OOIR: Observatory of International Research

Papers

(The median citation count of Essays in Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
Organic Form and Creative Impotence in Golding’s The Spire	1
Hopkins and the Commonwealth	1
Samuel Richardson, Ford Madox Ford, and How to End a Novel	1
The New Eighteenth Century Poetry?	1
Talking Modernism: Donald Hall’s Paris Review Interviews	0
Sidney and Herbert on Failure: Modesty Topos or Writer’s Block?	0
Covering The Necessity of Atheism	0
New Impressions XX Seven Types of Ambiguity	0
From The Morlocks: A Fantasia	0
AND TAAK A WYF, FOR HYE GODDES SAKE!	0
Edmund Gosse’s Aesthetic Antinomianism	0
Behind The Times	0
Barbara Pym and Her Sisters	0
Composing ‘The Nightfishing’	0
In A Tremble Ever Since	0
Morality and the Novelist in James: ‘The Author of Beltraffio’ and ‘The Lesson of the Master’	0
Bright Knots of Apparitions: Meeting the Dead in Modern Poetry	0
Past and Present: An Autobiography. By Edward Greenwood	0
QUAQUA	0
Kisses and Comedy in Astrophil and Stella	0
Jane Austen Remembering and Forgetting	0
Dream-Child: A Life of Charles Lamb. By Eric G. Wilson	0
Printing Thomas Hardy’s Pronouns	0
Sailing to Byzantium: After W. B. Yeats	0
A Romance with Words	0

Evolution, Ideology, and Emergence in The Cantos	0
‘Depleted Fury’: The Poetry of Keith Douglas	0
Roger Lonsdale	0
The Comedian as Wallace Stevens	0
The World as It Is	0
Lyric Philosophy	0
‘The Aspern Papers in reverse’: A Note on the Emily Hale Letters	0
Haunting the Revolution	0
Basil Bunting’s Persians	0
Two Bateson Poems	0
If Memory Serves	0
Two Poems	0
Poetry and the Police State	0
Real Magic in Sir Gawain and the Green Knight	0
The Pentangle and the Scales: Sir Gawain and the Green Knight and Measure for Measure	0
Yes No: Form and Content in The Third Policeman	0
Displayed Quotation in Edward Thomas’s Short Fiction	0
Innocence as Harmlessness in Blake’s Songs	0
Ballads and Product Placement in the Time of Shakespeare	0
Late Stevens	0
Interpretation and Authority in Marvell’s ‘The Nymph Complaining’	0
The Poet’s Mistake. By Erica McAlpine	0
Barbara Pym at War (So Very Secret)	0
Doubleness in Percival Everett’s James	0
Death and Betrayal in The Book of the Duchess	0
Escaping Impressionism: Titian, Manet, Early Yeats	0
Brunette Coleman Revisited	0
Wyatt: Satirist in Secret	0
An Intuition about Kipling: New Annotations for Eliot	0
NEW IMPRESSIONS XXI The Meaning of Shakespeare	0
Walter Pater’s European Imagination. By Lene Østermark-Johansen	0
A Will to Believe	0
Falling Over with Frances Burney	0
A Valediction for Saskia Hamilton: 5 May 1967 – 7 June 2023	0
The Final Simile of ‘The Scholar-Gypsy’	0
Beckett’s Dante Marginalia: To Heaven and Back	0
Voice and Judgement in Mansfield Park	0
Silence in Shakespeare’s Comedies	0
The Comic’s Last Supper	0
Defoe’s Deist Masterpiece?	0
Late Romance: Anthony Hecht, a Poet’s Life. By David Yezzi	0
The Foreign Connection	0
A Rational Mystic	0
Double Parts: Eliot, ‘Little Gidding’, and the Approach to Joyce	0
The Gravity and Levity of the Reverend Sydney Smith	0
‘le temps de l’insurrection’: Robespierre to Wordsworth	0
Churchill’s Nervousness	0
Larkin’s ‘Suppressed Betjeman Period’	0
‘Catching the very note and trick’: James’s Browning	0
The Teasing Realism of Penelope Fitzgerald	0

In Translation	0
Correction to: Robert Frost: Teaching and the Pleasure of Ulteriority	0
T. S. Eliot: The Collected Prose. Edited by Archie Burnett	0
TRYING UNCERTAINTY	0
Shelley’s Poet-Birds	0
Charlotte Brontë’s Shirley and the ‘Panoramic’ Novel	0
Shakespeare’s Animals: Is There Anything It Is Like To Be Adonis?	0
Does This Sound Write?	0
That’s Me All Right!	0
Austen and Death	0
The Life and Poetry of George Darley by Donald J. Lange	0
The Well of Dreams	0
Inevitable Rhyme in Geoffrey Hill	0
The Form of Samuel Johnson’s Letters	0
Henry James and Charisma	0
Genre, Motifs, and the Failure of Hellenism in Jacob’s Room	0
Barbara Pym’s Last Title	0
Ends and Elisions in Wordsworth’s Counting Songs	0
Airy Invigilating: George Herbert and Seamus Heaney	0
Henry James’s Pony	0
History in Understanding Poetry	0
Robert Frost: Teaching and the Pleasure of Ulteriority	0
Reading for Attention: The Good Soldier in the Method Wars	0
Affinities: On Art and Fascination. By Brian Dillon	0
Is Timon of Athens?	0
Freedom, Responsibility, and Fable in Golding’s Darkness Visible	0
Bunyan and Textual Criticism: Revising the Wife in Pilgrim’s Progress	0