English Studies

Article	Citations
Old English Medievalism: Reception and Recreation in the 20th and 21st Centuries	11
Geographies of Memory: Paula Hawkins’s Into the Water and A Slow Fire Burning	6
Gender Space and Collaboration Politics: Christine Longford’s The Furies (1933)	5
British Battles 493–937: Mount Badon to Brunanburh	5
Della Cruscan Poetry, Women and the Fashionable Newspaper	4
The Interplay of Dominant Empiricism and Residual Cartesianism in Ann Radcliffe’s A Sicilian Romance	4
Tom McCarthy, The Making of Incarnation , and the Infrastructure of Virtuality	4
Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of Mother Ireland	4
“Third Space”, Cultural Translation and Linguistic Hospitality in Sinéad Morrissey’s Poetry	4
Rethinking the Red Sea in the Old English Exodus	4
Escaping from Brunanburh and John of Worcester	3
Narrating Difficult Histories: Interwar Border Crossing in Evelyn Waugh’s Vile Bodies (1930) and Christopher Isherwood’s Down There on a Visit (1962)	3
Embracing Otherness: The Role of Nostalgia in Bicultural Identity Formation in How the García Girls Lost Their Accents , Dreaming in Cuban	3
The Anthropocene Unconscious: Climate Catastrophe Culture	3
The Letters of T. S. Eliot, Volume 9: 1939-1941	3
Writing Orality: Australian Aboriginal Voices in Alexis Wright’s Carpentaria	3
Gower’s Quatrains: Language, Rhyme, Occasion	3
“Hang Loose”: The Ethos and Influence of Oceanfrog Frazer in Cormac McCarthy's Suttree	2
“Born Yesterday”: Philip Larkin and the Denial of Childhood	2
“I Take it You’ve Read Every Book on the Shelves?” Demonstrating Taste and Class Through Bookshelves in the Time of COVID	2
Writing Solidarity in Brexit London: Exclusions and Alliances in Mohsin Hamid’s Exit West and Aminatta Forna’s Happiness	2
The Art and Thought of the Beowulf Poet The Art and Thought of the Beowulf Poet , by Leonard Neidorf, Ithaca and London, Cornell University Press, 2022. xiii + 197 pp.,	2
“But which is the Way the World Ends?”: The Dual Nature of Anger and Power of Brotherly Love in N.K. Jemisin’s Broken Earth Trilogy	2
The Battle of Brunanburh: The Yorkshire Hypothesis	2
Transhistorical Solidarity and the Power of Kindness in Denise Mina’s Rizzio	2

Shakespeare, Dramatic Poetry and Value	2
Shakespeare and University Drama in Early Modern England Shakespeare and University Drama in Early Modern England , by Daniel Blank, Oxford, Oxford University Press, 202	2
Order out of Chaos: The Orthographic Standardisation of full and - ful	2
Poet, Editor, Anarchist: Lola Ridge’s New York Networks	2
Epistolary Courtiership and Dramatic Letters: Thomas Overbury and the Jacobean Playhouse	1
“The Eye to the Object”: The Question of Demonstrative Knowledge in Defoe’s The Consolidator	1
Modernism's Book of Scraps: Worldmaking and the Anthology as Medium in the Contact Collection of Contemporary Writers	1
Interconnections between Art and Commerce: Literary Prizes, Readers, and the Reading Committee of the Irish Women Writers' Club (1933–1958)	1
“All that I Am Craving Is the Talk”: Collaboration, Translation and Lady Gregory’s Workhouse Ward	1
“Curds and Cream”: Integration, Reclamation and the Pastoral Community in The Winter’s Tale	1
One Soul We Divided: A Critical Edition of the Diary of Michael Field	1
The Middle English Book: Scribes and Readers, 1350–1500	1
Eldarin Cosmotechnics: Posthumanism, Ecology and Techne in Tolkien’s Portrayal of Elven Paradises	1
Practical Alienation: George Eliot’s Philosophical Experiments in Silas Marner (1861)	1
In and out of Bloomsbury: Biographical essays on twentieth-century writers and artists	1
The Iconicity of Style in Contemporary Science Fiction	1
