English Literary Renaissance

Papers
(The TQCC of English Literary Renaissance is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Leander in the Ottoman Mediterranean: The Homoerotics of Abduction in the Global Renaissance3
Fictions of Race: Racecraft, Reproduction, and Whiteness in Titus Andronicus2
“Come Aloft, Jack-little-ape!”: Race and Dance in The Spanish Gypsie2
Marlowe and Nashe2
The Physics of Poetic Form in Arthur Golding’s Translation of Ovid’s Metamorphoses2
Stomaching Satire: Poetaster, Troilus and Cressida, and the Hermeneutics of Hypocrisy1
Lucy Hutchinson’s and Margaret Cavendish’s Petitionary Lives1
Introduction: Lucy Hutchinson (1620–1681) and Margaret Cavendish (1623–1673)1
Stranger to Profit: Waste, Loss, and Sacrifice inThe Jew of Malta1
“Many Ciphers, Although But One for Meaning”: Lady Mary Wroth’s Many-Sided Monogram1
In the Mood of Fiction1
“The Law of thy Mother”: Contesting Inheritance in Seventeenth-Century England1
Interpersonal Soliloquy: Self and Audience in Shakespeare and Augustine0
Frontispiece0
Volume 54 (2024)0
Biblical Prophecy and Political Counsel in Shakespeare’s Richard II and Shakespeare and Fletcher’s Henry VIII (All Is True)0
The Affective Ecology of Shakespeare’s First Tetralogy0
Lucy Hutchinson’s Everyday War: The 1640s Manuscript and her Restoration ‘Elegies’0
Recent Studies of Mary Sidney Herbert, Countess of Pembroke (1999–2020)0
Ridiculous Subjects:Coriolanus, Popular Representation, and the Roman Tribunes in Early Modern Drama0
Recent Studies in Early Modern Conscience0
Fictions of Human Nature in Early Modern Poetry and Philosophy0
Editorial Notices0
Othelloand the Political Theology of Jealousy0
Margaret Cavendish Reads Josuah Sylvester: Epicurus, Atheism, and Atomic Skepticism in Poems, and Fancies0
Known Unknowns: Sir John Davies’Nosce Teipsumin Conversation0
Color on the Last Day: Experimentalism and the Meaning of Skin0
Judith and Lucrece: Reading Shakespeare Between Copy and Work0
Staging the Literal in Shakespeare’s Titus Andronicus: Lavinia’s Suffering and Marcus’ Speech0
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Human Resources: Class and Cannibalism in Herrick’s “The Hock-Cart”0
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Displacement’s Botanical Roots: The Racial Rhetoric of Transplantation in Early Modern Thought0
The Utopian Hypothesis0
Taking Time to Breathe: The Formal Atmospherics of Early Modern Drama0
Sidney’s Penetrations: Metaphors and Ideas0
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“To Please the Best, and th’Evill to Embase”: Slavery Logic in Spenser’sFaerie Queene, Book VI0
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“Framed in Wax”: Fiction as Artificial Experience inThe Duchess of Malfi0
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Processes of Reformation in Donne’sDevotions Upon Emergent Occasions: Bells, Brass, and the Reader’s Work0
Sackbut of Israel: John Donne and English Nonconformity, 1650–17000
Lord Burghley’s “Ten Precepts” for his Son Robert Cecil: A New Edition0
“Beyond Beyond”:Cymbeline, the Camera Obscura, and the Ontology of Elsewhere0
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Non-Atomic Atomisms and Atomic Epistemologies in the Poetry of Margaret Cavendish and Lucy Hutchinson0
Emblematic Tabernacles in John Donne, John Milton, and the Antwerp Polyglot Bible0
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Volume 51 (2021)0
Volume 53 (2023)0
Introduction: Interstitial Fiction0
Spectrum of Darkness: George Herbert’s Ventriloquism of an African Woman in “Aethiopissa ambit Cestum Diversi Coloris Virum”0
Recent Studies of Rhetorical Poetics0
“Palpable to thinking”: Othello and Gross Conceits0
Editorial Notice0
Resurrection Reading: Margaret Cavendish Drafts the Afterlife0
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The Racial Biopolitics of Sex in the Work of Henry Neville0
The Politics of Scale in Shakespeare’s Henry V: Fiction, History, Theater0
Margaret Russell, Countess of Cumberland’s Letter to John Layfield: Composing Grief through Consolation and Lamentation0
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The Relics of Hippolytus in Spenser’s Faerie Queene0
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A Priest to the Table: Eucharistic Causality and Priestly Spirituality in George Herbert’s The Temple0
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Aeneas the Fair Youth: Early Modern Whiteness and the Aeneid in English Translation0
Ground-plots of Invention: Poetics of the Material and Difficult Thinking in The Faerie Queene0
“transeant Things”: Materialism and Mortality in the Lyrics of Lucy Hutchinson and Margaret Cavendish0
“Noe dish whose tast, or dressing, is unknown / Unto oʳ natives”: Local and Global Material Cultures in the Food Rituals of Thomas Salusbury’s 1634 “Chirk Castle Entertainment”0
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Early Modern Wetlands: A Brief Literary History of the Unfast0
Artlikeness:Enargeia, Imagination, and the Enlivening of Shakespeare’s Hero0
Contesting Fiction in Gavin Douglas’ Eneados0
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“The Scope of Mine Intent”: Reading for the Author in George Gascoigne’sHundreth Sundrie FlowresandPosies0
VOLUME 52 (2022)0
George Gascoigne’s “Patched Cote”: Writing Pedagogy and Poetic Style in the Literature Classroom0
Reading a Lost Book: Ben Jonson’sEpigrammes(c.1612) and Disposable Authorship0
The Experience of Authority:Hamletand the Political Aesthetics of Majesty0
Windsor’s World of Words: Multilingualism inThe Merry Wives of Windsor0
From Plays-Within to Players Without: Theatrical Hospitality in Hamlet and Sir Thomas More0
Approaching Playhouse Song in the Archive: The Case of Dekker, Ford, Middleton, and Rowley’s The Spanish Gypsy0
How to Do Things With Numbers:Love’s Labour’s Lostand Quantitative Uncertainty0
“Hick scorners jestes”: Thomas Nashe, Martin’s Month’s Mind, and the Tudor Dramatic Tradition0
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In Memoriam: Kirby Farrell0
Singular Modes: The Politics of Dress in Cavendish, Evelyn, and Hutchinson0
Marian Literary Culture: Petrarch and the Rapprochement of Cultures0
James Bell’s Narrative of Cecilia Vasa’s Journey to England: Travelogue as Encomium0
A Proof of Pleasure: Renaissance in Rancière, Auerbach, Marlowe0
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