Curator-The Museum Journal

Papers
(The median citation count of Curator-The Museum Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Dismantling the diorama: A case study in “unknowable” human remains16
Listening, hearing, and taking authority13
Introduction: MoHoA guest editorial12
Issue Information11
Racial equity, reflection, and organizational change in museums10
Community‐informed design: Blending community engagement and museum design approaches for sustainable experience development9
Renzo Piano Building Workshop: Space–Detail–LightBy EdgarStach. Basel, CH: Birkhäuser Verlag GmbH. 2021. 160 pages. $36.44 (hardcover)7
What do we mean by “agency”? A framework and tools for supporting visitors' agency in museums and science centers7
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Bad Bridget—An unexplored aspect of the Irish migration story5
Coming Home to Nez Perce Country: The Niimiipuu campaign to repatriate their exploited heritage By Trevor JamesBond, Pullman: Washington State University Press. 2021. 216 pages. $24.95 (Paperback)4
Two‐eyed tinkering with museum practice4
Varied Voices: A Case Study of Visitor Perceptions of the Display of Ancient Egyptian Human Remains Within an Australian Museum Context4
Museums, COVID‐19 and the pivot to social media4
Displaying your diploma: The professionalization of curators in Israel4
Erratum for ‘house Biermann in Durban: A case of “regional vernacular” in the modern architectural heritage of South Africa’ by Bodei and Harber (2022).4
The Cape Town Document on Modern Heritage (2022)3
The inclusive museum leaderBy CinnamonCatlin‐Legutko, ChrisTaylor (Eds.), Lanham: Rowman & Littlefield. 2021. 326 pages. $48.00 (paperback)3
Natural History Museum Collections Researchers' Perceptions of Behind the Scenes Tours3
A Wider View: Amie Siegel's Panorama and the Role of Contemporary Art in Natural History Museum Critique and Practice3
Questioning the tabula rasa in Indian modernity: Toward a genealogy for the Anthropocene3
“Simply Amazing and Fantastic”: The Maude Abbott Medical Museum Visitor Book, 2018–20233
Antwerp's Royal Museum of Fine Arts3
Museum participation as labor3
Curating Spaces: Showcasing Indigenous Identity Through Collaborative Art Practices at a University Campus3
Understanding Visitor Path Choice and Enhancing Wayfinding in Museums: A Critical Review of a Century of Research3
Issue Information3
Back to the Land: Museum Practices, Collections, and Other‐Than‐Human Politics in Southern Chile3
House Biermann in Durban: A Case of “Regional Vernacular” in the Modern Architectural Heritage of South Africa3
Issue Information3
Amazonian Activism for European Museum Audiences: Critical Reflections on the Development of an “Amazonia” Exhibition at the National Museum of World Cultures, the Netherlands2
Weaving a National Story as the Nation Frays: The National Museum of American History2
Behind the Curtain: COVID‐19 as a Lens to Precarity in Museum Labor2
Définir le Musée: Aux Prises avec une Nouvelle Identité2
Critical consciousness, heritage, and the shape of museum practice2
What Museum Guests Think About When They Think About Belonging2
The man‐eaters of Tsavo and the untapped potential of natural history collections2
The myth of being modern: Digital machines and the loss of discovery2
The role of visitor studies in shaping visitor‐centered museums2
Reinventing curatorial research: The museum as a laboratory for artistic learning during lockdown2
Safeguarding and inheriting intangible cultural heritage music in the Chongqing Three Gorges Reservoir area: A case study on Lore2
Whose Memory? Spatial Practices of Memory Curation in Postdictatorial Spain2
Zum Sammeln und Ausstellen von traditioneller und populärer Volksmusik in Österreich – die Fallstudie Sammlung Wiesenhofer vor dem Hintergrund der internationalen Forschungssituation2
The image of modernity: An examination of early republic housing projects in Turkey 1930–19392
Invisible victims: How children's museums are strengthening families through partnerships with correctional facilities2
Notorious: Introduction to the special issue2
Barjeel Art Foundation: Cross‐National Bridge Building and Decolonisation of the History of Art2