Blood and Footprints: Traces of Embodiment in Jude the Obscure and The Woman in White	1
Maria and the Posthuman in George Stewart’s Storm	1
Erminda Rentoul Esler's “Physical” and “Virtual” Networks: Women's Activism, the Irish in London, and the Local-Colour Story	1
Shakespeare Through Islamic Worlds	1
Small World: Ireland, 1798–2018	1
Facing Two Ways Syntactically: On the Grammar and Use of Promise and Threaten in Three Regional Varieties	1
Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama	1
The Poets of Rapallo: How Mussolini’s Italy Shaped British, Irish, and U.S. Writers	1
Love, Friendship, and Narrative Form After Bloomsbury: The Progress of Intimacy in History	1
The Intersection of Class and Space in British Postwar Writing: Kitchen Sink Aesthetics	1
Atrocity and Early Modern Drama	1
Women and Crowds in the Novels of Elizabeth Gaskell and Margaret Harkness	1
Bending Toward Justice: Moral Failure, Tragic Recognition, and Confession in Cormac McCarthy’s The Stonemason	1
Woden and Widsith	1
Civilizationism, Secularism, and Irony in Patience Agbabi’s “Joined-Up Writing”	1
Revisiting the Pansies Notebook: New Approaches to D. H. Lawrence's Late Archives	1
“[E]verything that is to be Made Whole Must First be Broken”: Religion, Metaphor and Narrative Alchemy in Hilary Mantel's Fludd (1989)	1
Coming Back Down to Earth: The Novel and the Human Condition in the Anthropocene	1
Beowulf: Poem, Poet and Hero	1
Material Ethics in Trans-corporeal Space: A Study of Alejandro Morales’s The Rag Doll Plagues	1
Postcolonial Settings in the Fiction of James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker: Strange Surroundings	1
Irish Women Writers and Their (Trans)National Networks: Making and Translating Local Colour Literature	1
Making Light of Grave Matters: Humour in Edith Eaton’s Works	1
Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century: The Imprint of Women, c. 1700-1830	1
A Curator in the House of Memory: Restoration, Implication and the Post-Conflict Novel in Aminatta Forna’s The Hired Man	1
“The Seafolk Have no Souls”: On Ecophobia, Animality and Civilisation in Oscar Wilde’s “The Fisherman and his Soul”	1
“Judicial killings – that’s a Rarity in Australia”: Detection, Identity and Representation in Nicole Watson’s The Boundary	1
The Tramp in British Literature, 1850–1950 The Tramp in British Literature, 1850–1950 , by Luke Lewin Davies, Cham, Palgrave Macmillan, 2021. 344 pp., €119.89(hardcover)	1
“An Otter’s Temporary Resting Place”: Michael Longley’s Western Landscape	1
Do You Want to Be Happy and Write?: Critical Essays on Michael Ondaatje	1
Shakespeare and Textual Theory; The Arden Research Handbook of Shakespeare and Textual Studies	1
Stylistics and Contemporary Fiction	1
The Incidence of Aural Incursions in Elizabeth Bowen’sThe Last Septemberand Iris Murdoch’sThe Red and the Green	0
Satire in Eighteenth-Century Medical Discourse: Elizabeth Nihell, Tobias Smollett and the Advent of Man-Midwifery	0

What Kind of a Thing is a Middle English Lyric? What Kind of a Thing is a Middle English Lyric? , edited by Cristina Maria Cervone and Nicholas Watson, Philadelphia, Uni	0
Private Study and Opportune Words: Wisdom in the Old English Pastoral Care	0
Rewriting the North: Contemporary British Fiction and the Cultural Politics of Devolution	0
“[A] Man in Petticoats”: Female Entrepreneurs in Wilkie Collins’s Novels	0
Deleuzian Time and the Elemental Rhythms of Nature in Joan Lindsay’s Picnic at Hanging Rock (1967)	0
Memory Gaps and Biofiction in Maggie O'Farrell's Hamnet : Interpreting Mystery and Reimagining Anne Hathaway	0
The Ballad World of Anna Gordon, Mrs. Brown of Falkland	0
Shakespeare and Montaigne	0
