Film Quarterly

Papers
(The median citation count of Film Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Review: Specworld: Folds, Faults, and Fractures in Embedded Creator Industries, by John Thornton Caldwell13
Queer Cinema’s Practicing Muslims and Practicing Homosexuals9
Review: The Japanese Cinema Book, edited by Hideaki Fujiki and Alastair Phillips; Routledge Handbook of Japanese Cinema, edited by Joanne Bernardi and Shota T. Ogawa; A Companion to J9
Disability Cinema’s Next Wave4
Review: Transatlantic Cinephilia: Film Culture between Latin America and France, 1945–1965, by Rielle Navitski3
Maestro-Maestra3
Cinematic Guerrillas2
Narrative Plenitude in The Ultimatum: Queer Love2
Review: The Value Gap: Female-Driven Films from Pitch to Premiere, by Courtney Brannon Donoghue2
Sundance 20222
Movies under the Influence2
The General Audience Talks Back2
Il Cinema Ritrovato 20221
The Brand of Peele1
Things You Can Tell by Looking1
Review: The Barrandov Studios: A Central European Hollywood, edited by Bernd Herzogenrath1
Transitions1
Scores1
Review: Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony, by Rochona Majumdar1
TV Snapshots1
Review: A Decolonizing Ear: Documentary Film Disrupts the Archive, by Olivia Landry1
Review: To Be an Actress: Labor and Performance in Anna May Wong’s Cross-Media World, by Yiman Wang1
Review: Italian Political Cinema: Figures of the Long ’68, by Mauro Resmini1
Empowerment by Design1
Ambivalent Masculinities in Contemporary Film and TV0
Review: Networked Bollywood: How Star Power Globalized Hindi Cinema, by Swapnil Rai0
A Restored Perspective0
Review: Post-Horror: Art, Genre and Cultural Elevation, by David Church0
Faith in Fakes0
Review: Technology and the Making of Experimental Film Culture, by John Powers0
Film and the Right to Privacy0
Towards a History of Early Experimental Video Practices in Hong Kong0
Review: Incomplete: The Feminist Possibilities of the Unfinished Film, edited by Alix Beeston and Stefan Solomon0
Review: Digital Lethargy: Dispatches from an Age of Disconnection, by Tung-Hui Hu0
Review: Nonhuman Witnessing: War, Data, and Ecology after the End of the World, by Michael Richardson0
Review: Biopolitical Ethics in Global Cinema, by Seung-hoon Jeong0
Review: Deadpan: The Aesthetics of Black Inexpression, by Tina Post0
Introduction0
Review: Hollywood Sports Movies and the American Dream, by Grant Wiedenfeld0
A24 and the Asian American Prestige Film0
Cinephile Culture as Infrastructure0
The Untalented Mr. Ripley0
Review: Vulgar Beauty: Acting Chinese in the Global Sensorium, by Mila Zuo0
Stepping Up, and Out0
Julia Child in Three Acts0
Pascale Ferran0
Felt Pleasures0
Review: Border Tunnels: A Media Theory of the U.S.–Mexico Underground, by Juan Llamas-Rodriguez0
Pema Tseden (1969–2023)0
Bodies that Persist0
Almodóvar, Madrid’s Cinematic Laureate0
Review: Operational Images: From the Visual to the Invisual, by Jussi Parikka0
Review: Algorithms of Resistance: The Everyday Fight against Platform Power, by Tiziano Bonini and Emiliano Treré0
Review: Media Hot and Cold, by Nicole Starosielski0
Review: Portable Postsocialisms: New Cuban Mediascapes After the End of History, by Paloma Duong0
An Expansive View0
Civil War’s Unsentimental Imagination0
Backdating the Crip Technoscience Manifesto0
Review: Chinese Film: Realism and Convention from the Silent Era to the Digital Age, by Jason McGrath0
Identity Remakes in and out of Time0
Review: The Time of Laughter: Comedy and the Media Cultures of Japan, by David Humphrey0
Review: Atmospheres of Projection: Environmentality in Art and Screen Media, by Giuliana Bruno0
Inflection Points0
The Right to Sit Still0
Cinema’s Cosmic Shifts0
Review: Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art, by Nicole Erin Morse0
Review: The Counterfeit Coin: Videogames and Fantasies of Empowerment, by Christopher Goetz0
Review: Diminished Faculties: A Political Phenomenology of Impairment, by Jonathan Sterne0
New Territories0
Review: Image Objects: An Archaeology of Computer Graphics, by Jacob Gaboury0
The Status of the Close-Up in the Age of the Selfie0
An Introduction0
Review: Life-Destroying Diagrams, by Eugenie Brinkema0
Review: Sirens of Modernity: World Cinema via Bombay, by Samhita Sunya0
Introduction0
Orlando, Desire Lines0