Incarceration and food insecurity: Challenges and opportunities for museum interpretation2
Constructing National Identity Through Museums in Early Republican Turkey: Historical Narrative, Spatial Transformation, Exhibiting Modernity, and Monumentality2
“Tracing the Everyday Sensory Heritage of Kolkata Streets”—“Sohorer Songbedon”: A museological review2
Contested Narratives in Museum Videos: Communicating a Curatorial Concept on YouTube2
Biodiversity Data Curation as a Profession in South African Natural Science Museums2
Issue Information2
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What we've learned: A research agenda for a museum, 7 years later2
Designing the Heart of a Nation: The Blueprint for an Ideal Museum2
Photoanthropocene: The decentered lens of colonial photography2
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Museum Educators Perspective of Failure: A Collective Frame Analysis2
Materializing mortality: Re‐enchanting grave goods in the British Museum using mixed‐method approaches to audience research1
Asmara's architectural heritage as a bricolage: The case of St. Mary's Orthodox Cathedral1
Erratum for ‘Iny Karajá Presence: Material and Visual Culture of Ritxoko Dolls in Museums’ by de Andrade and Duarte Cândido (2022)1
The Sultan Mehmed the Conqueror Museum: The museumization of a cultural asset for an Ottoman conqueror1
Issue Information1
Unrealized Fears: Monitoring Museum Closure and Reopening in the United Kingdom During the COVID‐19 Pandemic1
Questioning modernity and heritage: The case of the River Club development in Cape Town, South Africa1
Issue Information1
Representing Reggaeton in the Museum: Affect, Industry and the Cautious Curation of Popular Music Heritage1
Authorship, Ethics, and Community‐based Museum Research1
What American children's museum mission statements say about Lifelong Competencies1
A small, old, and slightly rough mirror: Encountering traumatic experiences in Nanjing Museum of the Site of Lijixiang Comfort Stations1
Cultural Rights and Social Inclusion: Reflections on the Engagement of Refugee Communities in Egyptian Museums1
Unpacking the complexities, challenges, and nuances of museum community engagement practitioners' narratives on knowledge production in Scotland1
Generating modern heritage through changing urban environments and identities: A case study from Prato's (Italy) industrial district, history, and multiculturalism in a polycentric urban setting1
Issue Information1
Heritage as Restitution: The Dadaab Refugee Camps, Kenya1
Performing museography: A practice‐led research for art museums, conducted at MUVE, Fondazione dei Musei Civici di Venezia1
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“Not just for coal miners”: Unionization in U.S. art museums1
Transmodern Heritage as Radical Delinking from Modernity1
Co‐Curating the Cape Town Document on Modern Heritage1
Mapping the Developments of Curatorial Activism & Practice in the Indian Context1
Making observations: Co‐design of an observation tool for and with maker educators1
All That Glitters is Not Gold: Viewer Understanding of Felix Gonzalez‐Torres's Candy Spill Installations1
Our place, our stories: Public history journeys from Belfast to Dhiban, and back1
Trust, value, and public opinion: Learning to listen1
Disrupting Museum Authority: Art, Voice and the Museum1
Wild Things: Planning for children in a traditional art museum1
Of Ghosts and orphans: Traces of local architects in the new city of Jerusalem in the early modern era and the challenges of architectural historiography on the fringe of the Empire1
Esthetic Vision and Social Hierarchy in Museum Patronage: A Case Study of Lord Joseph Duveen's Social Network1
Issue Information1
AltText: An institutional tool for change1
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A Brief History of Museum Visitor Studies in China1
Incorporating smell into children's museums: Insights from a case study in Norway1
A museum of international standard in Patna, India: The predicament of loss and revival1
Redefining crisis in museums: Insiders perspectives on digital engagement1
Issue Information1
Engendering Visitor Narrative: The Case of Shaanxi Archaeology Museum1