The Spiritual Lives and Manuscript Cultures of Eighteenth-Century Women: Writing Religious Community	0
The English Studies Interview with Alan Hollinghurst: In Conversation with Dominic Dean	0
Transcultural Memory of the Nation in Caryl Phillips’s A Distant Shore	0
A Corpus-based Investigation of Modals in Spoken British English: Gender Variation and Change in the Years 1994 and 2014	0
The Drama of Serial Conversion in Early Modern England	0
Introducing Trace as an Embodied Approach to the Novel in English	0
The Real and the Speculative: Gentrification and Literary Form in Tom McCarthy's Remainder	0
A Cognitive Model of Reading Autofiction	0
West Midland Elements in the Language of the Auchinleck CoupletGuy of Warwick: A Reinterpretation	0
Beyond Information Packaging: The Case of Adjective Phrase Inversion in Learned and Scientific Exposition Academic Prose	0
The English Studies Interview: Merve Emre	0
The Critical Study of Masculinities in Old English Literature	0
Orwell & Empire	0
Diachronic Developments of the Concessive Though -Fronting Construction in American English: A Corpus-Based Perspective	0
Instapoetry: Digital Image Texts Instapoetry: Digital Image Texts , by Niels Penke, Berlin, Palgrave Macmillan, 2023, 116 pp., £27.99 (hardback), ISBN: 978-3662668337	0
Kazuo Ishiguro’s Gestural Poetics	0
The Life and Lies of Charles Dickens	0
Ideas of the World in Early Medieval English Literature	0
The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature	0
Seamus Heaney and the End of Catholic Ireland	0
“Distinguished Irishwomen in London”: The Promotion of Professional Networks in Charlotte O'Conor Eccles' Journalism and Fiction	0
“Alphabets of Flesh”: Writing the Body and Diasporic Women’s Autobiography in Meena Alexander’s Fault Lines	0
Interpretation, Commercialisation, and Eighteenth-Century Frontispieces: Tobias Smollett	0
Representing the Tramp in British Interwar Social Exploration Literature: Frank Jennings, Frank Gray and George Orwell	0
Feminist Approaches to Early Medieval English Studies Feminist Approaches to Early Medieval English Studies , edited by Robin Norris, Rebecca Stephenson, and Renée Trill	0
“Our Love and Terror”: Topophrenia in Seamus Heaney’s Bog Poems	0
Masculinity, the Environment and the Phenomenology of the Body in Beowulf	0
The Making of a Shakespeare Critic: Partial English Translations of Goethe’s Wilhelm Meisters Lehrjahre in the Long Nineteenth Century	0
Analogical Changes in the Nominal Morphology of Owun’s gloss to the Rushworth Gospels	0
“Many Strange Tongues” in the Fenlands: The Buried Giant as Brexit Allegory?	0
From Postcolonialism to Cosmopolitanism: Reading Timothy Mo’s Thematic Shift and Its Resonance with the Development of British Chinese Literature	0
Jacob Hall and other Rope Dancers at The Hague, 1679–1681	0
The Revitalized Tudor and Chiron Myths in the Henriad : Reviewing Shakespeare as a Historiographer and Mythographer	0
Arden of Faversham Arden of Faversham , edited by Catherine Richardson(Arden Early Modern Drama), London, Bloomsbury Publishing, 2022, xviii+337 pp., £90.00 (hardback),	0
English Renaissance Manuscript Culture: The Paper Revolution	0
The Pleasures of Memory in Shakespeare’s Sonnets	0
“‘It’s Growl You May, But go You Must’: The Untapped Potential of the Sailor’s Chantey”	0
Prepositions with and about and Schematic Conceptualisation of Emotion Causality	0
Making (and Un-making) Meaning in Alejandro Zambra’s Multiple Choice	0
Between the Mythical and the Ironic: An Analysis of the Imaginative Structure of Margaret Atwood’s MaddAddam Trilogy	0
The Artist Helen Coombe (1864-1937): The Tragedy of Roger Fry’s Wife	0
“In a House with Too Many Holes”: In Praise of Nature as Home in Margaret Renkl’s Late Migrations	0
