English Studies

Papers
(The TQCC of English Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Old English Medievalism: Reception and Recreation in the 20th and 21st Centuries12
Geographies of Memory: Paula Hawkins’s Into the Water and A Slow Fire Burning7
British Battles 493–937: Mount Badon to Brunanburh6
Gender Space and Collaboration Politics: Christine Longford’s The Furies (1933)5
The Interplay of Dominant Empiricism and Residual Cartesianism in Ann Radcliffe’s A Sicilian Romance5
Tom McCarthy, The Making of Incarnation , and the Infrastructure of Virtuality4
Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of Mother Ireland4
“Third Space”, Cultural Translation and Linguistic Hospitality in Sinéad Morrissey’s Poetry4
Rethinking the Red Sea in the Old English Exodus4
Della Cruscan Poetry, Women and the Fashionable Newspaper4
The Anthropocene Unconscious: Climate Catastrophe Culture3
The Letters of T. S. Eliot, Volume 9: 1939-19413
Writing Orality: Australian Aboriginal Voices in Alexis Wright’s Carpentaria3
Gower’s Quatrains: Language, Rhyme, Occasion3
Escaping from Brunanburh and John of Worcester3
Narrating Difficult Histories: Interwar Border Crossing in Evelyn Waugh’s Vile Bodies (1930) and Christopher Isherwood’s Down There on a Visit (1962)3
Embracing Otherness: The Role of Nostalgia in Bicultural Identity Formation in How the García Girls Lost Their Accents , Dreaming in Cuban 3
Poet, Editor, Anarchist: Lola Ridge’s New York Networks2
The Art and Thought of the Beowulf Poet The Art and Thought of the Beowulf Poet , by Leonard Neidorf, Ithaca and London, Cornell University Press, 2022. xiii + 197 pp., 2
“But which is the Way the World Ends?”: The Dual Nature of Anger and Power of Brotherly Love in N.K. Jemisin’s Broken Earth 2
Order out of Chaos: The Orthographic Standardisation of full and - ful2
Shakespeare, Dramatic Poetry and Value2
Transhistorical Solidarity and the Power of Kindness in Denise Mina’s Rizzio2
Shakespeare and University Drama in Early Modern England Shakespeare and University Drama in Early Modern England , by Daniel Blank, Oxford, Oxford University Press, 2022
“I Take it You’ve Read Every Book on the Shelves?” Demonstrating Taste and Class Through Bookshelves in the Time of COVID2
The Battle of Brunanburh: The Yorkshire Hypothesis2
“Hang Loose”: The Ethos and Influence of Oceanfrog Frazer in Cormac McCarthy's Suttree2
“Born Yesterday”: Philip Larkin and the Denial of Childhood2
Early Modern Bonds of Trust: From Shakespeare to Milton2
Erminda Rentoul Esler's “Physical” and “Virtual” Networks: Women's Activism, the Irish in London, and the Local-Colour Story1
Beowulf: Poem, Poet and Hero1
Small World: Ireland, 1798–20181
Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama1
Facing Two Ways Syntactically: On the Grammar and Use of Promise and Threaten in Three Regional Varieties1
Making Light of Grave Matters: Humour in Edith Eaton’s Works1
The Poets of Rapallo: How Mussolini’s Italy Shaped British, Irish, and U.S. Writers1
The Middle English Book: Scribes and Readers, 1350–15001
The Intersection of Class and Space in British Postwar Writing: Kitchen Sink Aesthetics1
“Judicial killings – that’s a Rarity in Australia”: Detection, Identity and Representation in Nicole Watson’s The Boundary1
Women and Crowds in the Novels of Elizabeth Gaskell and Margaret Harkness1
“An Otter’s Temporary Resting Place”: Michael Longley’s Western Landscape1
Woden and Widsith1
Do You Want to Be Happy and Write?: Critical Essays on Michael Ondaatje1
Shakespeare and Textual Theory; The Arden Research Handbook of Shakespeare and Textual Studies1
