OOIR: Observatory of International Research

Papers

(The median citation count of Essays in Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
Jane Austen’s Fiction Manuscripts. Edited by Kathryn Sutherland	1
Finding Dickens Serious	1
THE EDITORIAL IMAGINATION VIII Theobald Restored	1
Shakespeare’s Animals: Is There Anything It Is Like To Be Adonis?	1
In A Tremble Ever Since	0
Morality and the Novelist in James: ‘The Author of Beltraffio’ and ‘The Lesson of the Master’	0
The Teasing Realism of Penelope Fitzgerald	0
Morris’s Dramatic Scenes	0
Poetry and the Police State	0
Jane Austen’s Style: Narrative Economy and the Novel’s Growth. By Anne Toner	0
Seamus Heaney and Contingency	0
Wordsworth’s Poetry, 1815-1845. by Tim Fulford	0
Silence in Shakespeare’s Comedies	0
Ralph Cohen and the Principles of Genre	0
Can We Take Pip’s Word For It?	0
Sure of One Thing: The Sense of an Ending	0
Under the Sign of Contradiction: Mandelstam and the Politics of Memory. By Anna Razumnaya	0
Two Shakespearean Suicides	0
Book Traces: Nineteenth-Century Readers and the Future of the Library. By Andrew M. Stauffer	0
Samuel Richardson, Ford Madox Ford, and How to End a Novel	0
‘The Aspern Papers in reverse’: A Note on the Emily Hale Letters	0
Two Bateson Poems	0
Airy Invigilating: George Herbert and Seamus Heaney	0
Shakespeare’s Academy	0
Auden and the Infernal Sciences	0

THE HAWKS AND THE DOVES: Raptors and Rapture in the Poems of Thom Gunn and Ted Hughes	0
Roger Lonsdale	0
A Will to Believe	0
Henry James and Incompleteness	0
Erratum to: THE EDITORIAL IMAGINATION VII: The New Conrad: A Reply to Cedric Watts, ‘Conrad in the Cambridge Edition’	0
The Foreign Connection	0
Melodrama and Cosmopolitanism in The Trumpet-Major	0
Churchill’s Nervousness	0
Ballads and Product Placement in the Time of Shakespeare	0
The Selected Letters of John Berryman, edited by Philip Coleman and Calista McRae	0
Tennyson’s Poems: New Textual Parallels. Edited by R. H. Winnick	0
Correction to: Robert Frost: Teaching and the Pleasure of Ulteriority	0
Shelleyan Reimaginings and Influence: New Relations. By Michael O’Neill	0
A Valediction for Saskia Hamilton: 5 May 1967 – 7 June 2023	0
Elizabeth Bishop’s Animal Manners	0
The Final Simile of ‘The Scholar-Gypsy’	0
QUAQUA	0
Evelyn Waugh: A Life Revisited. by Philip Eade; Evelyn Waugh: The Writer and His Work. by Ann Pasternak Slater	0
History in Understanding Poetry	0
Organic Form and Creative Impotence in Golding’s The Spire	0
An Intuition about Kipling: New Annotations for Eliot	0
Cross of Snow: A Life of Henry Wadsworth Longfellow. By Nicholas A. Basbanes	0
A History of Ambiguity. By Anthony Ossa-Richardson	0
Austen and Death	0
The Politics of Parody: A Literary History of Caricature, 1760-1830. By David Taylor	0
Plath, Hughes, and Amy Lowell: Relations and Reflections	0
‘Better a Live Sparrow than a Stuffed Eagle’: On Edward FitzGerald’s ‘Bird-Parliament’	0
Robert Frost: Teaching and the Pleasure of Ulteriority	0
Lionel Trilling’s The Liberal Imagination	0
Walter Pater and Personification	0
TRYING UNCERTAINTY	0
Bunyan and Textual Criticism: Revising the Wife in Pilgrim’s Progress	0
Vacuum and Disembodiment in Hamlet	0
Album Verses and Romantic Literary Culture: Poetry, Manuscript, Print, 1780-1850. By Samantha Matthews	0
Interpretation and Authority in Marvell’s ‘The Nymph Complaining’	0
Tennyson and Werther	0
The Life and Poetry of George Darley by Donald J. Lange	0
Larkin’s ‘Suppressed Betjeman Period’	0
On Translating Virgil: A Response	0
Conrad in the Cambridge Edition	0
‘To Tirzah’, or William Blake’s Changes of Mind	0
Superlative Clough	0
Dispossession in The Death of the Heart	0
Poetry & Money: A Speculation. By Peter Robinson	0
Shelley and Tennyson under The Rainbow	0
E. E. Cummings by the Numbers	0
Russomania. Russian Culture and the Creation of British Modernism, 1881-1922. By Rebecca Beasley	0
If Memory Serves	0
Defoe’s Deist Masterpiece?	0
On Seamus Heaney. By R. F. Foster	0

