Ethnomusicology

Papers
(The median citation count of Ethnomusicology is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Tradicionalismo africanoin Cuba: Women, ConsecratedBatá, and the Polemics of “Re-Yorubization” in Cuban Ritual Music14
On Race, Value, and the Need to Reimagine Ethnomusicology for the Future12
Attending to the Nightingale: On a Multispecies Ethnomusicology7
Ethnomusicology and the Indian Ocean: On the Politics of Area Studies6
Singing a Chinese Nation: Heritage Preservation, the Yuanshengtai Movement, and New Trends in Chinese Folk Music in the Twenty-First Century6
Music That Tears You Apart: Jazz manouche and the Qualia of Ethnorace5
Ethnomusicology beyond #MeToo: Listening for the Violences of the Field4
Circulation, Value, Exchange, and Music4
The Dynamics of Intercultural Music Making in Granada: Everyday Multiculturalism and Moroccan Integration3
Meeting the Garden Halfway: Ethnographic Encounters with a Sound Installation Microculture3
Motivating Traditional Musicians to Learn a Heritage Language in Gaelic Nova Scotia2
Post-Tarab: Music and Affective Politics in the US SWANA Diaspora2
Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism2
Following the People, Refracting Hindustani Music, and Critiquing Genre-Based Research1
“Really, We Should Have Been Playing Saz in a Little Room”: “New Wave” Turkish Migrants, Performance, and Counterpathways of Incorporation in Berlin1
Whale Calling1
A Mythical Medieval Hero in Modern East Java: The Masked Dance Gunung Sari as an Alternative Model of Masculinity1
The Social Spaces of Music Traditions in Baghdad before and after Destruction1
Matrix Listening; or, What and How We Can Learn from Historical Sound Recordings1
Buganda Royal Music Revival1
Sonic Space-Making on the Margins of Power: Electronic Music, Agency, and Alternative Belonging in the Republic of Macedonia (2011–2014)1
Awakening the Soul with the Left Hand: Narration and Healing in Vietnam’s Diasporic Traditional Music1
“Out of Time” and “Out of Tune”: Reflections of an Oud Apprentice in Somaliland1
COVID-Era Online Collective Research Initiatives in Yiddish Traditional Music1
Poetry Writing as Transgressive Ethnography1
Front Matter0
Music under the Ground: Ethnomusicological Research on the Ground-Bow in Africa0
Moving Bodies, Navigating Conflict: Practicing Bharata Natyam in Colombo, Sri Lanka0
The Oxford Handbook of Music and World Christianities0
Ethiopiques: Revolt of the Soul0
Congregational Music, Conflict and Community0
Notes on Contributing Authors0
Gendhing Sekaten. (2010) 2020Gendhing Pahargyan. (2012) 2020Gendhing Kurmat Dalem. 2020Gendhing Gati. (2015) 2020Gendhing Gati Volume 2. 2020Gendhing Soran Volume 1. 20210
Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean0
Dancing Bahia: Essays on Afro-Brazilian Dance, Education, Memory, and Race0
The Pacific Festivals of Aotearoa New Zealand: Negotiating Place and Identity in a New Homeland0
From the Editor0
Audible States: Socialist Politics and Popular Music in Albania0
The Magic of Beverly Sills0
Chimichagua and the Musical Ecosystem of the Tambora in the Depresión Momposina0
“We Should Be Louder”: Rastafari, Amplified Spirituality, and Spacemaking in Shashemene, Ethiopia0
Living Ethnomusicology: Paths and Practices0
Recitations on the Threshold: The Ethics and Virtue Affects of Pakistani Shiʿi Qaṣīda0
Echoes of Ethnicity: Popular Music and the Resurgence of Igbo Nationalism in Democratic Nigeria0
The Mountain Minor0
The Transformation of Black Music: The Rhythms, the Songs, and the Ships of the African Diaspora0
Notes on Contributing Authors0
From Satsaṅg to Stage: Negotiating Aesthetic Theologies and Aspirational Subjectivities in a North Indian Bhajan Competition0
Playing the Flute in Shanghai: The Musical Life of Dai Shuhong0
Ugly Publics0
Black Music Matters: Jazz and the Transformation of Music Studies0
Rímur in the Nuclear Age: Sveinbjörn Beinteinsson and Icelandic Traditional Music0
Networking Global Hip Hop Knowledges: The CIPHER Method0
Government-Mandated Coolness: Education Policy, the Koto, and Music Teacher Retraining in Japan0
Ann Flood, Mairéad Farrell, and the Representation of Armed Femininity in Irish Republican Ballads0
Ethnomusicology and Higher Education: Challenges, Trends, and Lessons from the Humanities0
