OOIR: Observatory of International Research

Papers

(The median citation count of Essays in Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
The New Eighteenth Century Poetry?	2
Samuel Richardson, Ford Madox Ford, and How to End a Novel	1
Organic Form and Creative Impotence in Golding’s The Spire	1
Hopkins and the Commonwealth	1
‘Depleted Fury’: The Poetry of Keith Douglas	0
The Final Simile of ‘The Scholar-Gypsy’	0
Lyric Philosophy	0
Robert Frost: Teaching and the Pleasure of Ulteriority	0
Roger Lonsdale	0
The World as It Is	0
Thomas Pringle and ‘Kubla Khan’	0
Late Romance: Anthony Hecht, a Poet’s Life. By David Yezzi	0
Defoe’s Deist Masterpiece?	0
Two Poems	0
A Will to Believe	0
The Gravity and Levity of the Reverend Sydney Smith	0
Reading for Attention: The Good Soldier in the Method Wars	0
Covering The Necessity of Atheism	0
The Comedian as Wallace Stevens	0
Composing ‘The Nightfishing’	0
Yes No: Form and Content in The Third Policeman	0
Interpretation and Authority in Marvell’s ‘The Nymph Complaining’	0
From The Morlocks: A Fantasia	0
Struck in Gold	0
Doubleness in Percival Everett’s James	0

Correction to: Robert Frost: Teaching and the Pleasure of Ulteriority	0
The Well of Dreams	0
Basil Bunting’s Persians	0
Morality and the Novelist in James: ‘The Author of Beltraffio’ and ‘The Lesson of the Master’	0
That’s Me All Right!	0
Real Magic in Sir Gawain and the Green Knight	0
Austen and Death	0
Inevitable Rhyme in Geoffrey Hill	0
Worldly Tenancy: Amit Chaudhuri, The Immortals , and the Novel	0
The Foreign Connection	0
Henry James and Charisma	0
Beckett’s Dante Marginalia: To Heaven and Back	0
Ends and Elisions in Wordsworth’s Counting Songs	0
AND TAAK A WYF, FOR HYE GODDES SAKE!	0
Airy Invigilating: George Herbert and Seamus Heaney	0
A Rational Mystic	0
Lewis Carroll’s Usefulness	0
Voice and Judgement in Mansfield Park	0
A Valediction for Saskia Hamilton: 5 May 1967 – 7 June 2023	0
New Impressions XX Seven Types of Ambiguity	0
Is Timon of Athens?	0
Affinities: On Art and Fascination. By Brian Dillon	0
Genre, Motifs, and the Failure of Hellenism in Jacob’s Room	0
Sidney and Herbert on Failure: Modesty Topos or Writer’s Block?	0
The Comic’s Last Supper	0
The Teasing Realism of Penelope Fitzgerald	0
Displayed Quotation in Edward Thomas’s Short Fiction	0
‘Catching the very note and trick’: James’s Browning	0
Late Stevens	0
TRYING UNCERTAINTY	0
Innocence as Harmlessness in Blake’s Songs	0
Barbara Pym at War (So Very Secret)	0
Past and Present: An Autobiography. By Edward Greenwood	0
Shelley’s Poet-Birds	0
Bright Knots of Apparitions: Meeting the Dead in Modern Poetry	0
The Form of Samuel Johnson’s Letters	0
Death and Betrayal in The Book of the Duchess	0
Kisses and Comedy in Astrophil and Stella	0
QUAQUA	0
Jane Austen Remembering and Forgetting	0
Charlotte Brontë’s Shirley and the ‘Panoramic’ Novel	0
Sailing to Byzantium: After W. B. Yeats	0
Churchill’s Nervousness	0
Evolution, Ideology, and Emergence in The Cantos	0
Henry James’s Pony	0
Silence in Shakespeare’s Comedies	0
Barbara Pym’s Last Title	0
Larkin’s ‘Suppressed Betjeman Period’	0
Poetry and the Police State	0
Haunting the Revolution	0

History in Understanding Poetry	0
A Romance with Words	0
Brunette Coleman Revisited	0
If Memory Serves	0
Talking Modernism: Donald Hall’s Paris Review Interviews	0
‘le temps de l’insurrection’: Robespierre to Wordsworth	0
The Pentangle and the Scales: Sir Gawain and the Green Knight and Measure for Measure	0
Double Parts: Eliot, ‘Little Gidding’, and the Approach to Joyce	0
Edmund Gosse’s Aesthetic Antinomianism	0
Behind The Times	0
Wyatt: Satirist in Secret	0
T. S. Eliot: The Collected Prose. Edited by Archie Burnett	0
In A Tremble Ever Since	0
Barbara Pym and Her Sisters	0
Freedom, Responsibility, and Fable in Golding’s Darkness Visible	0
Euripides in T. S. Eliot’s Marina	0
Whistler and the ‘Poetry’ of Pictures	0
Criticism in ‘A Centrifugal Age’	0
In Translation	0
Does This Sound Write?	0
An Intuition about Kipling: New Annotations for Eliot	0
Walter Pater’s European Imagination. By Lene Østermark-Johansen	0
NEW IMPRESSIONS XXI The Meaning of Shakespeare	0
Printing Thomas Hardy’s Pronouns	0
Falling Over with Frances Burney	0