Film Quarterly

Article	Citations
Review: Specworld: Folds, Faults, and Fractures in Embedded Creator Industries, by John Thornton Caldwell	17
Queer Cinema’s Practicing Muslims and Practicing Homosexuals	13
Review: The Japanese Cinema Book, edited by Hideaki Fujiki and Alastair Phillips; Routledge Handbook of Japanese Cinema, edited by Joanne Bernardi and Shota T. Ogawa; A Companion to J	9
Maestro-Maestra	8
Review: Transatlantic Cinephilia: Film Culture between Latin America and France, 1945–1965, by Rielle Navitski	8
Review: The Value Gap: Female-Driven Films from Pitch to Premiere, by Courtney Brannon Donoghue	4
“Kind of Funny, but Not That Funny”	4
Movies under the Influence	4
Disability Cinema’s Next Wave	3
The General Audience Talks Back	3
Sundance 2022	3
Cinematic Guerrillas	3
Review: To Be an Actress: Labor and Performance in Anna May Wong’s Cross-Media World, by Yiman Wang	2
Scores	2
The Pleasure of the Interval	2
To Love So Much It Hurts	2
Narrative Plenitude in The Ultimatum: Queer Love	2
Review: The Barrandov Studios: A Central European Hollywood, edited by Bernd Herzogenrath	1
Review: Italian Political Cinema: Figures of the Long ’68, by Mauro Resmini	1
Empowerment by Design	1
Review: Queer for Fear: Horror Film and the Queer Spectator, by Heather O. Petrocelli	1
Review: A Decolonizing Ear: Documentary Film Disrupts the Archive, by Olivia Landry	1
Things You Can Tell by Looking	1
The Brand of Peele	1
Things Hold	1

Transitions	1
Review: Sirens of Modernity: World Cinema via Bombay, by Samhita Sunya	1
Reassessing the Butt Shot	1
Review: Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony, by Rochona Majumdar	1
Of Lesbians and Werewolves	1
TV Snapshots	1
At San Sebastian, Gloomy Films with Potent Notes of Resilience	1
Il Cinema Ritrovato 2022	1
A Conversation with Sandi DuBowski	0
Review: Cinema Is the Strongest Weapon: Race-Making and Resistance in Fascist Italy, by Lorenzo Fabbri	0
“Layers of Capturing Information”	0
The Untalented Mr. Ripley	0
Review: Television’s Spatial Capital: Location, Relocation, Dislocation, by Myles McNutt	0
Review: Nonhuman Witnessing: War, Data, and Ecology after the End of the World, by Michael Richardson	0
Review: Prison Media: Incarceration and the Infrastructures of Work and Technology, by Anne Kaun and Fredrik Stiernstedt	0
A Very Special Episode of Expats	0
Blissing Out (Again)	0
Review: Feminista Frequencies: Community Building through Radio in the Yakima Valley, by Monica De La Torre	0
Review: Cinema’s Original Sin: D. W. Griffith, American Racism, and the Rise of Film Culture, by Paul McEwan	0
Sembene, Vieyra, and the Making of Xala	0
Mati Diop in NYC	0
Review: Kill the Documentary: A Letter to Filmmakers, Students, and Scholars, by Jill Godmilow	0
“Documentary Filmmaking Is an Absolute Delight”	0
The Art and History of Movie Novelizations	0
Baby Mine	0
Cinema and Pleasure	0
A Cinematic Salvo from Interwar Austria	0
Editor’s Notebook	0
Review: Perplexing Plots: Popular Storytelling and the Poetics of Murder, by David Bordwell	0
Global Black Cinema’s Personalized Archive	0
Cannes 2023	0
A Night of Knowing Nothing	0
Review: Imagining the Method: Reception, Identity, and American Screen Performance, by Justin Owen Rawlins	0
Millennial Messiahs, Female Fixers, and Corporate Boards	0
Transatlantic Crossings	0
Review: Refugees and Migrants in Contemporary Film, Art and Media, edited by Deniz Bayrakdar and Robert Burgoyne	0
Digging Up the Future	0
Hollywood’s Embassies	0
Review: Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture, by David C. Oh	0
Death by the Numbers	0
“A Hand to Your Darkness”	0
Changing Times	0
Review: Celluloid Democracy: Cinema and Politics in Cold War South Korea, by Hieyoon Kim	0
Review: Image Objects: An Archaeology of Computer Graphics, by Jacob Gaboury	0
Toward a Nonfiction Cinema of Audience Accountability	0
Review: Incomplete: The Feminist Possibilities of the Unfinished Film, edited by Alix Beeston and Stefan Solomon	0
Specters of Brexit in Recent British Horror	0
Interview	0
Faith in Fakes	0
Review: Digital Black Feminism, by Catherine Knight Steele	0

Everything Begins in the Middle	0
A Path into Filmmaking, the Cayuga Language, and Fancy Dance	0
Cinephile Culture as Infrastructure	0
Review: Hollis Frampton: Navigating the Infinite Cinema, by Michael Zryd	0
Review: Cinema Off Screen: Moviegoing in Socialist China, by Chenshu Zhou	0