“[E]verything that is to be Made Whole Must First be Broken”: Religion, Metaphor and Narrative Alchemy in Hilary Mantel's Fludd (1989)1
Love, Friendship, and Narrative Form After Bloomsbury: The Progress of Intimacy in History1
Shakespeare Through Islamic Worlds1
Material Ethics in Trans-corporeal Space: A Study of Alejandro Morales’s The Rag Doll Plagues1
Postcolonial Settings in the Fiction of James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker: Strange Surroundings1
Irish Women Writers and Their (Trans)National Networks: Making and Translating Local Colour Literature1
Coming Back Down to Earth: The Novel and the Human Condition in the Anthropocene1
Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century: The Imprint of Women, c. 1700-18301
A Curator in the House of Memory: Restoration, Implication and the Post-Conflict Novel in Aminatta Forna’s The Hired Man1
“The Seafolk Have no Souls”: On Ecophobia, Animality and Civilisation in Oscar Wilde’s “The Fisherman and his Soul”1
Practical Alienation: George Eliot’s Philosophical Experiments in Silas Marner (1861)1
The Tramp in British Literature, 1850–1950 The Tramp in British Literature, 1850–1950 , by Luke Lewin Davies, Cham, Palgrave Macmillan, 2021. 344 pp., €119.89(hardcover)1
The Iconicity of Style in Contemporary Science Fiction1
Blood and Footprints: Traces of Embodiment in Jude the Obscure and The Woman in White1
Writing Solidarity in Brexit London: Exclusions and Alliances in Mohsin Hamid’s Exit West and Aminatta Forna’s Happiness1
Epistolary Courtiership and Dramatic Letters: Thomas Overbury and the Jacobean Playhouse1
“Curds and Cream”: Integration, Reclamation and the Pastoral Community in The Winter’s Tale1
“The Eye to the Object”: The Question of Demonstrative Knowledge in Defoe’s The Consolidator1
Modernism's Book of Scraps: Worldmaking and the Anthology as Medium in the Contact Collection of Contemporary Writers1
Interconnections between Art and Commerce: Literary Prizes, Readers, and the Reading Committee of the Irish Women Writers' Club (1933–1958)1
“All that I Am Craving Is the Talk”: Collaboration, Translation and Lady Gregory’s Workhouse Ward1
Maria and the Posthuman in George Stewart’s Storm1
One Soul We Divided: A Critical Edition of the Diary of Michael Field1
Atrocity and Early Modern Drama1
Eldarin Cosmotechnics: Posthumanism, Ecology and Techne in Tolkien’s Portrayal of Elven Paradises1
Bending Toward Justice: Moral Failure, Tragic Recognition, and Confession in Cormac McCarthy’s The Stonemason1
In and out of Bloomsbury: Biographical essays on twentieth-century writers and artists1
Civilizationism, Secularism, and Irony in Patience Agbabi’s “Joined-Up Writing”1
Revisiting the Pansies Notebook: New Approaches to D. H. Lawrence's Late Archives1
Stylistics and Contemporary Fiction1
Dark Academia: Bookishness, Readerly Self-fashioning and the Digital Afterlife of Donna Tartt’s The Secret History0
Flying Machines and Time Experiment in Kazuo Ishiguro’s “Bewilderment Trilogy”0
International Poetry of the First World War: An Anthology of Lost Voices0
Controlling the Uncontrollable: Estrangement and Appropriation in the First Riddle of the Exeter Book0
West Midland Elements in the Language of the Auchinleck CoupletGuy of Warwick: A Reinterpretation0
Introducing Trace as an Embodied Approach to the Novel in English0
A Corpus-based Investigation of Modals in Spoken British English: Gender Variation and Change in the Years 1994 and 20140
The Intelligent Unconscious in Modernist Literature and Science0
“Not a Sight, but a Sound”: Listening in E. M. Forster’s A Passage to India0
Ideas of the World in Early Medieval English Literature0