‘We’re Just Fantasizing Aloud Here’: Fantasy and Online Communities in Dennis Cooper’s The Sluts (2005)	0
The Reader’s Joyce: Ulysses, Authorship and the Authority of the Reader	0
One Scribe or Two? On the Copying of Sir Gawayn and the Carl of Carlisle in NLW Brogyntyn ii.1	0
Fractal Gentrification in Hanif Abdurraqib’s Serial Poetry	0
The Shakespeare Sermon (1879-1900): Shakespeare the Poet and Shakespeare the Dramatist	0
On the Making of Robinson’s Stylistic “Fast Ones” Through the Banks Series' Early Years	0
Correction	0
Posthumanist Subjectivities of Fantastic Creatures in the Harry Potter Series	0
The Myth of Family: Friendship and Sexual Impropriety in the Feminist Occult Grail Narratives of Mary Butts’s Armed with Madness (1928)	0
Emotional Anthologies: The Exeter Riddles and the Psalms	0
Recognition of the Self in Penelope Fitzgerald’s Autofictional Novels	0
“What Is a Man?”: Disability, Domesticity, and Imperialism in Flannery O’Connor’s “The Life You Save May Be Your Own”	0
Transatlantic Transformations of Romanticism: Aesthetics, Subjectivity and the Environment	0
Recovering Old English	0
Ectogenesis, Co-pregnancy and the Politics of Reproductive Labour in The Growing Season: An Interview with Helen Sedgwick	0
Tobias Smollett’s and John Campbell’s Contributions to the American Volumes in The Modern Part of an Universal History	0
Nautical Borrowings in Early Modern English: The Case Study of Richard Hakluyt’s The Principall Nauigations (1589)	0
Scribal Consistency across Four Middle English Texts in NLW, Brogyntyn ii.1	0
Beowulf: Translation and Commentary	0
Middle English fobbere and the Critical Editing of Piers Plowman	0
The Representation of Physical Books and Bookish Places in Video Games: The Last of Us Part II	0
Disturbing Decorum and Good Proportion: Imbalance and Excess in English Pastoral Sonnets of the 1590s	0
Controlling the Uncontrollable: Estrangement and Appropriation in the First Riddle of the Exeter Book	0
Traces of the Queer Child inShuggie Bain	0
The Oracle, the Plague, and the Mystery of Oedipus’ Identity in Natalie Haynes’ The Children of Jocasta	0
Peripatetics: Reading Fiona Sampson’s Starlight Wood: Walking back to the Romantic Countryside	0
“Sights from Various Corners of the Globe”: Cosmopolitan Pressure and Paradoxical Mobility in The Remains of the Day	0
Genetic Criticism: Tracing Creativity in Literature	0
The Intelligent Unconscious in Modernist Literature and Science	0
Landscapes, Women, and Art in A. S. Byatt’s “Crocodile Tears” and “A Stone Woman”	0

Lost and Found: Material Objects and Dislocation in Denise Levertov’s Tesserae	0
“Traits Don't Change, States of Mind Do”: Tracking Olive in Olive Kitteridge by Elizabeth Strout	0
Fluid Adaptive Revision and Twin-Track Authorship: Andrew Bovell’s Lantana Series from Stage to Screen	0
Dark Academia: Bookishness, Readerly Self-fashioning and the Digital Afterlife of Donna Tartt’s The Secret History	0
A Collostructional and Constructional Approach to the Transitive out of - ing Construction	0
“Everything Kills Everything Else in Some Way”: An Ecocritical Reading of Human – Non-Human Relationships in Ernest Hemingway’s The Old Man and the Sea	0
Poetic Style and Innovation in Old English, Old Norse, and Old Saxon	0
Instability, Disruption, Dissonance: A Reading ofA Midsummer Night’s Dream	0
Probabilistic Variability in Clausal Verb Complementation in World Englishes	0
The Overlap of the Political and Emotional Discourse in Sir Isumbras	0
Nature and Narrative: Rhetoric and Design in Contemporary Fiction	0
Transcending Boundaries: Maternity in the Age of Biotechnological Reproduction in Deirdre Sullivan’s “The Mother”	0
