OOIR: Observatory of International Research

Papers

(The median citation count of English Literary Renaissance is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)

Article	Citations
Front Matter	2
Sidney’s Penetrations: Metaphors and Ideas	2
“transeant Things”: Materialism and Mortality in the Lyrics of Lucy Hutchinson and Margaret Cavendish	1
Introduction: Interstitial Fiction	1
Stomaching Satire: Poetaster, Troilus and Cressida, and the Hermeneutics of Hypocrisy	1
Editorial Notices	1
Lucy Hutchinson’s and Margaret Cavendish’s Petitionary Lives	1
Ridiculous Subjects:Coriolanus, Popular Representation, and the Roman Tribunes in Early Modern Drama	1
Human Resources: Class and Cannibalism in Herrick’s “The Hock-Cart”	0
Ground-plots of Invention: Poetics of the Material and Difficult Thinking in The Faerie Queene	0
Frontispiece	0
Lucy Hutchinson’s Everyday War: The 1640s Manuscript and her Restoration ‘Elegies’	0
“Noe dish whose tast, or dressing, is unknown / Unto oʳ natives”: Local and Global Material Cultures in the Food Rituals of Thomas Salusbury’s 1634 “Chirk Castle Entertainment”	0
Frontispiece	0
The Way They Read Then: Early Modern English Erotica	0
A Proof of Pleasure: Renaissance in Rancière, Auerbach, Marlowe	0
Resurrection Reading: Margaret Cavendish Drafts the Afterlife	0
Front Matter	0
Singular Modes: The Politics of Dress in Cavendish, Evelyn, and Hutchinson	0
The Relics of Hippolytus in Spenser’s Faerie Queene	0
Fictions of Race: Racecraft, Reproduction, and Whiteness in Titus Andronicus	0
In the Mood of Fiction	0
Front Matter	0
Emblematic Tabernacles in John Donne, John Milton, and the Antwerp Polyglot Bible	0
The Affective Ecology of Shakespeare’s First Tetralogy	0

From Plays-Within to Players Without: Theatrical Hospitality in Hamlet and Sir Thomas More	0
Front Matter	0
Frontispiece	0
Front Matter	0
Early Modern Wetlands: A Brief Literary History of the Unfast	0
In Memoriam: Kirby Farrell	0
Windsor’s World of Words: Multilingualism inThe Merry Wives of Windsor	0
Frontispiece	0
“Hick scorners jestes”: Thomas Nashe, Martin’s Month’s Mind, and the Tudor Dramatic Tradition	0
Frontispiece	0
Frontispiece	0
VOLUME 52 (2022)	0
Biblical Prophecy and Political Counsel in Shakespeare’s Richard II and Shakespeare and Fletcher’s Henry VIII (All Is True)	0
Non-Atomic Atomisms and Atomic Epistemologies in the Poetry of Margaret Cavendish and Lucy Hutchinson	0
Front Matter	0
George Gascoigne’s “Patched Cote”: Writing Pedagogy and Poetic Style in the Literature Classroom	0
“Framed in Wax”: Fiction as Artificial Experience inThe Duchess of Malfi	0
Volume 53 (2023)	0
Volume 54 (2024)	0
Front Matter	0
The Experience of Authority:Hamletand the Political Aesthetics of Majesty	0
Front Matter	0
Tricks and the (Tragi)comic Art of Survival	0
Displacement’s Botanical Roots: The Racial Rhetoric of Transplantation in Early Modern Thought	0
Aeneas the Fair Youth: Early Modern Whiteness and the Aeneid in English Translation	0
Front Matter	0
Frontispiece	0
Early Modern Women and Latin Literary Culture: Assessing the Evidence of Manuscript Verse	0
The Racial Biopolitics of Sex in the Work of Henry Neville	0
How to Do Things With Numbers:Love’s Labour’s Lostand Quantitative Uncertainty	0
Front Matter	0
Margaret Cavendish Reads Josuah Sylvester: Epicurus, Atheism, and Atomic Skepticism in Poems, and Fancies	0
Known Unknowns: Sir John Davies’Nosce Teipsumin Conversation	0
Fictions of Human Nature in Early Modern Poetry and Philosophy	0
Margaret Russell, Countess of Cumberland’s Letter to John Layfield: Composing Grief through Consolation and Lamentation	0
“The Scope of Mine Intent”: Reading for the Author in George Gascoigne’sHundreth Sundrie FlowresandPosies	0
Taking Time to Breathe: The Formal Atmospherics of Early Modern Drama	0
“Brought up in the universitie of bridewell”: Beggarly Rhetorics and Rhetorical Beggars in Early Modern England	0
Spectrum of Darkness: George Herbert’s Ventriloquism of an African Woman in “Aethiopissa ambit Cestum Diversi Coloris Virum”	0
Frontispiece	0
Front Matter	0
Making up People in Measure for Measure	0
Speaking in Many Sorts of Music: Traveling Singers as Agents of Embassy in Shakespeare’s Twelfth Night	0
Judith and Lucrece: Reading Shakespeare Between Copy and Work	0
Introduction: Lucy Hutchinson (1620–1681) and Margaret Cavendish (1623–1673)	0
Recent Studies in Early Modern Conscience	0
Lord Burghley’s “Ten Precepts” for his Son Robert Cecil: A New Edition	0
Preface	0
Frontispiece	0
Servant’s Pains, Lord’s Power: Art, Service, and Succession in Thomas Chaloner’s Poetry	0

