Film Quarterly

Papers
(The median citation count of Film Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Review: Specworld: Folds, Faults, and Fractures in Embedded Creator Industries, by John Thornton Caldwell13
Queer Cinema’s Practicing Muslims and Practicing Homosexuals9
Review: The Japanese Cinema Book, edited by Hideaki Fujiki and Alastair Phillips; Routledge Handbook of Japanese Cinema, edited by Joanne Bernardi and Shota T. Ogawa; A Companion to J9
Disability Cinema’s Next Wave4
Review: Transatlantic Cinephilia: Film Culture between Latin America and France, 1945–1965, by Rielle Navitski3
Maestro-Maestra3
Review: The Value Gap: Female-Driven Films from Pitch to Premiere, by Courtney Brannon Donoghue2
Sundance 20222
Movies under the Influence2
The General Audience Talks Back2
Cinematic Guerrillas2
Narrative Plenitude in The Ultimatum: Queer Love2
The Brand of Peele1
Things You Can Tell by Looking1
Review: The Barrandov Studios: A Central European Hollywood, edited by Bernd Herzogenrath1
Transitions1
Scores1
Review: Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony, by Rochona Majumdar1
TV Snapshots1
Review: A Decolonizing Ear: Documentary Film Disrupts the Archive, by Olivia Landry1
Review: To Be an Actress: Labor and Performance in Anna May Wong’s Cross-Media World, by Yiman Wang1
Review: Italian Political Cinema: Figures of the Long ’68, by Mauro Resmini1
Empowerment by Design1
Il Cinema Ritrovato 20221
An Introduction0
Review: Media Hot and Cold, by Nicole Starosielski0
Review: Portable Postsocialisms: New Cuban Mediascapes After the End of History, by Paloma Duong0
Review: Diminished Faculties: A Political Phenomenology of Impairment, by Jonathan Sterne0
An Expansive View0
Review: Image Objects: An Archaeology of Computer Graphics, by Jacob Gaboury0
Backdating the Crip Technoscience Manifesto0
Identity Remakes in and out of Time0
Review: Sirens of Modernity: World Cinema via Bombay, by Samhita Sunya0
Review: Atmospheres of Projection: Environmentality in Art and Screen Media, by Giuliana Bruno0
Dead Ringers and the Horror of Childbirth on the Small Screen0
The Right to Sit Still0
Remembering Lesbians0
Review: Chinese Film: Realism and Convention from the Silent Era to the Digital Age, by Jason McGrath0
Review: The Counterfeit Coin: Videogames and Fantasies of Empowerment, by Christopher Goetz0
Review: Relaying Cinema in Midcentury Iran: Material Cultures in Transit, by Kaveh Askari0
New Territories0
Review: Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-liang, by Nicholas de Villiers0
The Status of the Close-Up in the Age of the Selfie0
Listening in Crip Time0
Review: Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art, by Nicole Erin Morse0
Low Country Lamentations0
Introduction0
Orlando, Desire Lines0
Shock Absorber0
Wake Work0
Review: Molecular Capture: The Animation of Biology, by Adam Nocek0
Review: Life-Destroying Diagrams, by Eugenie Brinkema0
Erratum0
Shakespeare, Casablanca, and Screen Responsibility0
Between Sound and Image0
Baby Mine0
Introduction0
Digging Up the Future0
Review: Hollis Frampton: Navigating the Infinite Cinema, by Michael Zryd0
Review: Making Stereo Fit: The History of a Disquieting Film Technology, by Eric Dienstfrey0
Suspicious Minds and Dead Bodies0
Knife to the Heart0
Transatlantic Crossings0
Review: The Channeled Image: Art and Media Politics after Television, by Erica Levin0
Getting Real0
Review: Crisis Vision: Race and the Cultural Production of Surveillance, by Torin Monahan0
Alice Rohrwacher’s Cinema of Poetry0
Toward a Nonfiction Cinema of Audience Accountability0
Phantasms of Dissent0
Colombia Enchanted in Memoria and Encanto0
Michael Rogge, Amateur Expatriate Cinema, and Hong Kong Cinephilia of the 1950s0
Telluride Turns Fifty in Style, New York Hits Sixty-One0
Yolande Zauberman0
The Films of Laura Mulvey and Peter Wollen0
Sembene, Vieyra, and the Making of Xala0
Life-Affirming Horror and the Films of Jane Schoenbrun0
The Inclusions and Occlusions of Expanded Refugee Narratives0
Review: Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture, by David C. Oh0
Review: Death by Laughter: Female Hysteria and Early Cinema, by Maggie Hennefeld0
Review: Digital Black Feminism, by Catherine Knight Steele0
Review: Animated Film and Disability: Cripping Spectatorship, by Slava Greenberg0