Publishing the History Play in the Time of Shakespeare: Stationers Shaping a Genre	0
Experiencing Dystopia ThroughUmwelt: Modelling the Nonhuman Animal inHollow Kingdom	0
Martin Johnston, the Problem of Elegy, and Social Poetics in Late Modernist Lyric	0
Dilemma as Technique: Sarah Schulman’s Queer Detective Fiction and Gentrification	0
The Censorship of Eighteenth-Century Theatre: Playhouses and Prohibition, 1737–1843	0
Milton, Longinus, and the Sublime in the Seventeenth Century	0
Living, Learning, and Dying by Water: Materialist Jamaican Environment in A Tall History of Sugar by Curdella Forbes	0
The Self and Its Social/Ecological Other in E. M. Forster’s Howards End : An Allergic Reading	0
Louise Glück’s Averno : A Feminist Reception of the Myth of Persephone	0
Before the Trials: William Hone and the Rise of the Watchdog Press	0
Representations of Terror and Horror in the Frontispieces to Thomas and Robert Hughes’s Gothic Chapbooks	0
Crossing the Mirror into Maternal Waters: The Ethics and Aesthetics of Becoming-other in Ella Hickson’sThe Writer(2018)	0
“So This was what Being Alone was like”: Articulations of Vulnerability in Colm Tóibín’s Nora Webster	0
Conrad’s Decentred Fiction	0
The Boatman’s Tale: The Buried Giant and Cosmopolitanism in Crisis	0
The Bloomsbury Handbook to Agatha Christie The Bloomsbury Handbook to Agatha Christie , edited by Mary Anna Evans and J. C. Bernthal, London, Bloomsbury Academic, 2023.	0
The Kid’s Transformation, the Judge’s Rejuvenation: Subtle Referential Changes in Cormac McCarthy’s Blood Meridian Editions	0
The Sense of Movement in the Stanzaic Morte Arthur and the Alliterative Morte Arthure	0
Unpacking the “Red Flag” Bookshelf: Negotiating Literary Value on Twitter	0
Bookshelves, Social Media and Gaming	0
Development of the Subject of BE going to in Grammaticalisation from the 1820s to 2010s in Comparison with BE about to	0
A “Fanatic in Morality”: The “Native” Question, Revisions, and Emotional Intensity in Anthony Trollope’s South Africa (1878)	0
Writing Solidarity and Exclusion in Twenty-first-century Britain: Theoretical and Creative Approaches	0
Tracing Loss in Times of Rapid Climate Change: Figures of Absence in Omar El Akkad’sAmerican War	0
Memory, Compromised and Implicated Identities, and Narrative Ethics in Rachel Seiffert’s Novels	0
Performing Ethics in English Revenge Drama: Wild Play	0
“Snatch, Eat, Erase”: The Demonization of Women’s (Sexual) Appetite Through Eating Disorders in the CW TV Series The Vampire Diaries (2009–2017)	0
Inventing Tomorrow: H. G. Wells and the Twentieth Century	0
Preserving the American Dream: Modern Refrigerators in Mid-Century Fiction	0
Natural and Supernatural in Early Medieval England	0
An In-depth Corpus-based Investigation of Unbound Reflexives	0
King Arthur’s “Lurking Carcass” and the English Nation: Embodying the State on Stage and Page in The Misfortunes of Arthur and A Mirror for Magistrates	0
“This Ain’t the Way It’s S’posed to Be”: Negotiating Trauma Through Postmemory and Implication in Yaa Gyasi’s Homegoing	0
Complete Old English: A Comprehensive Guide to Reading and Understanding Old English with Original Texts	0
The Politics of Education in Dorothy Richardson’s Dental Record Writings: The Struggle Over Schooling in the Modernist Literary Field	0
How to Read Middle English Poetry	0
Variation in the Usage of Relativisation Strategies in Migrant and Non-migrant English Speakers	0
“Something to say upon Women’s Inconstancy”: Fickleness and Fleeting Infatuation in the Shelleys and Beyond	0
The Knots of Sir Gawain and the Green Knight ’s Boar Chase (Lines 1431–7)	0
“Novels consist of words”: Exploring Transcultural Depths, Translating The Sense of an Ending into Russian	0
