OOIR: Observatory of International Research

Papers

(The median citation count of Etudes Anglaises is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
Are it -Clefts Really “Cleft” Constructions?	3
“Education cannot unsex a woman”: Mary Robinson’s A Letter to the Women of England	1
Allegory, Dystopia and Literature in our Time: Three Indian English Novels	1
Concluding pages	1
“The poem is not its language”: Deconstruction, New Historicism, and Hugh Kenner	1
Images of Transcendence: “Crisis Always” and the New Black British Poets	1
“The Past is the Present”: Marianne Moore’s Historiographical Observations	1
Notes on Contributors	1
“There is no withstanding the general voice of the people”: Social and Political Thought in Ann Jebb’s Pamphlets	0
Armelle PAREY et Isabelle ROBLIN (dir.) — A.S. Byatt, Before and After Possession : Recent Critical Approaches (Presses universitaires de Nancy – Éditions Universitaires de Lorraine, 2018, Regards cro	0
Notes on Contributors	0
“Education cannot unsex a woman”: Mary Robinson’s A Letter to the Women of England	0
Introduction. The North of Ireland: Borders, Bodies and Communities in the Post-Agreement Era	0
The “Matchgirls’ strike” of July 1888: A Glimpse at Female Working-class Militancy	0
The Token Woman of 1922? Virginia Woolf and the Gendered Battles of Anglo-American Modernist Criticism	0
“Mine was a dislocated journey”: Reflexivity and Fragmentation in Mina Loy’s Autobiographies and Archives	0
Unnatural Perspectives and the “Cheverel Glove” Effect in Twelfth Night	0
Freya JOHNSTON — Jane Austen, Early and Late (Princeton and Oxford: Princeton University Press, 2021; paperback 2023, xiv + 271 p., £20, ISBN 978-0-691-22980-5)	0
“Is the poet / An imperial dissident”: Migration and the Limits of Care in Bhanu Kapil’s How to Wash a Heart	0
« La bonne critique doit se recommander aussi par son écriture » : entretien avec William Marx	0
Charlotte BRONTË. — Shirley-Villette, 1849-1853 (Préface de Laurent Bury, édition publiée sous la direction de Dominique Jean, avec la collaboration de Véronique Béghain et Laurent Bury, Paris : Galli	0
Compte rendu	0
“Error makes me perfect”: Error in Lady Mary Wroth’s The Countess of Montgomery’s Urania	0
Émergence et transformation du puritanisme (1559–1660) : quelques jalons historiographiques	0
Guidelines for Authors	0

Guidelines for authors	0
“[W]hat community means” in Wendy Erskine’s Short Stories	0
Modernist Studies Old and New: An Interview with Douglas Mao	0
“And/Or”: Love and Creative Combinations in Orlando	0
Tristram l’obscur	0
“The Arc of Struggle”: Poetry and Defeat in the Work of Sean Bonney	0
Images of Transcendence: “Crisis Always” and the New Black British Poets	0
Byron, mise en scène. “Self”-Dramatization and the Fiction of Authenticity	0
T.S. Eliot with a Rhythmic Set: Vers Libre , Free Verse and Strong Rhythmicity	0
Introduction. The North of Ireland: Borders, Bodies and Communities in the Post-Agreement Era	0
The Early Critics of Modernism: A Matter of Style	0
La croyance dans le fumoir : “The Portrait of Mr. WH”, l’éthique de la croyance de William Kingdon Clifford et l’assentiment selon John Henry Newman	0
Caroline BERTONÈCHE — Le Kaléidoscope de Keats (Paris : Presses Universitaires de Paris-Nanterre, coll. « Intercalaires », 2023, 194 pages, 15 €)	0
“Now for a scene!” – “Wakefield” and the Drama of Narration in Hawthorne’s Tales	0
Agency beyond Action: Modernist Charactersas Interpreters and Readers	0
Making Sense of Error in Early Modernity (1595-1646)	0
The Life of St. Julian Hospitaller , or The Story of a Holy Sinner: The Hagiographic Romance of a Criminal Penitent	0
