OOIR: Observatory of International Research

Papers

(The median citation count of Etudes Anglaises is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)

Article	Citations
Are it -Clefts Really “Cleft” Constructions?	4
Concluding pages	2
The Heuristic Function of Error in Bacon’s A Device for Gray’s Inn Revels (1595)and The Advancement of Learning (1605)	1
Making Sense of Error in Early Modernity (1595-1646)	1
Independence and Extinction in Scottish Wilderness Writing	1
Images of Transcendence: “Crisis Always” and the New Black British Poets	1
Male Waithood and Radical Transformation in A. Igoni Barrett’s Blackass	0
Impossible immunité et care : On the Beach de Nevil Shute	0
War from the Margins: Metalepsis and Metonymy in Pat Barker’s Toby’s Room and Sarah Waters’s The Night Watch	0
Freya JOHNSTON — Jane Austen, Early and Late (Princeton and Oxford: Princeton University Press, 2021; paperback 2023, xiv + 271 p., £20, ISBN 978-0-691-22980-5)	0
Diaspora Writes Back: Caste and Migration in Dalit Women Life Narratives	0
T.S. Eliot with a Rhythmic Set: Vers Libre , Free Verse and Strong Rhythmicity	0
Photographier la variation : Franz Boas et les portraits-types	0
Anita Brookner and the Servants: Power Struggles and British Jewish Domestic Spaces in her Early Fiction	0
Diaspora Writes Back: Caste and Migration in Dalit Women Life Narratives	0
“Now for a scene!” – “Wakefield” and the Drama of Narration in Hawthorne’s Tales	0
“Due Influence”: Anita Brookner’s Legacy. An Introduction	0
David DUFF (éd.) — The Oxford Handbook of British Romanticism (Oxford : Oxford UP, 2018, 796 p., ISBN 978-0-19-966089-6)	0
Comptes rendus	0
The Gloved Fist: Confirmations, Subversions, and Leave-Taking in Anita Brookner’s Strangers	0
Anita Brookner: Necromantic	0
L’Indien atemporel d’Edward S. Curtis et le mythe de la race en voie de disparition	0
Derrière l’écran, la scène. The Flick ou le manifeste théâtral d’Annie Baker	0
Agency beyond Action: Modernist Charactersas Interpreters and Readers	0
Alain MORVAN (éd.). — Dracula et autres récits vampiriques (textes traduits, présentés et annotés par Alain Morvan, Paris : Gallimard, Bibliothèque de la Pléiade, 2019, 1078 p., 69 €)	0