“Traits Don't Change, States of Mind Do”: Tracking Olive in Olive Kitteridge by Elizabeth Strout0
Beyond Information Packaging: The Case of Adjective Phrase Inversion in Learned and Scientific Exposition Academic Prose0
Recovering Old English0
Introduction: Textures of Home: (Dis)location, Belonging and Loss0
Variation in the Usage of Relativisation Strategies in Migrant and Non-migrant English Speakers0
“Everything Kills Everything Else in Some Way”: An Ecocritical Reading of Human – Non-Human Relationships in Ernest Hemingway’s The Old Man and the Sea0
Poetic Style and Innovation in Old English, Old Norse, and Old Saxon0
Making (and Un-making) Meaning in Alejandro Zambra’s Multiple Choice0
Middle English fobbere and the Critical Editing of Piers Plowman0
Ezra Pound and His Classical Sources: The Cantos and the Primal Matter of Troy0
A History of Irish Literature and the Environment0
Instability, Disruption, Dissonance: A Reading ofA Midsummer Night’s Dream0
“Distinguished Irishwomen in London”: The Promotion of Professional Networks in Charlotte O'Conor Eccles' Journalism and Fiction0
Masculinity, the Environment and the Phenomenology of the Body in Beowulf0
“All the City, Written, Erased, Rewritten?”: Sedimentary Memory in Before Yesterday We Could Fly and Teju Cole’s Open City0
“Cloud-Cuckooland Down There”: Derek Mahon’s Cloud Thinking Poetics0
Publishing the History Play in the Time of Shakespeare: Stationers Shaping a Genre0
“Our Love and Terror”: Topophrenia in Seamus Heaney’s Bog Poems0
The English Studies Interview with Melissa Harrison0
Introduction: Towards an Ecological Posthumanism in English Studies0
Analogical Changes in the Nominal Morphology of Owun’s gloss to the Rushworth Gospels0
Before the Trials: William Hone and the Rise of the Watchdog Press0
Nature and Narrative: Rhetoric and Design in Contemporary Fiction0
Living, Learning, and Dying by Water: Materialist Jamaican Environment in A Tall History of Sugar by Curdella Forbes0
The Moral Economy of Sadie Jones’s The Snakes0
Louise Glück’s Averno : A Feminist Reception of the Myth of Persephone0
The Bloomsbury Handbook to Agatha Christie The Bloomsbury Handbook to Agatha Christie , edited by Mary Anna Evans and J. C. Bernthal, London, Bloomsbury Academic, 2023. 0
Disturbing Decorum and Good Proportion: Imbalance and Excess in English Pastoral Sonnets of the 1590s0
Crossing the Mirror into Maternal Waters: The Ethics and Aesthetics of Becoming-other in Ella Hickson’sThe Writer(2018)0
The Narrative Perfect and Past Perfective: Evidence from the Diary of Samuel Pepys0
Shakespeare and Lost Plays: Reimagining Drama in Early Modern England0
One Scribe or Two? On the Copying of Sir Gawayn and the Carl of Carlisle in NLW Brogyntyn ii.10
The Kid’s Transformation, the Judge’s Rejuvenation: Subtle Referential Changes in Cormac McCarthy’s Blood Meridian Editions0
The Artist Helen Coombe (1864-1937): The Tragedy of Roger Fry’s Wife0
“[A] Man in Petticoats”: Female Entrepreneurs in Wilkie Collins’s Novels0
Writing Solidarity and Exclusion in Twenty-first-century Britain: Theoretical and Creative Approaches0
The Shakespeare Sermon (1879-1900): Shakespeare the Poet and Shakespeare the Dramatist0
Memory, Compromised and Implicated Identities, and Narrative Ethics in Rachel Seiffert’s Novels0
Agape and the Antichrist: Soteriological and Eschatological Masculinities in the Homilies of Wulfstan0
Medieval Pasts and Eugenicist Futures: Grant Allen, Masculinity and Early English History0
Preserving the American Dream: Modern Refrigerators in Mid-Century Fiction0
“The Song of the Shirt” Replanted: Thomas Hood’s Poem in a Nordic Context0
