English Studies in Africa

Papers
(The TQCC of English Studies in Africa is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Subtlety, Understatement and Omission in The Lord of the Rings6
‘I Am Powerful’: Agency, Autonomy and Audacity in Sefi Atta’sA Bit of Difference5
Introduction: Damon Galgut’s The Promise and the Booker Prize Double Bind4
Intersex Bodies, Literary Representation and Cultural Intersectionality: Gender Bounding Violence in An Ordinary Wonder (2021)4
A Response4
Uncanny Times: The Case of Eugene de Kock4
Betty Molteno and the Creation of a South African Nineteenth-Century Lesbian Discourse3
The Arrival from Abroad: Train Travel and Mobile Ideas of Race in Pre-Apartheid South African Literature3
‘For a Further Union’: Conceptions of Unity in the Later W.B. Yeats and T.S. Eliot3
Public Transport in Pre-Apartheid Literary Johannesburg: Between Progress and Oppression3
Street Art and the Reconfiguration of Civic Advocacy in Nairobi City2
“Black Hamlet”2
‘To oppose and to give to one another without sacrificing themselves’: Gifts in Damon Galgut’s The Promise2
‘The cold relentless circling of the intestate earth’: The Anthropomorphism of Earth and Proleptic Ecological Mourning in Cormac McCarthy’s The Road (2006)2
Transportation and Agon in Chinua Achebe’s No Longer at Ease and Anthills of the Savannah2
Amorous Materialism: Jousting with Courtly Love in Wole Soyinka’s The Interpreters2
Journeying through Nairobi: Mapping the City through Prize-Winning Stories2
A Watery Umwelt: Intercorporeal Currents in Virginia Woolf’s The Waves and Maurice Merleau-Ponty’s Philosophy2
Introduction: Moving Publicly, Writing Mobility: Public Transport in African Literatures2
Claire Keegan’s Small Things Like These (2021) as an Existentialist Fable1
Acting Across Diaspora: Transnational Spaces and Voices in Hala Alyan’s The Arsonists’ City1
The Modern Tragic Animal in the Zoo: A Zoocritical Reading of The Hairy Ape1
Within the Landscape: A Postcolonial Ecocritical Reading of Yvonne Vera’s Butterfly Burning1
Making Kin?: Creation and Monstrosity in Mohale Mashigo’s ‘Little Vultures’ (2018)1
Yvonne Vera’s Ode to the Shebeen Queen: Butterfly Burning ’s Deliwe1
Relational Resilience in The Girl Who Smiled Beads: A Story of War and What Comes After and Call Me American: A Memoir1
Sekhmet and the Shaman: Extinction, Ferality and Trans-species Connections in Henrietta Rose-Innes’ Green Lion1
Their Galgut, Our Galgut: A Complimentary Rant on the Booker Prize1
‘Home is Another Country’: A Foucauldian Reading of Sisonke Msimang’s Always Another Country1
White Moral Projects and the Impossibility of Racial Repair: A Reflection on White Shame and Black (Dis)Inheritance in Damon Galgut’s The Promise1
On Editing South African Fiction1
From the Politics of Forgetting to the Ethics of Remembering: The Postcolonial Sublime in J. M. Coetzee’sWaiting for the Barbarians1
Literary Encounters: The Beat Generation, Poland and South Africa, 1948–19681
In Poland, or Elsewhere: Cartographies of Central European Anti-Ecumene in Isaac Bashevis Singer’s The King of the Fields and Dan Jacobson’s 1
Formula in the Praise Chants of Chief Adolphus Munamuna,Ọụbẹbẹ Kẹnị Ịzọn Ibe(The Chief Oral Poet of the Ịzọn Nation)1
‘[T]o Make us Complete as Human Beings’: Soil as the Bedrock of Collected Memories in Niq Mhlongo’s Paradise in Gaza1
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