Curator-The Museum Journal

Papers
(The median citation count of Curator-The Museum Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Desarrollo de una Réplica Táctil Para Experiencias Inclusivas de Artefactos Religiosos15
Introduction: MoHoA guest editorial13
Listening, hearing, and taking authority12
Dismantling the diorama: A case study in “unknowable” human remains11
Racial equity, reflection, and organizational change in museums11
What do we mean by “agency”? A framework and tools for supporting visitors' agency in museums and science centers10
Issue Information10
Community‐informed design: Blending community engagement and museum design approaches for sustainable experience development10
Renzo Piano Building Workshop: Space–Detail–LightBy EdgarStach. Basel, CH: Birkhäuser Verlag GmbH. 2021. 160 pages. $36.44 (hardcover)6
Bad Bridget—An unexplored aspect of the Irish migration story5
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一种理解博物馆学习的方式——基于观众身份的视角5
Erratum for ‘house Biermann in Durban: A case of “regional vernacular” in the modern architectural heritage of South Africa’ by Bodei and Harber (2022).4
Coming Home to Nez Perce Country: The Niimiipuu campaign to repatriate their exploited heritage By Trevor JamesBond, Pullman: Washington State University Press. 2021. 216 pages. $24.95 (Paperback)4
Two‐eyed tinkering with museum practice4
Displaying your diploma: The professionalization of curators in Israel4
Statement on Ukraine4
The Cape Town Document on Modern Heritage (2022)4
Museums, COVID‐19 and the pivot to social media4
Accessibility and Inclusion for Families with Children with Autism Spectrum Disorders in Cultural Institutions4
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The inclusive museum leaderBy CinnamonCatlin‐Legutko, ChrisTaylor (Eds.), Lanham: Rowman & Littlefield. 2021. 326 pages. $48.00 (paperback)3
Définir le Musée: Aux Prises avec une Nouvelle Identité3
House Biermann in Durban: A Case of “Regional Vernacular” in the Modern Architectural Heritage of South Africa3
Issue Information3
Antwerp's Royal Museum of Fine Arts3
Questioning the tabula rasa in Indian modernity: Toward a genealogy for the Anthropocene3
Museum participation as labor3
Safeguarding and inheriting intangible cultural heritage music in the Chongqing Three Gorges Reservoir area: A case study on Lore2
Issue Information2
Zum Sammeln und Ausstellen von traditioneller und populärer Volksmusik in Österreich – die Fallstudie Sammlung Wiesenhofer vor dem Hintergrund der internationalen Forschungssituation2
The image of modernity: An examination of early republic housing projects in Turkey 1930–19392
Museum Educators Perspective of Failure: A Collective Frame Analysis2
Incarceration and food insecurity: Challenges and opportunities for museum interpretation2
Amazonian Activism for European Museum Audiences: Critical Reflections on the Development of an “Amazonia” Exhibition at the National Museum of World Cultures, the Netherlands2
Lost and Found Property: Evaluating Efforts to Resurrect and Resuscitate ‘Institutionalised Garbage’ in Post‐Colonial Zimbabwean Museums2
“Tracing the Everyday Sensory Heritage of Kolkata Streets”—“Sohorer Songbedon”: A museological review2
LEARN: Essential Elements of Museum Education Programs for Young Children2
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What we've learned: A research agenda for a museum, 7 years later2
Biodiversity Data Curation as a Profession in South African Natural Science Museums2
Critical consciousness, heritage, and the shape of museum practice2
Invisible victims: How children's museums are strengthening families through partnerships with correctional facilities2
The role of visitor studies in shaping visitor‐centered museums2
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The Sultan Mehmed the Conqueror Museum: The museumization of a cultural asset for an Ottoman conqueror1
Wild Things: Planning for children in a traditional art museum1
A Call for Support from The Mystetski Arsenal National Art and Culture Museum Complex in Kyiv1
Heritage and waste in the Anthropocene: A museum perspective on environmental and social complexities1