An In-depth Corpus-based Investigation of Unbound Reflexives0
King Arthur’s “Lurking Carcass” and the English Nation: Embodying the State on Stage and Page in The Misfortunes of Arthur and A Mirror for Magistrates0
Posthumanist Subjectivities of Fantastic Creatures in the Harry Potter Series0
“Novels consist of words”: Exploring Transcultural Depths, Translating The Sense of an Ending into Russian0
The Politics of Education in Dorothy Richardson’s Dental Record Writings: The Struggle Over Schooling in the Modernist Literary Field0
Tracing Loss in Times of Rapid Climate Change: Figures of Absence in Omar El Akkad’sAmerican War0
“So This was what Being Alone was like”: Articulations of Vulnerability in Colm Tóibín’s Nora Webster0
Fluid Adaptive Revision and Twin-Track Authorship: Andrew Bovell’s Lantana Series from Stage to Screen0
Development of the Subject of BE going to in Grammaticalisation from the 1820s to 2010s in Comparison with BE about to0
Representations of Terror and Horror in the Frontispieces to Thomas and Robert Hughes’s Gothic Chapbooks0
The Critical Study of Masculinities in Old English Literature0
Orwell & Empire0
Narrative Time and Moral Injury in Daniel Defoe’s The Fortunate Mistress0
Traces of the Queer Child inShuggie Bain0
Rewriting the North: Contemporary British Fiction and the Cultural Politics of Devolution0
Projection or Reflection? The Pandemic Bookshelf as a Mirror for Self-Image and Personal Identity0
The Life and Lies of Charles Dickens0
Historical Fiction Now0
Connecting Voices: An Introduction to Irish Women Writers' Collaborations and Networks, 1880–19400
Genetic Criticism: Tracing Creativity in Literature0
“This Ain’t the Way It’s S’posed to Be”: Negotiating Trauma Through Postmemory and Implication in Yaa Gyasi’s Homegoing0
Milton, Longinus, and the Sublime in the Seventeenth Century0
“Alphabets of Flesh”: Writing the Body and Diasporic Women’s Autobiography in Meena Alexander’s Fault Lines0
Secrecy and Community in 21st-Century Fiction0
Representing the Tramp in British Interwar Social Exploration Literature: Frank Jennings, Frank Gray and George Orwell0
Instapoetry: Digital Image Texts Instapoetry: Digital Image Texts , by Niels Penke, Berlin, Palgrave Macmillan, 2023, 116 pp., £27.99 (hardback), ISBN: 978-36626683370
The Knots of Sir Gawain and the Green Knight ’s Boar Chase (Lines 1431–7)0
The Making of a Shakespeare Critic: Partial English Translations of Goethe’s Wilhelm Meisters Lehrjahre in the Long Nineteenth Century0
The Representation of Physical Books and Bookish Places in Video Games: The Last of Us Part II0
Paratextual Mediation and Narrative Reconstruction: An Analysis of Footnotes in Sydney Owenson’s The Wild Irish Girl0
Quiet and Personal, or Resoundingly Universal? An Ishiguro Crisis0
Martin Johnston, the Problem of Elegy, and Social Poetics in Late Modernist Lyric0
The Revitalized Tudor and Chiron Myths in the Henriad : Reviewing Shakespeare as a Historiographer and Mythographer0
Arden of Faversham Arden of Faversham , edited by Catherine Richardson(Arden Early Modern Drama), London, Bloomsbury Publishing, 2022, xviii+337 pp., £90.00 (hardback), 0
Human Tissue in the Realist Novel, 1850–1895 Human Tissue in the Realist Novel, 1850–1895 , by Ben Moore, Cham, Palgrave Macmillan, 2023, 100 pp., $44.99(Hardback), ISBN0
Experiencing Dystopia ThroughUmwelt: Modelling the Nonhuman Animal inHollow Kingdom0
Jacob Hall and other Rope Dancers at The Hague, 1679–16810
“‘It’s Growl You May, But go You Must’: The Untapped Potential of the Sailor’s Chantey”0
Shakespeare and Montaigne0
Emotion, Morality, and Exemplarity in Old English Literature0