The Busan International Film Festival	0
Censorship, A Hurt Story	0
Digital Dilapidation	0
Editor’s Notebook	0
Review: Directed by Yasujirō Ozu, by Shiguéhiko Hasumi	0
Backdating the Crip Technoscience Manifesto	0
Cannes at Seventy-Five	0
Review: Branding Brazil: Transforming Citizenship on Screen, by Leslie L. Marsh	0
Review: Border Tunnels: A Media Theory of the U.S.–Mexico Underground, by Juan Llamas-Rodriguez	0
Vision Portraits	0
“More Than We Were Programmed to Be”	0
Pascale Ferran	0
Review: Anteaesthetics: Black Aesthesis and the Critique of Form, by Rizvana Bradley	0
Review: Esfir Shub: Pioneer of Documentary Filmmaking, by Ilana Shub Sharp	0
Review: Cinema in the Arab World: New Histories, New Approaches, edited by Ifdal Elsaket, Daniel Biltereyst, and Philippe Meers	0
Review: Climatic Media: Transpacific Experiments in Atmospheric Control, by Yuriko Furuhata	0
The Films of Laura Mulvey and Peter Wollen	0
The Radio of Cinema	0
Review: Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster, by Jossianna Arroyo	0
Review: The Two Revolutions: A History of the Transgender Internet, by Avery Dame-Griff	0
A24 and the Asian American Prestige Film	0
Review: We Are Having This Conversation Now: The Times of AIDS Cultural Production, by Alexandra Juhasz and Theodore Kerr	0
Review: Media Hot and Cold, by Nicole Starosielski	0
Towards a History of Early Experimental Video Practices in Hong Kong	0
May December and the Remediation of Tabloid Culture	0
Knife to the Heart	0
Review: Operational Images: From the Visual to the Invisual, by Jussi Parikka	0
The Status of the Close-Up in the Age of the Selfie	0
Beyond Memory	0
The Effect of the Real	0
Dead Ringers and the Horror of Childbirth on the Small Screen	0
Locarno 2024	0
Wallmapu in Contemporary Chilean Cinema	0
Listening in Crip Time	0
Review: A Theory of Assembly: From Museums to Memes, by Kyle Parry	0
Review: Networked Bollywood: How Star Power Globalized Hindi Cinema, by Swapnil Rai	0
Greta Gerwig’s Girlhood Trilogy	0
Telluride Film Festival	0
Ghosts of Cho	0
Review: Digital Lethargy: Dispatches from an Age of Disconnection, by Tung-Hui Hu	0
Review: Italian Neorealism: A Cultural History, by Charles L. Leavitt IV	0
Bellocchio’s Histories, Personal and Public	0
An Introduction	0
Bodies that Persist	0
Review: Anthroposcreens: Mediating the Climate Unconscious, by Julia Leyda	0
Editor’s Notebook	0
Review: Neorealist Architecture: Aesthetics of Dwelling in Postwar Italy, by David Escudero	0
The Transformers	0
Review: June Mathis: The Rise and Fall of a Silent Film Visionary, by Thomas J. Slater; Mary C. McCall Jr.: The Rise and Fall of Hollywood’s Most Powerful Screenwriter, by J. E. Smyth	0
Review: Post-Horror: Art, Genre and Cultural Elevation, by David Church	0
Review: The Time of Laughter: Comedy and the Media Cultures of Japan, by David Humphrey	0
Review: Creating the Viewer: Market Research and the Evolving Media Ecosystem, by Justin Wyatt	0
Almodóvar Looks Back, translated by Carla Marcantonio	0
Aerobics on Tape	0
Colombia Enchanted in Memoria and Encanto	0
Review: Diminished Faculties: A Political Phenomenology of Impairment, by Jonathan Sterne	0
Review: Technology and the Making of Experimental Film Culture, by John Powers	0
Matthew Rankin on Creative Collaboration and Universal Language	0
Ambivalent Masculinities in Contemporary Film and TV	0
Thessaloniki	0
Review: The Celluloid Specimen: Moving Image Research into Animal Life, by Benjamin Schultz-Figueroa	0
A Restored Perspective	0
Review: Deadpan: The Aesthetics of Black Inexpression, by Tina Post	0
Michael Rogge, Amateur Expatriate Cinema, and Hong Kong Cinephilia of the 1950s	0
Review: Making Stereo Fit: The History of a Disquieting Film Technology, by Eric Dienstfrey	0
What If No One Is There to Care? Dementia’s Narrative Demands	0
Review: How Do We Look? Resisting Visual Biopolitics, by Fatimah Tobing Rony	0
Queer African Cinemas	0
Introduction	0
Dream Scenario and Postcinematic Celebrity	0
Review: Documentary’s Expanded Fields: New Media and the Twenty-First-Century Documentary, by Jihoon Kim	0
Interactive Cinema	0
On the Necessity of Bad Trans Objects	0
Inflection Points	0
Orlando, Desire Lines	0

Shakespeare, Casablanca, and Screen Responsibility	0
The Video Revolution, according to the Museum of Modern Art	0
Queering Nostalgia	0
Sembene behind and beyond the Iron Curtain	0