Heritage and waste in the Anthropocene: A museum perspective on environmental and social complexities1
Prologue: Locating the Modern0
Issue Information0
Book review: The role of libraries, archives, and museums in achieving civic engagement and social justice in smart cities By MohamedTaher, Hershey, PA: IGI Global. 20220
Decolonizing African (hi)stories through visual arts: African contemporary art as a way of looking back and moving ahead0
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Invented Modernisms: Getting to Grips with Modernity in Three African State Buildings0
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Creating Middle Ground: Transforming Outdoor Informal Learning Landscapes0
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Issue Information0
Bridges Between Museums and Early Childhood Education Schools (for Children From 0 to 3 Years Old)0
New media, new connections: Building Reddit's MuseumPros0
Balancing Conflicting Types of Authenticity in the Reconstruction of Sound and Music in the Installation Work Blikk (1970)0
The Impact of the COVID‐19 Pandemic on Digitization in Museums: The Lithuanian Case0
Visual representations of dromedaries in Greco‐Roman antiquity and the middle ages: Imagining the other before orientalism0
A Digital Journey to the Byzantine: An Investigation on Users' Virtual Tour Experiences0
Exploring Monumental Architecture in Post‐independence Côte d'Ivoire: The Basilica of Our Lady of Peace in Yamoussoukro0
Exhibiting slavery in Australia: Personal narratives and legacies0
Guidance for Depicting Animals With Disabilities0
Incarceration: Museum research and practice0
The Modern Architecture of Arieh Sharon's Obafemi Awolowo University Campus, Ile‐Ife, Nigeria0
The Development of a Coherent Museum Collection Database Management System‐Some Reflections on the Process0
Telling Stories, Reconnecting People: National Identity Building and the Case of the War Childhood Museum Ukraine0
Lions Attacking a Dromedary: The Verreaux brothers, imperial taxidermy, and postmortem bodily rights0
Creative arts in the national museum of computing0
Evaluating museum exhibits: Quantifying visitor experience and museum impact with user experience methodologies0
The Development of Museology in 1930s China: Western Influences and Early Reflections0
Accessible digital images: AltText guidelines for authors and museum professionals0
Nothing can be Changed Until it is Faced: Museum Solidarity Statements as Reflections of Understanding Systemic Racism0
Complementing Connoisseurship With Artificial Intelligence0
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In real life: Gaming community engagement in museums0
What Did You Learn at the Museum Today?0
Issue Information0
Exhibition Reviews and Advancing Museum Practice0
Transmodern heritage as a space for imagining pluriversal relations—Insights from the African “periphery”0
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The art museum as activist: A case study0
From Unremembered to Overremembered. Gender in the Holocaust Museums of Hungary and Slovakia0
Towards the Cape Town Document0
Art in circulation: Creating content and context for digital reproduction of artworks0
Early concrete bridges in China as (dissonant) modern heritage: A case study of the double‐curved bridges in Nanjing0
Museum Care of Indigenous Cradles: Insights From Consultation With Tribal Communities0
Producing the Past With the Digital: Virtual Reality as Remediation in History Museum's Presentation Practice0
First Wave Collecting – Christchurch Terror Attacks, 15 March 20190
Objects of “imprisonment”: Diasporic museum collections on ethnographic display0
Moral Feeling in a Museum: Learning Through an Exemplar‐Based Thematic Exhibition0
Provenance research today: Principles, practice, problemsBy ArthurTompkins (Ed.), Lund Humphries.2020. 224 pages. £29.990
History and Self‐determination0
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The body remembers: Legacies of chattel slavery hauntings in South Africa and the United States0
Becoming the change we want to see: Aspirations and initial progress with diversity, equity, access, and inclusion practices to create welcoming environments and center community in informal science i0
