Film Quarterly

Article	Citations
Review: Specworld: Folds, Faults, and Fractures in Embedded Creator Industries, by John Thornton Caldwell	13
Queer Cinema’s Practicing Muslims and Practicing Homosexuals	9
Review: The Japanese Cinema Book, edited by Hideaki Fujiki and Alastair Phillips; Routledge Handbook of Japanese Cinema, edited by Joanne Bernardi and Shota T. Ogawa; A Companion to J	9
Disability Cinema’s Next Wave	4
Review: Transatlantic Cinephilia: Film Culture between Latin America and France, 1945–1965, by Rielle Navitski	3
Maestro-Maestra	3
Review: The Value Gap: Female-Driven Films from Pitch to Premiere, by Courtney Brannon Donoghue	2
Sundance 2022	2
Movies under the Influence	2
The General Audience Talks Back	2
Cinematic Guerrillas	2
Narrative Plenitude in The Ultimatum: Queer Love	2
The Brand of Peele	1
Things You Can Tell by Looking	1
Review: The Barrandov Studios: A Central European Hollywood, edited by Bernd Herzogenrath	1
Transitions	1
Scores	1
Review: Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony, by Rochona Majumdar	1
TV Snapshots	1
Review: A Decolonizing Ear: Documentary Film Disrupts the Archive, by Olivia Landry	1
Review: To Be an Actress: Labor and Performance in Anna May Wong’s Cross-Media World, by Yiman Wang	1
Review: Italian Political Cinema: Figures of the Long ’68, by Mauro Resmini	1
Empowerment by Design	1
Il Cinema Ritrovato 2022	1
Backdating the Crip Technoscience Manifesto	0

Death by the Numbers	0
Review: Media Hot and Cold, by Nicole Starosielski	0
A Night of Knowing Nothing	0
Everything Begins in the Middle	0
“A Hand to Your Darkness”	0
Carceral Feminism on Repeat	0
Locarno 2024	0
Review: Chinese Film: Realism and Convention from the Silent Era to the Digital Age, by Jason McGrath	0
Review: Neorealist Architecture: Aesthetics of Dwelling in Postwar Italy, by David Escudero	0
Review: Alluring Monsters: The Pontianak and Cinemas of Decolonization, by Rosalind Galt	0
Viola’s Body	0
Seeing Things	0
The Right to Sit Still	0
Review: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan	0
Review: Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art, by Nicole Erin Morse	0
Mati Diop in NYC	0
No Bad Parts	0
Editor’s Notebook	0
Proximities of Violence	0
The Status of the Close-Up in the Age of the Selfie	0
Evil Does Not Exist	0
Review: Tracking Loach: Politics, Practices, Production, by David Archibald	0
Introduction	0
Cannes at Seventy-Five	0
An Urgent Legacy	0
Wake Work	0
Ghosts of Cho	0
Review: Technology and the Making of Experimental Film Culture, by John Powers	0
Everything Everywhere All at Once and the Intimate Public of Asian American Cinema	0
Shakespeare, Casablanca, and Screen Responsibility	0
Ambivalent Masculinities in Contemporary Film and TV	0
Review: Ideal Beauty: The Life and Times of Greta Garbo, by Lois W. Banner	0
Introduction	0
Review: Post-Horror: Art, Genre and Cultural Elevation, by David Church	0
Review: Deadpan: The Aesthetics of Black Inexpression, by Tina Post	0
Review: Bootlegging the Airwaves: Alternative Histories of Radio and Television Distribution, by Eleanor Patterson	0
Suspicious Minds and Dead Bodies	0
A24 and the Asian American Prestige Film	0
Review: Television’s Spatial Capital: Location, Relocation, Dislocation, by Myles McNutt	0
Review: The Channeled Image: Art and Media Politics after Television, by Erica Levin	0
Review: Nonhuman Witnessing: War, Data, and Ecology after the End of the World, by Michael Richardson	0
Conscience and Controversy	0
Review: The New Female Antihero: The Disruptive Women of Twenty-First-Century US Television, by Sarah Hagelin and Gillian Silverman	0
Toward a Nonfiction Cinema of Audience Accountability	0
Pascale Ferran	0
Wallmapu in Contemporary Chilean Cinema	0
Michael Rogge, Amateur Expatriate Cinema, and Hong Kong Cinephilia of the 1950s	0
The Untalented Mr. Ripley	0
Desire Lines	0
Thessaloniki	0

Review: Animated Film and Disability: Cripping Spectatorship, by Slava Greenberg	0
Almodóvar, Madrid’s Cinematic Laureate	0
The Inclusions and Occlusions of Expanded Refugee Narratives	0
Felt Pleasures	0
Review: Asians on Demand: Mediating Race in Video Art and Activism, by Feng-Mei Heberer	0
“Live, Laugh, Luminol”	0
Women Auteurs, Western Promises	0
Civil War’s Unsentimental Imagination	0
The Video Revolution, according to the Museum of Modern Art	0
