OOIR: Observatory of International Research

Papers

(The TQCC of English Literary Renaissance is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Leander in the Ottoman Mediterranean: The Homoerotics of Abduction in the Global Renaissance	3
Fictions of Race: Racecraft, Reproduction, and Whiteness in Titus Andronicus	2
“Come Aloft, Jack-little-ape!”: Race and Dance in The Spanish Gypsie	2
Marlowe and Nashe	2
The Physics of Poetic Form in Arthur Golding’s Translation of Ovid’s Metamorphoses	2
“The Law of thy Mother”: Contesting Inheritance in Seventeenth-Century England	1
Stomaching Satire: Poetaster, Troilus and Cressida, and the Hermeneutics of Hypocrisy	1
Lucy Hutchinson’s and Margaret Cavendish’s Petitionary Lives	1
Introduction: Lucy Hutchinson (1620–1681) and Margaret Cavendish (1623–1673)	1
Stranger to Profit: Waste, Loss, and Sacrifice inThe Jew of Malta	1
“Many Ciphers, Although But One for Meaning”: Lady Mary Wroth’s Many-Sided Monogram	1
In the Mood of Fiction	1
Reading a Lost Book: Ben Jonson’sEpigrammes(c.1612) and Disposable Authorship	0
The Experience of Authority:Hamletand the Political Aesthetics of Majesty	0
From Plays-Within to Players Without: Theatrical Hospitality in Hamlet and Sir Thomas More	0
Approaching Playhouse Song in the Archive: The Case of Dekker, Ford, Middleton, and Rowley’s The Spanish Gypsy	0
Windsor’s World of Words: Multilingualism inThe Merry Wives of Windsor	0
How to Do Things With Numbers:Love’s Labour’s Lostand Quantitative Uncertainty	0
“Hick scorners jestes”: Thomas Nashe, Martin’s Month’s Mind, and the Tudor Dramatic Tradition	0
Frontispiece	0
In Memoriam: Kirby Farrell	0
Singular Modes: The Politics of Dress in Cavendish, Evelyn, and Hutchinson	0
Marian Literary Culture: Petrarch and the Rapprochement of Cultures	0
James Bell’s Narrative of Cecilia Vasa’s Journey to England: Travelogue as Encomium	0
A Proof of Pleasure: Renaissance in Rancière, Auerbach, Marlowe	0

Processes of Reformation in Donne’sDevotions Upon Emergent Occasions: Bells, Brass, and the Reader’s Work	0
Preface	0
“Beyond Beyond”:Cymbeline, the Camera Obscura, and the Ontology of Elsewhere	0
Frontispiece	0
Frontispiece	0
Non-Atomic Atomisms and Atomic Epistemologies in the Poetry of Margaret Cavendish and Lucy Hutchinson	0
Frontispiece	0
Interpersonal Soliloquy: Self and Audience in Shakespeare and Augustine	0
Volume 51 (2021)	0
Biblical Prophecy and Political Counsel in Shakespeare’s Richard II and Shakespeare and Fletcher’s Henry VIII (All Is True)	0
The Affective Ecology of Shakespeare’s First Tetralogy	0
Recent Studies of Mary Sidney Herbert, Countess of Pembroke (1999–2020)	0
Ridiculous Subjects:Coriolanus, Popular Representation, and the Roman Tribunes in Early Modern Drama	0
Fictions of Human Nature in Early Modern Poetry and Philosophy	0
Editorial Notices	0
Margaret Cavendish Reads Josuah Sylvester: Epicurus, Atheism, and Atomic Skepticism in Poems, and Fancies	0
Known Unknowns: Sir John Davies’Nosce Teipsumin Conversation	0
Color on the Last Day: Experimentalism and the Meaning of Skin	0
Judith and Lucrece: Reading Shakespeare Between Copy and Work	0
Frontispiece	0
Human Resources: Class and Cannibalism in Herrick’s “The Hock-Cart”	0
Staging the Literal in Shakespeare’s Titus Andronicus: Lavinia’s Suffering and Marcus’ Speech	0
Front Matter	0
Displacement’s Botanical Roots: The Racial Rhetoric of Transplantation in Early Modern Thought	0
The Utopian Hypothesis	0
Taking Time to Breathe: The Formal Atmospherics of Early Modern Drama	0
Sidney’s Penetrations: Metaphors and Ideas	0
Aeneas the Fair Youth: Early Modern Whiteness and the Aeneid in English Translation	0
Front Matter	0
“To Please the Best, and th’Evill to Embase”: Slavery Logic in Spenser’sFaerie Queene, Book VI	0
Front Matter	0
“Noe dish whose tast, or dressing, is unknown / Unto oʳ natives”: Local and Global Material Cultures in the Food Rituals of Thomas Salusbury’s 1634 “Chirk Castle Entertainment”	0
Frontispiece	0
Artlikeness:Enargeia, Imagination, and the Enlivening of Shakespeare’s Hero	0
Front Matter	0
Front Matter	0
Frontispiece	0
“Framed in Wax”: Fiction as Artificial Experience inThe Duchess of Malfi	0
Frontispiece	0
George Gascoigne’s “Patched Cote”: Writing Pedagogy and Poetic Style in the Literature Classroom	0
Sackbut of Israel: John Donne and English Nonconformity, 1650–1700	0
Lord Burghley’s “Ten Precepts” for his Son Robert Cecil: A New Edition	0
Frontispiece	0
Front Matter	0
Emblematic Tabernacles in John Donne, John Milton, and the Antwerp Polyglot Bible	0
Front Matter	0
Volume 53 (2023)	0
Introduction: Interstitial Fiction	0
Spectrum of Darkness: George Herbert’s Ventriloquism of an African Woman in “Aethiopissa ambit Cestum Diversi Coloris Virum”	0
Recent Studies of Rhetorical Poetics	0

Editorial Notice	0
Resurrection Reading: Margaret Cavendish Drafts the Afterlife	0
“Palpable to thinking”: Othello and Gross Conceits	0
Frontispiece	0
The Racial Biopolitics of Sex in the Work of Henry Neville	0
The Politics of Scale in Shakespeare’s Henry V: Fiction, History, Theater	0
Margaret Russell, Countess of Cumberland’s Letter to John Layfield: Composing Grief through Consolation and Lamentation	0
Front Matter	0
Volume 54 (2024)	0
Front Matter	0
Frontispiece	0
Lucy Hutchinson’s Everyday War: The 1640s Manuscript and her Restoration ‘Elegies’	0
A Priest to the Table: Eucharistic Causality and Priestly Spirituality in George Herbert’s The Temple	0
The Relics of Hippolytus in Spenser’s Faerie Queene	0
Recent Studies in Early Modern Conscience	0
Front Matter	0
Front Matter	0
Othelloand the Political Theology of Jealousy	0
Ground-plots of Invention: Poetics of the Material and Difficult Thinking in The Faerie Queene	0
“transeant Things”: Materialism and Mortality in the Lyrics of Lucy Hutchinson and Margaret Cavendish	0
Front Matter	0
Early Modern Wetlands: A Brief Literary History of the Unfast	0
Contesting Fiction in Gavin Douglas’ Eneados	0
Frontispiece	0
“The Scope of Mine Intent”: Reading for the Author in George Gascoigne’sHundreth Sundrie FlowresandPosies	0
VOLUME 52 (2022)	0