Mary Shelley’s Support for the Italian Revolutions of the 1820s and 1830s	0
The Staying Power Project: Photographic Heritage as a Site for Dialogue and Reconciliation	0
Guidelines for Authors	0
Dividing Lines: The Border Roads of Irish Poetry	0
Error, Sprawl and Epistemological Poise in Thomas Browne:How to Sit Right at the Last Supper	0
Remerciements aux experts évaluateurs	0
Notes on Contributors	0
Un carrosse pour le harem : étude comparée des diplomaties anglo-ottomane et anglo-moghole entre les xvi e et xvii e siècles	0
Mary Shelley’s Support for the Italian Revolutions of the 1820s and 1830s	0
The Dublin Monaghan Bombings from Trauma to Justice: Testifying through Art	0
“Things to address directly”: Border Politics and Contemporary British Poetry	0
The Token Woman of 1922? Virginia Woolf and the Gendered Battles of Anglo-American Modernist Criticism	0
Allegory, Dystopia and Literature in our Time: Three Indian English Novels	0
Emersonian Intertext and Whitmanian Intimate Influence: Queering “Nature” in 19 th -century New England Women’s Writing	0
Concluding Pages	0
Political License in Hollywood (1933–1957): The Case of King Vidor	0
Evanghelia STEAD — Grotesque and Performance in the Art of Aubrey Beardsley (Open Book Press, 2024. 292 pages (xii+280), ISBN 978-1-80511-345-4 (Paperback), 978-1-80511-346-1 (Hardback))	0
The Anti-Austerity Poetics of the Archive: Jay Bernard’s Surge and Holly Pester’s go to reception and ask for Sara in red felt-tip	0
Notes on Contributors	0
Sovereignty and Agency in Photographic Portraits from Australia and Aotearoa / New Zealand: from Anthropological Aspirations to Artistic Reimaginings	0
Photographier la variation : Franz Boas et les portraits-types	0
Independence and Extinction in Scottish Wilderness Writing	0
Jean-Pierre NAUGRETTE — Sherlock Holmes et le mystère de St. Clere (Cadillon : Le Visage Vert, 2021, 162 p., 14 €)	0
The “Northern Ireland: Living with the Troubles” Exhibition at the Imperial War Museum: Rebalancing Voices, Authority and Engagement	0
William Robinson (1838-1935), Garden Beauty and the Sublime	0
Alain MORVAN (éd.). — Dracula et autres récits vampiriques (textes traduits, présentés et annotés par Alain Morvan, Paris : Gallimard, Bibliothèque de la Pléiade, 2019, 1078 p., 69 €)	0
« With four or five most vile and ragged foils » : métonymie shakespearienne ou topos politique ?	0
Spectres and Inheritances: The British Response to the French Revolution and Early Nineteenth-Century Political Mobilizations	0
T.S. Eliot’s “significance”	0
Éva ANTAL et Antonella BRAIDA (dir.) — Female Voices: Forms of Women’s Reading, Self-Education and Writing in Britain (1770-1830) (Besançon, Presses Universitaires de Franche-Comté, 2022, 269 p., ISBN	0
No Future: Poetry of the Current British Crisis	0
“Things to address directly”: Border Politics and Contemporary British Poetry	0
Concluding pages	0

Crystal PARIKH (éd.) — The Cambridge Companion to Human Rights and Literature (Cambridge: Cambridge University Press, 2019, 272 p., 21,99 £, ISBN-13:9781108722209)	0
Disability, Race, and Performance in Adventures of Huckleberry Finn	0
The Trope of the Fallen Woman in Mary Hays’s The Victim of Prejudice	0
Harold’s Mobility as a Growth of Negativity: Byron’s Childe Harold’s Pilgrimage and Nietzsche’s Untimely Meditations	0
“Error makes me perfect”: Error in Lady Mary Wroth’s The Countess of Montgomery’s Urania	0
Byron, mise en scène. “Self”-Dramatization and the Fiction of Authenticity	0
“Now for a scene!” – “Wakefield” and the Drama of Narration in Hawthorne’s Tales	0