Review: Algorithms of Resistance: The Everyday Fight against Platform Power, by Tiziano Bonini and Emiliano Treré	0
At the Edges of Sleep	0
Review: How Do We Look? Resisting Visual Biopolitics, by Fatimah Tobing Rony	0
Inflection Points	0
The Busan International Film Festival	0
Cinema’s Cosmic Shifts	0
Anna May Wong’s Labor and Performance	0
Review: The Time of Laughter: Comedy and the Media Cultures of Japan, by David Humphrey	0
Review: Perplexing Plots: Popular Storytelling and the Poetics of Murder, by David Bordwell	0
The Radical Power of Gentle Cinema	0
Review: Image Objects: An Archaeology of Computer Graphics, by Jacob Gaboury	0
The Histories We Tell	0
An Introduction	0
Review: Feminist Worldmaking and the Moving Image, edited by Erika Balsom and Hila Peleg	0
Review: Diminished Faculties: A Political Phenomenology of Impairment, by Jonathan Sterne	0
Aerobics on Tape	0
Review: Adrian Brunel and British Cinema of the 1920s: The Artist versus the Money Bags, by Josephine Botting	0
Dead Ringers and the Horror of Childbirth on the Small Screen	0
The Other Replacement Theory	0
Remembering Lesbians	0
Interactive Cinema	0
Review: Sirens of Modernity: World Cinema via Bombay, by Samhita Sunya	0
Review: Horror Film and Otherness, by Adam Lowenstein	0
Review: Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-liang, by Nicholas de Villiers	0
The Effect of the Real	0
Listening in Crip Time	0
Huesera, Clara Sola, and Medusa	0
Review: Relaying Cinema in Midcentury Iran: Material Cultures in Transit, by Kaveh Askari	0
May December and the Remediation of Tabloid Culture	0
Review: Prison Media: Incarceration and the Infrastructures of Work and Technology, by Anne Kaun and Fredrik Stiernstedt	0
An Introduction	0
Review: Molecular Capture: The Animation of Biology, by Adam Nocek	0
To Commune	0
Low Country Lamentations	0
Review: Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster, by Jossianna Arroyo	0
Bellocchio’s Histories, Personal and Public	0
Shock Absorber	0
Digging Up the Future	0
Review: Latino TV: A History, by Mary Beltrán	0
Review: Sovereign Intimacy: Private Media and the Traces of Colonial Violence, by Laliv Melamed	0
Erratum	0
Review: Gaza on Screen, edited by Nadia Yaqub	0
Review: Kill the Documentary: A Letter to Filmmakers, Students, and Scholars, by Jill Godmilow	0
Baby Mine	0
Review: Italian Neorealism: A Cultural History, by Charles L. Leavitt IV	0
Getting Real	0
Vision Portraits	0
Arts of Healing	0
Review: Making Stereo Fit: The History of a Disquieting Film Technology, by Eric Dienstfrey	0
Ruby at the Helm	0
Hollywood’s Embassies	0
Transatlantic Crossings	0
Yolande Zauberman	0
Towards a History of Early Experimental Video Practices in Hong Kong	0
Changing Times	0
Alice Rohrwacher’s Cinema of Poetry	0
A Restored Perspective	0
Review: Anteaesthetics: Black Aesthesis and the Critique of Form, by Rizvana Bradley	0
Colombia Enchanted in Memoria and Encanto	0
Film and the Right to Privacy	0
Review: Hollywood Sports Movies and the American Dream, by Grant Wiedenfeld	0
Review: How Documentaries Went Mainstream: A History, 1960–2022, by Nora Stone	0
Review: Digital Black Feminism, by Catherine Knight Steele	0
Review: Digital Lethargy: Dispatches from an Age of Disconnection, by Tung-Hui Hu	0
Dream Scenario and Postcinematic Celebrity	0
Life-Affirming Horror and the Films of Jane Schoenbrun	0
Introduction	0
Julia Child in Three Acts	0
Beyond Memory	0
“More Than We Were Programmed to Be”	0
Don’t Look Down	0

A Path into Filmmaking, the Cayuga Language, and Fancy Dance	0
Stepping Up, and Out	0
Review: Producing Sovereignty: The Rise of Indigenous Media in Canada, by Karrmen Crey	0
Bodies that Persist	0
Film Festivals in Winter	0
Political Camerawork	0
Looking for Laura & Meaning in Laura Citarella’s Trenque Lauquen	0
Review: Directed by Yasujirō Ozu, by Shiguéhiko Hasumi	0
Pema Tseden (1969–2023)	0
A Profound Edge	0
Specters of Brexit in Recent British Horror	0
A Conversation with Sandi DuBowski	0
From Diversity Hire to Diverse Critic	0
Review: Portable Postsocialisms: New Cuban Mediascapes After the End of History, by Paloma Duong	0
Corrigendum	0
An Expansive View	0
A Very Special Episode of Expats	0
Review: Documentary’s Expanded Fields: New Media and the Twenty-First-Century Documentary, by Jihoon Kim	0
Can’t No Grave Hold My Body Down	0
