Essays in Criticism

Papers
(The TQCC of Essays in Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Shakespeare’s Animals: Is There Anything It Is Like To Be Adonis?1
Jane Austen’s Fiction Manuscripts. Edited by Kathryn Sutherland1
Finding Dickens Serious1
THE EDITORIAL IMAGINATION VIII Theobald Restored1
Genre, Motifs, and the Failure of Hellenism in Jacob’s Room0
‘To Tirzah’, or William Blake’s Changes of Mind0
Death and Betrayal in The Book of the Duchess0
Charlotte Brontë’s Shirley and the ‘Panoramic’ Novel0
Dweller in the Shadows: A Life of Ivor Gurney. By Kate Kennedy0
Poetry & Money: A Speculation. By Peter Robinson0
That’s Me All Right!0
Jane Austen and the Wrong Man0
Tennyson’s Poems: New Textual Parallels. Edited by R.H. Winnick0
E. E. Cummings by the Numbers0
The Form of Samuel Johnson’s Letters0
Thomas Usk’s Imprisoned Voice0
If Memory Serves0
Escaping Impressionism: Titian, Manet, Early Yeats0
Voice and Judgement in Mansfield Park0
Impossible Rhyme in Geoffrey Hill0
Word and Picture in Walter Scott0
‘Sans “sans” I pray you’: A Serious Shakespearian Joke0
Barbara Pym’s Last Title0
King Multitude: Browning and Coriolanus0
Poetry and Diffidence: A Brief History0
If Not Critical. By Eric Griffiths. Edited by Freya Johnston0
Tristram Shandy, edited by Judith Hawley0
The Scholar-Collector0
Kisses and Comedy in Astrophil and Stella0
T. S. Eliot and Organicism. By Jeremy Diaper0
Dream-Child: A Life of Charles Lamb. By Eric G. Wilson0
On the Parenthesis in T. S. Eliot’s The Cultivation of Christmas Trees0
Wyatt: Satirist in Secret0
Translation in Love’s Labour’s Lost0
Shelley’s Poet-Birds0
The Dolphin: Two Versions, 1972–1973. By Robert Lowell. Edited by Saskia Hamilton; The Dolphin Letters, 1970–1979: Elizabeth Hardwick, Robert Lowell, and Their Circle. Edited by Saskia H0
Brunette Coleman Revisited0
THE EDITORIAL IMAGINATION VII The New Conrad: A Reply to Cedric Watts, ‘Conrad in the Cambridge Edition’0
Purity of Diction in English Verse0
Reading for Attention: The Good Soldier in the Method Wars0
The Well of Dreams0
In A Tremble Ever Since0
Haunting the Revolution0
Morality and the Novelist in James: ‘The Author of Beltraffio’ and ‘The Lesson of the Master’0
Morris’s Dramatic Scenes0
Wordsworth’s Poetry, 1815-1845. by Tim Fulford0
Talking Modernism: Donald Hall’s Paris Review Interviews0
Poetry and the Police State0
Seamus Heaney and Contingency0
Sure of One Thing: The Sense of an Ending0
New Impressions XX Seven Types of Ambiguity0
Silence in Shakespeare’s Comedies0
Can We Take Pip’s Word For It?0
Samuel Richardson, Ford Madox Ford, and How to End a Novel0
Under the Sign of Contradiction: Mandelstam and the Politics of Memory. By Anna Razumnaya0
Book Traces: Nineteenth-Century Readers and the Future of the Library. By Andrew M. Stauffer0
Sailing to Byzantium: After W. B. Yeats0
The Aspern Papers in reverse’: A Note on the Emily Hale Letters0
Airy Invigilating: George Herbert and Seamus Heaney0
A Romance with Words0
Shakespeare’s Academy0
Auden and the Infernal Sciences0
Roger Lonsdale0
Sidney and Herbert on Failure: Modesty Topos or Writer’s Block?0
A Will to Believe0
Erratum to: THE EDITORIAL IMAGINATION VII: The New Conrad: A Reply to Cedric Watts, ‘Conrad in the Cambridge Edition’0
The Teasing Realism of Penelope Fitzgerald0
Churchill’s Nervousness0
Melodrama and Cosmopolitanism in The Trumpet-Major0
Jane Austen’s Style: Narrative Economy and the Novel’s Growth. By Anne Toner0
Tennyson’s Poems: New Textual Parallels. Edited by R. H. Winnick0
Ballads and Product Placement in the Time of Shakespeare0
Ralph Cohen and the Principles of Genre0
Elizabeth Bishop’s Animal Manners0
Correction to: Robert Frost: Teaching and the Pleasure of Ulteriority0
Two Shakespearean Suicides0
Shelleyan Reimaginings and Influence: New Relations. By Michael O’Neill0
The Final Simile of ‘The Scholar-Gypsy’0
Two Bateson Poems0
QUAQUA0
History in Understanding Poetry0
Organic Form and Creative Impotence in Golding’s The Spire0
THE HAWKS AND THE DOVES: Raptors and Rapture in the Poems of Thom Gunn and Ted Hughes0
An Intuition about Kipling: New Annotations for Eliot0
A History of Ambiguity. By Anthony Ossa-Richardson0
‘Better a Live Sparrow than a Stuffed Eagle’: On Edward FitzGerald’s ‘Bird-Parliament’0
Henry James and Incompleteness0
Austen and Death0
Plath, Hughes, and Amy Lowell: Relations and Reflections0
TRYING UNCERTAINTY0
The Foreign Connection0
Robert Frost: Teaching and the Pleasure of Ulteriority0
Walter Pater and Personification0
Bunyan and Textual Criticism: Revising the Wife in Pilgrim’s Progress0
Album Verses and Romantic Literary Culture: Poetry, Manuscript, Print, 1780-1850. By Samantha Matthews0
The Selected Letters of John Berryman, edited by Philip Coleman and Calista McRae0
Interpretation and Authority in Marvell’s ‘The Nymph Complaining’0
Tennyson and Werther0
Larkin’s ‘Suppressed Betjeman Period’0
A Valediction for Saskia Hamilton: 5 May 1967 – 7 June 20230
On Translating Virgil: A Response0
Conrad in the Cambridge Edition0
Superlative Clough0
Evelyn Waugh: A Life Revisited. by Philip Eade; Evelyn Waugh: The Writer and His Work. by Ann Pasternak Slater0
Dispossession in The Death of the Heart0
Shelley and Tennyson under The Rainbow0
Cross of Snow: A Life of Henry Wadsworth Longfellow. By Nicholas A. Basbanes0
Defoe’s Deist Masterpiece?0
Russomania. Russian Culture and the Creation of British Modernism, 1881-1922. By Rebecca Beasley0
The Politics of Parody: A Literary History of Caricature, 1760-1830. By David Taylor0
The Comedian as Wallace Stevens0
On Seamus Heaney. By R. F. Foster0
Lionel Trilling’s The Liberal Imagination0
‘Mr Eliot somewhere says’: The ‘affectation of unaffectedness’ in Seven Types of Ambiguity0
Vacuum and Disembodiment in Hamlet0
Shakespeare’s Love-Triangle Poems0
The Symbolic Sacrifice of Woman in Three Late Stories of Henry James0
The New Eighteenth Century Poetry?0
The Life and Poetry of George Darley by Donald J. Lange0
Affinities: On Art and Fascination. By Brian Dillon0
The Poet’s Mistake. By Erica McAlpine0
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