OOIR: Observatory of International Research

Papers

(The median citation count of English Literary Renaissance is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
Editorial Notices	2
“transeant Things”: Materialism and Mortality in the Lyrics of Lucy Hutchinson and Margaret Cavendish	2
Sidney’s Penetrations: Metaphors and Ideas	2
Front Matter	2
Front Matter	1
“Brought up in the universitie of bridewell”: Beggarly Rhetorics and Rhetorical Beggars in Early Modern England	1
Fictions of Human Nature in Early Modern Poetry and Philosophy	1
“And in the chronicle enrol his name”: Documenting Power in Edward II	1
Frontispiece	1
Introduction: Interstitial Fiction	1
A Priest to the Table: Eucharistic Causality and Priestly Spirituality in George Herbert’s The Temple	1
Lucy Hutchinson’s and Margaret Cavendish’s Petitionary Lives	1
In the Mood of Fiction	0
Tickling Shylock, the Laughing Animal	0
Disusing the Ear: Samuel Daniel and the Poetics of Poetical Essays	0
Frontispiece	0
Speaking in Many Sorts of Music: Traveling Singers as Agents of Embassy in Shakespeare’s Twelfth Night	0
“Glassy Margents”: Biblical Paratexts, Early Modern Readers, and Shakespeare	0
Color on the Last Day: Experimentalism and the Meaning of Skin	0
Frontispiece	0
Believing in Apostrophe in The Winter’s Tale	0
Sackbut of Israel: John Donne and English Nonconformity, 1650–1700	0
Commendatory Verses and Authorial Communities in Early English Playbooks	0
Fictions of Race: Racecraft, Reproduction, and Whiteness in Titus Andronicus	0
Volume 53 (2023)	0

Tricks and the (Tragi)comic Art of Survival	0
How to Know the Witch: Trivial Domestication, Tragicomedy, and Race in The Witch of Edmonton	0
Artlikeness:Enargeia, Imagination, and the Enlivening of Shakespeare’s Hero	0
Front Matter	0
“Hick scorners jestes”: Thomas Nashe, Martin’s Month’s Mind, and the Tudor Dramatic Tradition	0
Front Matter	0
Frontispiece	0
VOLUME 52 (2022)	0
Preface	0
Front Matter	0
Frontispiece	0
Frontispiece	0
Front Matter	0
A Proof of Pleasure: Renaissance in Rancière, Auerbach, Marlowe	0
“Noe dish whose tast, or dressing, is unknown / Unto oʳ natives”: Local and Global Material Cultures in the Food Rituals of Thomas Salusbury’s 1634 “Chirk Castle Entertainment”	0
Frontispiece	0
“To Please the Best, and th’Evill to Embase”: Slavery Logic in Spenser’sFaerie Queene, Book VI	0
“Cleopatra a Gypsy”: Pretense, Performance, and Gypsy Identity in Shakespeare’s Antony and Cleopatra	0
“The Scope of Mine Intent”: Reading for the Author in George Gascoigne’sHundreth Sundrie FlowresandPosies	0
Volume 54 (2024)	0
“Make you merry”: Forced Laughter and Other Epilogic Failures in Henry IV, Part 2	0
Reading a Lost Book: Ben Jonson’sEpigrammes(c.1612) and Disposable Authorship	0
Non-Atomic Atomisms and Atomic Epistemologies in the Poetry of Margaret Cavendish and Lucy Hutchinson	0
Front Matter	0
Beyond the Book: Recycling Print in Early Modern England	0
Front Matter	0
Early Modern Women and Latin Literary Culture: Assessing the Evidence of Manuscript Verse	0
The Racial Biopolitics of Sex in the Work of Henry Neville	0
Frontispiece	0
Rhodes’s “Fair Example”: Tyranny, Race, and the Orient in The Maid’s Tragedy	0
Front Matter	0
Spectrum of Darkness: George Herbert’s Ventriloquism of an African Woman in “Aethiopissa ambit Cestum Diversi Coloris Virum”	0
Volume 55 (2025)	0
Lively Statues and Dramatic Ekphrasis in Dido, Queen of Carthage and The Winter’s Tale	0
Biblical Prophecy and Political Counsel in Shakespeare’s Richard II and Shakespeare and Fletcher’s Henry VIII (All Is True)	0
Editorial Notices	0
Margaret Russell, Countess of Cumberland’s Letter to John Layfield: Composing Grief through Consolation and Lamentation	0
Servant’s Pains, Lord’s Power: Art, Service, and Succession in Thomas Chaloner’s Poetry	0
Front Matter	0
Front Matter	0
Introduction: Comic Epistemologies	0
Displacement’s Botanical Roots: The Racial Rhetoric of Transplantation in Early Modern Thought	0
In Memoriam: Kirby Farrell	0
Aeneas the Fair Youth: Early Modern Whiteness and the Aeneid in English Translation	0
Lucy Hutchinson’s Everyday War: The 1640s Manuscript and her Restoration ‘Elegies’	0
Translation, Praise, and Politics in the Poetry of Edmund Waller	0
Human Resources: Class and Cannibalism in Herrick’s “The Hock-Cart”	0
Margaret Cavendish Reads Josuah Sylvester: Epicurus, Atheism, and Atomic Skepticism in Poems, and Fancies	0
Frontispiece	0
“Beyond Beyond”:Cymbeline, the Camera Obscura, and the Ontology of Elsewhere	0

Contesting Fiction in Gavin Douglas’ Eneados	0
Frontispiece	0
Resurrection Reading: Margaret Cavendish Drafts the Afterlife	0
Recent Studies in Early Modern Conscience	0
The Affective Ecology of Shakespeare’s First Tetralogy	0
Approaching Playhouse Song in the Archive: The Case of Dekker, Ford, Middleton, and Rowley’s The Spanish Gypsy	0
Editorial Notices	0
The Politics of Scale in Shakespeare’s Henry V: Fiction, History, Theater	0
The Witty Episteme: Suspicion, Misogyny, and Knowingness in Jonson’s Epicoene	0
Frontispiece	0
Lord Burghley’s “Ten Precepts” for his Son Robert Cecil: A New Edition	0
Taking Time to Breathe: The Formal Atmospherics of Early Modern Drama	0
Introduction: Lucy Hutchinson (1620–1681) and Margaret Cavendish (1623–1673)	0
Singular Modes: The Politics of Dress in Cavendish, Evelyn, and Hutchinson	0
The Way They Read Then: Early Modern English Erotica	0
“Framed in Wax”: Fiction as Artificial Experience inThe Duchess of Malfi	0
Ground-plots of Invention: Poetics of the Material and Difficult Thinking in The Faerie Queene	0
The Utopian Hypothesis	0
Making up People in Measure for Measure	0