Talking to Strangers About Science: Youth Facilitators and Family Learning at the Natural History Museum0
Notorious: Animal passions in the desert: Lions, camels and a human, oh my!0
The concept map as a tool for analyzing museum objects0
Issue Information0
Staring at Signs: Biology Undergraduates Pay Attention to Signs More Often than Animals at the Zoo0
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Young Children's Engagement with Objects in Science Museums: A Rapid Evidence Assessment of Research0
Counter‐mapping Heritage: Memory and Significance in Places of Racialised Land Dispossession: The Case of Lower Claremont, Cape Town0
The tannization of human tissues: A nineteenth‐century educational preservation technique at the Morgagni Museum0
Curating the Unexpected: Stéphane Thidet's “Weeping Stones” Transformed During COVID‐190
Colonial history or decolonization? Shedding light on “the possibilities of strengthening museum communication” in Denmark0
Red Tourists and National Identity in the Museum Commemorating Deng Xiaoping0
Learning from Steinkopf0
Nowhere Else but Home: A National Resting Place for Indigenous Australian Ancestral Remains0
Repatriation and Ethnographic Archives: Katherine Routledge's Mangareva Field Notes in the Royal Geographic Society Collections0
Issue Information0
The unfinished promise of infrastructure in post‐apartheid South Africa0
Why look at dead animals?0
Perspective: Is re‐interpretation enough? Dismantling violence in the natural history museum0
Scanning holotypes from the Vertebrate Paleontology Collection at the Museu Paraense Emilio Goeldi (Brazil): Tools for research and science outreach0
Iny Karajá Presence: Material and Visual Culture of Ritxoko Dolls in Museums0
数字文化遗产和群众0
具身博物馆: 虚拟技术视域下的博物馆具身化转向0
Exploring Responsible Research and Innovation in Museums Through Hands‐on Activities0
Messy databases: Recognizing transcribers as experts and engaging amateur naturalists in digitization0
Transformative Front‐End Evaluation: A Strategy for Centering Racially Minoritized Communities When Defining “Successful” Museums and Engagement0
Towards the Definition of an Ever‐changing Heritage: A Reading of the (Re)appropriation Processes of the Torres Vermelhas in Mozambique0
Forget the Alamo: The Rise and Fall of an American Mythby BryanBurrough, ChrisTomlinson and JasonStanford. Penguin Press, 2021. 386 Pages. Hardcover: $32.00.0
Decolonizing Modern Heritage of Africa: Afro‐Brazilian and Neo‐Moorish Liberation Architectures0
Other museums: The disruptive potency of curatorship for the emergence of other modes of power, knowing, and being0
Identifying indicators, empathy, and anthropomorphism in zoo visitors' perceptions of animal wellbeing through qualitative interviews0
Issue Information0
The Talking Rocks in the Children’s Gallery0
The colonialism of the Modern Movement and the post‐USSR reaction in Central Asia0
Presença Iny Karajá: Cultura material e visual das bonecas Ritxoko em museus0
Multidimensional Analysis of Visitor Interaction With Museum Apps: Designing for Enhanced Museum Experiences0
The Value of Museums in Averting Societal Collapse0
What Science Communication for Equitable Communication? From Conceptualizations to Reconceptualizations and Practices0
Exploring the Digital Transformation Dilemma of Chinese Museums: A Comparative Study0
European Music Museums: Interactive Spaces for Musical Education0
Mmila (the Road) and the Great Stoep0
Mausoleum or museum: Engaging the significance of cultural museum collections for heritage tourism in the 21st century0
What kind of documents do curators produce? Contemporary cases from Estonia0
The natural history of lions in North Africa and the relevance of their depiction in the “Lions Attacking a Dromedary” diorama0
The Garden City: Infrastructure, spatial politics and resistance behind the nation‐building mode of “tropicality” in Singapore0
Domestic Agents: Dowries, homes, and infrastructures in Iran0
Harnessing Instagram's “platform vernacular” during the COVID‐19 pandemic: A case study of Philbrook Museum of Art0
Overlooked or Unimportant? An Overview of the Coprolite Collections at the University of the Witwatersrand, Johannesburg, South Africa0
