OOIR: Observatory of International Research

Papers

(The median citation count of English Literary Renaissance is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
“Come Aloft, Jack-little-ape!”: Race and Dance in The Spanish Gypsie	2
The Physics of Poetic Form in Arthur Golding’s Translation of Ovid’s Metamorphoses	2
Lucy Hutchinson’s and Margaret Cavendish’s Petitionary Lives	1
John Donne’s Sermons: Counsel and the Politics of the Dynamic Middle	1
“The Law of thy Mother”: Contesting Inheritance in Seventeenth-Century England	1
In the Mood of Fiction	1
Marlowe and Nashe	1
Leander in the Ottoman Mediterranean: The Homoerotics of Abduction in the Global Renaissance	1
“Many Ciphers, Although But One for Meaning”: Lady Mary Wroth’s Many-Sided Monogram	1
Stranger to Profit: Waste, Loss, and Sacrifice inThe Jew of Malta	1
Fictions of Race: Racecraft, Reproduction, and Whiteness in Titus Andronicus	1
Introduction: Lucy Hutchinson (1620–1681) and Margaret Cavendish (1623–1673)	1
Stomaching Satire: Poetaster, Troilus and Cressida, and the Hermeneutics of Hypocrisy	1
Early Modern Wetlands: A Brief Literary History of the Unfast	0
Spenser’s Panthea and Lucian’s: Elizabeth, Gloriana, andThe Faerie Queene’s Protocols of Encomium	0
Frontispiece	0
Frontispiece	0
Known Unknowns: Sir John Davies’ Nosce Teipsum in Conversation	0
Front Matter	0
Processes of Reformation in Donne’sDevotions Upon Emergent Occasions: Bells, Brass, and the Reader’s Work	0
Contesting Fiction in Gavin Douglas’ Eneados	0
Front Matter	0
Lucy Hutchinson’s Everyday War: The 1640s Manuscript and her Restoration ‘Elegies’	0
Volume 53 (2023)	0
Recent Studies of Rhetorical Poetics	0

Recent Studies in Early Modern Conscience	0
Emblematic Tabernacles in John Donne, John Milton, and the Antwerp Polyglot Bible	0
Human Resources: Class and Cannibalism in Herrick’s “The Hock-Cart”	0
Volume 51 (2021)	0
Editorial Notice	0
Front Matter	0
Staging the Literal in Shakespeare’s Titus Andronicus: Lavinia’s Suffering and Marcus’ Speech	0
James Bell’s Narrative of Cecilia Vasa’s Journey to England: Travelogue as Encomium	0
Front Matter	0
The Utopian Hypothesis	0
“To Please the Best, and th’Evill to Embase”: Slavery Logic in Spenser’sFaerie Queene, Book VI	0
Front Matter	0
Front Matter	0
“transeant Things”: Materialism and Mortality in the Lyrics of Lucy Hutchinson and Margaret Cavendish	0
A Priest to the Table: Eucharistic Causality and Priestly Spirituality in George Herbert’s The Temple	0
Ridiculous Subjects:Coriolanus, Popular Representation, and the Roman Tribunes in Early Modern Drama	0
Front Matter	0
Editorial Notices	0
“Framed in Wax”: Fiction as Artificial Experience inThe Duchess of Malfi	0
Introduction: Interstitial Fiction	0
Recent Studies of Mary Sidney Herbert, Countess of Pembroke (1999–2020)	0
Non-Atomic Atomisms and Atomic Epistemologies in the Poetry of Margaret Cavendish and Lucy Hutchinson	0
Fictions of Human Nature in Early Modern Poetry and Philosophy	0
A Proof of Pleasure: Renaissance in Rancière, Auerbach, Marlowe	0
“Beyond Beyond”:Cymbeline, the Camera Obscura, and the Ontology of Elsewhere	0
Reading a Lost Book: Ben Jonson’sEpigrammes(c.1612) and Disposable Authorship	0
Judith and Lucrece: Reading Shakespeare Between Copy and Work	0
Frontispiece	0
Frontispiece	0
Resurrection Reading: Margaret Cavendish Drafts the Afterlife	0
George Gascoigne’s “Patched Cote”: Writing Pedagogy and Poetic Style in the Literature Classroom	0
Frontispiece	0
Tudor Turks: Ottomans Speaking English in Early ModernSultansbriefe	0
“Palpable to thinking”: Othello and Gross Conceits	0
Interpersonal Soliloquy: Self and Audience in Shakespeare and Augustine	0
Frontispiece	0
The Politics of Scale in Shakespeare’s Henry V: Fiction, History, Theater	0
Kairic Complexity in Fulke Greville’s A Dedication to Sir Philip Sidney	0
The Relics of Hippolytus in Spenser’s Faerie Queene	0
Volume 50 (2020)	0
VOLUME 52 (2022)	0
Frontispiece	0
Front Matter	0
Front Matter	0
Front Matter	0
Ground-plots of Invention: Poetics of the Material and Difficult Thinking in The Faerie Queene	0
Frontispiece	0
Sidney’s Penetrations: Metaphors and Ideas	0
“Noe dish whose tast, or dressing, is unknown / Unto oʳ natives”: Local and Global Material Cultures in the Food Rituals of Thomas Salusbury’s 1634 “Chirk Castle Entertainment”	0
Margaret Cavendish Reads Josuah Sylvester: Epicurus, Atheism, and Atomic Skepticism in Poems, and Fancies	0

The Experience of Authority:Hamletand the Political Aesthetics of Majesty	0
Artlikeness:Enargeia, Imagination, and the Enlivening of Shakespeare’s Hero	0
From Plays-Within to Players Without: Theatrical Hospitality in Hamlet and Sir Thomas More	0
Approaching Playhouse Song in the Archive: The Case of Dekker, Ford, Middleton, and Rowley’s The Spanish Gypsy	0
Othelloand the Political Theology of Jealousy	0
“The Scope of Mine Intent”: Reading for the Author in George Gascoigne’s Hundreth Sundrie Flowres and Posies	0
“Hick scorners jestes”: Thomas Nashe, Martin’s Month’s Mind, and the Tudor Dramatic Tradition	0
Windsor’s World of Words: Multilingualism inThe Merry Wives of Windsor	0
How to Do Things With Numbers:Love’s Labour’s Lostand Quantitative Uncertainty	0
Singular Modes: The Politics of Dress in Cavendish, Evelyn, and Hutchinson	0
Frontispiece	0
Margaret Russell, Countess of Cumberland’s Letter to John Layfield: Composing Grief through Consolation and Lamentation	0
A Doctor of Another Facultie: Robert Aylett and Early Modern Interdisciplinary Poetics	0
Frontispiece	0
Marian Literary Culture: Petrarch and the Rapprochement of Cultures	0
Front Matter	0
Frontispiece	0