OOIR: Observatory of International Research

Papers

(The median citation count of Etudes Anglaises is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-03-01 to 2025-03-01.)

Article	Citations
Festive Spaces and Patriotic Sociabilities in the Letters of Rachel Charlotte Biggs and Helen Maria Williams	2
Are it -Clefts Really “Cleft” Constructions?	2
Jocelyn DUPONT et Gilles MENEGALDO (éd.) — Spectres de Poe dans la littérature et dans les Arts (Cadillon : Le Visage Vert, 2020, 504 p., 30 €, ISBN : 978-2-918061-45-8)	2
Framing Terror: Illness and Art in Anita Brookner’s Look at Me	1
No Future: Poetry of the Current British Crisis	1
Scribal Verse Manuscripts: The Poems Copied by Ralph Crane	1
Poetry outside the Literary Canon: The Rare or Unique Verse by Minor or Little-known Authors in Early-Modern English Manuscripts	1
Robert Cecil’s Handwriting Advice to his Son	1
Dialectical Sonorities: Carbon Footprints in Peter Culley’s The Climax Forest	1
“My God, you’re fun to kiss”: Love, Lust, and Liminality in Tender Is the Night	1
Being Fossil: Energy Humanities 2.0	1
“The Arc of Struggle”: Poetry and Defeat in the Work of Sean Bonney	0
Emersonian Intertext and Whitmanian Intimate Influence: Queering “Nature” in 19 th -century New England Women’s Writing	0
“Due Influence”: Anita Brookner’s Legacy. An Introduction	0
Antoine TRAISNEL — Capture: American Pursuits and the Making of a New Animal Condition (Minneapolis: University of Minnesota Press, 2020, 354 p., ISBN 9781517909642, $27.00)	0
Manuscript(s) Matter: Paleography, Philology and Resistance to Theory	0
The Staying Power Project: Photographic Heritage as a Site for Dialogue and Reconciliation	0
“This oil thing touches everything”: World-Literary Crime Fiction and Fossil Capital	0
Pets in the Studio. Mediating Artistic Sociability in a Polite and Commercial Age	0
“Things to address directly”: Border Politics and Contemporary British Poetry	0
Party Animals: Animal Products in Portable Objects of Sociability in Eighteenth-Century Britain	0
1922 And All That; or, Modernism After All	0
Crystal PARIKH (éd.) — The Cambridge Companion to Human Rights and Literature (Cambridge: Cambridge University Press, 2019, 272 p., 21,99 £, ISBN-13:9781108722209)	0
A Master in Tone(s): Markson’s Interconnective, Abstract Art in Wittgenstein’s Mistress	0
Making sense of historical and diegetic time (and space) in No Country for Old Men (novel to film)	0

Introduction	0
Preface: Constructing the Past, Re-viewing the Present	0
Alain MORVAN (éd.). — Dracula et autres récits vampiriques (textes traduits, présentés et annotés par Alain Morvan, Paris : Gallimard, Bibliothèque de la Pléiade, 2019, 1078 p., 69 €)	0
Un carrosse pour le harem : étude comparée des diplomaties anglo-ottomane et anglo-moghole entre les xvi e et xvii e siècles	0
Un chevalier dans la tourmente révolutionnaire : les ancêtres français de Virginia Woolf et de Julia Margaret Cameron	0
Imperialism, Environmentalism and the Politics of Transplantation in Captain Cook’s Voyages	0
“The coal beneath the flesh”: Coal Fictions and the Ontology of Fossil Capital	0
William Robinson (1838-1935), Garden Beauty and the Sublime	0
“A grain of sand in heaven’s eye”: Alice Goodman’s History is Our Mother	0
Unruly Stories: Opening up to History in Helon Habila’s Travelers	0
“A short Recess from Talk and Tea”: The Sociable Geography of Snuff-Taking in Eighteenth-Century Britain	0
Danny HAYWARD. — Wound Building: Dispatches from the Latest Disasters in UK Poetry (Earth, Milky Way: Punctum Books, 2021, 218 pp., 21,00 $)	0
Breakfast at Frogmore and Feathers in Portman Square: Women’s Property and Elite Sociability	0
Le roman comique du Dr Primrose ou l’art du travestissement dans The Vicar of Wakefield	0
Intertextuality as Subversive Moral Metacomment in the Novels of Anita Brookner	0
Photographier la variation : Franz Boas et les portraits-types	0
Compte rendu	0
Derrière l’écran, la scène. The Flick ou le manifeste théâtral d’Annie Baker	0
Tree Being in Peter Larkin’s “Skies in Flight of Tree”	0
Comptes rendus	0
Visibilizing “Those Who Have No Part”: LGBTQIA+ Representation in Contemporary Nigerian Fiction in English	0
“Take a friend by the hand as the manner is”: Vulnerability and Fear during the London Plague (1665)	0
Chloé THOMAS — Les excentrés. Poètes modernistes américains (Paris : CNRS Éditions, 2021, 265 p., 25 €)	0
Sur un vers de Lamia : anthropologie et poétique du corps chez Keats	0
Epidemic Notions: Immunity – Care – Lockdown – Toxicity – Vulnerability – Contagion	0
T.S. Eliot’s “significance”	0
Independence and Extinction in Scottish Wilderness Writing	0
The Anti-Austerity Poetics of the Archive: Jay Bernard’s Surge and Holly Pester’s go to reception and ask for Sara in red felt-tip	0
Les excès de l’amour et l’amour de l’excès dans The Female Quixote (1752) de Charlotte Lennox	0
“The way we speak about contagion is political”: a Conversation with Dr Koenig, M.D.	0
The Ecopoetics of Flooding in Contemporary Nigeria	0
WH- + TO, why + Ø : le rôle de l’infinitif avec et sans TO dans les interrogatives infinitives	0
Male Waithood and Radical Transformation in A. Igoni Barrett’s Blackass	0
“Upon what ground?”: Hamlet as Journeying Play	0
Shelby FOOTE. — Bart le magnifique (traduit et édité par Paul Carmignani, Paris, Éditions rue d’Ulm, 2022, 424 pages)	0
La croyance dans le fumoir : “The Portrait of Mr. WH”, l’éthique de la croyance de William Kingdon Clifford et l’assentiment selon John Henry Newman	0
Que reste-t-il de l’Amérique jacksonienne ? Nouveaux regards sur la jeune République étatsunienne	0
Elizabethan and Jacobean Lute Manuscripts: Types, Characteristics and Compilation	0
Vanessa GUIGNERY et Christian GUTLEBEN (éds.), Nadine Gordimer, Jump and Other Stories : parcours critiques (Revue Cycnos , 34.3, 2018)	0
Puzzling out the English Present Perfect Puzzle	0
The Dublin Monaghan Bombings from Trauma to Justice: Testifying through Art	0
The Gloved Fist: Confirmations, Subversions, and Leave-Taking in Anita Brookner’s Strangers	0
Émilie WALEZAK – Rethinking Contemporary British Women’s Writing: Realism, Feminism, Materialism (London: Bloomsbury Academic, 2022, 175 p., 35 $)	0
T.S. Eliot with a Rhythmic Set: Vers Libre , Free Verse and Strong Rhythmicity	0
Abolitionism and the Antebellum U.S. Women’s Rights Movement: The (Missed) Connections of the First National Woman’s Rights Convention (1850)	0
Big Men, Little Men, and All the Rest. The Value of Circumspect Reading	0
Remedy, Reaction, and Redistribution: The Polarized Politics of Obamacare	0
Anita Brookner and Julian Barnes: Paths Crossing	0
Anita Brookner and the Servants: Power Struggles and British Jewish Domestic Spaces in her Early Fiction	0
L’Indien atemporel d’Edward S. Curtis et le mythe de la race en voie de disparition	0

