OOIR: Observatory of International Research

Papers

(The median citation count of Essays in Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
New Impressions XX Seven Types of Ambiguity	1
Finding Dickens Serious	1
Auden and the Infernal Sciences	1
Shakespeare’s Animals: Is There Anything It Is Like To Be Adonis?	1
THE EDITORIAL IMAGINATION VIII Theobald Restored	1
Haunting the Revolution	0
A History of Ambiguity. By Anthony Ossa-Richardson	0
A Valediction for Saskia Hamilton: 5 May 1967 – 7 June 2023	0
The New Eighteenth Century Poetry?	0
Can We Take Pip’s Word For It?	0
Sidney and Herbert on Failure: Modesty Topos or Writer’s Block?	0
Organic Form and Creative Impotence in Golding’s The Spire	0
Death and Betrayal in The Book of the Duchess	0
‘Catching the very note and trick’: James’s Browning	0
Covering The Necessity of Atheism	0
Tennyson’s Poems: New Textual Parallels. Edited by R.H. Winnick	0
Morality and the Novelist in James: ‘The Author of Beltraffio’ and ‘The Lesson of the Master’	0
Airy Invigilating: George Herbert and Seamus Heaney	0
If Memory Serves	0
Shakespeare’s Academy	0
Robert Frost: Teaching and the Pleasure of Ulteriority	0
Erratum to: THE EDITORIAL IMAGINATION VII: The New Conrad: A Reply to Cedric Watts, ‘Conrad in the Cambridge Edition’	0
Cross of Snow: A Life of Henry Wadsworth Longfellow. By Nicholas A. Basbanes	0
Bunyan and Textual Criticism: Revising the Wife in Pilgrim’s Progress	0
Translation in Love’s Labour’s Lost	0

‘Sans “sans” I pray you’: A Serious Shakespearian Joke	0
Roger Lonsdale	0
Late Romance: Anthony Hecht, a Poet’s Life. By David Yezzi	0
Kisses and Comedy in Astrophil and Stella	0
Tristram Shandy, edited by Judith Hawley	0
Purity of Diction in English Verse	0
On the Parenthesis in T. S. Eliot’s The Cultivation of Christmas Trees	0
On Seamus Heaney. By R. F. Foster	0
THE HAWKS AND THE DOVES: Raptors and Rapture in the Poems of Thom Gunn and Ted Hughes	0
The Comedian as Wallace Stevens	0
‘Mr Eliot somewhere says’: The ‘affectation of unaffectedness’ in Seven Types of Ambiguity	0
Henry James and Incompleteness	0
History in Understanding Poetry	0
Evolution, Ideology, and Emergence in The Cantos	0
Reading for Attention: The Good Soldier in the Method Wars	0
Charlotte Brontë’s Shirley and the ‘Panoramic’ Novel	0
‘Depleted Fury’: The Poetry of Keith Douglas	0
Jane Austen and the Wrong Man	0
The Teasing Realism of Penelope Fitzgerald	0
The Final Simile of ‘The Scholar-Gypsy’	0
Affinities: On Art and Fascination. By Brian Dillon	0
Book Traces: Nineteenth-Century Readers and the Future of the Library. By Andrew M. Stauffer	0
King Multitude: Browning and Coriolanus	0
TRYING UNCERTAINTY	0
Poetry and the Police State	0
Barbara Pym and Her Sisters	0
The Gravity and Levity of the Reverend Sydney Smith	0
In A Tremble Ever Since	0
That’s Me All Right!	0
Larkin’s ‘Suppressed Betjeman Period’	0
The Selected Letters of John Berryman, edited by Philip Coleman and Calista McRae	0
On Translating Virgil: A Response	0
The Form of Samuel Johnson’s Letters	0
Shelley and Tennyson under The Rainbow	0
Dream-Child: A Life of Charles Lamb. By Eric G. Wilson	0
Escaping Impressionism: Titian, Manet, Early Yeats	0
Ralph Cohen and the Principles of Genre	0
If Not Critical. By Eric Griffiths. Edited by Freya Johnston	0
Russomania. Russian Culture and the Creation of British Modernism, 1881-1922. By Rebecca Beasley	0
The World as It Is	0
Churchill’s Nervousness	0
Wyatt: Satirist in Secret	0
Two Bateson Poems	0
Tennyson’s Poems: New Textual Parallels. Edited by R. H. Winnick	0
The Dolphin: Two Versions, 1972–1973. By Robert Lowell. Edited by Saskia Hamilton; The Dolphin Letters, 1970–1979: Elizabeth Hardwick, Robert Lowell, and Their Circle. Edited by Saskia H	0
The Foreign Connection	0
Shelley’s Poet-Birds	0
THE EDITORIAL IMAGINATION VII The New Conrad: A Reply to Cedric Watts, ‘Conrad in the Cambridge Edition’	0
‘To Tirzah’, or William Blake’s Changes of Mind	0
Poetry & Money: A Speculation. By Peter Robinson	0

The Poet’s Mistake. By Erica McAlpine	0
Samuel Richardson, Ford Madox Ford, and How to End a Novel	0
QUAQUA	0
Seamus Heaney and Contingency	0
A Romance with Words	0
‘Better a Live Sparrow than a Stuffed Eagle’: On Edward FitzGerald’s ‘Bird-Parliament’	0
The Symbolic Sacrifice of Woman in Three Late Stories of Henry James	0
Printing Thomas Hardy’s Pronouns	0
Dweller in the Shadows: A Life of Ivor Gurney. By Kate Kennedy	0
An Intuition about Kipling: New Annotations for Eliot	0
Album Verses and Romantic Literary Culture: Poetry, Manuscript, Print, 1780-1850. By Samantha Matthews	0
Walter Pater’s European Imagination. By Lene Østermark-Johansen	0
Genre, Motifs, and the Failure of Hellenism in Jacob’s Room	0
Austen and Death	0
Voice and Judgement in Mansfield Park	0
Sailing to Byzantium: After W. B. Yeats	0
Word and Picture in Walter Scott	0
Silence in Shakespeare’s Comedies	0
Barbara Pym’s Last Title	0
Impossible Rhyme in Geoffrey Hill	0
Poetry and Diffidence: A Brief History	0
Under the Sign of Contradiction: Mandelstam and the Politics of Memory. By Anna Razumnaya	0
Melodrama and Cosmopolitanism in The Trumpet-Major	0
Jane Austen’s Style: Narrative Economy and the Novel’s Growth. By Anne Toner	0
‘The Aspern Papers in reverse’: A Note on the Emily Hale Letters	0
Lionel Trilling’s The Liberal Imagination	0
A Will to Believe	0
Superlative Clough	0
Two Shakespearean Suicides	0
Defoe’s Deist Masterpiece?	0
Ballads and Product Placement in the Time of Shakespeare	0
The Life and Poetry of George Darley by Donald J. Lange	0
Bright Knots of Apparitions: Meeting the Dead in Modern Poetry	0
Correction to: Robert Frost: Teaching and the Pleasure of Ulteriority	0
Talking Modernism: Donald Hall’s Paris Review Interviews	0
The Well of Dreams	0
Beckett’s Dante Marginalia: To Heaven and Back	0
Brunette Coleman Revisited	0
Shakespeare’s Love-Triangle Poems	0
Morris’s Dramatic Scenes	0
Interpretation and Authority in Marvell’s ‘The Nymph Complaining’	0