OOIR: Observatory of International Research

Papers

(The median citation count of Essays in Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)

Article	Citations
Poetry and Diffidence: A Brief History	1
Tennyson’s Poems: New Textual Parallels. Edited by R.H. Winnick	1
Organic Form and Creative Impotence in Golding’s The Spire	1
The Gravity and Levity of the Reverend Sydney Smith	0
Inevitable Rhyme in Geoffrey Hill	0
Two Shakespearean Suicides	0
Poetry & Money: A Speculation. By Peter Robinson	0
‘The Aspern Papers in reverse’: A Note on the Emily Hale Letters	0
If Memory Serves	0
If Not Critical. By Eric Griffiths. Edited by Freya Johnston	0
Two Bateson Poems	0
Superlative Clough	0
The Final Simile of ‘The Scholar-Gypsy’	0
A Will to Believe	0
A Valediction for Saskia Hamilton: 5 May 1967 – 7 June 2023	0
The Foreign Connection	0
Beckett’s Dante Marginalia: To Heaven and Back	0
Samuel Richardson, Ford Madox Ford, and How to End a Novel	0
Yes No: Form and Content in The Third Policeman	0
Henry James’s Pony	0
Tristram Shandy, edited by Judith Hawley	0
History in Understanding Poetry	0
The Dolphin: Two Versions, 1972–1973. By Robert Lowell. Edited by Saskia Hamilton; The Dolphin Letters, 1970–1979: Elizabeth Hardwick, Robert Lowell, and Their Circle. Edited by Saskia H	0
Poetry and the Police State	0
Book Traces: Nineteenth-Century Readers and the Future of the Library. By Andrew M. Stauffer	0

Barbara Pym at War (So Very Secret)	0
‘Catching the very note and trick’: James’s Browning	0
Displayed Quotation in Edward Thomas’s Short Fiction	0
Morality and the Novelist in James: ‘The Author of Beltraffio’ and ‘The Lesson of the Master’	0
The Comedian as Wallace Stevens	0
TRYING UNCERTAINTY	0
QUAQUA	0
Bright Knots of Apparitions: Meeting the Dead in Modern Poetry	0
Robert Frost: Teaching and the Pleasure of Ulteriority	0
Erratum to: THE EDITORIAL IMAGINATION VII: The New Conrad: A Reply to Cedric Watts, ‘Conrad in the Cambridge Edition’	0
Dream-Child: A Life of Charles Lamb. By Eric G. Wilson	0
Kisses and Comedy in Astrophil and Stella	0
Late Romance: Anthony Hecht, a Poet’s Life. By David Yezzi	0
King Multitude: Browning and Coriolanus	0
Purity of Diction in English Verse	0
The Selected Letters of John Berryman, edited by Philip Coleman and Calista McRae	0
‘Better a Live Sparrow than a Stuffed Eagle’: On Edward FitzGerald’s ‘Bird-Parliament’	0
Morris’s Dramatic Scenes	0
The Symbolic Sacrifice of Woman in Three Late Stories of Henry James	0
Defoe’s Deist Masterpiece?	0
The Pentangle and the Scales: Sir Gawain and the Green Knight and Measure for Measure	0
Haunting the Revolution	0
The Form of Samuel Johnson’s Letters	0
Reading for Attention: The Good Soldier in the Method Wars	0
Ballads and Product Placement in the Time of Shakespeare	0
Word and Picture in Walter Scott	0
Under the Sign of Contradiction: Mandelstam and the Politics of Memory. By Anna Razumnaya	0
A Romance with Words	0
Two Poems	0
‘Depleted Fury’: The Poetry of Keith Douglas	0
Correction to: Robert Frost: Teaching and the Pleasure of Ulteriority	0
Covering The Necessity of Atheism	0
Printing Thomas Hardy’s Pronouns	0
A Rational Mystic	0
Barbara Pym and Her Sisters	0
Late Stevens	0
Wyatt: Satirist in Secret	0
New Impressions XX Seven Types of Ambiguity	0
Jane Austen and the Wrong Man	0
The Well of Dreams	0
Can We Take Pip’s Word For It?	0
Translation in Love’s Labour’s Lost	0
Dweller in the Shadows: A Life of Ivor Gurney. By Kate Kennedy	0
Auden and the Infernal Sciences	0
Interpretation and Authority in Marvell’s ‘The Nymph Complaining’	0
The Life and Poetry of George Darley by Donald J. Lange	0
Escaping Impressionism: Titian, Manet, Early Yeats	0
Airy Invigilating: George Herbert and Seamus Heaney	0
Walter Pater’s European Imagination. By Lene Østermark-Johansen	0
An Intuition about Kipling: New Annotations for Eliot	0

Jane Austen’s Style: Narrative Economy and the Novel’s Growth. By Anne Toner	0
Sailing to Byzantium: After W. B. Yeats	0
On Seamus Heaney. By R. F. Foster	0
Sidney and Herbert on Failure: Modesty Topos or Writer’s Block?	0
Evolution, Ideology, and Emergence in The Cantos	0
Shakespeare’s Animals: Is There Anything It Is Like To Be Adonis?	0
Voice and Judgement in Mansfield Park	0
Affinities: On Art and Fascination. By Brian Dillon	0
Double Parts: Eliot, ‘Little Gidding’, and the Approach to Joyce	0
Roger Lonsdale	0
Churchill’s Nervousness	0
Talking Modernism: Donald Hall’s Paris Review Interviews	0
Barbara Pym’s Last Title	0
Shakespeare’s Love-Triangle Poems	0
Genre, Motifs, and the Failure of Hellenism in Jacob’s Room	0
The New Eighteenth Century Poetry?	0
‘le temps de l’insurrection’: Robespierre to Wordsworth	0
Album Verses and Romantic Literary Culture: Poetry, Manuscript, Print, 1780-1850. By Samantha Matthews	0
‘Mr Eliot somewhere says’: The ‘affectation of unaffectedness’ in Seven Types of Ambiguity	0
The Teasing Realism of Penelope Fitzgerald	0
Larkin’s ‘Suppressed Betjeman Period’	0
Bunyan and Textual Criticism: Revising the Wife in Pilgrim’s Progress	0
The Poet’s Mistake. By Erica McAlpine	0
Shelley and Tennyson under The Rainbow	0
Real Magic in Sir Gawain and the Green Knight	0
Brunette Coleman Revisited	0
Shelley’s Poet-Birds	0
Charlotte Brontë’s Shirley and the ‘Panoramic’ Novel	0
Seamus Heaney and Contingency	0
Impossible Rhyme in Geoffrey Hill	0
Death and Betrayal in The Book of the Duchess	0
Silence in Shakespeare’s Comedies	0
In A Tremble Ever Since	0
The World as It Is	0
That’s Me All Right!	0
Henry James and Incompleteness	0
Lionel Trilling’s The Liberal Imagination	0
Austen and Death	0