David DUFF (éd.) — The Oxford Handbook of British Romanticism (Oxford : Oxford UP, 2018, 796 p., ISBN 978-0-19-966089-6)	0
Eighteenth-Century Visuality and Ambiguous Spaces of Sociability: Townscapes, Architecture and Entertainments	0
“The Past is the Present”: Marianne Moore’s Historiographical Observations	0
Nixon, Kissinger et l’Amérique latine : l’obsession anticommuniste	0
“Is the poet / An imperial dissident”: Migration and the Limits of Care in Bhanu Kapil’s How to Wash a Heart	0
Rethinking Modernism with Sylvia Townsend Warner’s Lolly Willowes (1926)	0
Comptes rendus	0
Images of Transcendence: “Crisis Always” and the New Black British Poets	0
Comptes rendus	0
Patchwork, pandémie et confinement aux États-Unis	0
Sovereignty and Agency in Photographic Portraits from Australia and Aotearoa / New Zealand: from Anthropological Aspirations to Artistic Reimaginings	0
Jewett’s Trees	0
« Well! Why not? » : réalisme magique et souveraineté narrative dans Carpentaria d’Alexis Wright	0
“ I remember dates. Numbers ”: All the many mistakes in No Country for Old Men	0
Impossible immunité et care : On the Beach de Nevil Shute	0
Armelle PAREY et Isabelle ROBLIN (dir.) — A.S. Byatt, Before and After Possession : Recent Critical Approaches (Presses universitaires de Nancy – Éditions Universitaires de Lorraine, 2018, Regards cro	0
Life : An Interview with Ian Beesley	0
Paranoid Messiahs: The Military in Wole Soyinka’s Later Satirical Drama	0
Charlotte BRONTË. — Shirley-Villette, 1849-1853 (Préface de Laurent Bury, édition publiée sous la direction de Dominique Jean, avec la collaboration de Véronique Béghain et Laurent Bury, Paris : Galli	0
Introduction. Contemporary Nigerian Literature in English: An Orchestra of Pluralities	0
War from the Margins: Metalepsis and Metonymy in Pat Barker’s Toby’s Room and Sarah Waters’s The Night Watch	0
Further Explorations in Early Modern Manuscripts	0
Introduction	0
Aesthetic Education and Writing in The Wings of the Dove	0
De l’aurore télévisuelle à l’éveil créatif et artistique de la BBC, ou quand l’image rejoint le son	0
Gawain , une moralité visuelle	0
Energo-poetics: Reading Energy in the Ages of Wood, Oil, and Wind	0
Lockwood, le mal aimé (ou le mal aimant ?)	0
Vibrant Allegories: Questioning Immunity with Ali Smith’s Seasonal Quartet (2016–2020)	0
Toxicity, Colonial Violence and Indian Law in Louise Erdrich’s Justice Trilogy	0
Émergence et transformation du puritanisme (1559–1660) : quelques jalons historiographiques	0
Misreading Anita Brookner	0
The Development of William Cecil’s Italic Handwriting	0
Anita Brookner: Necromantic	0
“Enough! or Too much”: William Blake’s Intermedial Aesthetics of Excess	0
“An pettie tanes, Ie parle milleur”: Speaking Foreign Languages in Shakespeare’s Henry V (1600; 1623)	0
Agency beyond Action: Modernist Charactersas Interpreters and Readers	0
Contemporary Nigerian Literature, Literary Activism and Networks of Production in the Twenty-First Century	0
“Mine was a dislocated journey”: Reflexivity and Fragmentation in Mina Loy’s Autobiographies and Archives	0
The Token Woman of 1922? Virginia Woolf and the Gendered Battles of Anglo-American Modernist Criticism	0