English Studies in Africa

Papers
(The TQCC of English Studies in Africa is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Dust Explodes for All to See: Narrating the Actual in a Time of Continuous Disaster3
Notes on Contributors3
Two Poems by Leanne Stillerman Zabow3
Introduction: Damon Galgut’s The Promise and the Booker Prize Double Bind3
‘I Am Powerful’: Agency, Autonomy and Audacity in Sefi Atta’sA Bit of Difference3
Modernisms and Modernities in Achebe’sThings Fall Apart3
Subtlety, Understatement and Omission in The Lord of the Rings3
Millenarian Modernism in H. I. E. Dhlomo’sThe Girl who Killed to Save2
Paying Homage to Virginia Woolf’s Mrs Dalloway: Revision and Reversion in Fiona Melrose’s Johannesburg2
A Response2
Intersex Bodies, Literary Representation and Cultural Intersectionality: Gender Bounding Violence in An Ordinary Wonder (2021)2
Betty Molteno and the Creation of a South African Nineteenth-Century Lesbian Discourse2
COVID-19 and African Postage Stamps2
‘For a Further Union’: Conceptions of Unity in the Later W.B. Yeats and T.S. Eliot2
Uncanny Times: The Case of Eugene de Kock2
Plague and Cultural Panic: Edgar Allan Poe’s ‘The Masque of the Red Death’1
Their Galgut, Our Galgut: A Complimentary Rant on the Booker Prize1
Sekhmet and the Shaman: Extinction, Ferality and Trans-species Connections in Henrietta Rose-Innes’ Green Lion1
The Modern Tragic Animal in the Zoo: A Zoocritical Reading of The Hairy Ape1
Sonification and Music: Science meets Art1
“Black Hamlet”1
Street Art and the Reconfiguration of Civic Advocacy in Nairobi City1
Introduction: Moving Publicly, Writing Mobility: Public Transport in African Literatures1
Relational Resilience in The Girl Who Smiled Beads: A Story of War and What Comes After and Call Me American: A Memoir1
From the Politics of Forgetting to the Ethics of Remembering: The Postcolonial Sublime in J. M. Coetzee’sWaiting for the Barbarians1
‘Home is Another Country’: A Foucauldian Reading of Sisonke Msimang’s Always Another Country1
Within the Landscape: A Postcolonial Ecocritical Reading of Yvonne Vera’s Butterfly Burning1
Self/Isolation1
An End in Itself: Genre, Apocalypse and the Archive in Deon Meyer’s Fever1
Re-imagining a New Normal: COVID-19 Pandemic and the Changing Face of Social Interaction1
Journeying through Nairobi: Mapping the City through Prize-Winning Stories1
Public Transport in Pre-Apartheid Literary Johannesburg: Between Progress and Oppression1
Literary Encounters: The Beat Generation, Poland and South Africa, 1948–19681
Formula in the Praise Chants of Chief Adolphus Munamuna,Ọụbẹbẹ Kẹnị Ịzọn Ibe(The Chief Oral Poet of the Ịzọn Nation)1
Masked Masterpieces: in R≡lational Folds1
Hero1
Memory Book as a New Genre of Illness Writing: How a Ugandan Mother Wrote about HIV1
Transportation and Agon in Chinua Achebe’s No Longer at Ease and Anthills of the Savannah1
Green Dream1
The Arrival from Abroad: Train Travel and Mobile Ideas of Race in Pre-Apartheid South African Literature1
‘The cold relentless circling of the intestate earth’: The Anthropomorphism of Earth and Proleptic Ecological Mourning in Cormac McCarthy’s The Road (2006)1
A Watery Umwelt: Intercorporeal Currents in Virginia Woolf’s The Waves and Maurice Merleau-Ponty’s Philosophy1
Acting Across Diaspora: Transnational Spaces and Voices in Hala Alyan’s The Arsonists’ City1
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