Dead Ringers and the Horror of Childbirth on the Small Screen0
Wake Work0
Remembering Lesbians0
Review: Hollis Frampton: Navigating the Infinite Cinema, by Michael Zryd0
Review: Relaying Cinema in Midcentury Iran: Material Cultures in Transit, by Kaveh Askari0
Shakespeare, Casablanca, and Screen Responsibility0
Between Sound and Image0
Review: Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-liang, by Nicholas de Villiers0
Introduction0
Listening in Crip Time0
Review: Crisis Vision: Race and the Cultural Production of Surveillance, by Torin Monahan0
Low Country Lamentations0
Suspicious Minds and Dead Bodies0
Knife to the Heart0
Shock Absorber0
Review: The Channeled Image: Art and Media Politics after Television, by Erica Levin0
Review: Molecular Capture: The Animation of Biology, by Adam Nocek0
The Films of Laura Mulvey and Peter Wollen0
Erratum0
Toward a Nonfiction Cinema of Audience Accountability0
Phantasms of Dissent0
Baby Mine0
Michael Rogge, Amateur Expatriate Cinema, and Hong Kong Cinephilia of the 1950s0
Digging Up the Future0
Telluride Turns Fifty in Style, New York Hits Sixty-One0
Review: Making Stereo Fit: The History of a Disquieting Film Technology, by Eric Dienstfrey0
Review: Animated Film and Disability: Cripping Spectatorship, by Slava Greenberg0
Sembene, Vieyra, and the Making of Xala0
Transatlantic Crossings0
The Inclusions and Occlusions of Expanded Refugee Narratives0
Getting Real0
Review: Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture, by David C. Oh0
Review: Death by Laughter: Female Hysteria and Early Cinema, by Maggie Hennefeld0
Women Auteurs, Western Promises0
Editor’s Notebook0
Colombia Enchanted in Memoria and Encanto0
The Video Revolution, according to the Museum of Modern Art0
Yolande Zauberman0
Decentering the Narrative0
Review: Feminista Frequencies: Community Building through Radio in the Yakima Valley, by Monica De La Torre0
Alice Rohrwacher’s Cinema of Poetry0
Life-Affirming Horror and the Films of Jane Schoenbrun0
The Busan International Film Festival0
Review: Pleading the Blood: Bill Gunn’s “Ganja & Hess,” by Christopher Sieving0
Telluride Film Festival0
Review: Digital Black Feminism, by Catherine Knight Steele0
Review: How Do We Look? Resisting Visual Biopolitics, by Fatimah Tobing Rony0
A Path into Filmmaking, the Cayuga Language, and Fancy Dance0
The Histories We Tell0
The Human Voice0
He Insists! From Apprentice Editor to Elder Statesman of the Black Documentary Tradition0
“More Than We Were Programmed to Be”0
The Radical Power of Gentle Cinema0
Review: Directed by Yasujirō Ozu, by Shiguéhiko Hasumi0
The Other Replacement Theory0
Taylor Sheridan Is Sorry but His Characters Are Not0
Review: Producing Sovereignty: The Rise of Indigenous Media in Canada, by Karrmen Crey0
Millennial Messiahs, Female Fixers, and Corporate Boards0
Political Camerawork0
Review: Adrian Brunel and British Cinema of the 1920s: The Artist versus the Money Bags, by Josephine Botting0
The Effect of the Real0
Everything Begins in the Middle0
Corrigendum0
Carceral Feminism on Repeat0
Specters of Brexit in Recent British Horror0
Review: Prison Media: Incarceration and the Infrastructures of Work and Technology, by Anne Kaun and Fredrik Stiernstedt0
From Diversity Hire to Diverse Critic0
An Introduction0
Review: Alluring Monsters: The Pontianak and Cinemas of Decolonization, by Rosalind Galt0
Review: Refugees and Migrants in Contemporary Film, Art and Media, edited by Deniz Bayrakdar and Robert Burgoyne0
Seeing Things0
Review: Documentary’s Expanded Fields: New Media and the Twenty-First-Century Documentary, by Jihoon Kim0
Bellocchio’s Histories, Personal and Public0
Review: World Socialist Cinema: Alliances, Affinities, and Solidarities in the Global Cold War, by Masha Salazkina0
No Bad Parts0
At San Sebastian, Gloomy Films with Potent Notes of Resilience0
Review: Sovereign Intimacy: Private Media and the Traces of Colonial Violence, by Laliv Melamed0
Proximities of Violence0
The Transformers0
Review: Kill the Documentary: A Letter to Filmmakers, Students, and Scholars, by Jill Godmilow0
A Cinematic Salvo from Interwar Austria0
Review: Tracking Loach: Politics, Practices, Production, by David Archibald0
Twenty Queers of Madame Satã0
Arts of Healing0
An Urgent Legacy0