Lockwood, le mal aimé (ou le mal aimant ?)	0
Against Prejudice: Charlotte Smith’s Desmond ; or, A Female Version of the French Revolution	0
The Spirit and the Mass Graves: Romanticism, Apocalypse and Globalisation in Coleridge	0
David DUFF (éd.) — The Oxford Handbook of British Romanticism (Oxford : Oxford UP, 2018, 796 p., ISBN 978-0-19-966089-6)	0
L’Indien atemporel d’Edward S. Curtis et le mythe de la race en voie de disparition	0
“Upon what ground?”: Hamlet as Journeying Play	0
Opening Pages	0
The Structural Significance of Errors in Francis Bacon’s Natural Philosophy	0
End Pages	0
A Sense of Belonging: Three Contemporary Poets in 21 st -century Bombay	0
Child Abuse in Northern Ireland: Kincora, an Elusive Truth?	0
Mettre Byron en musique	0
Korey GARIBALDI — Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America (Princeton & Oxford: Princeton University Press, 2023, 288 p., $29.95)	0
Are it -Clefts Really “Cleft” Constructions?	0
Continuous Commentary: E.R. Curtius and T.S. Eliot on Literary Criticism	0
Nixon, Kissinger et l’Amérique latine : l’obsession anticommuniste	0
A Master in Tone(s): Markson’s Interconnective, Abstract Art in Wittgenstein’s Mistress	0
Emersonian Intertext and Whitmanian Intimate Influence: Queering “Nature” in 19 th -century New England Women’s Writing	0
Harold’s Mobility as a Growth of Negativity: Byron’s Childe Harold’s Pilgrimage and Nietzsche’s Untimely Meditations	0
Opening pages	0
No Future: Poetry of the Current British Crisis	0
“My God, you’re fun to kiss”: Love, Lust, and Liminality in Tender Is the Night	0
“The struggle to be free”: A Conversation with Aman Sethi	0
William Robinson (1838-1935), Garden Beauty and the Sublime	0
Danny HAYWARD. — Wound Building: Dispatches from the Latest Disasters in UK Poetry (Earth, Milky Way: Punctum Books, 2021, 218 pp., $21,00)	0
Independence and Extinction in Scottish Wilderness Writing	0
Introduction: Lord Byron In Memoriam , Yet Again	0
Émilie WALEZAK – Rethinking Contemporary British Women’s Writing: Realism, Feminism, Materialism (London: Bloomsbury Academic, 2022, 175 p., 35 $)	0
Notes on contributors	0
“My God, you’re fun to kiss”: Love, Lust, and Liminality in Tender Is the Night	0
Dividing Lines: The Border Roads of Irish Poetry	0
“The Past is the Present”: Marianne Moore’s Historiographical Observations	0
A Sense of Belonging: Three Contemporary Poets in 21 st -century Bombay	0
Kathleen Raine and the Tradition of Eden and Exile	0
Spectres and Inheritances: The British Response to the French Revolution and Early Nineteenth-Century Political Mobilizations	0
The Dublin Monaghan Bombings from Trauma to Justice: Testifying through Art	0
Guidelines for Authors	0
Intuitions: Hugh Kenner’s Repurposing of Buckminster Fuller’s Poetics in Academic Writing	0
Claire WROBEL — Roman noir, réforme et surveillance en Angleterre (1764-1842). Gothique et panoptique (Paris : Classiques Garnier, 2022, 546 p., € 49)	0
Howard Phillips LOVECRAFT Récits (Paris : Gallimard / La Pléiade, 2024, LVIII + 1349 p., € 76)	0
The “Northern Ireland: Living with the Troubles” Exhibition at the Imperial War Museum: Rebalancing Voices, Authority and Engagement	0
Notes on Contributors	0
Chloé THOMAS — Les excentrés. Poètes modernistes américains (Paris : CNRS Éditions, 2021, 265 p., 25 €)	0
Against Prejudice: Charlotte Smith’s Desmond ; or, A Female Version of the French Revolution	0
War from the Margins: Metalepsis and Metonymy in Pat Barker’s Toby’s Room and Sarah Waters’s The Night Watch	0
Danny HAYWARD. — Wound Building: Dispatches from the Latest Disasters in UK Poetry (Earth, Milky Way: Punctum Books, 2021, 218 pp., 21,00 $)	0