A Path into Filmmaking, the Cayuga Language, and Fancy Dance0
The Video Revolution, according to the Museum of Modern Art0
Decentering the Narrative0
Review: Feminista Frequencies: Community Building through Radio in the Yakima Valley, by Monica De La Torre0
“More Than We Were Programmed to Be”0
Women Auteurs, Western Promises0
Editor’s Notebook0
Review: Directed by Yasujirō Ozu, by Shiguéhiko Hasumi0
The Busan International Film Festival0
Review: Pleading the Blood: Bill Gunn’s “Ganja & Hess,” by Christopher Sieving0
Review: Producing Sovereignty: The Rise of Indigenous Media in Canada, by Karrmen Crey0
Telluride Film Festival0
Political Camerawork0
Review: How Do We Look? Resisting Visual Biopolitics, by Fatimah Tobing Rony0
From Diversity Hire to Diverse Critic0
The Histories We Tell0
The Human Voice0
Corrigendum0
He Insists! From Apprentice Editor to Elder Statesman of the Black Documentary Tradition0
Specters of Brexit in Recent British Horror0
The Radical Power of Gentle Cinema0
The Other Replacement Theory0
Taylor Sheridan Is Sorry but His Characters Are Not0
Review: Refugees and Migrants in Contemporary Film, Art and Media, edited by Deniz Bayrakdar and Robert Burgoyne0
Millennial Messiahs, Female Fixers, and Corporate Boards0
Review: Documentary’s Expanded Fields: New Media and the Twenty-First-Century Documentary, by Jihoon Kim0
Review: Adrian Brunel and British Cinema of the 1920s: The Artist versus the Money Bags, by Josephine Botting0
Review: World Socialist Cinema: Alliances, Affinities, and Solidarities in the Global Cold War, by Masha Salazkina0
Everything Begins in the Middle0
At San Sebastian, Gloomy Films with Potent Notes of Resilience0
Carceral Feminism on Repeat0
The Transformers0
Review: Prison Media: Incarceration and the Infrastructures of Work and Technology, by Anne Kaun and Fredrik Stiernstedt0
A Cinematic Salvo from Interwar Austria0
The Effect of the Real0
Review: Alluring Monsters: The Pontianak and Cinemas of Decolonization, by Rosalind Galt0
Twenty Queers of Madame Satã0
Seeing Things0
Revisiting the Decade0
Bellocchio’s Histories, Personal and Public0
Edith Wharton on Film0
An Introduction0
Review: Women’s Voices in Digital Media: The Sonic Screen from Film to Memes, by Jennifer O’Meara0
Review: Sovereign Intimacy: Private Media and the Traces of Colonial Violence, by Laliv Melamed0
Proximities of Violence0
Review: Cinema’s Original Sin: D. W. Griffith, American Racism, and the Rise of Film Culture, by Paul McEwan0
Review: Kill the Documentary: A Letter to Filmmakers, Students, and Scholars, by Jill Godmilow0
Review: Creating the Viewer: Market Research and the Evolving Media Ecosystem, by Justin Wyatt0
No Bad Parts0
Review: Esfir Shub: Pioneer of Documentary Filmmaking, by Ilana Shub Sharp0
Arts of Healing0
An Urgent Legacy0
Global Black Cinema’s Personalized Archive0
Hollywood’s Embassies0
Review: Cinema in the Arab World: New Histories, New Approaches, edited by Ifdal Elsaket, Daniel Biltereyst, and Philippe Meers0
Review: Tracking Loach: Politics, Practices, Production, by David Archibald0
You’re my people”0
Changing Times0
Review: Ideal Beauty: The Life and Times of Greta Garbo, by Lois W. Banner0
On Listening, Talking, and Silence0
Review: Anteaesthetics: Black Aesthesis and the Critique of Form, by Rizvana Bradley0
Interview0
Everything Everywhere All at Once and the Intimate Public of Asian American Cinema0
Review: Depth Effects: Dimensionality from Camera to Computation, by Brooke Belisle0
Review: How Documentaries Went Mainstream: A History, 1960–2022, by Nora Stone0
Review: Television’s Spatial Capital: Location, Relocation, Dislocation, by Myles McNutt0
“We Have So Many Stories and Not Much Time”0
Dream Scenario and Postcinematic Celebrity0
Conscience and Controversy0
Review: Bootlegging the Airwaves: Alternative Histories of Radio and Television Distribution, by Eleanor Patterson0
What If No One Is There to Care? Dementia’s Narrative Demands0
Don’t Look Down0
Desire Lines0
Review: The New Female Antihero: The Disruptive Women of Twenty-First-Century US Television, by Sarah Hagelin and Gillian Silverman0
Review: The White Indians of Mexican Cinema: Racial Masquerade throughout the Golden Age, by Mónica García Blizzard0
Beyond Memory0