Review: Revolutionary Becomings: Documentary Media in Twentieth-Century China, by Ying Qian	0
Review: Stardust: Cinematic Archives at the End of the World, by Hannah Goodwin	0
The Radical Power of Gentle Cinema	0
Review: Women’s Voices in Digital Media: The Sonic Screen from Film to Memes, by Jennifer O’Meara	0
Review: World Socialist Cinema: Alliances, Affinities, and Solidarities in the Global Cold War, by Masha Salazkina	0
Review: Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art, by Nicole Erin Morse	0
Soft Pleasures	0
Civil War’s Unsentimental Imagination	0
An Urgent Legacy	0
Review: Relaying Cinema in Midcentury Iran: Material Cultures in Transit, by Kaveh Askari	0
An Introduction	0
Can’t No Grave Hold My Body Down	0
Review: Hollywood Sports Movies and the American Dream, by Grant Wiedenfeld	0
Inflection Points	0
Phantasms of Dissent	0
Review: How Documentaries Went Mainstream: A History, 1960–2022, by Nora Stone	0
Topo-Cinephilia	0
From Diversity Hire to Diverse Critic	0
Review: Chinese Film: Realism and Convention from the Silent Era to the Digital Age, by Jason McGrath	0
Review: Death by Laughter: Female Hysteria and Early Cinema, by Maggie Hennefeld	0
Seeing Things	0
Review: Ideal Beauty: The Life and Times of Greta Garbo, by Lois W. Banner	0
Revisiting the Decade	0
Breaking Boundaries	0
Review: Animated Film and Disability: Cripping Spectatorship, by Slava Greenberg	0
Review: The Channeled Image: Art and Media Politics after Television, by Erica Levin	0
The Human Voice	0
Shock Absorber	0
Ruby at the Helm	0
Edith Wharton on Film	0
Wake Work	0
The Other Replacement Theory	0
New Territories	0
On the Pleasures of Cinema and Daydreaming	0
Viola’s Body	0
Review: Molecular Capture: The Animation of Biology, by Adam Nocek	0
This Is a True Story about a True Story	0
He Insists! From Apprentice Editor to Elder Statesman of the Black Documentary Tradition	0
Defying Tyranny	0
Review: Producing Sovereignty: The Rise of Indigenous Media in Canada, by Karrmen Crey	0
Remembering Lesbians	0
Review: Adrian Brunel and British Cinema of the 1920s: The Artist versus the Money Bags, by Josephine Botting	0
“Live, Laugh, Luminol”	0
On Listening, Talking, and Silence	0
Corrigendum	0
Evil Does Not Exist	0
The Histories We Tell	0
An Expansive View	0
Review: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan	0
Uncomfortable Television	0
Review: Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-liang, by Nicholas de Villiers	0
The Inclusions and Occlusions of Expanded Refugee Narratives	0
“You’re my people”	0
Everything Everywhere All at Once and the Intimate Public of Asian American Cinema	0
Life-Affirming Horror and the Films of Jane Schoenbrun	0
Film Festivals in Winter	0
Review: The Counterfeit Coin: Videogames and Fantasies of Empowerment, by Christopher Goetz	0
Yolande Zauberman	0
Don’t Look Down	0
Review: Depth Effects: Dimensionality from Camera to Computation, by Brooke Belisle	0
Felt Pleasures	0
A Profound Edge	0
No Bad Parts	0
Review: Sovereign Intimacy: Private Media and the Traces of Colonial Violence, by Laliv Melamed	0
Review: Biopolitical Ethics in Global Cinema, by Seung-hoon Jeong	0
Review: The White Indians of Mexican Cinema: Racial Masquerade throughout the Golden Age, by Mónica García Blizzard	0
The Expansive Pleasures of the New Cinephilia	0
Review: Algorithms of Resistance: The Everyday Fight against Platform Power, by Tiziano Bonini and Emiliano Treré	0
Introduction	0
Proximities of Violence	0
Arts of Healing	0
Review: Vulgar Beauty: Acting Chinese in the Global Sensorium, by Mila Zuo	0
Review: Crisis Vision: Race and the Cultural Production of Surveillance, by Torin Monahan	0
Almodóvar, Madrid’s Cinematic Laureate	0
Twenty Queers of Madame Satã	0
Women Auteurs, Western Promises	0
Erratum	0
Suspicious Minds and Dead Bodies	0
Looking for Laura & Meaning in Laura Citarella’s Trenque Lauquen	0
Review: Bootlegging the Airwaves: Alternative Histories of Radio and Television Distribution, by Eleanor Patterson	0
Political Camerawork	0
Between Sound and Image	0
Cinema’s Cosmic Shifts	0
Low Country Lamentations	0
Getting Real	0
Strange Way of Life	0
Review: The New Female Antihero: The Disruptive Women of Twenty-First-Century US Television, by Sarah Hagelin and Gillian Silverman	0
Alice Rohrwacher’s Cinema of Poetry	0
Review: Gaza on Screen, edited by Nadia Yaqub	0
“We Have So Many Stories and Not Much Time”	0
The Right to Sit Still	0