“Beyond Beyond”:Cymbeline, the Camera Obscura, and the Ontology of Elsewhere	0
How to Know the Witch: Trivial Domestication, Tragicomedy, and Race in The Witch of Edmonton	0
Editorial Notice	0
Commendatory Verses and Authorial Communities in Early English Playbooks	0
“Glassy Margents”: Biblical Paratexts, Early Modern Readers, and Shakespeare	0
Artlikeness:Enargeia, Imagination, and the Enlivening of Shakespeare’s Hero	0
“To Please the Best, and th’Evill to Embase”: Slavery Logic in Spenser’sFaerie Queene, Book VI	0
The Utopian Hypothesis	0
Front Matter	0
“Make you merry”: Forced Laughter and Other Epilogic Failures in Henry IV, Part 2	0
The Physics of Poetic Form in Arthur Golding’s Translation of Ovid’s Metamorphoses	0
Approaching Playhouse Song in the Archive: The Case of Dekker, Ford, Middleton, and Rowley’s The Spanish Gypsy	0
Introduction: Comic Epistemologies	0
Believing in Apostrophe in The Winter’s Tale	0
Contesting Fiction in Gavin Douglas’ Eneados	0
Translation, Praise, and Politics in the Poetry of Edmund Waller	0
“Many Ciphers, Although But One for Meaning”: Lady Mary Wroth’s Many-Sided Monogram	0
“Palpable to thinking”: Othello and Gross Conceits	0
Reading a Lost Book: Ben Jonson’sEpigrammes(c.1612) and Disposable Authorship	0
The Witty Episteme: Suspicion, Misogyny, and Knowingness in Jonson’s Epicoene	0
A Priest to the Table: Eucharistic Causality and Priestly Spirituality in George Herbert’s The Temple	0
Editorial Notices	0
Frontispiece	0
Staging the Literal in Shakespeare’s Titus Andronicus: Lavinia’s Suffering and Marcus’ Speech	0
The Politics of Scale in Shakespeare’s Henry V: Fiction, History, Theater	0
Color on the Last Day: Experimentalism and the Meaning of Skin	0
Tickling Shylock, the Laughing Animal	0
Rhodes’s “Fair Example”: Tyranny, Race, and the Orient in The Maid’s Tragedy	0
Frontispiece	0
Front Matter	0
Volume 55 (2025)	0
Recent Studies of Mary Sidney Herbert, Countess of Pembroke (1999–2020)	0
Volume 51 (2021)	0
Editorial Notices	0
Frontispiece	0
Frontispiece	0
Sackbut of Israel: John Donne and English Nonconformity, 1650–1700	0