AltText: An institutional tool for change1
Framing Environmental Identities: How Aquarium Staff and Volunteers Make Sense and Organize Environmental‐based Life Experiences1
The myth of being modern: Digital machines and the loss of discovery1
Barjeel Art Foundation: Cross‐National Bridge Building and Decolonisation of the History of Art1
Measuring a Sense of Belonging at Museums and Cultural Centers1
Our place, our stories: Public history journeys from Belfast to Dhiban, and back1
Materializing mortality: Re‐enchanting grave goods in the British Museum using mixed‐method approaches to audience research1
Dimensions of Curation Competing Values Model: Tool for Shifting Exhibition Priorities in Art Museums1
Issue Information1
Exploring a New Museum Architectural Typology in Doha: From a Heritage Building to a Contemporary Art Museum1
Performing museography: A practice‐led research for art museums, conducted at MUVE, Fondazione dei Musei Civici di Venezia1
Unpacking the complexities, challenges, and nuances of museum community engagement practitioners' narratives on knowledge production in Scotland1
Of Ghosts and orphans: Traces of local architects in the new city of Jerusalem in the early modern era and the challenges of architectural historiography on the fringe of the Empire1
“Not just for coal miners”: Unionization in U.S. art museums1
Reinventing curatorial research: The museum as a laboratory for artistic learning during lockdown1
Pride and Propaganda1
Issue Information1
Issue Information1
针对老年人的博物馆活动研究与综述1
Transmodern Heritage as Radical Delinking from Modernity1
All That Glitters is Not Gold: Viewer Understanding of Felix Gonzalez‐Torres's Candy Spill Installations1
Issue Information1
Questioning modernity and heritage: The case of the River Club development in Cape Town, South Africa1
Erratum for ‘Iny Karajá Presence: Material and Visual Culture of Ritxoko Dolls in Museums’ by de Andrade and Duarte Cândido (2022)1
Safeguarding the Cultural and Historical Heritage of Ukraine1
Esthetic Vision and Social Hierarchy in Museum Patronage: A Case Study of Lord Joseph Duveen's Social Network1
Trust, value, and public opinion: Learning to listen1
Photoanthropocene: The decentered lens of colonial photography1
Challenges and Issues Confronting Sri Lanka in Museum Tourism Development1
The man‐eaters of Tsavo and the untapped potential of natural history collections1
Two Approaches to Measuring Social Impact in Utah Museums1
Notorious: Introduction to the special issue1
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The Conflict about the Restitution of Art Works: A Solomonic Proposal1
Disrupting Museum Authority: Art, Voice and the Museum1
A small, old, and slightly rough mirror: Encountering traumatic experiences in Nanjing Museum of the Site of Lijixiang Comfort Stations1
Heritage as Restitution: The Dadaab Refugee Camps, Kenya1
Asmara's architectural heritage as a bricolage: The case of St. Mary's Orthodox Cathedral1
Scanning holotypes from the Vertebrate Paleontology Collection at the Museu Paraense Emilio Goeldi (Brazil): Tools for research and science outreach0
Nowhere Else but Home: A National Resting Place for Indigenous Australian Ancestral Remains0
Creative arts in the national museum of computing0
In real life: Gaming community engagement in museums0
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Colonial history or decolonization? Shedding light on “the possibilities of strengthening museum communication” in Denmark0
Perspective: Is re‐interpretation enough? Dismantling violence in the natural history museum0
Fisheries Local Action Groups and maritime museums in Spain—An opportunity to enhance the value of fishing culture and heritage0
Talking to Strangers About Science: Youth Facilitators and Family Learning at the Natural History Museum0
Forget the Alamo: The Rise and Fall of an American Mythby BryanBurrough, ChrisTomlinson and JasonStanford. Penguin Press, 2021. 386 Pages. Hardcover: $32.00.0
Exploring the Contributions and Challenges of Museum Technology Professionals during the COVID‐19 Crisis0
Issue Information0
An Analysis of Public Decision Making to Visit Archaeological Museums in Greece Using the Discrete Choice Model0