Le roman comique du Dr Primrose ou l’art du travestissement dans The Vicar of Wakefield	0
Visibilizing “Those Who Have No Part”: LGBTQIA+ Representation in Contemporary Nigerian Fiction in English	0
A Sense of Belonging: Three Contemporary Poets in 21 st -century Bombay	0
Eighteenth-Century Visuality and Ambiguous Spaces of Sociability: Townscapes, Architecture and Entertainments	0
Vanessa GUIGNERY et Christian GUTLEBEN (éds.), Nadine Gordimer, Jump and Other Stories : parcours critiques (Revue Cycnos , 34.3, 2018)	0
Patchwork, pandémie et confinement aux États-Unis	0
Céline PREST — Le Spectre du document dans l’œuvre romanesque de Charles Dickens. Supports, signes et sens (Paris : Honoré Champion, 2023, 476 p., 78 €)	0
Émergence et transformation du puritanisme (1559–1660) : quelques jalons historiographiques	0
Jewett’s Trees	0
The “Matchgirls’ strike” of July 1888: A Glimpse at Female Working-class Militancy	0
“Is the poet / An imperial dissident”: Migration and the Limits of Care in Bhanu Kapil’s How to Wash a Heart	0
WH- + TO, why + Ø : le rôle de l’infinitif avec et sans TO dans les interrogatives infinitives	0
The Heuristic Function of Error in Bacon’s A Device for Gray’s Inn Revels (1595)and The Advancement of Learning (1605)	0
The Token Woman of 1922? Virginia Woolf and the Gendered Battles of Anglo-American Modernist Criticism	0
La croyance dans le fumoir : “The Portrait of Mr. WH”, l’éthique de la croyance de William Kingdon Clifford et l’assentiment selon John Henry Newman	0
Introduction. Contemporary Nigerian Literature in English: An Orchestra of Pluralities	0
Allegory, Dystopia and Literature in our Time: Three Indian English Novels	0
Crystal PARIKH (éd.) — The Cambridge Companion to Human Rights and Literature (Cambridge: Cambridge University Press, 2019, 272 p., 21,99 £, ISBN-13:9781108722209)	0
Intertextuality as Subversive Moral Metacomment in the Novels of Anita Brookner	0
The Spirit and the Mass Graves: Romanticism, Apocalypse and Globalisation in Coleridge	0
Introduction	0
Comptes rendus	0
Paranoid Messiahs: The Military in Wole Soyinka’s Later Satirical Drama	0
The Assimilating Fancy: Problems of Correspondencein the Writings of Thomas Browne	0
Misreading Anita Brookner	0
Life : An Interview with Ian Beesley	0
Les excès de l’amour et l’amour de l’excès dans The Female Quixote (1752) de Charlotte Lennox	0
Spectres and Inheritances: The British Response to the French Revolution and Early Nineteenth-Century Political Mobilizations	0
Un carrosse pour le harem : étude comparée des diplomaties anglo-ottomane et anglo-moghole entre les xvi e et xvii e siècles	0
Notes on Contributors	0
Notes on contributors	0
Un chevalier dans la tourmente révolutionnaire : les ancêtres français de Virginia Woolf et de Julia Margaret Cameron	0
Contemporary Nigerian Literature, Literary Activism and Networks of Production in the Twenty-First Century	0
Breakfast at Frogmore and Feathers in Portman Square: Women’s Property and Elite Sociability	0
Vibrant Allegories: Questioning Immunity with Ali Smith’s Seasonal Quartet (2016–2020)	0
Toxicity, Colonial Violence and Indian Law in Louise Erdrich’s Justice Trilogy	0
The Staying Power Project: Photographic Heritage as a Site for Dialogue and Reconciliation	0
Rethinking Modernism with Sylvia Townsend Warner’s Lolly Willowes (1926)	0
Lockwood, le mal aimé (ou le mal aimant ?)	0
Jocelyn DUPONT et Gilles MENEGALDO (éd.) — Spectres de Poe dans la littérature et dans les Arts (Cadillon : Le Visage Vert, 2020, 504 p., 30 €, ISBN : 978-2-918061-45-8)	0
Compte rendu	0
Charlotte BRONTË. — Shirley-Villette, 1849-1853 (Préface de Laurent Bury, édition publiée sous la direction de Dominique Jean, avec la collaboration de Véronique Béghain et Laurent Bury, Paris : Galli	0
End Pages	0
Jean-Jacques LERCERCLE — Système et style. Une linguistique alternative (Paris : Amsterdam, 2023, 208 p., 18 €)	0
Nathalie SAUDO-WELBY — Jack and Jekyll. La dégénérescence en Grande-Bretagne, 1880-1914 (Préface de Jean-Jacques Lecercle. Paris : ENS Éditions, 2023, 325 p., 32 €)	0
“The struggle to be free”: A Conversation with Aman Sethi	0
“Things to address directly”: Border Politics and Contemporary British Poetry	0
William Robinson (1838-1935), Garden Beauty and the Sublime	0
Jean-Pierre NAUGRETTE — Sherlock Holmes et le mystère de St. Clere (Cadillon : Le Visage Vert, 2021, 162 p., 14 €)	0
“ I remember dates. Numbers ”: All the many mistakes in No Country for Old Men	0

