OOIR: Observatory of International Research

Papers

(The median citation count of English Literary Renaissance is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)

Article	Citations
Sidney’s Penetrations: Metaphors and Ideas	2
Editorial Notices	2
“transeant Things”: Materialism and Mortality in the Lyrics of Lucy Hutchinson and Margaret Cavendish	2
Front Matter	2
Front Matter	1
“Brought up in the universitie of bridewell”: Beggarly Rhetorics and Rhetorical Beggars in Early Modern England	1
Rhodes’s “Fair Example”: Tyranny, Race, and the Orient in The Maid’s Tragedy	1
Lucy Hutchinson’s and Margaret Cavendish’s Petitionary Lives	1
“And in the chronicle enrol his name”: Documenting Power in Edward II	1
Frontispiece	1
Fictions of Human Nature in Early Modern Poetry and Philosophy	1
Introduction: Interstitial Fiction	1
A Priest to the Table: Eucharistic Causality and Priestly Spirituality in George Herbert’s The Temple	1
How to Know the Witch: Trivial Domestication, Tragicomedy, and Race in The Witch of Edmonton	1
“To Please the Best, and th’Evill to Embase”: Slavery Logic in Spenser’sFaerie Queene, Book VI	0
Introduction: Comic Epistemologies	0
Frontispiece	0
Recent Studies in Early Modern Conscience	0
Aeneas the Fair Youth: Early Modern Whiteness and the Aeneid in English Translation	0
The Utopian Hypothesis	0
Frontispiece	0
Servant’s Pains, Lord’s Power: Art, Service, and Succession in Thomas Chaloner’s Poetry	0
Frontispiece	0
Non-Atomic Atomisms and Atomic Epistemologies in the Poetry of Margaret Cavendish and Lucy Hutchinson	0
Lucy Hutchinson’s Everyday War: The 1640s Manuscript and her Restoration ‘Elegies’	0

Frontispiece	0
Beyond the Book: Recycling Print in Early Modern England	0
Believing in Apostrophe in The Winter’s Tale	0
Margaret Cavendish Reads Josuah Sylvester: Epicurus, Atheism, and Atomic Skepticism in Poems, and Fancies	0
“Cleopatra a Gypsy”: Pretense, Performance, and Gypsy Identity in Shakespeare’s Antony and Cleopatra	0
Front Matter	0
Contesting Fiction in Gavin Douglas’ Eneados	0
Frontispiece	0
Moderate Middleton: A Chaste Maid in Cheapside and Caroline Religion	0
Singular Modes: The Politics of Dress in Cavendish, Evelyn, and Hutchinson	0
Front Matter	0
“Hick scorners jestes”: Thomas Nashe, Martin’s Month’s Mind, and the Tudor Dramatic Tradition	0
Frontispiece	0
VOLUME 52 (2022)	0
Preface	0
Front Matter	0
To Cut a Long Title Short: Titling Conventions in Printed English Renaissance Drama	0
The Way They Read Then: Early Modern English Erotica	0
In Memoriam: Kirby Farrell	0
“Framed in Wax”: Fiction as Artificial Experience inThe Duchess of Malfi	0
Devotional Astronomy: Hester Pulter’s Posthuman Poetics	0
Making up People in Measure for Measure	0
Front Matter	0
The Witty Episteme: Suspicion, Misogyny, and Knowingness in Jonson’s Epicoene	0
Approaching Playhouse Song in the Archive: The Case of Dekker, Ford, Middleton, and Rowley’s The Spanish Gypsy	0
Displacement’s Botanical Roots: The Racial Rhetoric of Transplantation in Early Modern Thought	0
“Glassy Margents”: Biblical Paratexts, Early Modern Readers, and Shakespeare	0
Early Modern Women and Latin Literary Culture: Assessing the Evidence of Manuscript Verse	0
Human Resources: Class and Cannibalism in Herrick’s “The Hock-Cart”	0
Tricks and the (Tragi)comic Art of Survival	0
A Proof of Pleasure: Renaissance in Rancière, Auerbach, Marlowe	0
Volume 53 (2023)	0
Frontispiece	0
Color on the Last Day: Experimentalism and the Meaning of Skin	0
Frontispiece	0
Resurrection Reading: Margaret Cavendish Drafts the Afterlife	0
Sackbut of Israel: John Donne and English Nonconformity, 1650–1700	0
“Beyond Beyond”:Cymbeline, the Camera Obscura, and the Ontology of Elsewhere	0
Translation, Praise, and Politics in the Poetry of Edmund Waller	0
Spectrum of Darkness: George Herbert’s Ventriloquism of an African Woman in “Aethiopissa ambit Cestum Diversi Coloris Virum”	0
Volume 55 (2025)	0
Biblical Prophecy and Political Counsel in Shakespeare’s Richard II and Shakespeare and Fletcher’s Henry VIII (All Is True)	0
Editorial Notices	0
Front Matter	0
Lively Statues and Dramatic Ekphrasis in Dido, Queen of Carthage and The Winter’s Tale	0
Front Matter	0
Tickling Shylock, the Laughing Animal	0
Frontispiece	0
Fictions of Race: Racecraft, Reproduction, and Whiteness in Titus Andronicus	0
Speaking in Many Sorts of Music: Traveling Singers as Agents of Embassy in Shakespeare’s Twelfth Night	0

“Noe dish whose tast, or dressing, is unknown / Unto oʳ natives”: Local and Global Material Cultures in the Food Rituals of Thomas Salusbury’s 1634 “Chirk Castle Entertainment”	0
Front Matter	0
Volume 54 (2024)	0
The Racial Biopolitics of Sex in the Work of Henry Neville	0
In the Mood of Fiction	0
Frontispiece	0
“The Common Gloss”: Multilingual Biblical Reading and the Name of the Tree in Paradise Lost	0
Commendatory Verses and Authorial Communities in Early English Playbooks	0
“Make you merry”: Forced Laughter and Other Epilogic Failures in Henry IV, Part 2	0
“The Scope of Mine Intent”: Reading for the Author in George Gascoigne’sHundreth Sundrie FlowresandPosies	0
Elite Masculinity and Early Modern Performances of Walking	0
Ground-plots of Invention: Poetics of the Material and Difficult Thinking in The Faerie Queene	0
Reading a Lost Book: Ben Jonson’sEpigrammes(c.1612) and Disposable Authorship	0
Front Matter	0
The Affective Ecology of Shakespeare’s First Tetralogy	0
Front Matter	0
Margaret Russell, Countess of Cumberland’s Letter to John Layfield: Composing Grief through Consolation and Lamentation	0
The Politics of Scale in Shakespeare’s Henry V: Fiction, History, Theater	0
Frontispiece	0
Lord Burghley’s “Ten Precepts” for his Son Robert Cecil: A New Edition	0
Introduction: Lucy Hutchinson (1620–1681) and Margaret Cavendish (1623–1673)	0
Artlikeness:Enargeia, Imagination, and the Enlivening of Shakespeare’s Hero	0
Front Matter	0
Editorial Notices	0
Taking Time to Breathe: The Formal Atmospherics of Early Modern Drama	0
Disusing the Ear: Samuel Daniel and the Poetics of Poetical Essays	0