Ezra Pound and His Classical Sources: The Cantos and the Primal Matter of Troy	0
Narrative Time and Moral Injury in Daniel Defoe’s The Fortunate Mistress	0
“The Marsh did not Confine Them but Defined Them”. An Ecocritical Analysis of Waterscapes in Contemporary Anglophone Environmental Narratives	0
Introduction: Textures of Home: (Dis)location, Belonging and Loss	0
Flying Machines and Time Experiment in Kazuo Ishiguro’s “Bewilderment Trilogy”	0
International Poetry of the First World War: An Anthology of Lost Voices	0
“Madam, Will You Talk?”: Disability, Confinement, and a Newly Discovered Draft of a Ghost Story by M.R. James	0
Projection or Reflection? The Pandemic Bookshelf as a Mirror for Self-Image and Personal Identity	0
“Not a Sight, but a Sound”: Listening in E. M. Forster’s A Passage to India	0
“Rough Critical Winds”: Mis-Selling English Pastoral in H. E. Bates’s Larkin Novels, 1958–1970	0
Connecting Voices: An Introduction to Irish Women Writers' Collaborations and Networks, 1880–1940	0
Emotion, Morality, and Exemplarity in Old English Literature	0
Posthumanism and Female Resistance: Reading the Disruptive Female Body in Uzma Aslam Khan’s The Story of Noble Rot	0
In Memoriam Noel Osselton (1927–2024)	0
Secrecy and Community in 21st-Century Fiction	0
“The Song of the Shirt” Replanted: Thomas Hood’s Poem in a Nordic Context	0
Paratextual Mediation and Narrative Reconstruction: An Analysis of Footnotes in Sydney Owenson’s The Wild Irish Girl	0
A History of Irish Literature and the Environment	0
Selina Thompson’s salt. : A Monument of Remembrance and Affective Healing	0
The Moral Economy of Sadie Jones’s The Snakes	0
“Cloud-Cuckooland Down There”: Derek Mahon’s Cloud Thinking Poetics	0
Human Tissue in the Realist Novel, 1850–1895 Human Tissue in the Realist Novel, 1850–1895 , by Ben Moore, Cham, Palgrave Macmillan, 2023, 100 pp., $44.99(Hardback), ISBN	0
Rural Modernity, Rural Modernism and Deindustrialisation in Norman Nicholson’s Poetry	0
The English Studies Interview with Melissa Harrison	0
“All the City, Written, Erased, Rewritten?”: Sedimentary Memory in Before Yesterday We Could Fly and Teju Cole’s Open City	0
The World My Wildernessand the Possibility of Forgiveness: War, Guilt, Atonement	0
You Do Have to Live Like This: Narrative Foreclosure and the Opening of the Detroit Frontier in Benjamin Markovits’s You Don’t Have to Live Like This	0
England’s Insular Imagining: The Elizabethan Erasure of Scotland	0
Introduction: Towards an Ecological Posthumanism in English Studies	0
Where Does Lexical Diversity Come From? Horizontal Interaction in the Network of the Late Modern English Reaction Object Construction	0
Life Writings, Autobiographical Subjects: Exploring Colonial Narratives and Anti-Memory in African Freedom Fighters’ Texts	0
Historical Fiction Now	0
Crisis of Crises: Re-imagining Central Europe in Kazuo Ishiguro’s The Unconsoled	0
Photographs, Diaspora, and Identity: Homecoming in Hala Alyan’s The Arsonists’ City	0
Shakespeare and Lost Plays: Reimagining Drama in Early Modern England	0
Communities of Writing: The Main Scribes of National Library of Wales, Brogyntyn ii.1	0
Manners, Morals, and Happiness: Negotiating Balance in Sense and Sensibility	0
“It wasn’t always like this”: Displacement and the Poetics of Gentrification in Ross Raisin’s Waterline (2011) and Lisa Blower’s Sitting Ducks	0
The 1930s: a decade of modern British fiction	0
Tennyson and Goethe’s Faust	0
Agape and the Antichrist: Soteriological and Eschatological Masculinities in the Homilies of Wulfstan	0
The Activist Humanist: Form and Method in the Climate Crisis	0
“The Human Slivers of a Civilization”: Language Events in Don DeLillo’sThe Silence	0