OOIR: Observatory of International Research

Papers

(The median citation count of Essays in Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)

Article	Citations
The New Eighteenth Century Poetry?	2
Organic Form and Creative Impotence in Golding’s The Spire	1
Hopkins and the Commonwealth	1
Samuel Richardson, Ford Madox Ford, and How to End a Novel	1
Charlotte Brontë’s Shirley and the ‘Panoramic’ Novel	0
Behind The Times	0
Does This Sound Write?	0
In A Tremble Ever Since	0
The Life and Poetry of George Darley by Donald J. Lange	0
That’s Me All Right!	0
Walter Pater’s European Imagination. By Lene Østermark-Johansen	0
Austen and Death	0
King Multitude: Browning and Coriolanus	0
Barbara Pym at War (So Very Secret)	0
Wyatt: Satirist in Secret	0
‘Better a Live Sparrow than a Stuffed Eagle’: On Edward FitzGerald’s ‘Bird-Parliament’	0
Shakespeare’s Animals: Is There Anything It Is Like To Be Adonis?	0
The Comedian as Wallace Stevens	0
Defoe’s Deist Masterpiece?	0
The Comic’s Last Supper	0
Henry James and Incompleteness	0
The Gravity and Levity of the Reverend Sydney Smith	0
Under the Sign of Contradiction: Mandelstam and the Politics of Memory. By Anna Razumnaya	0
A Valediction for Saskia Hamilton: 5 May 1967 – 7 June 2023	0
Is Timon of Athens?	0

Evolution, Ideology, and Emergence in The Cantos	0
Freedom, Responsibility, and Fable in Golding’s Darkness Visible	0
Beckett’s Dante Marginalia: To Heaven and Back	0
Sidney and Herbert on Failure: Modesty Topos or Writer’s Block?	0
Covering The Necessity of Atheism	0
Past and Present: An Autobiography. By Edward Greenwood	0
Double Parts: Eliot, ‘Little Gidding’, and the Approach to Joyce	0
Correction to: Robert Frost: Teaching and the Pleasure of Ulteriority	0
Late Stevens	0
New Impressions XX Seven Types of Ambiguity	0
Barbara Pym’s Last Title	0
The Poet’s Mistake. By Erica McAlpine	0
Shelley and Tennyson under The Rainbow	0
In Translation	0
The Symbolic Sacrifice of Woman in Three Late Stories of Henry James	0
Morality and the Novelist in James: ‘The Author of Beltraffio’ and ‘The Lesson of the Master’	0
Bright Knots of Apparitions: Meeting the Dead in Modern Poetry	0
Interpretation and Authority in Marvell’s ‘The Nymph Complaining’	0
Dweller in the Shadows: A Life of Ivor Gurney. By Kate Kennedy	0
Bunyan and Textual Criticism: Revising the Wife in Pilgrim’s Progress	0
The World as It Is	0
Kisses and Comedy in Astrophil and Stella	0
Ends and Elisions in Wordsworth’s Counting Songs	0
Inevitable Rhyme in Geoffrey Hill	0
Purity of Diction in English Verse	0
Falling Over with Frances Burney	0
Printing Thomas Hardy’s Pronouns	0
Real Magic in Sir Gawain and the Green Knight	0
Poetry & Money: A Speculation. By Peter Robinson	0
Talking Modernism: Donald Hall’s Paris Review Interviews	0
Silence in Shakespeare’s Comedies	0
Churchill’s Nervousness	0
Composing ‘The Nightfishing’	0
Haunting the Revolution	0
‘The Aspern Papers in reverse’: A Note on the Emily Hale Letters	0
A Will to Believe	0
Genre, Motifs, and the Failure of Hellenism in Jacob’s Room	0
Airy Invigilating: George Herbert and Seamus Heaney	0
Two Poems	0
Erratum to: THE EDITORIAL IMAGINATION VII: The New Conrad: A Reply to Cedric Watts, ‘Conrad in the Cambridge Edition’	0
The Selected Letters of John Berryman, edited by Philip Coleman and Calista McRae	0
From The Morlocks: A Fantasia	0
Yes No: Form and Content in The Third Policeman	0
A Rational Mystic	0
Ballads and Product Placement in the Time of Shakespeare	0
Barbara Pym and Her Sisters	0
The Form of Samuel Johnson’s Letters	0
Brunette Coleman Revisited	0
Roger Lonsdale	0
Shelley’s Poet-Birds	0

The Well of Dreams	0
Impossible Rhyme in Geoffrey Hill	0
Death and Betrayal in The Book of the Duchess	0
Escaping Impressionism: Titian, Manet, Early Yeats	0
TRYING UNCERTAINTY	0
QUAQUA	0
Dream-Child: A Life of Charles Lamb. By Eric G. Wilson	0
An Intuition about Kipling: New Annotations for Eliot	0
Sailing to Byzantium: After W. B. Yeats	0
Two Shakespearean Suicides	0
Larkin’s ‘Suppressed Betjeman Period’	0
Henry James and Charisma	0
Album Verses and Romantic Literary Culture: Poetry, Manuscript, Print, 1780-1850. By Samantha Matthews	0
‘Catching the very note and trick’: James’s Browning	0
Affinities: On Art and Fascination. By Brian Dillon	0
Reading for Attention: The Good Soldier in the Method Wars	0
Robert Frost: Teaching and the Pleasure of Ulteriority	0
History in Understanding Poetry	0
Two Bateson Poems	0
A Romance with Words	0
Late Romance: Anthony Hecht, a Poet’s Life. By David Yezzi	0
The Final Simile of ‘The Scholar-Gypsy’	0
The Foreign Connection	0
‘Depleted Fury’: The Poetry of Keith Douglas	0
If Memory Serves	0
‘le temps de l’insurrection’: Robespierre to Wordsworth	0
Henry James’s Pony	0
The Pentangle and the Scales: Sir Gawain and the Green Knight and Measure for Measure	0
Tristram Shandy, edited by Judith Hawley	0
The Teasing Realism of Penelope Fitzgerald	0
Poetry and the Police State	0
Superlative Clough	0
Book Traces: Nineteenth-Century Readers and the Future of the Library. By Andrew M. Stauffer	0
T. S. Eliot: The Collected Prose. Edited by Archie Burnett	0
Displayed Quotation in Edward Thomas’s Short Fiction	0
Voice and Judgement in Mansfield Park	0
Jane Austen and the Wrong Man	0