Wallmapu in Contemporary Chilean Cinema0
On the Necessity of Bad Trans Objects0
Looking for Laura & Meaning in Laura Citarella’s Trenque Lauquen0
Review: Asians on Demand: Mediating Race in Video Art and Activism, by Feng-Mei Heberer0
Thessaloniki0
Sembene behind and beyond the Iron Curtain0
Film Festivals in Winter0
Review: Stardust: Cinematic Archives at the End of the World, by Hannah Goodwin0
A Conversation with Sandi DuBowski0
At the Edges of Sleep0
Cannes 20230
“Live, Laugh, Luminol”0
The Radio of Cinema0
A Profound Edge0
Review: The Two Revolutions: A History of the Transgender Internet, by Avery Dame-Griff0
Can’t No Grave Hold My Body Down0
Anna May Wong’s Labor and Performance0
Uncomfortable Television0
Review: Perplexing Plots: Popular Storytelling and the Poetics of Murder, by David Bordwell0
Queer African Cinemas0
A Very Special Episode of Expats0
Review: Feminist Worldmaking and the Moving Image, edited by Erika Balsom and Hila Peleg0
“A Hand to Your Darkness”0
Aerobics on Tape0
Death by the Numbers0
Almodóvar Looks Back, translated by Carla Marcantonio0
A Night of Knowing Nothing0
Greta Gerwig’s Girlhood Trilogy0
Interactive Cinema0
Viola’s Body0
Review: Horror Film and Otherness, by Adam Lowenstein0
Locarno 20240
Breaking Boundaries0
Review: Neorealist Architecture: Aesthetics of Dwelling in Postwar Italy, by David Escudero0
Review: Climatic Media: Transpacific Experiments in Atmospheric Control, by Yuriko Furuhata0
Huesera, Clara Sola, and Medusa0
Editor’s Notebook0
May December and the Remediation of Tabloid Culture0
Review: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan0
Review: A Theory of Assembly: From Museums to Memes, by Kyle Parry0
Mati Diop in NYC0
“Documentary Filmmaking Is an Absolute Delight”0
Cannes at Seventy-Five0
Review: Cinema Off Screen: Moviegoing in Socialist China, by Chenshu Zhou0
Review: Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster, by Jossianna Arroyo0
Ghosts of Cho0
This Is a True Story about a True Story0
Evil Does Not Exist0
To Commune0
Ambivalent Masculinities in Contemporary Film and TV0
Review: Branding Brazil: Transforming Citizenship on Screen, by Leslie L. Marsh0
Review: Gaza on Screen, edited by Nadia Yaqub0
Review: Post-Horror: Art, Genre and Cultural Elevation, by David Church0
Inflection Points0
Review: Technology and the Making of Experimental Film Culture, by John Powers0
Review: Latino TV: A History, by Mary Beltrán0
A24 and the Asian American Prestige Film0
Review: We Are Having This Conversation Now: The Times of AIDS Cultural Production, by Alexandra Juhasz and Theodore Kerr0
Ruby at the Helm0
Review: Nonhuman Witnessing: War, Data, and Ecology after the End of the World, by Michael Richardson0
Strange Way of Life0
Review: Italian Neorealism: A Cultural History, by Charles L. Leavitt IV0
Review: Deadpan: The Aesthetics of Black Inexpression, by Tina Post0
Vision Portraits0
Review: Networked Bollywood: How Star Power Globalized Hindi Cinema, by Swapnil Rai0
A Restored Perspective0
The Untalented Mr. Ripley0
Faith in Fakes0
Film and the Right to Privacy0
Towards a History of Early Experimental Video Practices in Hong Kong0
Pascale Ferran0
Felt Pleasures0
Review: Biopolitical Ethics in Global Cinema, by Seung-hoon Jeong0
Introduction0
Review: Hollywood Sports Movies and the American Dream, by Grant Wiedenfeld0
Almodóvar, Madrid’s Cinematic Laureate0
Review: Incomplete: The Feminist Possibilities of the Unfinished Film, edited by Alix Beeston and Stefan Solomon0
Review: Digital Lethargy: Dispatches from an Age of Disconnection, by Tung-Hui Hu0
Review: Algorithms of Resistance: The Everyday Fight against Platform Power, by Tiziano Bonini and Emiliano Treré0
Review: Vulgar Beauty: Acting Chinese in the Global Sensorium, by Mila Zuo0
Stepping Up, and Out0
Julia Child in Three Acts0
Civil War’s Unsentimental Imagination0
Cinephile Culture as Infrastructure0
Cinema’s Cosmic Shifts0
Review: Border Tunnels: A Media Theory of the U.S.–Mexico Underground, by Juan Llamas-Rodriguez0
Pema Tseden (1969–2023)0
Review: The Time of Laughter: Comedy and the Media Cultures of Japan, by David Humphrey0
Bodies that Persist0
Inflection Points0
Review: Operational Images: From the Visual to the Invisual, by Jussi Parikka0
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