	0
Review: Pleading the Blood: Bill Gunn’s “Ganja & Hess,” by Christopher Sieving	0
Review: Queering the Migrant in Contemporary European Cinema, edited by James S. Williams	0
Review: Television’s Spatial Capital: Location, Relocation, Dislocation, by Myles McNutt	0
Sentimental Solidarities	0
Review: Cinema Off Screen: Moviegoing in Socialist China, by Chenshu Zhou	0
Animating History at a Cellular Level	0
Review: Digital Lethargy: Dispatches from an Age of Disconnection, by Tung-Hui Hu	0
Wake Work	0
Cinematic Guerrillas	0
Telluride Film Festival	0
Shakespeare, Casablanca, and Screen Responsibility	0
Inflection Points	0
Review: Josephine Baker’s Cinematic Prism, by Terri Simone Francis	0
Review: Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony, by Rochona Majumdar	0
Ghosts of Cho	0
Review: The Cinema of Sara Gómez: Reframing Revolution, edited by Susan Lord and María Caridad Cumaná with Víctor Fowler Calzada	0
Realist Cinema as World Cinema	0
Review: Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture, by David C. Oh	0
Political Camerawork	0
Review: The Stuff of Spectatorship: Material Cultures of Film and Television, by Caetlin Benson-Allott	0
This Is a True Story about a True Story	0
Dead Ringers and the Horror of Childbirth on the Small Screen	0
Sundance 2022	0
A Profound Edge	0
Interactive Cinema	0
An Urgent Legacy	0
Review: Sirens of Modernity: World Cinema via Bombay, by Samhita Sunya	0
Review: Feminist Worldmaking and the Moving Image, edited by Erika Balsom and Hila Peleg	0
Decentering the Narrative	0
Review: The Counterfeit Coin: Videogames and Fantasies of Empowerment, by Christopher Goetz	0
Review: Women in the Irish Film Industry: Stories and Storytellers, edited by Susan Liddy	0
Film Festivals in Winter	0
Orlando, Desire Lines	0
Review: Cinema in the Arab World: New Histories, New Approaches, edited by Ifdal Elsaket, Daniel Biltereyst, and Philippe Meers	0
Review: Tracking Loach: Politics, Practices, Production, by David Archibald	0
On Listening, Talking, and Silence	0
The Ennui of the Scroll	0
Conscience and Controversy	0
Review: Struggles for Recognition: Melodrama and Visibility in Latin American Silent Film, by Juan Sebastián Ospina León	0
Everything Begins in the Middle	0
Wallmapu in Contemporary Chilean Cinema	0
Almodóvar Looks Back, translated by Carla Marcantonio	0
Twenty Queers of Madame Satã	0
Review: Branding Brazil: Transforming Citizenship on Screen, by Leslie L. Marsh	0
Seeing Things	0
Review: Alluring Monsters: The Pontianak and Cinemas of Decolonization, by Rosalind Galt	0
The Video Revolution, according to the Museum of Modern Art	0
Review: Operational Images: From the Visual to the Invisual, by Jussi Parikka	0
On Virtuality and the Diasporic Imagination	0
Beyond Memory	0
Review: The Japanese Cinema Book, edited by Hideaki Fujiki and Alastair Phillips; Routledge Handbook of Japanese Cinema, edited by Joanne Bernardi and Shota T. Ogawa; A Companion to J	0
The Brand of Peele	0
New Territories	0
Review: Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art, by Nicole Erin Morse	0
Review: Making Stereo Fit: The History of a Disquieting Film Technology, by Eric Dienstfrey	0
Review: We Are Having This Conversation Now: The Times of AIDS Cultural Production, by Alexandra Juhasz and Theodore Kerr	0
Review: Picturing Indians: Native Americans in Film, 1941–1960, by Liza Black	0
Review: Transatlantic Cinephilia: Film Culture between Latin America and France, 1945–1965, by Rielle Navitski	0
Theater Reopenings and Vaccinated Viewings in Pandemic Year Two	0
Review: Horror Film and Otherness, by Adam Lowenstein	0
Review: Ideal Beauty: The Life and Times of Greta Garbo, by Lois W. Banner	0
Corrigendum	0
Il Cinema Ritrovato 2022	0
Uncomfortable Television	0
Huesera, Clara Sola, and Medusa	0
Review: Ends of Cinema, edited by Richard Grusin and Jocelyn Szczepaniak-Gillece	0
Review: Girl Head: Feminism and Film Materiality, by Genevieve Yue	0
May December and the Remediation of Tabloid Culture	0
Alice Rohrwacher’s Cinema of Poetry	0
Aerobics on Tape	0
Review: Diminished Faculties: A Political Phenomenology of Impairment, by Jonathan Sterne	0
An Introduction	0
Review: A Theory of Assembly: From Museums to Memes, by Kyle Parry	0

The Natural Order of Things	0
Review: Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-liang, by Nicholas de Villiers	0
Editor’s Introduction	0
Julia Child in Three Acts	0
Review: Anteaesthetics: Black Aesthesis and the Critique of Form, by Rizvana Bradley	0
The Radical Unreal	0
Between Sound and Image	0
Review: Cinema’s Original Sin: D. W. Griffith, American Racism, and the Rise of Film Culture, by Paul McEwan	0