Apart/Together: Challenges and opportunities for exhibition curation during the COVID‐19 pandemic0
成为更好的自己 1 :中国科学类博物馆教育工作者专业成长愿景与路径研究0
Enhancing Accessibility in Online Craft Exhibitions: Designing and Evaluating Audio Descriptions for Individuals With Visual Impairments0
Communicating Through Sound in Museums: A Genre‐Based Framework0
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Proposed museum service operations framework for addressing overcrowding: A Taipei case study0
Finally, some hope. Communicating systemic aspects of climate‐change mitigation0
MOHOA. A Lesson in Sustainability Given by Modern Heritage in the Democratic Republic of the Congo: The Sacred Architecture of Paul Dequeker0
Beyond the Tangible: Adults' Views on Authenticity in a Digitized Natural History Collection0
A Glance into Public Memory: Which Public? Whose Memory? The Demise of Red Location Cultural Precinct0
Audio description for all? The benefits and concerns of extending access provision to sighted people0
Problems, causes, and reflections on exhibitions of document collection institutions in China: Triangulation of literature analysis and empirical study0
Tokens of love and loss: Plugging into the affective entanglements of online museum spaces exhibiting tokens of love and loss at the Foundling Museum, London; Museo degli Innocenti, Florence; National0
Proximity, wholeness, and animality: The case of Little Sorrel's repatriation0
Introduction: Contributions and reflections on Modern Heritage in the Anthropocene0
The W‐ICAD model: Redefining museum access through the Workshop for Inclusive Co‐created Audio Description0
The role of boundary objects in collaborative design0
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Correction to “Keeping voices in the room: Values clarification in codesign for equitable science and technology education”0
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Balancing Acts: Dilemmas in Sustainable Curating0
“An African View”: The photography of Denise Scott Brown0
Holders of battered memories: Exploring suitcases as museum metaphors for travel, exile, and incarceration0
Becoming a Better ME: Chinese science museum educators' expectations for professional growth0
A Catalyst for Change and Deeper Audience Engagement? Visitor Insight, Research, and Evaluation at the British Museum 2005–20250
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Mobilizing the Museum: Touring Exhibitions in Early Stalinist Poland, 1947–19490
Staff Training on Disability Awareness in Museum Settings: A Scoping Review0
Creating Accessible Digital Images for Vision Impaired Audiences and Researchers0
Exploring virtual museums: Pre‐service teachers' experiences of virtual museums in gifted and talented education0
The “colonial object” in autoethnography: Examples from Ireland, Hong Kong, and Zambia0
Reviewing the “Bilbao effect” inside and beyond the Guggenheim: Its coming of age in sprawling cultural landscapes0
MOHOA Considering the Curious Case of the Satyagraha House, Johannesburg. A Curatorial Critique0
Fisheries Local Action Groups and maritime museums in Spain—An opportunity to enhance the value of fishing culture and heritage0
Building on Tradition, Looking Ahead: Introducing New Editors‐in‐Chief0
How a Traveling Exhibition on Wasps Altered Public Perceptions0
Keeping Voices in the Room: Values Clarification in Codesign for Equitable Science and Technology Education0
Sound as a producer of social spaces in museum exhibitions0
A Bodies‐On Museum: The Transformation of Museum Embodiment through Virtual Technology0
Issue Information0
Ecologization Is Not a Metaphor: Museums in the Web of Life0
Passing the Baton0
Synergies between Schools and Rural Museums: Insights from the Spanish Pyrenees0
Re‐Imagining the Collection Through Medical Imaging: Collaboration Between Radiology and the Museum0
Understanding the multiple architectural modernities in colonial and postindependence Nigeria0
Fourfolded objects, or toward a philosophy of object‐oriented curation0
Gusts of revulsion: Édouard Verreaux's imperial tableaux at the Exposition Universelle of 18670
An exhibition about a well‐known architect: Challenge or opportunity? Beyond: Tadao Ando and Art0
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