Essays in Criticism

Papers
(The TQCC of Essays in Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Organic Form and Creative Impotence in Golding’s The Spire1
Hopkins and the Commonwealth1
Samuel Richardson, Ford Madox Ford, and How to End a Novel1
The New Eighteenth Century Poetry?1
QUAQUA0
Kisses and Comedy in Astrophil and Stella0
Dream-Child: A Life of Charles Lamb. By Eric G. Wilson0
Jane Austen Remembering and Forgetting0
Sailing to Byzantium: After W. B. Yeats0
Printing Thomas Hardy’s Pronouns0
Evolution, Ideology, and Emergence in The Cantos0
Silence in Shakespeare’s Comedies0
A Romance with Words0
The World as It Is0
Late Romance: Anthony Hecht, a Poet’s Life. By David Yezzi0
‘Depleted Fury’: The Poetry of Keith Douglas0
Roger Lonsdale0
The Gravity and Levity of the Reverend Sydney Smith0
Lyric Philosophy0
The Aspern Papers in reverse’: A Note on the Emily Hale Letters0
Basil Bunting’s Persians0
‘Catching the very note and trick’: James’s Browning0
Poetry and the Police State0
Two Bateson Poems0
Two Poems0
Displayed Quotation in Edward Thomas’s Short Fiction0
Real Magic in Sir Gawain and the Green Knight0
Yes No: Form and Content in The Third Policeman0
Interpretation and Authority in Marvell’s ‘The Nymph Complaining’0
Innocence as Harmlessness in Blake’s Songs0
Late Stevens0
The Poet’s Mistake. By Erica McAlpine0
Barbara Pym at War (So Very Secret)0
Doubleness in Percival Everett’s James0
Death and Betrayal in The Book of the Duchess0
Escaping Impressionism: Titian, Manet, Early Yeats0
Brunette Coleman Revisited0
Wyatt: Satirist in Secret0
An Intuition about Kipling: New Annotations for Eliot0
Walter Pater’s European Imagination. By Lene Østermark-Johansen0
NEW IMPRESSIONS XXI The Meaning of Shakespeare0
Falling Over with Frances Burney0
Ends and Elisions in Wordsworth’s Counting Songs0
A Will to Believe0
The Final Simile of ‘The Scholar-Gypsy’0
Robert Frost: Teaching and the Pleasure of Ulteriority0
A Valediction for Saskia Hamilton: 5 May 1967 – 7 June 20230
Is Timon of Athens?0
Beckett’s Dante Marginalia: To Heaven and Back0
Voice and Judgement in Mansfield Park0
The Comic’s Last Supper0
Sidney and Herbert on Failure: Modesty Topos or Writer’s Block?0
A Rational Mystic0
Defoe’s Deist Masterpiece?0
The Foreign Connection0
AND TAAK A WYF, FOR HYE GODDES SAKE!0
Churchill’s Nervousness0
Double Parts: Eliot, ‘Little Gidding’, and the Approach to Joyce0
‘le temps de l’insurrection’: Robespierre to Wordsworth0
In Translation0
Larkin’s ‘Suppressed Betjeman Period’0
The Teasing Realism of Penelope Fitzgerald0
TRYING UNCERTAINTY0
Correction to: Robert Frost: Teaching and the Pleasure of Ulteriority0
T. S. Eliot: The Collected Prose. Edited by Archie Burnett0
Shelley’s Poet-Birds0
Charlotte Brontë’s Shirley and the ‘Panoramic’ Novel0
Shakespeare’s Animals: Is There Anything It Is Like To Be Adonis?0
Does This Sound Write?0
That’s Me All Right!0
The Life and Poetry of George Darley by Donald J. Lange0
Austen and Death0
Inevitable Rhyme in Geoffrey Hill0
The Well of Dreams0
Henry James and Charisma0
The Comedian as Wallace Stevens0
The Form of Samuel Johnson’s Letters0
Airy Invigilating: George Herbert and Seamus Heaney0
Haunting the Revolution0
Genre, Motifs, and the Failure of Hellenism in Jacob’s Room0
Barbara Pym’s Last Title0
If Memory Serves0
Henry James’s Pony0
History in Understanding Poetry0
Reading for Attention: The Good Soldier in the Method Wars0
The Pentangle and the Scales: Sir Gawain and the Green Knight and Measure for Measure0
Bunyan and Textual Criticism: Revising the Wife in Pilgrim’s Progress0
Affinities: On Art and Fascination. By Brian Dillon0
Freedom, Responsibility, and Fable in Golding’s Darkness Visible0
New Impressions XX Seven Types of Ambiguity0
Talking Modernism: Donald Hall’s Paris Review Interviews0
Covering The Necessity of Atheism0
Ballads and Product Placement in the Time of Shakespeare0
Behind The Times0
From The Morlocks: A Fantasia0
Edmund Gosse’s Aesthetic Antinomianism0
Barbara Pym and Her Sisters0
Composing ‘The Nightfishing’0
In A Tremble Ever Since0
Morality and the Novelist in James: ‘The Author of Beltraffio’ and ‘The Lesson of the Master’0
Bright Knots of Apparitions: Meeting the Dead in Modern Poetry0
Past and Present: An Autobiography. By Edward Greenwood0
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