The Voice and Its Doubles: Media and Music in Northern AustraliaMaking Aboriginal Men and Music in Central Australia0
Music, Seduction, and New Beginnings: The Ikorodo Maiden Dance of Nsukka0
Flip the Script: European Hip Hop and the Politics of Postcoloniality0
Kulintang Kultura: Danongan Kalanduyan and Gong Music of the Philippine Diaspora0
The Little Princes of Rajasthan0
Notes on Contributing Authors0
The Race of Sound: Listening, Timbre, and Vocality in African American Music0
Jazz Worlds / World Jazz0
Issues in African American Music: Power, Gender, Race, Representation0
Singing the Rite to Belong: Music, Ritual, and the New Irish0
Musical Encounters with Deleuze and Guattari0
From the Editor0
Sustainable Futures for Music Cultures: An Ecological Perspective0
Remapping Sound Studies0
Parchman Farm: Photographs and Field Recordings, 1947-1959Voices of Mississippi: Artists and Musicians Documented by William Ferris0
From the Editor0
Polyphonic Lullabies of Kakheti0
Unspittable0
The Musical Gift: Sonic Generosity in Post-War Sri Lanka0
Notes on Contributing Authors0
Bodies of Song: Kabir Oral Traditions and Performative Worlds in North India0
Remembering Palghat Raghu0
Sweet Tassa: Music of the Indian Caribbean Diaspora0
Depiction and Empowerment of Women in Indigenous Igbo Music0
Styling Blackness in Chile0
The Hidden Music of a Hidden People: The Case of Amakhuwa of Northern Mozambique0
Music and Incitement to Violence: Anti-Muslim Hate Music in Burma/Myanmar0
Cassette: A Documentary Mixtape0
Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins0
Back Matter0
Listening to Kora in New York City: Constructing Africa and Blackness in the United States0
Between Tribute and Transformation: Negotiating the Expressive and Ethical Dynamics of Experimental Afro-Brazilian Song0
Roots in Reverse: Senegalese Afro-Cuban Music and Tropical Cosmopolitanism0
Serrano del Corazón Featuring Guillermo Velázquez y Los Leones de la Sierra de Xichú0
Ritual Speech in the Himalayas: Oral Texts and Their Contexts0
The Female Voice of Iran0
Let No Man Judge: Remembering the Calypsonian and Containing Risk0
Mizrahi Rap in Israel: Ethnicity and Intertextuality in the Cosmopolitan Post-Genre Era0
Bluegrass Generation: A Memoir0
Female Street Singers of Java: Musical Style and Life Circumstances0
Postwar Europe and the Eurovision Song Contest0
When the Trees Resound: Collaborative Media Research on an Italian Festival0
Seeger Lecture, Society for Ethnomusicology Virtual Meeting 20210
Gitara0
Singing Our Way to Freedom0
Beyoncé: At Work, On Screen, and Online0
Religious Conflict, Ritual Embodiment, and Music in the Twentieth-Century Guatemalan Highlands0
Blackbirds in the Archive: Genealogy and Media in a Century of Georgian Folk Song0
Melancholic Modalities: Affect, Islam, and Turkish Classical Musicians0
Arching over the Atlantic: Exploring Links between Brazilian and Angolan Musical Bows0
Notes on Contributing Authors0
Ethnomusicology, Ayε Kradow?0
Everyone Listen Close—Wanp-Wanp Jangl Kap: The Yandong Grand Singers. Polyphonic Grand Songs from the Dong in Guizhou Province in China0
From the Editor0
From the Editor0
Call and Response: SEM President’s Roundtable 2018, “Humanities’ Responses to the Anthropocene”0
From the Editor0
Walking as Fieldwork Method in Ethnomusicology0
More than Gold: Embodying the Human Cost of Mining in Maroon Popular Music0
From the Editor0
Perspectives on a 21st Century Comparative Musicology: Ethnomusicology or Transcultural Musicology?0
Studies on a Global History of Music: A Balzan Musicology Project0
The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture0
Ugandan Music in the Marketing Era: The Branded Arena0
Gagaku, Ensemble OnoTeruhisa Fukuda, maître de shakuhachi. Offrande musicale0
Authority, Deference, and Disregard in Catholic Liturgical Music in Central Cameroon0
Bertsolari0
Hindi Film Songs in the Home: Gendered Experiences of Singing Popular Songs in Tamale, Northern Ghana0
Híbridos: The Spirits of Brazil0
Yi Suyong and the Quiet of “Korea’s Hiroshima”0
A Queerly Joyful Noise: Choral Musicking for Social JusticeFocus: Choral Music in Global Perspective0
Music from Barotseland: Recordings in Zambia’s Western Province—Lozi, Mbunda, Nkoya, Luvale0
The Routledge Companion to the Study of Local Musicking0