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Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study0
“An African View”: The photography of Denise Scott Brown0
MOHOA Considering the Curious Case of the Satyagraha House, Johannesburg. A Curatorial Critique0
The concept map as a tool for analyzing museum objects0
Redefining crisis in museums: Insiders perspectives on digital engagement0
The unfinished promise of infrastructure in post‐apartheid South Africa0
Multidimensional Analysis of Visitor Interaction With Museum Apps: Designing for Enhanced Museum Experiences0
Early concrete bridges in China as (dissonant) modern heritage: A case study of the double‐curved bridges in Nanjing0
A museum of international standard in Patna, India: The predicament of loss and revival0
Book review: The role of libraries, archives, and museums in achieving civic engagement and social justice in smart cities By MohamedTaher, Hershey, PA: IGI Global. 20220
Finally, some hope. Communicating systemic aspects of climate‐change mitigation0
Evaluating museum exhibits: Quantifying visitor experience and museum impact with user experience methodologies0
Proximity, wholeness, and animality: The case of Little Sorrel's repatriation0
The body remembers: Legacies of chattel slavery hauntings in South Africa and the United States0
The Diplomatic Museum: A Latourian Perspective on the Civic Role of Museums0
Towards the Definition of an Ever‐changing Heritage: A Reading of the (Re)appropriation Processes of the Torres Vermelhas in Mozambique0
Transmodern heritage as a space for imagining pluriversal relations—Insights from the African “periphery”0
数字文化遗产和群众0
The Modern Architecture of Arieh Sharon's Obafemi Awolowo University Campus, Ile‐Ife, Nigeria0
The Talking Rocks in the Children’s Gallery0
成为更好的自己1:中国科学类博物馆教育工作者专业成长愿景与路径研究0
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Towards the Cape Town Document0
Curatorial Omissions in Virtual War Museum Displays: Uncovering Racial and Gendered Tensions in Canadian WWI Exhibitions0
Fourfolded objects, or toward a philosophy of object‐oriented curation0
Passing the Baton0
Introduction: Contributions and reflections on Modern Heritage in the Anthropocene0
Staff Training on Disability Awareness in Museum Settings: A Scoping Review0
The Value of Museums in Averting Societal Collapse0
Communicating Through Sound in Museums: A Genre‐Based Framework0
Other museums: The disruptive potency of curatorship for the emergence of other modes of power, knowing, and being0
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Visual representations of dromedaries in Greco‐Roman antiquity and the middle ages: Imagining the other before orientalism0
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The “colonial object” in autoethnography: Examples from Ireland, Hong Kong, and Zambia0
Museums and the Aging Brain0
Holders of battered memories: Exploring suitcases as museum metaphors for travel, exile, and incarceration0
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The role of boundary objects in collaborative design0
The W‐ICAD model: Redefining museum access through the Workshop for Inclusive Co‐created Audio Description0
Issue Information0
Sound as a producer of social spaces in museum exhibitions0
Re‐Imagining the Collection Through Medical Imaging: Collaboration Between Radiology and the Museum0
Understanding the multiple architectural modernities in colonial and postindependence Nigeria0
O Museu: um Templo ou o Fórum0
Incarceration: Museum research and practice0
An exhibition about a well‐known architect: Challenge or opportunity? Beyond: Tadao Ando and Art0
Accessible digital images: AltText guidelines for authors and museum professionals0
Incorporating smell into children's museums: Insights from a case study in Norway0
Moral Feeling in a Museum: Learning Through an Exemplar‐Based Thematic Exhibition0
Creating Accessible Digital Images for Vision Impaired Audiences and Researchers0
The natural history of lions in North Africa and the relevance of their depiction in the “Lions Attacking a Dromedary” diorama0