English Renaissance Manuscript Culture: The Paper Revolution0
England’s Insular Imagining: The Elizabethan Erasure of Scotland0
The Ballad World of Anna Gordon, Mrs. Brown of Falkland0
Conrad’s Decentred Fiction0
The Oracle, the Plague, and the Mystery of Oedipus’ Identity in Natalie Haynes’ The Children of Jocasta0
A Cognitive Model of Reading Autofiction0
Natural and Supernatural in Early Medieval England0
Beowulf: Translation and Commentary0
“It wasn’t always like this”: Displacement and the Poetics of Gentrification in Ross Raisin’s Waterline (2011) and Lisa Blower’s Sitting Ducks 0
The Sense of Movement in the Stanzaic Morte Arthur and the Alliterative Morte Arthure0
Tennyson and Goethe’s Faust0
‘We’re Just Fantasizing Aloud Here’: Fantasy and Online Communities in Dennis Cooper’s The Sluts (2005)0
Embodied Trauma in the Lord of the Rings0
The Incidence of Aural Incursions in Elizabeth Bowen’sThe Last Septemberand Iris Murdoch’sThe Red and the Green0
Satire in Eighteenth-Century Medical Discourse: Elizabeth Nihell, Tobias Smollett and the Advent of Man-Midwifery0
What Kind of a Thing is a Middle English Lyric? What Kind of a Thing is a Middle English Lyric? , edited by Cristina Maria Cervone and Nicholas Watson, Philadelphia, Uni0
Correction0
The English Studies Interview with Alan Hollinghurst: In Conversation with Dominic Dean0
Peripatetics: Reading Fiona Sampson’s Starlight Wood: Walking back to the Romantic Countryside0
The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature0
Unpacking the “Red Flag” Bookshelf: Negotiating Literary Value on Twitter0
The Censorship of Eighteenth-Century Theatre: Playhouses and Prohibition, 1737–18430
Communities of Writing: The Main Scribes of National Library of Wales, Brogyntyn ii.10
Lost and Found: Material Objects and Dislocation in Denise Levertov’s Tesserae0
“Sights from Various Corners of the Globe”: Cosmopolitan Pressure and Paradoxical Mobility in The Remains of the Day0
Transcultural Memory of the Nation in Caryl Phillips’s A Distant Shore0
How to Read Middle English Poetry0
A Collostructional and Constructional Approach to the Transitive out of - ing Construction0
“Something to say upon Women’s Inconstancy”: Fickleness and Fleeting Infatuation in the Shelleys and Beyond0
The Activist Humanist: Form and Method in the Climate Crisis0
The English Studies Interview: Merve Emre0
Landscapes, Women, and Art in A. S. Byatt’s “Crocodile Tears” and “A Stone Woman”0
“Rough Critical Winds”: Mis-Selling English Pastoral in H. E. Bates’s Larkin Novels, 1958–19700
Diachronic Developments of the Concessive Though -Fronting Construction in American English: A Corpus-Based Perspective0
“The Marsh did not Confine Them but Defined Them”. An Ecocritical Analysis of Waterscapes in Contemporary Anglophone Environmental Narratives0
“Snatch, Eat, Erase”: The Demonization of Women’s (Sexual) Appetite Through Eating Disorders in the CW TV Series The Vampire Diaries (2009–2017)0
You Do Have to Live Like This: Narrative Foreclosure and the Opening of the Detroit Frontier in Benjamin Markovits’s You Don’t Have to Live Like This0
In Memoriam Noel Osselton (1927–2024)0
Deleuzian Time and the Elemental Rhythms of Nature in Joan Lindsay’s Picnic at Hanging Rock (1967)0
Nautical Borrowings in Early Modern English: The Case Study of Richard Hakluyt’s The Principall Nauigations (1589)0
“Madam, Will You Talk?”: Disability, Confinement, and a Newly Discovered Draft of a Ghost Story by M.R. James0
The Spiritual Lives and Manuscript Cultures of Eighteenth-Century Women: Writing Religious Community0
From Postcolonialism to Cosmopolitanism: Reading Timothy Mo’s Thematic Shift and Its Resonance with the Development of British Chinese Literature0