Up, Down, and Sideways0
Echoes from the East: The Javanese Gamelan and Its Influence on the Music of Claude Debussy0
Tales of Southeast Asia’s Jazz Age: Filipinos, Indonesians and Popular Culture, 1920-19360
Musik auf Kreta: Traditionen einer Mittelmeerinsel / Music on Crete: Traditions of a Mediterranean Island0
“Now We're Actually Playing Music”: Sones and Parental Transformation in Mexican Chicago0
“The Leaves of Our Flag Surrounding the World”: Barbara B. Smith and the Sovereign Voices of a Pacific Trust Territory, 1958–19640
The Rosalía Polemic: Defining Genre Boundaries and Legitimacy in Flamenco0
On Survival0
The Art of Mbira: Musical Inheritance and LegacyMbira's Restless Dance: An Archive of Improvisation, Vols. 1 & 20
Teaching Talent: Beginning and/as Method in Two American Violin Studios0
Animal Musicalities: Birds, Beasts, and Evolutionary Listening0
A Season of Singing: Creating Feminist Jewish Music in the United States0
Voices of the Rainforest: A Day in the Life of Bosavi Papua New Guinea0
American Music Documentary: Five Case Studies of Ciné-Ethnomusicology0
Contigo (With You)0
Song King: Connecting People, Places, and Past in Contemporary China0
Musical Evolution and the Other: From State-Sponsored Musical Evolutionism in the USSR to Post-Soviet Crimean Tatar Indigenous Music0
Singing a Great Dream: The Revolutionary Songs and Life of Khusiram Pakhrin0
Undaunted: Into the Open, Raging Asian Womxn Taiko Drummers0
The Voice in the Drum: Music, Language, and Emotion in Islamicate South Asia0
Water Prayers for Bass ClarinetThe Vodou Horn: Asakivle Meets AusterlitzDr. Merengue0
Community in Syntony: Theorizing Axé in Capoeira Angola and Rural Samba of Backland Bahia, Brazil0
Music of Azerbaijan: From Mugham to Opera0
Notes on Contributing Authors0
Travels with Frances Densmore: Her Life, Work, and Legacy in Native American Studies0
Posthuman Rap0
Silk Butterfly: Yi Ji-young Gayageum Compilation0
Gamelan Girls: Gender, Childhood, and Politics in Balinese Music Ensembles0
Deep Polyphony in the Hymns of Julien Jouga0
Notes on Contributing Authors0
Latin Jazz: The Other Jazz0
College Music Curricula for a New Century0
The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka: Rhumba Kiserebuka!0
Improvisation and Social Aesthetics0
Summer of Soul0
Notes on Contributing Authors0
Chinese Dance: In the Vast Land and Beyond0
Jump Up! Caribbean Carnival Music in New York0
A Humble Blind Singer's Autobiographical Song: Oral Creation Facing a Hong Kong Teahouse Audience0
Cultural Intimacy at the Conflicted Borderlines of Nation, Ethnicity, and Class in Israel: Jowan Safadi’s Music Video “To Be an Arab”0
The Revolution’s Echoes: Music, Politics, and Pleasure in Guinea0
Soundscapes of Uyghur Islam0
Notes on Contributing Authors0
Back Matter0
The Pearl of Muğam Philosophy: Qəzəl Poetry and Musical Hermeneutics in Independent Azerbaijan0
Resonances of Chindon-ya: Sounding Space and Sociality in Contemporary Japan0
Front Matter0
River City Drumbeat0
The Oxford Handbook of Mobile Music Studies, Volumes 1–20
Inside Arabic Music: Arabic Maqam Performance and Theory in the 20th Century0
Music, Sound, and Architecture in Islam0
Louder and Faster: Pain, Joy, and the Body Politic in Asian American Taiko0
Curtain Up0
From the Editor0
Playable Bodies: Dance Games and Intimate Media0
Global Perspectives on Orchestras: Collective Creativity and Social Agency0
What She Go Do: Women in Afro-Trinidadian Music0
Un disparo en la noche 20
Tawaifnama (The courtesan chronicles)0
Music and Capitalism: A History of the Present0
Say Amen, Somebody0
Jazzing: New York City's Unseen Scene0
Alive Inside0
From the Editor0
The Crowd in Flux: Atmosphere and the Governance of Public Affects at FC Union Berlin0
Some Notes on Tuning Up0
A Tale of Two Cities (and Two Ways of Being Inauthentic): The Politics of College Jazz in “Official Cleveland” and in the “Other Cleveland”0
Y/Our Music0
“The War Songs Continue ’til They Find Peace”: Music and the Politics of Death on the Ethio-South Sudanese Border0
The Sound of Navajo Country: Music, Language, and Diné Belonging0
The Man behind the Microphone0
Goze: Women, Musical Performance, and Visual Disability in Traditional Japan0
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