OOIR: Observatory of International Research

Papers

(The TQCC of Essays in Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
New Impressions XX Seven Types of Ambiguity	1
Finding Dickens Serious	1
Auden and the Infernal Sciences	1
Shakespeare’s Animals: Is There Anything It Is Like To Be Adonis?	1
THE EDITORIAL IMAGINATION VIII Theobald Restored	1
King Multitude: Browning and Coriolanus	0
Morality and the Novelist in James: ‘The Author of Beltraffio’ and ‘The Lesson of the Master’	0
‘Catching the very note and trick’: James’s Browning	0
Tennyson’s Poems: New Textual Parallels. Edited by R.H. Winnick	0
Robert Frost: Teaching and the Pleasure of Ulteriority	0
Airy Invigilating: George Herbert and Seamus Heaney	0
Shakespeare’s Academy	0
The Gravity and Levity of the Reverend Sydney Smith	0
Bunyan and Textual Criticism: Revising the Wife in Pilgrim’s Progress	0
Erratum to: THE EDITORIAL IMAGINATION VII: The New Conrad: A Reply to Cedric Watts, ‘Conrad in the Cambridge Edition’	0
The Selected Letters of John Berryman, edited by Philip Coleman and Calista McRae	0
‘Sans “sans” I pray you’: A Serious Shakespearian Joke	0
Roger Lonsdale	0
Dream-Child: A Life of Charles Lamb. By Eric G. Wilson	0
Tristram Shandy, edited by Judith Hawley	0
Ralph Cohen and the Principles of Genre	0
Kisses and Comedy in Astrophil and Stella	0
On Seamus Heaney. By R. F. Foster	0
The World as It Is	0
On the Parenthesis in T. S. Eliot’s The Cultivation of Christmas Trees	0

‘Mr Eliot somewhere says’: The ‘affectation of unaffectedness’ in Seven Types of Ambiguity	0
Two Bateson Poems	0
The Comedian as Wallace Stevens	0
Evolution, Ideology, and Emergence in The Cantos	0
Henry James and Incompleteness	0
‘To Tirzah’, or William Blake’s Changes of Mind	0
History in Understanding Poetry	0
‘Depleted Fury’: The Poetry of Keith Douglas	0
Reading for Attention: The Good Soldier in the Method Wars	0
Charlotte Brontë’s Shirley and the ‘Panoramic’ Novel	0
A Romance with Words	0
Affinities: On Art and Fascination. By Brian Dillon	0
Jane Austen and the Wrong Man	0
The Final Simile of ‘The Scholar-Gypsy’	0
Printing Thomas Hardy’s Pronouns	0
Poetry and the Police State	0
Book Traces: Nineteenth-Century Readers and the Future of the Library. By Andrew M. Stauffer	0
TRYING UNCERTAINTY	0
That’s Me All Right!	0
Barbara Pym and Her Sisters	0
In A Tremble Ever Since	0
Walter Pater’s European Imagination. By Lene Østermark-Johansen	0
The Form of Samuel Johnson’s Letters	0
Larkin’s ‘Suppressed Betjeman Period’	0
On Translating Virgil: A Response	0
Sailing to Byzantium: After W. B. Yeats	0
Escaping Impressionism: Titian, Manet, Early Yeats	0
Shelley and Tennyson under The Rainbow	0
Impossible Rhyme in Geoffrey Hill	0
If Not Critical. By Eric Griffiths. Edited by Freya Johnston	0
Russomania. Russian Culture and the Creation of British Modernism, 1881-1922. By Rebecca Beasley	0
Jane Austen’s Style: Narrative Economy and the Novel’s Growth. By Anne Toner	0
Wyatt: Satirist in Secret	0
Lionel Trilling’s The Liberal Imagination	0
Churchill’s Nervousness	0
The Dolphin: Two Versions, 1972–1973. By Robert Lowell. Edited by Saskia Hamilton; The Dolphin Letters, 1970–1979: Elizabeth Hardwick, Robert Lowell, and Their Circle. Edited by Saskia H	0
Two Shakespearean Suicides	0
Tennyson’s Poems: New Textual Parallels. Edited by R. H. Winnick	0
THE EDITORIAL IMAGINATION VII The New Conrad: A Reply to Cedric Watts, ‘Conrad in the Cambridge Edition’	0
The Foreign Connection	0
The Life and Poetry of George Darley by Donald J. Lange	0
Shelley’s Poet-Birds	0
Samuel Richardson, Ford Madox Ford, and How to End a Novel	0
Poetry & Money: A Speculation. By Peter Robinson	0
Brunette Coleman Revisited	0
The Poet’s Mistake. By Erica McAlpine	0
QUAQUA	0
Seamus Heaney and Contingency	0
‘Better a Live Sparrow than a Stuffed Eagle’: On Edward FitzGerald’s ‘Bird-Parliament’	0
A Valediction for Saskia Hamilton: 5 May 1967 – 7 June 2023	0

An Intuition about Kipling: New Annotations for Eliot	0
The Symbolic Sacrifice of Woman in Three Late Stories of Henry James	0
Dweller in the Shadows: A Life of Ivor Gurney. By Kate Kennedy	0
Sidney and Herbert on Failure: Modesty Topos or Writer’s Block?	0
Austen and Death	0
Album Verses and Romantic Literary Culture: Poetry, Manuscript, Print, 1780-1850. By Samantha Matthews	0
Genre, Motifs, and the Failure of Hellenism in Jacob’s Room	0
Silence in Shakespeare’s Comedies	0
Voice and Judgement in Mansfield Park	0
Word and Picture in Walter Scott	0
Covering The Necessity of Atheism	0
Under the Sign of Contradiction: Mandelstam and the Politics of Memory. By Anna Razumnaya	0
Barbara Pym’s Last Title	0
Poetry and Diffidence: A Brief History	0
If Memory Serves	0
‘The Aspern Papers in reverse’: A Note on the Emily Hale Letters	0
Melodrama and Cosmopolitanism in The Trumpet-Major	0
Cross of Snow: A Life of Henry Wadsworth Longfellow. By Nicholas A. Basbanes	0
A Will to Believe	0
Superlative Clough	0
Translation in Love’s Labour’s Lost	0
Ballads and Product Placement in the Time of Shakespeare	0
Late Romance: Anthony Hecht, a Poet’s Life. By David Yezzi	0
Defoe’s Deist Masterpiece?	0
Correction to: Robert Frost: Teaching and the Pleasure of Ulteriority	0
Purity of Diction in English Verse	0
Bright Knots of Apparitions: Meeting the Dead in Modern Poetry	0
Beckett’s Dante Marginalia: To Heaven and Back	0
Talking Modernism: Donald Hall’s Paris Review Interviews	0
THE HAWKS AND THE DOVES: Raptors and Rapture in the Poems of Thom Gunn and Ted Hughes	0
The Well of Dreams	0
Interpretation and Authority in Marvell’s ‘The Nymph Complaining’	0
Shakespeare’s Love-Triangle Poems	0
Morris’s Dramatic Scenes	0
Haunting the Revolution	0
A History of Ambiguity. By Anthony Ossa-Richardson	0
The New Eighteenth Century Poetry?	0
The Teasing Realism of Penelope Fitzgerald	0
Death and Betrayal in The Book of the Duchess	0
Can We Take Pip’s Word For It?	0
Organic Form and Creative Impotence in Golding’s The Spire	0