Introduction	0
The Assimilating Fancy: Problems of Correspondencein the Writings of Thomas Browne	0
Jocelyn DUPONT et Gilles MENEGALDO (éd.) — Spectres de Poe dans la littérature et dans les Arts (Cadillon : Le Visage Vert, 2020, 504 p., 30 €, ISBN : 978-2-918061-45-8)	0
Rethinking Subaltern Urbanism through Indian Literary Nonfiction: Sonia Faleiro’s Beautiful Thing (2010) and Aman Sethi’s A Free Man (2011)	0
Notes on Contributors	0
Remerciements aux experts évaluateurs	0
“He too rose to his feet, feeling vulnerable squatting on the floor”: Poetics and Politics of Vulnerability in Abdulrazak Gurnah’s Paradise (1994)	0
Agency beyond Action: Modernist Charactersas Interpreters and Readers	0
A Master in Tone(s): Markson’s Interconnective, Abstract Art in Wittgenstein’s Mistress	0
Error, Sprawl and Epistemological Poise in Thomas Browne:How to Sit Right at the Last Supper	0
The Assimilating Fancy: Problems of Correspondencein the Writings of Thomas Browne	0
The “Matchgirls’ strike” of July 1888: A Glimpse at Female Working-class Militancy	0
Evanghelia STEAD — Grotesque and Performance in the Art of Aubrey Beardsley (Open Book Press, 2024. 292 pages (xii+280), ISBN 978-1-80511-345-4 (Paperback), 978-1-80511-346-1 (Hardback))	0
The Anti-Austerity Poetics of the Archive: Jay Bernard’s Surge and Holly Pester’s go to reception and ask for Sara in red felt-tip	0
Le Second Congrès Continental : Au cœur de la révolution et de l’indépendance (1775-1776)	0
Vanessa GUIGNERY et Christian GUTLEBEN (éds.), Nadine Gordimer, Jump and Other Stories : parcours critiques (Revue Cycnos , 34.3, 2018)	0
« En manière d’introduction » Tiré de Américain en Amérique : un modernisme « maison »	0
1922 And All That; or, Modernism After All	0
Guidelines for authors	0
T.S. Eliot with a Rhythmic Set: Vers Libre , Free Verse and Strong Rhythmicity	0
“Enough! or Too much”: William Blake’s Intermedial Aesthetics of Excess	0
Notes on Contributors	0
Byron en français : de quelques traductions récentes	0
Diaspora Writes Back: Caste and Migration in Dalit Women Life Narratives	0
War from the Margins: Metalepsis and Metonymy in Pat Barker’s Toby’s Room and Sarah Waters’s The Night Watch	0
Antoine TRAISNEL — Capture: American Pursuits and the Making of a New Animal Condition (Minneapolis: University of Minnesota Press, 2020, 354 p., ISBN 9781517909642, $27.00)	0
“Mine was a dislocated journey”: Reflexivity and Fragmentation in Mina Loy’s Autobiographies and Archives	0

Notes on contributors	0
Notes on Contributors	0
Life : An Interview with Ian Beesley	0
Le roman comique du Dr Primrose ou l’art du travestissement dans The Vicar of Wakefield	0
Sovereignty and Agency in Photographic Portraits from Australia and Aotearoa / New Zealand: from Anthropological Aspirations to Artistic Reimaginings	0
“We are born for lateness”: Byron and Cixous Writing the Present	0
British Radical and Revolutionary Women Writers (1770s–1830s)	0
Notes on Contributors	0
“Upon what ground?”: Hamlet as Journeying Play	0
“We are born for lateness”: Byron and Cixous Writing the Present	0
Luke ROBERTS — Living in History: Poetry in Britain, 1945-1979 (Edinburgh: Edinburgh University Press, 2024, 280 p., $120)	0
Introduction	0
Les excès de l’amour et l’amour de l’excès dans The Female Quixote (1752) de Charlotte Lennox	0
George Chapman and his “Maligners”: Analyzing Error in The Revenge of Bussy D’Ambois (1613)	0
“Enough! or Too much”: William Blake’s Intermedial Aesthetics of Excess	0
Opening Pages	0
“Outworn Europe”: Liberal Visions of South America in Byron’s “The Age of Bronze” and in Barbauld’s Eighteen Hundred and Eleven	0