Revisiting the Decade0
Hollywood’s Embassies0
Edith Wharton on Film0
Everything Everywhere All at Once and the Intimate Public of Asian American Cinema0
Review: Women’s Voices in Digital Media: The Sonic Screen from Film to Memes, by Jennifer O’Meara0
Changing Times0
Review: Ideal Beauty: The Life and Times of Greta Garbo, by Lois W. Banner0
Review: Cinema’s Original Sin: D. W. Griffith, American Racism, and the Rise of Film Culture, by Paul McEwan0
Review: Anteaesthetics: Black Aesthesis and the Critique of Form, by Rizvana Bradley0
Review: Creating the Viewer: Market Research and the Evolving Media Ecosystem, by Justin Wyatt0
Review: Esfir Shub: Pioneer of Documentary Filmmaking, by Ilana Shub Sharp0
Review: How Documentaries Went Mainstream: A History, 1960–2022, by Nora Stone0
Review: Television’s Spatial Capital: Location, Relocation, Dislocation, by Myles McNutt0
Global Black Cinema’s Personalized Archive0
Dream Scenario and Postcinematic Celebrity0
Review: Cinema in the Arab World: New Histories, New Approaches, edited by Ifdal Elsaket, Daniel Biltereyst, and Philippe Meers0
Conscience and Controversy0
Review: Bootlegging the Airwaves: Alternative Histories of Radio and Television Distribution, by Eleanor Patterson0
Beyond Memory0
Wallmapu in Contemporary Chilean Cinema0
On Listening, Talking, and Silence0
Don’t Look Down0
Interview0
Desire Lines0
Review: The New Female Antihero: The Disruptive Women of Twenty-First-Century US Television, by Sarah Hagelin and Gillian Silverman0
You’re my people”0
Film Festivals in Winter0
“We Have So Many Stories and Not Much Time”0
Looking for Laura & Meaning in Laura Citarella’s Trenque Lauquen0
Review: Asians on Demand: Mediating Race in Video Art and Activism, by Feng-Mei Heberer0
Thessaloniki0
Review: Depth Effects: Dimensionality from Camera to Computation, by Brooke Belisle0
What If No One Is There to Care? Dementia’s Narrative Demands0
A Conversation with Sandi DuBowski0
At the Edges of Sleep0
“Live, Laugh, Luminol”0
Review: The White Indians of Mexican Cinema: Racial Masquerade throughout the Golden Age, by Mónica García Blizzard0
A Profound Edge0
On the Necessity of Bad Trans Objects0
Can’t No Grave Hold My Body Down0
Anna May Wong’s Labor and Performance0
Review: Perplexing Plots: Popular Storytelling and the Poetics of Murder, by David Bordwell0
Sembene behind and beyond the Iron Curtain0
A Very Special Episode of Expats0
Review: Stardust: Cinematic Archives at the End of the World, by Hannah Goodwin0
Greta Gerwig’s Girlhood Trilogy0
Review: Feminist Worldmaking and the Moving Image, edited by Erika Balsom and Hila Peleg0
Cannes 20230
Aerobics on Tape0
The Radio of Cinema0
Almodóvar Looks Back, translated by Carla Marcantonio0
Review: Climatic Media: Transpacific Experiments in Atmospheric Control, by Yuriko Furuhata0
Interactive Cinema0
Uncomfortable Television0
Review: Horror Film and Otherness, by Adam Lowenstein0
Queer African Cinemas0
Breaking Boundaries0
Review: The Two Revolutions: A History of the Transgender Internet, by Avery Dame-Griff0
Huesera, Clara Sola, and Medusa0
“A Hand to Your Darkness”0
May December and the Remediation of Tabloid Culture0
Death by the Numbers0
Review: A Theory of Assembly: From Museums to Memes, by Kyle Parry0
A Night of Knowing Nothing0
“Documentary Filmmaking Is an Absolute Delight”0
To Commune0
Viola’s Body0
Review: Cinema Off Screen: Moviegoing in Socialist China, by Chenshu Zhou0
Review: Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster, by Jossianna Arroyo0
Locarno 20240
This Is a True Story about a True Story0
Review: Neorealist Architecture: Aesthetics of Dwelling in Postwar Italy, by David Escudero0
Review: Latino TV: A History, by Mary Beltrán0
Editor’s Notebook0
Review: Branding Brazil: Transforming Citizenship on Screen, by Leslie L. Marsh0
Review: Gaza on Screen, edited by Nadia Yaqub0
Review: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan0
Inflection Points0
Mati Diop in NYC0
Vision Portraits0
Cannes at Seventy-Five0
Review: We Are Having This Conversation Now: The Times of AIDS Cultural Production, by Alexandra Juhasz and Theodore Kerr0
Ruby at the Helm0
Ghosts of Cho0
Strange Way of Life0
Evil Does Not Exist0
Review: Italian Neorealism: A Cultural History, by Charles L. Leavitt IV0
0.28116488456726