Impossible Rhyme in Geoffrey Hill	0
The Comedian as Wallace Stevens	0
‘Mr Eliot somewhere says’: The ‘affectation of unaffectedness’ in Seven Types of Ambiguity	0
Shakespeare’s Love-Triangle Poems	0
King Multitude: Browning and Coriolanus	0
The Symbolic Sacrifice of Woman in Three Late Stories of Henry James	0
The New Eighteenth Century Poetry?	0
Affinities: On Art and Fascination. By Brian Dillon	0
The Scholar-Collector	0
The Poet’s Mistake. By Erica McAlpine	0
Death and Betrayal in The Book of the Duchess	0
Dream-Child: A Life of Charles Lamb. By Eric G. Wilson	0
Charlotte Brontë’s Shirley and the ‘Panoramic’ Novel	0
Genre, Motifs, and the Failure of Hellenism in Jacob’s Room	0
That’s Me All Right!	0
Translation in Love’s Labour’s Lost	0
Jane Austen and the Wrong Man	0
Dweller in the Shadows: A Life of Ivor Gurney. By Kate Kennedy	0
The Form of Samuel Johnson’s Letters	0
Brunette Coleman Revisited	0
Thomas Usk’s Imprisoned Voice	0
Tennyson’s Poems: New Textual Parallels. Edited by R.H. Winnick	0
Escaping Impressionism: Titian, Manet, Early Yeats	0
Purity of Diction in English Verse	0
Voice and Judgement in Mansfield Park	0
Word and Picture in Walter Scott	0
‘Sans “sans” I pray you’: A Serious Shakespearian Joke	0
Haunting the Revolution	0
Barbara Pym’s Last Title	0
Poetry and Diffidence: A Brief History	0
If Not Critical. By Eric Griffiths. Edited by Freya Johnston	0
Talking Modernism: Donald Hall’s Paris Review Interviews	0
Tristram Shandy, edited by Judith Hawley	0
New Impressions XX Seven Types of Ambiguity	0
T. S. Eliot and Organicism. By Jeremy Diaper	0
Kisses and Comedy in Astrophil and Stella	0
Wyatt: Satirist in Secret	0
Sailing to Byzantium: After W. B. Yeats	0
On the Parenthesis in T. S. Eliot’s The Cultivation of Christmas Trees	0
The Dolphin: Two Versions, 1972–1973. By Robert Lowell. Edited by Saskia Hamilton; The Dolphin Letters, 1970–1979: Elizabeth Hardwick, Robert Lowell, and Their Circle. Edited by Saskia H	0
A Romance with Words	0
Shelley’s Poet-Birds	0
THE EDITORIAL IMAGINATION VII The New Conrad: A Reply to Cedric Watts, ‘Conrad in the Cambridge Edition’	0
Reading for Attention: The Good Soldier in the Method Wars	0
Sidney and Herbert on Failure: Modesty Topos or Writer’s Block?	0
The Well of Dreams	0