English Studies

Papers
(The TQCC of English Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
Aspects of Characterisation in James Hadley Chase's Crime Fiction: Multiple Perspectives4
“I Know Well and Appreciate the Repose and Delight to Be Found in Gardening”: Class, Gender, and “Garden Elements” in Charles Dickens’s Dombey and Son3
Della Cruscan Poetry, Women and the Fashionable Newspaper3
Narrative Space and the Figure of the Refugee in the Early Life Writing of Ocean Vuong3
The Kid’s Transformation, the Judge’s Rejuvenation: Subtle Referential Changes in Cormac McCarthy’s Blood Meridian Editions3
The Space between Drawings and Words in Stevie Smith’s Poems2
The Aesthetics of Space in Nineteenth-Century British Literature, 1843–19072
“It wasn’t always like this”: Displacement and the Poetics of Gentrification in Ross Raisin’s Waterline (2011) and Lisa Blower’s Sitting Ducks 2
Narrating Difficult Histories: Interwar Border Crossing in Evelyn Waugh’s Vile Bodies (1930) and Christopher Isherwood’s Down There on a Visit (1962)2
Shakespearean Intertextuality in Mahmoud Darwish: The Otherness of the Proper Name in Darwish and Rita and Shakespeare’sRomeo and Juliet2
Quiet and Personal, or Resoundingly Universal? An Ishiguro Crisis2
All the Sonnets of Shakespeare2
Exploring Interfaces2
“Third Space”, Cultural Translation and Linguistic Hospitality in Sinéad Morrissey’s Poetry2
Inventing Tomorrow: H. G. Wells and the Twentieth Century2
Escaping from Brunanburh and John of Worcester2
Aspects of Recusant History2
Dickens after Dickens2
“Many Strange Tongues” in the Fenlands: The Buried Giant as Brexit Allegory?2
Where Does Lexical Diversity Come From? Horizontal Interaction in the Network of the Late Modern English Reaction Object Construction2
Frame Within Frame Within2
Allegories of the Anthropocene2
Piers Plowman and the Reinvention of Church Law in the Late Middle Ages2
Emotion, Morality and Agency in Wærferth's Old English Version of Gregory's Dialogues1
Culturally-mediated Perceptions: Remapping Conrad’s Narrative of Colonial Violence1
“As it is an Evil”: Defensive Equivocation in Measure for Measure1
“The Human Slivers of a Civilization”: Language Events in Don DeLillo’sThe Silence1
Crossing the Mirror into Maternal Waters: The Ethics and Aesthetics of Becoming-other in Ella Hickson’sThe Writer(2018)1
Geographies of Memory: Paula Hawkins’s Into the Water and A Slow Fire Burning1
Small World: Ireland, 1798–20181
Arden of Faversham Arden of Faversham , edited by Catherine Richardson(Arden Early Modern Drama), London, Bloomsbury Publishing, 2022, xviii+337 pp., £90.00 (hardback), 1
The Representation of Physical Books and Bookish Places in Video Games: The Last of Us Part II1
Writing the City: Looking Within, Looking Without1
Subscription Theatre: Democracy and Drama in Britain and Ireland, 1880–19391
The Golden Thread: Irish Women Playwrights, Volume One (1716–1992)1
“They’d Eaten Every One”: Food Anthropomorphism in “The Walrus and the Carpenter”1
Irish Women Writers and Their (Trans)National Networks: Making and Translating Local Colour Literature1
“We Have Very Primitive Emotions”: Cognitive Biases and Environmental Crises in Hemingway’sGreen Hills of Africa1
The Interplay of Dominant Empiricism and Residual Cartesianism in Ann Radcliffe’s A Sicilian Romance1
Rethinking the Red Sea in the Old EnglishExodus1
Complete Old English: A Comprehensive Guide to Reading and Understanding Old English with Original Texts1
Pope’s Openers and the Almost Four-Beat Dunciad1
Facing Two Ways Syntactically: On the Grammar and Use of Promise and Threaten in Three Regional Varieties1
Beowulf’s Monster Discourse Now: Grendel in Twenty-First-Century Film1
Emotional Anthologies: The Exeter Riddles and the Psalms1
Secrecy and Community in 21st-Century Fiction Secrecy and Community in 21st-Century Fiction , edited by María J. López, and Pilar Villar-Argáiz, New York, Bloomsbury Aca1
Publishing the History Play in the Time of Shakespeare: Stationers Shaping a Genre1
“All that I Am Craving Is the Talk”: Collaboration, Translation and Lady Gregory’s Workhouse Ward1