Selina Thompson’s salt. : A Monument of Remembrance and Affective Healing0
Interpretation, Commercialisation, and Eighteenth-Century Frontispieces: Tobias Smollett0
Performing Ethics in English Revenge Drama: Wild Play0
Seamus Heaney and the End of Catholic Ireland0
The Real and the Speculative: Gentrification and Literary Form in Tom McCarthy's Remainder0
Dilemma as Technique: Sarah Schulman’s Queer Detective Fiction and Gentrification0
Transcending Boundaries: Maternity in the Age of Biotechnological Reproduction in Deirdre Sullivan’s “The Mother”0
Feminist Approaches to Early Medieval English Studies Feminist Approaches to Early Medieval English Studies , edited by Robin Norris, Rebecca Stephenson, and Renée Trill0
The Pleasures of Memory in Shakespeare’s Sonnets0
The Overlap of the Political and Emotional Discourse in Sir Isumbras0
The Self and Its Social/Ecological Other in E. M. Forster’s Howards End : An Allergic Reading0
The World My Wildernessand the Possibility of Forgiveness: War, Guilt, Atonement0
“Many Strange Tongues” in the Fenlands: The Buried Giant as Brexit Allegory?0
Rural Modernity, Rural Modernism and Deindustrialisation in Norman Nicholson’s Poetry0
The Drama of Serial Conversion in Early Modern England0
Photographs, Diaspora, and Identity: Homecoming in Hala Alyan’s The Arsonists’ City0
Private Study and Opportune Words: Wisdom in the Old English Pastoral Care0
Manners, Morals, and Happiness: Negotiating Balance in Sense and Sensibility0
Posthumanism and Female Resistance: Reading the Disruptive Female Body in Uzma Aslam Khan’s The Story of Noble Rot0
Probabilistic Variability in Clausal Verb Complementation in World Englishes0
“In a House with Too Many Holes”: In Praise of Nature as Home in Margaret Renkl’s Late Migrations0
Transatlantic Transformations of Romanticism: Aesthetics, Subjectivity and the Environment0
The Boatman’s Tale: The Buried Giant and Cosmopolitanism in Crisis0
Between the Mythical and the Ironic: An Analysis of the Imaginative Structure of Margaret Atwood’s MaddAddam Trilogy0
Crisis of Crises: Re-imagining Central Europe in Kazuo Ishiguro’s The Unconsoled0
Inventing Tomorrow: H. G. Wells and the Twentieth Century0
Fractal Gentrification in Hanif Abdurraqib’s Serial Poetry0
The 1930s: a decade of modern British fiction0
On the Making of Robinson’s Stylistic “Fast Ones” Through the Banks Series' Early Years0
Bookshelves, Social Media and Gaming0
Fariseas lufigaþ forþmestu setulas : Loanwords and Analogical Changes in the Nominal Morphology of Farman’s Gloss to the Rushworth Gospels0
Emotional Anthologies: The Exeter Riddles and the Psalms0
Memory Gaps and Biofiction in Maggie O'Farrell's Hamnet : Interpreting Mystery and Reimagining Anne Hathaway0
“What Is a Man?”: Disability, Domesticity, and Imperialism in Flannery O’Connor’s “The Life You Save May Be Your Own”0
Where Does Lexical Diversity Come From? Horizontal Interaction in the Network of the Late Modern English Reaction Object Construction0
Complete Old English: A Comprehensive Guide to Reading and Understanding Old English with Original Texts0
Tobias Smollett’s and John Campbell’s Contributions to the American Volumes in The Modern Part of an Universal History0
Recognition of the Self in Penelope Fitzgerald’s Autofictional Novels0
Scribal Consistency across Four Middle English Texts in NLW, Brogyntyn ii.10
A “Fanatic in Morality”: The “Native” Question, Revisions, and Emotional Intensity in Anthony Trollope’s South Africa (1878)0
The Reader’s Joyce: Ulysses, Authorship and the Authority of the Reader0
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