Mausoleum or museum: Engaging the significance of cultural museum collections for heritage tourism in the 21st century0
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Identifying indicators, empathy, and anthropomorphism in zoo visitors' perceptions of animal wellbeing through qualitative interviews0
New media, new connections: Building Reddit's MuseumPros0
Authorship, Ethics, and Community‐based Museum Research0
Exhibition Reviews and Advancing Museum Practice0
Measurement of Science Museum Visitors’ Emotional Experiences at Exhibits Designed to Encourage Productive Struggle0
Creating Middle Ground: Transforming Outdoor Informal Learning Landscapes0
What American children's museum mission statements say about Lifelong Competencies0
Learning from Steinkopf0
Red Tourists and National Identity in the Museum Commemorating Deng Xiaoping0
Exploring Monumental Architecture in Post‐independence Côte d'Ivoire: The Basilica of Our Lady of Peace in Yamoussoukro0
Exploring virtual museums: Pre‐service teachers' experiences of virtual museums in gifted and talented education0
Notorious: Animal passions in the desert: Lions, camels and a human, oh my!0
Exhibiting slavery in Australia: Personal narratives and legacies0
Balancing Conflicting Types of Authenticity in the Reconstruction of Sound and Music in the Installation Work Blikk (1970)0
Becoming a Better ME: Chinese science museum educators' expectations for professional growth0
The art museum as activist: A case study0
MOHOA. A Lesson in Sustainability Given by Modern Heritage in the Democratic Republic of the Congo: The Sacred Architecture of Paul Dequeker0
Counter‐mapping Heritage: Memory and Significance in Places of Racialised Land Dispossession: The Case of Lower Claremont, Cape Town0
The tannization of human tissues: A nineteenth‐century educational preservation technique at the Morgagni Museum0
以課程為基礎的互動式展覽設計與家庭學習經驗: 台北蘇荷兒童美術館個案研究0
Young Children's Engagement with Objects in Science Museums: A Rapid Evidence Assessment of Research0
What kind of documents do curators produce? Contemporary cases from Estonia0
Proposed museum service operations framework for addressing overcrowding: A Taipei case study0
Issue Information0
The AIATSIS Return of Cultural Heritage Project: Understanding Aboriginal and Torres Strait Islander Cultural Heritage Material Held Overseas and the Initial Challenges to Repatriating Material to Cus0
Issue Information0
Provenance research today: Principles, practice, problemsBy ArthurTompkins (Ed.), Lund Humphries.2020. 224 pages. £29.990
A Bodies‐On Museum: The Transformation of Museum Embodiment through Virtual Technology0
具身博物馆: 虚拟技术视域下的博物馆具身化转向0
What Did You Learn at the Museum Today?0
Decolonizing Modern Heritage of Africa: Afro‐Brazilian and Neo‐Moorish Liberation Architectures0
Exploring Aceh Tsunami Museum Visitors’ Motivation, Experience and Emotional Reaction0
外文版介绍0
The Historical Burdens and Management System Problems That Prevent Japanese Zoos from Concentrating on Conservation and Animal Welfare0
Complementing Connoisseurship With Artificial Intelligence0
Co‐Curating the Cape Town Document on Modern Heritage0
Messy databases: Recognizing transcribers as experts and engaging amateur naturalists in digitization0
Overlooked or Unimportant? An Overview of the Coprolite Collections at the University of the Witwatersrand, Johannesburg, South Africa0
Synergies between Schools and Rural Museums: Insights from the Spanish Pyrenees0
Mmila (the Road) and the Great Stoep0
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Making observations: Co‐design of an observation tool for and with maker educators0
The colonialism of the Modern Movement and the post‐USSR reaction in Central Asia0
Museum Languages0
Memo to University Leadership: Why “Monetizing” the Museum Collection is a Truly Bad Idea0
Discriminating Thieves: Exhibiting Nazi‐Era Provenance0
Mapping the Developments of Curatorial Activism & Practice in the Indian Context0
Repatriation and Ethnographic Archives: Katherine Routledge's Mangareva Field Notes in the Royal Geographic Society Collections0
Harnessing Instagram's “platform vernacular” during the COVID‐19 pandemic: A case study of Philbrook Museum of Art0