Old English Medievalism: Reception and Recreation in the 20th and 21st Centuries1
The Anthropocene Unconscious: Climate Catastrophe Culture1
British Battles 493–937: Mount Badon to Brunanburh1
Gender Space and Collaboration Politics: Christine Longford’s The Furies (1933)1
The Censorship of Eighteenth-Century Theatre: Playhouses and Prohibition, 1737–18431
Between the Mythical and the Ironic: An Analysis of the Imaginative Structure of Margaret Atwood’s MaddAddam Trilogy1
Chaucer, Arguing “in good feyth”1
An Ecofeminist Approach to Posthuman Subjects in Karen Traviss’ City of Pearl0
Cumulative Revision in John Gower’sQuicquid homo scribat0
Theatre Closure and the Paradoxical Rise of English Renaissance Drama in the Civil Wars0
Postcolonial Settings in the Fiction of James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker: Strange Surroundings0
The Intersection of Class and Space in British Postwar Writing: Kitchen Sink Aesthetics0
A Corpus-Based Investigation of the Word Football in Contemporary Spoken English: Linguistic Profile and Cultural Values in 1994 and 20140
Amplifying Reading Experience: Illustrations to Longueville’s The English Hermit, 1727–17990
Dissensuous Modernism: Women Writers, the Senses, and Technology Dissensuous Modernism: Women Writers, the Senses, and Technology , by Allyson C. DeMaagd, Gainesville, F0
Instapoetry: Digital Image Texts Instapoetry: Digital Image Texts , by Niels Penke, Berlin, Palgrave Macmillan, 2023, 116 pp., £27.99 (hardback), ISBN: 978-36626683370
Dickens and Democracy in the Age of Paper: Representing the People0
On the Making of Robinson’s Stylistic “Fast Ones” Through the Banks Series' Early Years0
The Life and Lies of Charles Dickens; The Personal History, Adventures, Experiences, & Observations of Charles Dickens0
Women's Collaborative Literary Processes and Networks: Mary and Matilda Banim's Ireland0
Modernism, Space and the City: Outsiders and Affect in Paris, Vienna, Berlin and London0
Traces of the Queer Child inShuggie Bain0
In Memoriam Noel Osselton (1927–2024)0
In and out of Bloomsbury: Biographical essays on twentieth-century writers and artists0
Bending Toward Justice: Moral Failure, Tragic Recognition, and Confession in Cormac McCarthy’s The Stonemason0
The Demons of Leonard Cohen0
Interconnections between Art and Commerce: Literary Prizes, Readers, and the Reading Committee of the Irish Women Writers' Club (1933–1958)0
Edith Wharton’s Position on the Real in A Motor-Flight Through France: Arthur Schopenhauer and Aesthetic-Sublime Contemplation0
Ofer Hronrade—Defining the Long-Enigmatic “Hron” of Old English0
Riddles at Work in the Early Medieval Tradition: Words, Ideas, Interactions0
Orwell, Class, and Consumption: The Desecration of Bread in The Road to Wigan Pier0
Instability, Disruption, Dissonance: A Reading ofA Midsummer Night’s Dream0
“that Rarefied Amalgam of Time” – Tracing the Temporal in Mike McCormack’s Solar Bones0
Matthew Arnold: Pessimist?0
Pull Your Self Together: The Dangers of Dissociation in Old English Poetry0
Pinter’s Apprenticeship and the BBC0
“So This was what Being Alone was like”: Articulations of Vulnerability in Colm Tóibín’s Nora Webster0
Before Utopia: The Making of Thomas More’s Mind0
Emotion, Morality, and Exemplarity in Old English Literature0
The Modern Short Story and Magazine Culture, 1880-19500
Language in the Garden: Transcendentalist Legacies and the Problem of Metaphor in Marilynne Robinson’s Gilead Novels0
Negative Dialectics inMrs Dalloway0
Poetic Style and Innovation in Old English, Old Norse, and Old Saxon0
Jacob Hall and other Rope Dancers at The Hague, 1679–16810
Woden andWidsith0
Old English Lexicology and Lexicography: Essays in Honor of Antonette diPaolo Healey0
The Literary Mirroring of Aboriginal Australia and the Caribbean0
The Dynastic Drama of Beowulf0
Emotional Disturbance in the Old English Dialogues of Solomon and Saturn0
Examining the Refugee Identity and the Ethics of Hospitality in Richard Powers’ Generosity (2009)0
Modthryth and the Problem of Peace-Weavers: Women and Political Power in Early Medieval England0