Review: World Socialist Cinema: Alliances, Affinities, and Solidarities in the Global Cold War, by Masha Salazkina	0
Identity Remakes in and out of Time	0
Review: Refugees and Migrants in Contemporary Film, Art and Media, edited by Deniz Bayrakdar and Robert Burgoyne	0
Review: Atmospheres of Projection: Environmentality in Art and Screen Media, by Giuliana Bruno	0
Almodóvar Looks Back, translated by Carla Marcantonio	0
The Transformers	0
Greta Gerwig’s Girlhood Trilogy	0
A Cinematic Salvo from Interwar Austria	0
Review: The Counterfeit Coin: Videogames and Fantasies of Empowerment, by Christopher Goetz	0
At San Sebastian, Gloomy Films with Potent Notes of Resilience	0
New Territories	0
Revisiting the Decade	0
Review: Climatic Media: Transpacific Experiments in Atmospheric Control, by Yuriko Furuhata	0
Edith Wharton on Film	0
Review: Life-Destroying Diagrams, by Eugenie Brinkema	0
Twenty Queers of Madame Satã	0
Orlando, Desire Lines	0
Breaking Boundaries	0
“Documentary Filmmaking Is an Absolute Delight”	0
Review: Creating the Viewer: Market Research and the Evolving Media Ecosystem, by Justin Wyatt	0
Review: Hollis Frampton: Navigating the Infinite Cinema, by Michael Zryd	0
Review: Women’s Voices in Digital Media: The Sonic Screen from Film to Memes, by Jennifer O’Meara	0
Between Sound and Image	0
Review: A Theory of Assembly: From Museums to Memes, by Kyle Parry	0
Review: Cinema’s Original Sin: D. W. Griffith, American Racism, and the Rise of Film Culture, by Paul McEwan	0
Review: Cinema in the Arab World: New Histories, New Approaches, edited by Ifdal Elsaket, Daniel Biltereyst, and Philippe Meers	0
Review: Crisis Vision: Race and the Cultural Production of Surveillance, by Torin Monahan	0
Review: Cinema Off Screen: Moviegoing in Socialist China, by Chenshu Zhou	0
Review: Esfir Shub: Pioneer of Documentary Filmmaking, by Ilana Shub Sharp	0
Knife to the Heart	0
This Is a True Story about a True Story	0
Global Black Cinema’s Personalized Archive	0
Interview	0
The Films of Laura Mulvey and Peter Wollen	0
Review: Branding Brazil: Transforming Citizenship on Screen, by Leslie L. Marsh	0
“You’re my people”	0
Phantasms of Dissent	0
Inflection Points	0
On Listening, Talking, and Silence	0
Telluride Turns Fifty in Style, New York Hits Sixty-One	0
Review: Death by Laughter: Female Hysteria and Early Cinema, by Maggie Hennefeld	0
Review: We Are Having This Conversation Now: The Times of AIDS Cultural Production, by Alexandra Juhasz and Theodore Kerr	0
Review: Depth Effects: Dimensionality from Camera to Computation, by Brooke Belisle	0
Sembene, Vieyra, and the Making of Xala	0
Strange Way of Life	0
“We Have So Many Stories and Not Much Time”	0
Review: Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture, by David C. Oh	0
Review: Feminista Frequencies: Community Building through Radio in the Yakima Valley, by Monica De La Torre	0
Review: Networked Bollywood: How Star Power Globalized Hindi Cinema, by Swapnil Rai	0
Review: The White Indians of Mexican Cinema: Racial Masquerade throughout the Golden Age, by Mónica García Blizzard	0
Editor’s Notebook	0
Faith in Fakes	0
What If No One Is There to Care? Dementia’s Narrative Demands	0
Decentering the Narrative	0
Telluride Film Festival	0
Review: Incomplete: The Feminist Possibilities of the Unfinished Film, edited by Alix Beeston and Stefan Solomon	0
Sembene behind and beyond the Iron Curtain	0
Review: Biopolitical Ethics in Global Cinema, by Seung-hoon Jeong	0
On the Necessity of Bad Trans Objects	0
Review: Pleading the Blood: Bill Gunn’s “Ganja & Hess,” by Christopher Sieving	0
He Insists! From Apprentice Editor to Elder Statesman of the Black Documentary Tradition	0
Cinephile Culture as Infrastructure	0
The Radio of Cinema	0
Review: Vulgar Beauty: Acting Chinese in the Global Sensorium, by Mila Zuo	0
Review: Stardust: Cinematic Archives at the End of the World, by Hannah Goodwin	0
The Human Voice	0
Cannes 2023	0
Review: Operational Images: From the Visual to the Invisual, by Jussi Parikka	0
Queer African Cinemas	0
Review: Border Tunnels: A Media Theory of the U.S.–Mexico Underground, by Juan Llamas-Rodriguez	0
Review: The Two Revolutions: A History of the Transgender Internet, by Avery Dame-Griff	0
Taylor Sheridan Is Sorry but His Characters Are Not	0
Uncomfortable Television	0
Millennial Messiahs, Female Fixers, and Corporate Boards	0