Opening Pages	0
L’Esprit et les charniers : romantisme, apocalypse et mondialisation chez Coleridge	0
The Structural Significance of Errors in Francis Bacon’s Natural Philosophy	0
The Ecopoetics of Flooding in Contemporary Nigeria	0
Antoine TRAISNEL — Capture: American Pursuits and the Making of a New Animal Condition (Minneapolis: University of Minnesota Press, 2020, 354 p., ISBN 9781517909642, $27.00)	0
The Anti-Austerity Poetics of the Archive: Jay Bernard’s Surge and Holly Pester’s go to reception and ask for Sara in red felt-tip	0
“Mine was a dislocated journey”: Reflexivity and Fragmentation in Mina Loy’s Autobiographies and Archives	0
Rethinking Subaltern Urbanism through Indian Literary Nonfiction: Sonia Faleiro’s Beautiful Thing (2010) and Aman Sethi’s A Free Man (2011)	0
Opening pages	0
Epidemic Notions: Immunity – Care – Lockdown – Toxicity – Vulnerability – Contagion	0
T.S. Eliot with a Rhythmic Set: Vers Libre , Free Verse and Strong Rhythmicity	0
Unnatural Perspectives and the “Cheverel Glove” Effect in Twelfth Night	0
Making sense of historical and diegetic time (and space) in No Country for Old Men (novel to film)	0
1922 And All That; or, Modernism After All	0
“Error makes me perfect”: Error in Lady Mary Wroth’s The Countess of Montgomery’s Urania	0
Gawain , une moralité visuelle	0
Guidelines for authors	0
Que reste-t-il de l’Amérique jacksonienne ? Nouveaux regards sur la jeune République étatsunienne	0
Pets in the Studio. Mediating Artistic Sociability in a Polite and Commercial Age	0
Abolitionism and the Antebellum U.S. Women’s Rights Movement: The (Missed) Connections of the First National Woman’s Rights Convention (1850)	0
Le chant d’amour-propre de J. Alfred Prufrock	0
Caroline BERTONÈCHE — Le Kaléidoscope de Keats (Paris : Presses Universitaires de Paris-Nanterre, coll. « Intercalaires », 2023, 194 pages, 15 €)	0
A Master in Tone(s): Markson’s Interconnective, Abstract Art in Wittgenstein’s Mistress	0
Guidelines for Authors	0
T.S. Eliot’s “significance”	0
Emersonian Intertext and Whitmanian Intimate Influence: Queering “Nature” in 19 th -century New England Women’s Writing	0
Notes on Contributors	0
Danny HAYWARD. — Wound Building: Dispatches from the Latest Disasters in UK Poetry (Earth, Milky Way: Punctum Books, 2021, 218 pp., 21,00 $)	0
Sovereignty and Agency in Photographic Portraits from Australia and Aotearoa / New Zealand: from Anthropological Aspirations to Artistic Reimaginings	0
“And/Or”: Love and Creative Combinations in Orlando	0
Framing Terror: Illness and Art in Anita Brookner’s Look at Me	0
“Upon what ground?”: Hamlet as Journeying Play	0
Shelby FOOTE. — Bart le magnifique (traduit et édité par Paul Carmignani, Paris, Éditions rue d’Ulm, 2022, 424 pages)	0
“The Past is the Present”: Marianne Moore’s Historiographical Observations	0
Nixon, Kissinger et l’Amérique latine : l’obsession anticommuniste	0
Preface: Constructing the Past, Re-viewing the Present	0
No Future: Poetry of the Current British Crisis	0
George Chapman and his “Maligners”: Analyzing Error in The Revenge of Bussy D’Ambois (1613)	0
Introduction	0
“My God, you’re fun to kiss”: Love, Lust, and Liminality in Tender Is the Night	0
“The Arc of Struggle”: Poetry and Defeat in the Work of Sean Bonney	0
Party Animals: Animal Products in Portable Objects of Sociability in Eighteenth-Century Britain	0
Anita Brookner and Julian Barnes: Paths Crossing	0
« Well! Why not? » : réalisme magique et souveraineté narrative dans Carpentaria d’Alexis Wright	0
Festive Spaces and Patriotic Sociabilities in the Letters of Rachel Charlotte Biggs and Helen Maria Williams	0
Unruly Stories: Opening up to History in Helon Habila’s Travelers	0
Error, Sprawl and Epistemological Poise in Thomas Browne:How to Sit Right at the Last Supper	0
“Enough! or Too much”: William Blake’s Intermedial Aesthetics of Excess	0
The Assimilating Fancy: Problems of Correspondencein the Writings of Thomas Browne	0
Korey GARIBALDI — Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America (Princeton & Oxford: Princeton University Press, 2023, 288 p., $29.95)	0
A Sense of Belonging: Three Contemporary Poets in 21 st -century Bombay	0
Introduction	0
“A short Recess from Talk and Tea”: The Sociable Geography of Snuff-Taking in Eighteenth-Century Britain	0
Chloé THOMAS — Les excentrés. Poètes modernistes américains (Paris : CNRS Éditions, 2021, 265 p., 25 €)	0
The Structural Significance of Errors in Francis Bacon’s Natural Philosophy	0
“Take a friend by the hand as the manner is”: Vulnerability and Fear during the London Plague (1665)	0
Error, Sprawl and Epistemological Poise in Thomas Browne:How to Sit Right at the Last Supper	0
“The way we speak about contagion is political”: a Conversation with Dr Koenig, M.D.	0
Sur un vers de Lamia : anthropologie et poétique du corps chez Keats	0
Armelle PAREY et Isabelle ROBLIN (dir.) — A.S. Byatt, Before and After Possession : Recent Critical Approaches (Presses universitaires de Nancy – Éditions Universitaires de Lorraine, 2018, Regards cro	0
Notes on contributors	0
Émilie WALEZAK – Rethinking Contemporary British Women’s Writing: Realism, Feminism, Materialism (London: Bloomsbury Academic, 2022, 175 p., 35 $)	0
The Dublin Monaghan Bombings from Trauma to Justice: Testifying through Art	0