“The struggle to be free”: A Conversation with Aman Sethi	0
Le chant d’amour-propre de J. Alfred Prufrock	0
British Radical and Revolutionary Women Writers (1770s–1830s)	0
George Chapman and his “Maligners”: Analyzing Error in The Revenge of Bussy D’Ambois (1613)	0
Notes on Contributors	0
The Heuristic Function of Error in Bacon’s A Device for Gray’s Inn Revels (1595)and The Advancement of Learning (1605)	0
“Outworn Europe”: Liberal Visions of South America in Byron’s “The Age of Bronze” and in Barbauld’s Eighteen Hundred and Eleven	0
Coping with Hugh Kenner’s Modernism: A Personal Recollection	0
Gawain , une moralité visuelle	0
The Staying Power Project: Photographic Heritage as a Site for Dialogue and Reconciliation	0
Rethinking Modernism with Sylvia Townsend Warner’s Lolly Willowes (1926)	0
Rethinking Modernism with Sylvia Townsend Warner’s Lolly Willowes (1926)	0
Shelby FOOTE. — Bart le magnifique (traduit et édité par Paul Carmignani, Paris, Éditions rue d’Ulm, 2022, 424 pages)	0
Life : An Interview with Ian Beesley	0
Espacer le temps : quête du réel et existence citoyenne chez Henry David Thoreau	0
Guidelines for Authors	0
Modernist Poetry in the Hands of Spies: Poetic Secrecy and the Secret Service	0
Diaspora Writes Back: Caste and Migration in Dalit Women Life Narratives	0
“The Arc of Struggle”: Poetry and Defeat in the Work of Sean Bonney	0
The Trope of the Fallen Woman in Mary Hays’s The Victim of Prejudice	0
“Corporeal, raging”: Body Work in New Writing from the North of Ireland	0
The Spirit and the Mass Graves: Romanticism, Apocalypse and Globalisation in Coleridge	0
Rethinking Subaltern Urbanism through Indian Literary Nonfiction: Sonia Faleiro’s Beautiful Thing (2010) and Aman Sethi’s A Free Man (2011)	0
Jean-Jacques LERCERCLE — Système et style. Une linguistique alternative (Paris : Amsterdam, 2023, 208 p., 18 €)	0
Introduction: Lord Byron In Memoriam , Yet Again	0
Un chevalier dans la tourmente révolutionnaire : les ancêtres français de Virginia Woolf et de Julia Margaret Cameron	0
The Heuristic Function of Error in Bacon’s A Device for Gray’s Inn Revels (1595)and The Advancement of Learning (1605)	0
De la falaise à l’estran : le littoral anglais sous Georges III, un territoire inquiet	0
Notes on Contributors	0
Céline LOCHOT — Complexe de l’ironiste, De Quincey à l’œuvre (Grenoble, UGA Editions, 2021, 352 p., ISBN : 978-2-37747-231-4 ; OpenEdition Books : 978-2-37747-274-1)	0
T.S. Eliot’s “significance”	0
Guidelines for Authors	0
“Is the poet / An imperial dissident”: Migration and the Limits of Care in Bhanu Kapil’s How to Wash a Heart	0
“And/Or”: Love and Creative Combinations in Orlando	0
Nathalie SAUDO-WELBY — Jack and Jekyll. La dégénérescence en Grande-Bretagne, 1880-1914 (Préface de Jean-Jacques Lecercle. Paris : ENS Éditions, 2023, 325 p., 32 €)	0
Céline PREST — Le Spectre du document dans l’œuvre romanesque de Charles Dickens. Supports, signes et sens (Paris : Honoré Champion, 2023, 476 p., 78 €)	0
Anne-Marie SMITH-DI BIASIO — Le Palimpseste mémoriel : entendre la mémoire au fil des modernismes ( Paris : Sorbonne Université Presses, coll. « Mondes anglophones », 2024, 212 p., € 24)	0
Unnatural Perspectives and the “Cheverel Glove” Effect in Twelfth Night	0
Making Sense of Error in Early Modernity (1595-1646)	0
Antoine TRAISNEL — Capture: American Pursuits and the Making of a New Animal Condition (Minneapolis: University of Minnesota Press, 2020, 354 p., ISBN 9781517909642, $27.00)	0
The Structural Significance of Errors in Francis Bacon’s Natural Philosophy	0