Review: Refugees and Migrants in Contemporary Film, Art and Media, edited by Deniz Bayrakdar and Robert Burgoyne	0
Review: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan	0
Review: A Decolonizing Ear: Documentary Film Disrupts the Archive, by Olivia Landry	0
Geoblocking Fall 2020	0
Telluride and After	0
Review: Horrible White People: Gender, Genre, and Television’s Precarious Whiteness, by Taylor Nygaard and Jorie Lagerwey	0
Michelle Porte	0
Wintering Over	0
Review: Perplexing Plots: Popular Storytelling and the Poetics of Murder, by David Bordwell	0
Review: Everyday Movies: Portable Film Projectors and the Transformation of American Culture, by Haidee Watson	0
At the Edges of Sleep	0
A24 and the Asian American Prestige Film	0
Phantasms of Dissent	0
The Revolution Has Always Been Queer	0
Bodies that Persist	0
Review: The Generic Closet: Black Gayness and the Black-Cast Sitcom, by Alfred L. Martin Jr.	0
Review: Twentieth Century Fox, by Frederick Wasser	0
“A Hand to Your Darkness”	0
Black Obliteration around the Corner	0
The Right to Sit Still	0
Review: Crisis Vision: Race and the Cultural Production of Surveillance, by Torin Monahan	0
Review: Bombay Hustle: Making Movies in a Colonial City, by Debashree Mukherjee and Dancing Women: Choreographing Corporeal Histories of Hindi Cinema, by Usha Iyer	0
Yolande Zauberman	0
Sembene, Vieyra, and the Making of Xala	0
The Busan International Film Festival	0
Review: Adrian Brunel and British Cinema of the 1920s: The Artist versus the Money Bags, by Josephine Botting	0
The Status of the Close-Up in the Age of the Selfie	0
Review: Image Objects: An Archaeology of Computer Graphics, by Jacob Gaboury	0
The Black Film Ambassador	0
Review: The Value Gap: Female-Driven Films from Pitch to Premiere, by Courtney Brannon Donoghue	0
Review: Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster, by Jossianna Arroyo	0
Review: How Documentaries Went Mainstream: A History, 1960–2022, by Nora Stone	0
The Effect of the Real	0
The General Audience Talks Back	0
Arts of Healing	0
Review: The Two Revolutions: A History of the Transgender Internet, by Avery Dame-Griff	0
Colombia Enchanted in Memoria and Encanto	0
Looking for Laura & Meaning in Laura Citarella’s Trenque Lauquen	0
Carceral Feminism on Repeat	0
Review: Creating the Viewer: Market Research and the Evolving Media Ecosystem, by Justin Wyatt	0
Transitions	0
Travel Beyond Streaming	0
Review: Mean . . . Moody . . . and Magnificent!: Jane Russell and the Marketing of a Hollywood Legend, by Christina Rice	0
Review: World Socialist Cinema: Alliances, Affinities, and Solidarities in the Global Cold War, by Masha Salazkina	0
The Radical Power of Gentle Cinema	0
Review: Climatic Media: Transpacific Experiments in Atmospheric Control, by Yuriko Furuhata	0
“You’re my people”	0
Sembene behind and beyond the Iron Curtain	0
Cinema’s Cosmic Shifts	0
Review: Making Worlds: Affect and Collectivity in Contemporary European Cinema, by Claudia Breger	0
Tragedy Plus Time	0
Review: Atmospheres of Projection: Environmentality in Art and Screen Media, by Giuliana Bruno	0
Narrative Plenitude in The Ultimatum: Queer Love	0
Review: Technology and the Making of Experimental Film Culture, by John Powers	0
Backdating the Crip Technoscience Manifesto	0
Review: Documentary’s Expanded Fields: New Media and the Twenty-First-Century Documentary, by Jihoon Kim	0
Vision Portraits	0
Dream Scenario and Postcinematic Celebrity	0
A Woman’s Korea	0
Review: Border Tunnels: A Media Theory of the U.S.–Mexico Underground, by Juan Llamas-Rodriguez	0
Review: Latino TV: A History, by Mary Beltrán	0
Review: Digital Black Feminism, by Catherine Knight Steele	0
Transatlantic Crossings	0
Review: Kill the Documentary: A Letter to Filmmakers, Students, and Scholars, by Jill Godmilow	0
Pressure Drop	0
Shock Absorber	0
Getting Real	0
TV Snapshots	0
An Expansive View	0
Sundance on Your Couch	0
Things You Can Tell by Looking	0
Ruby at the Helm	0
Changing Times	0
Edith Kramer	0
Review: Mary Ellen Bute: Pioneer Animator, by Kit Smyth Basquin	0
He Insists! From Apprentice Editor to Elder Statesman of the Black Documentary Tradition	0
From Diversity Hire to Diverse Critic	0
The One with All the Netflix	0
When Beauty Is in the Eye of the Beholder	0
Review: Animated Film and Disability: Cripping Spectatorship, by Slava Greenberg	0
Death by the Numbers	0
Review: Sovereign Intimacy: Private Media and the Traces of Colonial Violence, by Laliv Melamed	0
Review: Post-Horror: Art, Genre and Cultural Elevation, by David Church	0
Review: Vulgar Beauty: Acting Chinese in the Global Sensorium, by Mila Zuo	0
Digging Up the Future	0
Tearing, Stitching, Quilting	0
Breaking Boundaries	0