Ethnomusicology

Papers
(The TQCC of Ethnomusicology is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Music, Shared Histories, and Futures in Toyama City, Japan: Owara Kaze no Bon and Celebrating a New Tram Connection in the Early Pandemic14
Chinese Dance: In the Vast Land and Beyond4
Praise Singing, Proxemics, and the Feelingful Iconization of State Relations in Omani ‘Āzī3
Mizrahi Rap in Israel: Ethnicity and Intertextuality in the Cosmopolitan Post-Genre Era3
Encountering Publicness and Multiculture: Public Pedagogy with a Multilingual Community Choir3
Melancholic Modalities: Affect, Islam, and Turkish Classical Musicians3
Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean3
“Hooking Up as Performance”: The Intersection Between Dance and Sexual Identities in Lisbon's Gay Nightlife2
Rímur in the Nuclear Age: Sveinbjörn Beinteinsson and Icelandic Traditional Music2
“So Let's Bang on Some Pots”: Sound, Intimacy, and the Public Life of Affect in Brazil's Panelaços2
Singers’ Realizations of Linguistic Tone in Chaozhou Song2
Latin Jazz: The Other Jazz1
Hungry Listening: Resonant Theory for Indigenous Sound StudiesMusic and Modernity Among the First Peoples of North America1
Music and Incitement to Violence: Anti-Muslim Hate Music in Burma/Myanmar1
Teaching Talent: Beginning and/as Method in Two American Violin Studios1
Notes on Contributing Authors1
From the Editor1
Buganda Royal Music Revival1
Jazzing: New York City's Unseen Scene1
From the Editor1
Depiction and Empowerment of Women in Indigenous Igbo Music1
“Some Rooms Make You Whisper”: The Art of Isolation and the Racial Politics of Quiet in a Concert Hall Built for Jazz0
The Female Voice of Iran0
College Music Curricula for a New Century0
When Silence Is Heard: Embodied Listening in Medical Facilities’ Competing Sonic Epistemes0
“We Should Be Louder”: Rastafari, Amplified Spirituality, and Spacemaking in Shashemene, Ethiopia0
Sound, Gentrification, and Ephethereal Justice0
“Now We're Actually Playing Music”: Sones and Parental Transformation in Mexican Chicago0
Musical Resilience: Performing Patronage in the Indian Thar Desert0
Chimichagua and the Musical Ecosystem of the Tambora in the Depresión Momposina0
“Sometimes You Can Just Sing Free”: Vocal Transmission, Intradiasporic Diversity, and Belonging in Cabo Verdean New England0
Diversity and Contact among Singer-Poet Traditions in Eastern Anatolia0
Summer of Soul0
Sentimental Orientation: Listening and Musical Value in Kaapse Klopse Practice0
Notes on Contributing Authors0
Crafting Fieldwork and Insider/Outsider Collaborations: Musical Ethnography in Sardinia0
Digital Tradition: Arrangement and Labor in Istanbul's Recording Studio Culture0
Music Theory in the Safavid Era: The taqsīm al-naġamāt0
A Survey of Traditional Music from the North American Traditions Collection0
Community in Syntony: TheorizingAxéin Capoeira Angola and Rural Samba of Backland Bahia, Brazil0
A Season of Singing: Creating Feminist Jewish Music in the United States0
Gentrification's Loudness and the Search for Silence in the Malcolm X Park Drum Circle0
Seeger Lecture, Society for Ethnomusicology Virtual Meeting 20210
Notes on Contributing Authors0
Shopping and Chopping: How Everyday Sounds Come Alive in Sinophone Toronto0
A Man and His Trumpet: The Story of Leroy Jones0
The Last Repair Shop0
From the Editor0
Siklus dan Doa (Cycle and Prayer)0
Spears or Umbrellas? Dance and Sovereign Sensibility in an Indigenous Taiwanese Community0
Postwar Europe and the Eurovision Song Contest0
From Clave Ethnotheory to Clave Theories: A Path Toward Decolonizing Musical Analysis0
From the Editor0
From the Editor0
Playing the Flute in Shanghai: The Musical Life of Dai Shuhong0
Travels with Frances Densmore: Her Life, Work, and Legacy in Native American Studies0
Global Perspectives on Orchestras: Collective Creativity and Social Agency0
Notes on Contributing Authors0
Notes on Contributing Authors0
Improvisation and Social Aesthetics0
Undaunted: Into the Open, Raging Asian Womxn Taiko Drummers0
Love and Rage: Autonomy in Mexico City's Punk Scene0
Soundscapes of Uyghur Islam0
From the Editor0
Researching Cuban Drag, or Queer Diasporic Ethnography and Ethnomusicology0
The Authoritarian Ear: Reorienting Political Aurality and Acoustic Citizenship in Hong Kong0
President's Roundtable: “Tell Me a Story”: Stories that Inform, Transform, and Guide0
Notes on Contributing Authors0
Hopa lide0
Kulintang Kultura: Danongan Kalanduyan and Gong Music of the Philippine Diaspora0
Posthuman Rap0
Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music during US Colonization of the Philippines0
Everyday Creativity: Singing Goddesses in the Himalayan Foothills0
“Systems Are Changeable”: Reading Moments through Movements0
Religious Conflict, Ritual Embodiment, and Music in the Twentieth-Century Guatemalan Highlands0
Local Fusions: Folk Music Experiments in Central Europe at the Millennium0
On Survival0
The Scholarly Ustad: Hindustani Music's Muslim Hereditary Professionals and Their Textual Traditions0
The Beatles: Get Back0
Some Notes on Tuning Up0