“Judicial killings – that’s a Rarity in Australia”: Detection, Identity and Representation in Nicole Watson’s The Boundary0
Martin Johnston, the Problem of Elegy, and Social Poetics in Late Modernist Lyric0
Biophonic Soundscapes in theVitaeof St Guthlac0
Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama0
Dido, Queen of Carthage0
The Boatman’s Tale: The Buried Giant and Cosmopolitanism in Crisis0
Recovering Old English0
Reading Kazuo Ishiguro in Times of Crisis0
Postmodern Anxiety and the Neo-Victorian Dialogue with the Other in Graham Swift’sEver After0
Untranslatable Characters: James Clarence Mangan and the English Language0
One Soul We Divided: A Critical Edition of the Diary of Michael Field0
Effacing the Poet: Mary Sidney Herbert Translates Petrarch’sTriumphi0
A New Interpretation of the Crux aþolwarum in the Old English Maxims I 198b0
The Case of the Missing Birds: Thematic Reshaping in the Transmission of the Anonymous Old EnglishMartinmas-Homily0
Reading Habits in the Covid-19 Pandemic: An Applied Linguistic Perspective0
The Jew of Malta0
Tennyson and Goethe’s Faust0
“Snatch, Eat, Erase”: The Demonization of Women’s (Sexual) Appetite Through Eating Disorders in the CW TV Series the Vampire Diaries (2009–2017)0
From Gay Postmodern to Black/Queer Transness: Alan Hollinghurst’sThe Swimming-Pool Libraryand Paul Mendez’sRainbow Milk0
Criminally Fat: Reframing the homme fatal in Vera Caspary’s Laura (1943)0
The Haunted House in Women’s Ghost Stories: Gender, Space and Modernity, 1850-19450
Making (and Un-making) Meaning in Alejandro Zambra’s Multiple Choice0
Jane Austen’s Will – and Those of the Two Cassandras0
Afterlives of Slavery in Maxine Beneba Clarke’s “Demerara Sugar”0
A “Fanatic in Morality”: The “Native” Question, Revisions, and Emotional Intensity in Anthony Trollope’s South Africa (1878)0
Rewriting the North: Contemporary British Fiction and the Cultural Politics of Devolution0
Non-verbal Communication in Mr Rosenblum’s List by Natasha Solomons through the Lens of Literary Food Studies0
An In-depth Corpus-based Investigation of Unbound Reflexives0
Law as Practice: Hermeneutic Insights into Legal Issues in British Civil Courts from Ian McEwan’s The Children Act0
The Bountiful Mines of the Indies: Gold and the Economy of the Global Ocean in Shakespeare’s Plays0
Shakespeare and the Comedy of Enchantment Shakespeare and the Comedy of Enchantment , by Kent Cartwright, Oxford, Oxford University Press, 2021. xiii+247pp., £70.00 (har0
Marriage and Late-Victorian Dramatists0
Literary Twinship from Shakespeare to the Age of Cloning0
Introducing Trace as an Embodied Approach to the Novel in English0
“An Otter’s Temporary Resting Place”: Michael Longley’s Western Landscape0
Camp Comedy and “Submerged Trouble”: Molly Keane's Queer Collaborations0
Environment and Narrative: New Directions in Econarratology0
The Tramp in British Literature, 1850–1950 The Tramp in British Literature, 1850–1950 , by Luke Lewin Davies, Cham, Palgrave Macmillan, 2021. 344 pp., €119.89(hardcover)0
How to Read Middle English Poetry0
The Female Baroque in Early Modern English Literary Culture: From Mary Sidney to Aphra Behn0
The Critical Study of Masculinities in Old English Literature0
Women Historians and Acknowledgments: Scholarly Collaboration as Expression of Authorial Self in Alice Stopford Green’s Histories, c. 1880–19160
Memory, Compromised and Implicated Identities, and Narrative Ethics in Rachel Seiffert’s Novels0
Evangelizing the Church: Soteriology, Liberation, and Transformative Action in Graham Greene’s The Honorary Consul0
The Bloomsbury Handbook to Agatha Christie The Bloomsbury Handbook to Agatha Christie , edited by Mary Anna Evans and J. C. Bernthal, London, Bloomsbury Academic, 2023. 0
The Transformation of New Sincerity Aesthetics in Zadie Smith’s Grand Union0
The Real and the Speculative: Gentrification and Literary Form in Tom Mccarthy’s Remainder0
Erminda Rentoul Esler's “Physical” and “Virtual” Networks: Women's Activism, the Irish in London, and the Local-Colour Story0
The Enclosed Garden and the Medieval Religious Imaginary0