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Representing Reggaeton in the Museum: Affect, Industry and the Cautious Curation of Popular Music Heritage0
Tokens of love and loss: Plugging into the affective entanglements of online museum spaces exhibiting tokens of love and loss at the Foundling Museum, London; Museo degli Innocenti, Florence; National0
Apart/Together: Challenges and opportunities for exhibition curation during the COVID‐19 pandemic0
History and Self‐determination0
Issue Information0
The Garden City: Infrastructure, spatial politics and resistance behind the nation‐building mode of “tropicality” in Singapore0
Save the Ukrainian People First: They Carry their Culture in their Hearts0
Staring at Signs: Biology Undergraduates Pay Attention to Signs More Often than Animals at the Zoo0
Generating modern heritage through changing urban environments and identities: A case study from Prato's (Italy) industrial district, history, and multiculturalism in a polycentric urban setting0
Reviewing the “Bilbao effect” inside and beyond the Guggenheim: Its coming of age in sprawling cultural landscapes0
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Iny Karajá Presence: Material and Visual Culture of Ritxoko Dolls in Museums0
Steps Toward a More Diverse, Inclusive, and Equitable Museum Literature0
Audio description for all? The benefits and concerns of extending access provision to sighted people0
First Wave Collecting – Christchurch Terror Attacks, 15 March 20190
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Problems, causes, and reflections on exhibitions of document collection institutions in China: Triangulation of literature analysis and empirical study0
Out of Their Shells: Digitisation of Endangered Diversity in Orphaned Collections Spurs Access and Discovery0
Keeping Voices in the Room: Values Clarification in Codesign for Equitable Science and Technology Education0
Domestic Agents: Dowries, homes, and infrastructures in Iran0
Transformative Front‐End Evaluation: A Strategy for Centering Racially Minoritized Communities When Defining “Successful” Museums and Engagement0
Issue Information0
Correction to “Keeping voices in the room: Values clarification in codesign for equitable science and technology education”0
Prologue: Locating the Modern0
Art in circulation: Creating content and context for digital reproduction of artworks0
Official response to the Russian war crimes in Ukraine0
Decolonizing African (hi)stories through visual arts: African contemporary art as a way of looking back and moving ahead0
Exploring Responsible Research and Innovation in Museums Through Hands‐on Activities0
Becoming the change we want to see: Aspirations and initial progress with diversity, equity, access, and inclusion practices to create welcoming environments and center community in informal science i0
The Development of Museology in 1930s China: Western Influences and Early Reflections0
Development of a Touchable Replica for Inclusive Experiences of Religious Artifacts0
An Open Letter to Our Museum Colleagues from the Mystetski Arsenal National Art and Culture Museum Complex in Kyiv0
Curating the Contemporary: A Case for National and Local COVID‐19 Collections0
Presença Iny Karajá: Cultura material e visual das bonecas Ritxoko em museus0
Invented Modernisms: Getting to Grips with Modernity in Three African State Buildings0
What Science Communication for Equitable Communication? From Conceptualizations to Reconceptualizations and Practices0
Expanding Accessibility: Sensory Sensitive Programming for Museums0
Lions Attacking a Dromedary: The Verreaux brothers, imperial taxidermy, and postmortem bodily rights0
Perspectives from the Chair of ICMEMO0
Issue Information0
Why look at dead animals?0
Issue Information0
Nothing can be Changed Until it is Faced: Museum Solidarity Statements as Reflections of Understanding Systemic Racism0
Objects of “imprisonment”: Diasporic museum collections on ethnographic display0
A Glance into Public Memory: Which Public? Whose Memory? The Demise of Red Location Cultural Precinct0
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