Sounding the Vernacular Sea0
Reforesting About Music? Auralities of Restoration in Southern Mexico City0
Notes on Contributing Authors0
Creolized Aurality: Guadeloupean Gwoka and Postcolonial Politics0
The Musicolonial Politics of the Category of Man: The Case of Suriname0
Looped Things and Black Mimics0
Remembering Palghat Raghu0
Shared Soundscapes of Ottoman Era Safed: A Musical Microhistory0
Audible States: Socialist Politics and Popular Music in Albania0
The Hidden Music of a Hidden People: The Case of Amakhuwa of Northern Mozambique0
The Fluid Diaspora: Palestinian Composers and the Diasporic Experience0
Government-Mandated Coolness: Education Policy, the Koto, and Music Teacher Retraining in Japan0
Song King: Connecting People, Places, and Past in Contemporary China0
Broken Voices: Postcolonial Entanglements and the Preservation of Korea's Central Folksong Traditions0
Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community0
Tabom in Bahia0
Music of Azerbaijan: From Mugham to Opera0
Ritual Speech in the Himalayas: Oral Texts and Their Contexts0
Echoes of Ethnicity: Popular Music and the Resurgence of Igbo Nationalism in Democratic Nigeria0
Notes on Contributing Authors0
From the Editor0
From the Editor0
Recitations on the Threshold: The Ethics and Virtue Affects of Pakistani ShiʿiQaṣīda0
“The Leaves of Our Flag Surrounding the World”: Barbara B. Smith and the Sovereign Voices of a Pacific Trust Territory, 1958–19640
The Sound of Navajo Country: Music, Language, and Diné Belonging0
From the Editor0
The Mountain Minor0
From the Editor0
The Interplay of Music, Money, and Agency in Azerbaijani Ashiq Bards’ Performances at Iranian Azerbaijani Weddings0
Sounding Modern-nite: Tabaski in Senegal and the Sonic Production of the Human0
Sweet Tassa: Music of the Indian Caribbean Diaspora0
Tuning Species: Gibbon Conservation and the Acoustemological Politics of Vitality0
Curtain Up0
Lions of the North: Sounds of the New Nordic Radical Nationalism0
More than Gold: Embodying the Human Cost of Mining in Maroon Popular Music0
Genre Publics: Popular Music, Technologies, and Class in Indonesia0
The Musical Valley: Otavalo Indigenous Musicians at the Crossroads of Transnational Circulations0
Poetry Writing as Transgressive Ethnography0
Gitara0
The Transformation of Black Music: The Rhythms, the Songs, and the Ships of the African Diaspora0
Sonic Space-Making on the Margins of Power: Electronic Music, Agency, and Alternative Belonging in the Republic of Macedonia (2011–2014)0
The Art of Mbira: Musical Inheritance and LegacyMbira's Restless Dance: An Archive of Improvisation, Vols. 1 & 20
Sounded Difference and Displacement in Jordan's “Unified” Call to Prayer0
Ugly Publics0
On the Decolonial Otherwise of Translation: Alexander J. Ellis, Mário de Andrade, and the Contingency of Form0
River City Drumbeat0
Songs of Senegalese Rain Priestess Aline Sitoé Diatta: Collaborative Musicking for Audible Futures0
From the Editor0
Associativism as the Condition of Musical Possibility for an Alternative Brass Band in Portugal: Innovation, Viability, and European Integration0
Music, Education, and Diversity: Building Cultures and Communities0
Notes on Contributing Authors0
Notes on Contributing Authors0
A Humble Blind Singer's Autobiographical Song: Oral Creation Facing a Hong Kong Teahouse Audience0
Embodied Ritual, Efficacious Song: Marcel Mauss and the Limits of Anthropology0
Hearing Is Smelling Is Tasting Is Knowing: Music Analysis and Sensing Otherwise0
Following the People, Refracting Hindustani Music, and Critiquing Genre-Based Research0
Excavated Shellac: An Alternative History of the World's Music0
Cool Running: The Story of Ghana's Honk Horn Lorries and Por Por Music0
Music, Seduction, and New Beginnings: The Ikorodo Maiden Dance of Nsukka0
Congregational Music, Conflict and Community0
Performing Change and Preservation: How Pop Songs Became Ritual Music Among the Pastoral Samburu of Kenya0
“Really, We Should Have Been Playing Saz in a Little Room”: “New Wave” Turkish Migrants, Performance, and Counterpathways of Incorporation in Berlin0
From the Editor0
Sour Solidarities: Musicians, Academics, and Precarity in the Pandemic's Wake0
Beyoncé: At Work, On Screen, and Online0
Networking Global Hip Hop Knowledges: The CIPHER Method0
Jump Up! Caribbean Carnival Music in New York0
Modernizing Composition: Sinhala Song, Poetry, and Politics in Twentieth Century Sri Lanka0
Singing Our Way to Freedom0
Riff Culture: Spontaneous Solo Performances in Private Rock Music Schools0
Notes on Contributing Authors0
Notes on Contributing Authors0
The Oxford Handbook of Musical Repatriation0
“The War Songs Continue ’til They Find Peace”: Music and the Politics of Death on the Ethio-South Sudanese Border0
“Dayung Sampan” Resignified: Network Traces of the Tune's Circulation in East and Southeast Asia0
Shared Soundscapes of Ottoman Era Safed: A Musical Microhistory0
The Voice and Its Doubles: Media and Music in Northern AustraliaMaking Aboriginal Men and Music in Central Australia0
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