Seamus Heaney and the End of Catholic Ireland0
God’s Exiles and English Verse: On the Exeter Anthology of Old English Poetry0
The Literature of Food – An Introduction from 1830 to Present0
Don Quixote, Benengeli and Coetzee’s Jesus Trilogy0
“Art is Seeing Things”: Ekphrastic Education in Ali Smith’s Seasonal Quartet0
Cosmopolitanism, Comparison and Affect: Decolonising Isabella Bird’sThe Yangtze Valley and Beyond(1899)0
Tom Stoppard: A Life0
Ideas of the World in Early Medieval English Literature0
A Curator in the House of Memory: Restoration, Implication and the Post-Conflict Novel in Aminatta Forna’s The Hired Man0
Correction0
To Score or to Score a Goal: Transitivity in Football Match Reports0
Charlotte Brontë at the Anthropocene0
The Reader’s Joyce: Ulysses, Authorship and the Authority of the Reader0
Ezra Pound and His Classical Sources: The Cantos and the Primal Matter of Troy0
Alchemy and Exemplary Poetry in Middle English Literature Alchemy and Exemplary Poetry in Middle English Literature , by Curtis Runstedler, Cham, Palgrave Macmillan, 2020
Variation in the Usage of Relativisation Strategies in Migrant and Non-migrant English Speakers0
Selected Writings0
The Making of Felony Procedure in Middle English Literature0
The Making of a Shakespeare Critic: Partial English Translations of Goethe’s Wilhelm Meisters Lehrjahre in the Long Nineteenth Century0
“[E]verything that is to be Made Whole Must First be Broken”: Religion, Metaphor and Narrative Alchemy in Hilary Mantel's Fludd (1989)0
American Evil: Steven Zultanski’s Bribery, Liberal Guilt and the Quest for Authenticity0
Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-19400
Myth and the Memory of War in A. S. Byatt’s “The Thing in the Forest” and “The Pink Ribbon”0
Routines and the Performance Piece in Don DeLillo’s The Body Artist0
The Middle English Book: Scribes and Readers, 1350–15000
Before the Trials: William Hone and the Rise of the Watchdog Press0
Homecoming, Trauma, and Identity in Noo Saro-Wiwa’sLooking for Transwonderland: Travels in Nigeria0
“Intensities of Feeling”: Emotion, Espionage, and the Ottoman Empire0
Sentimental Genres: The “Old English Elegy” and the Poetics of Nostalgia0
Vulnerability in Post-Millennial Irish Fiction: The Case of Donal Ryan0
Making Light of Grave Matters: Humour in Edith Eaton’s Works0
Imagining Time in the English Chronicle Play: Historical Futures, 1590–16600
Hrothgar and Etzel: Beowulf Analogues in Middle High German Literature0
Controlling the Uncontrollable: Estrangement and Appropriation in the First Riddle of the Exeter Book0
Potentials of Empathetic Stimuli in Creative Nonfiction: Zimbardo’sThe Lucifer Effectand Danner’sTorture and Truth0
Middle English fobbere and the Critical Editing of Piers Plowman0
Diachronic Developments of the Concessive Though -Fronting Construction in American English: A Corpus-Based Perspective0
Coming Back Down to Earth: The Novel and the Human Condition in the Anthropocene0
Screening, Cheating and Revenge on Stage in 17210
New Media and the Rise of the Popular Woman Writer, 1832–18600
The English Studies Interview with Melissa Harrison0
Between Reality and Fantasy: Home in Ransom Riggs's Miss Peregrine's Home for Peculiar Children0
Flying Machines and Time Experiment in Kazuo Ishiguro’s “Bewilderment Trilogy”0
Unpacking the “Red Flag” Bookshelf: Negotiating Literary Value on Twitter0
West Midland Elements in the Language of the Auchinleck CoupletGuy of Warwick: A Reinterpretation0
“What Is a Man?”: Disability, Domesticity, and Imperialism in Flannery O’Connor’s “The Life You Save May Be Your Own”0
Writing the World in Early Medieval England0
Eliot After the Waste Land0
Photographs, Diaspora, and Identity: Homecoming in Hala Alyan’s The Arsonists’ City0
Substrate Language Influence in Postcolonial Asian Englishes and the Role of Transfer in the Complementation System0
Introduction: “Urban Intersections: Class, Race, Gender and Gentrification”0
Viral Modernism: The Influenza Pandemic and Interwar Literature0
