English Studies in Africa

Papers
(The TQCC of English Studies in Africa is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
‘I Am Powerful’: Agency, Autonomy and Audacity in Sefi Atta’sA Bit of Difference3
Dust Explodes for All to See: Narrating the Actual in a Time of Continuous Disaster3
Two Poems by Leanne Stillerman Zabow3
Subtlety, Understatement and Omission in The Lord of the Rings3
A Response3
Notes on Contributors3
Modernisms and Modernities in Achebe’sThings Fall Apart3
Paying Homage to Virginia Woolf’s Mrs Dalloway: Revision and Reversion in Fiona Melrose’s Johannesburg2
COVID-19 and African Postage Stamps2
Uncanny Times: The Case of Eugene de Kock2
Introduction: Damon Galgut’s The Promise and the Booker Prize Double Bind2
Betty Molteno and the Creation of a South African Nineteenth-Century Lesbian Discourse2
Millenarian Modernism in H. I. E. Dhlomo’sThe Girl who Killed to Save2
Green Dream1
The Arrival from Abroad: Train Travel and Mobile Ideas of Race in Pre-Apartheid South African Literature1
Journeying through Nairobi: Mapping the City through Prize-Winning Stories1
‘For a Further Union’: Conceptions of Unity in the Later W.B. Yeats and T.S. Eliot1
Their Galgut, Our Galgut: A Complimentary Rant on the Booker Prize1
Ancient Chinese Poetry and Chinese Calligraphy in Combatting COVID-191
‘Home is Another Country’: A Foucauldian Reading of Sisonke Msimang’s Always Another Country1
The Modern Tragic Animal in the Zoo: A Zoocritical Reading of The Hairy Ape1
Sekhmet and the Shaman: Extinction, Ferality and Trans-species Connections in Henrietta Rose-Innes’ Green Lion1
An End in Itself: Genre, Apocalypse and the Archive in Deon Meyer’s Fever1
Introduction: Moving Publicly, Writing Mobility: Public Transport in African Literatures1
Re-imagining a New Normal: COVID-19 Pandemic and the Changing Face of Social Interaction1
Public Transport in Pre-Apartheid Literary Johannesburg: Between Progress and Oppression1
Transportation and Agon in Chinua Achebe’s No Longer at Ease and Anthills of the Savannah1
Self/Isolation1
Formula in the Praise Chants of Chief Adolphus Munamuna,Ọụbẹbẹ Kẹnị Ịzọn Ibe(The Chief Oral Poet of the Ịzọn Nation)1
Within the Landscape: A Postcolonial Ecocritical Reading of Yvonne Vera’s Butterfly Burning1
Literary Encounters: The Beat Generation, Poland and South Africa, 1948–19681
Masked Masterpieces: in R≡lational Folds1
Sonification and Music: Science meets Art1
“Black Hamlet”1
Street Art and the Reconfiguration of Civic Advocacy in Nairobi City1
From the Politics of Forgetting to the Ethics of Remembering: The Postcolonial Sublime in J. M. Coetzee’sWaiting for the Barbarians1
Acting Across Diaspora: Transnational Spaces and Voices in Hala Alyan’s The Arsonists’ City1
Memory Book as a New Genre of Illness Writing: How a Ugandan Mother Wrote about HIV1
Plague and Cultural Panic: Edgar Allan Poe’s ‘The Masque of the Red Death’1
Towards a Poetics of Disaster: Chinese Poetry in Combatting COVID-191
Hero1
Relational Resilience in The Girl Who Smiled Beads: A Story of War and What Comes After and Call Me American: A Memoir1
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