OOIR: Observatory of International Research

Papers

(The TQCC of English Literary Renaissance is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
Sidney’s Penetrations: Metaphors and Ideas	5
Introduction: Interstitial Fiction	2
“transeant Things”: Materialism and Mortality in the Lyrics of Lucy Hutchinson and Margaret Cavendish	2
Lucy Hutchinson’s and Margaret Cavendish’s Petitionary Lives	2
Front Matter	2
Editorial Notices	2
A Priest to the Table: Eucharistic Causality and Priestly Spirituality in George Herbert’s The Temple	1
“Brought up in the universitie of bridewell”: Beggarly Rhetorics and Rhetorical Beggars in Early Modern England	1
How to Know the Witch: Trivial Domestication, Tragicomedy, and Race in The Witch of Edmonton	1
Front Matter	1
Fictions of Human Nature in Early Modern Poetry and Philosophy	1
Rhodes’s “Fair Example”: Tyranny, Race, and the Orient in The Maid’s Tragedy	1
“And in the chronicle enrol his name”: Documenting Power in Edward II	1
Frontispiece	1
The Politics of Scale in Shakespeare’s Henry V: Fiction, History, Theater	1
Editorial Notices	0
Volume 54 (2024)	0
Servant’s Pains, Lord’s Power: Art, Service, and Succession in Thomas Chaloner’s Poetry	0
Making up People in Measure for Measure	0
Frontispiece	0
Approaching Playhouse Song in the Archive: The Case of Dekker, Ford, Middleton, and Rowley’s The Spanish Gypsy	0
The Utopian Hypothesis	0
“Framed in Wax”: Fiction as Artificial Experience inThe Duchess of Malfi	0
Frontispiece	0
Front Matter	0

Frontispiece	0
Beyond the Book: Recycling Print in Early Modern England	0
Believing in Apostrophe in The Winter’s Tale	0
Color on the Last Day: Experimentalism and the Meaning of Skin	0
Elite Masculinity and Early Modern Performances of Walking	0
Ground-plots of Invention: Poetics of the Material and Difficult Thinking in The Faerie Queene	0
Contesting Fiction in Gavin Douglas’ Eneados	0
The Witty Episteme: Suspicion, Misogyny, and Knowingness in Jonson’s Epicoene	0
Frontispiece	0
Moderate Middleton: A Chaste Maid in Cheapside and Caroline Religion	0
Front Matter	0
Taking Time to Breathe: The Formal Atmospherics of Early Modern Drama	0
Volume 55 (2025)	0
Frontispiece	0
“To Please the Best, and th’Evill to Embase”: Slavery Logic in Spenser’sFaerie Queene, Book VI	0
Editorial Notices	0
Preface	0
Recent Studies in Early Modern Conscience	0
Disusing the Ear: Samuel Daniel and the Poetics of Poetical Essays	0
The Way They Read Then: Early Modern English Erotica	0
Frontispiece	0
Frontispiece	0
“Noe dish whose tast, or dressing, is unknown / Unto oʳ natives”: Local and Global Material Cultures in the Food Rituals of Thomas Salusbury’s 1634 “Chirk Castle Entertainment”	0
Front Matter	0
The Racial Biopolitics of Sex in the Work of Henry Neville	0
Displacement’s Botanical Roots: The Racial Rhetoric of Transplantation in Early Modern Thought	0
“Glassy Margents”: Biblical Paratexts, Early Modern Readers, and Shakespeare	0
Early Modern Women and Latin Literary Culture: Assessing the Evidence of Manuscript Verse	0
Human Resources: Class and Cannibalism in Herrick’s “The Hock-Cart”	0
Tricks and the (Tragi)comic Art of Survival	0
A Proof of Pleasure: Renaissance in Rancière, Auerbach, Marlowe	0
Volume 53 (2023)	0
Frontispiece	0
Reading a Lost Book: Ben Jonson’sEpigrammes(c.1612) and Disposable Authorship	0
Frontispiece	0
Resurrection Reading: Margaret Cavendish Drafts the Afterlife	0
Sackbut of Israel: John Donne and English Nonconformity, 1650–1700	0
“Beyond Beyond”:Cymbeline, the Camera Obscura, and the Ontology of Elsewhere	0
Artlikeness:Enargeia, Imagination, and the Enlivening of Shakespeare’s Hero	0
Front Matter	0
Spectrum of Darkness: George Herbert’s Ventriloquism of an African Woman in “Aethiopissa ambit Cestum Diversi Coloris Virum”	0
In Memoriam: Kirby Farrell	0
Lord Burghley’s “Ten Precepts” for his Son Robert Cecil: A New Edition	0
Biblical Prophecy and Political Counsel in Shakespeare’s Richard II and Shakespeare and Fletcher’s Henry VIII (All Is True)	0
Devotional Astronomy: Hester Pulter’s Posthuman Poetics	0
Front Matter	0
Front Matter	0
Front Matter	0
Singular Modes: The Politics of Dress in Cavendish, Evelyn, and Hutchinson	0
Front Matter	0

Non-Atomic Atomisms and Atomic Epistemologies in the Poetry of Margaret Cavendish and Lucy Hutchinson	0
Introduction: Comic Epistemologies	0
Aeneas the Fair Youth: Early Modern Whiteness and the Aeneid in English Translation	0
Lucy Hutchinson’s Everyday War: The 1640s Manuscript and her Restoration ‘Elegies’	0
Translation, Praise, and Politics in the Poetry of Edmund Waller	0
In the Mood of Fiction	0
Frontispiece	0
“The Common Gloss”: Multilingual Biblical Reading and the Name of the Tree in Paradise Lost	0
Commendatory Verses and Authorial Communities in Early English Playbooks	0
“Make you merry”: Forced Laughter and Other Epilogic Failures in Henry IV, Part 2	0
“The Scope of Mine Intent”: Reading for the Author in George Gascoigne’sHundreth Sundrie FlowresandPosies	0
“Cleopatra a Gypsy”: Pretense, Performance, and Gypsy Identity in Shakespeare’s Antony and Cleopatra	0
Fictions of Race: Racecraft, Reproduction, and Whiteness in Titus Andronicus	0
Margaret Cavendish Reads Josuah Sylvester: Epicurus, Atheism, and Atomic Skepticism in Poems, and Fancies	0
Front Matter	0
The Affective Ecology of Shakespeare’s First Tetralogy	0
Front Matter	0
Margaret Russell, Countess of Cumberland’s Letter to John Layfield: Composing Grief through Consolation and Lamentation	0
Lively Statues and Dramatic Ekphrasis in Dido, Queen of Carthage and The Winter’s Tale	0
“Hick scorners jestes”: Thomas Nashe, Martin’s Month’s Mind, and the Tudor Dramatic Tradition	0
Frontispiece	0
Tickling Shylock, the Laughing Animal	0
VOLUME 52 (2022)	0
Introduction: Lucy Hutchinson (1620–1681) and Margaret Cavendish (1623–1673)	0
Speaking in Many Sorts of Music: Traveling Singers as Agents of Embassy in Shakespeare’s Twelfth Night	0
To Cut a Long Title Short: Titling Conventions in Printed English Renaissance Drama	0