“We Were Paralysed” : Ecological Grief, the Everyday Anthropocene, and Climate Crisis Ordinariness in The High House0
The Rebuilding of the Liberal: Reading Rawls’s Debate in Ian McEwan’s Saturday0
Portrait of a Woman Writer: Friendship and Collaboration Between Jane Barlow and Sarah Purser0
What Kind of a Thing is a Middle English Lyric? What Kind of a Thing is a Middle English Lyric? , edited by Cristina Maria Cervone and Nicholas Watson, Philadelphia, Uni0
The Legacy of Nongqawuse: Cultural Memory and Identity Construction in The Heart of Redness0
Emotions of DISGUST and UNPLEASANT PERSONAL EXPERIENCE as Aesthetic Responses in the Old English Poetic Corpus0
Landscapes, Women, and Art in A. S. Byatt’s “Crocodile Tears” and “A Stone Woman”0
The Way of the Superbious Man: Alexander to Aristotle and the Riddle of the Letter0
Of Roots and Concrete: The “Endz” as Heimat in Caleb Femi’s Poor0
Ethnic War and the Collective Memory in Kazuo Ishiguro’sThe Buried Giant0
Exeunt the Kit-Cats, Pursued by Pope, Reviewed by Johnson0
“Sights from Various Corners of the Globe”: Cosmopolitan Pressure and Paradoxical Mobility in The Remains of the Day0
Women and Crowds in the Novels of Elizabeth Gaskell and Margaret Harkness0
Michael Drayton’s Topographies:Ideas Mirrour(1594) andPoly-Olbion(1612–1622)0
Fluid Adaptive Revision and Twin-Track Authorship: Andrew Bovell’s Lantana Series from Stage to Screen0
Stylistics and Contemporary Fiction0
“Something to say upon Women’s Inconstancy”: Fickleness and Fleeting Infatuation in the Shelleys and Beyond0
“I Take it You’ve Read Every Book on the Shelves?” Demonstrating Taste and Class Through Bookshelves in the Time of COVID0
Casanova in the Enlightenment: from the margins to the centre0
“This Ain’t the Way It’s S’posed to Be”: Negotiating Trauma Through Postmemory and Implication in Yaa Gyasi’s Homegoing0
Life Writings, Autobiographical Subjects: Exploring Colonial Narratives and Anti-Memory in African Freedom Fighters’ Texts0
The Fin-de-Siècle Scottish Revival: Romance, Decadence and Celtic Identity0
Development of the Subject of BE going to in Grammaticalisation from the 1820s to 2010s in Comparison with BE about to0
WONDER and AWE in the Old English Martyrology : Expression, Feeling Norms and Narrative Motifs0
The Hothouse Flower: Nurturing Women in the Victorian Conservatory0
“I hate science fiction”: Genres and Planets in Jeanette Winterson’s The Stone Gods0
Eldarin Cosmotechnics: Posthumanism, Ecology and Techne in Tolkien’s Portrayal of Elven Paradises0
Why “Trying to Keep the War Alive”?: Exploring the Shanghai Postcolonial Flâneur in J. G. Ballard’s Empire of the Sun0
Correction0
An Ironic Abuse of the Oppressive Form: John Ashbery and the Sestina as an Occasion for PostmodernArs Poetica0
The Activist Humanist: Form and Method in the Climate Crisis0
The Moral Economy of Sadie Jones’s The Snakes0
Migration Crisis and Conspiracy in Kazuo Ishiguro0
Kinship in Old Norse Myth and Legend0
Tolkien’s Lost Chaucer0
A Collostructional and Constructional Approach to the Transitive out of - ing Construction0
“From the Editor’s Standpoint”: L.T. Meade, Alice Corkran, and Lessons on Authorship, Collaboration, and Competition0
Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century: The Imprint of Women, c. 1700-18300
Beowulf: Translation and Commentary0
The Knots of Sir Gawain and the Green Knight ’s Boar Chase (Lines 1431–7)0
SettingOthelloin Tehran from Exile: Metatheatre in Gholām-Hossein Sāedi’sOthello in Wonderland0
Three Nineteenth-Century British Travellers in Palestine: Walking and the Art of Critique0
Focus on 17210
The Pragmatics of Racism in Claudia Rankine’s Citizen. An American Lyric (2014)0
Beowulf, the Wrath of God and the Fall of the Angels0
The Drama of Serial Conversion in Early Modern England0
Mad Dogs are Englishmen? Imperialism and Homicide in Somerset Maugham’s “The Outstation”0
One Scribe or Two? On the Copying of Sir Gawayn and the Carl of Carlisle in NLW Brogyntyn ii.10
Etymological Spellings in William Caxton’s Translations0
Poetry in the World: Harriet Monroe's China Travels0
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