Critique-Studies in Contemporary Fiction

Papers
(The TQCC of Critique-Studies in Contemporary Fiction is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
The Infant Planet and the Iron Sphere: Microcosmic Materiality in Twenty-First-Century Fiction12
Against Anthropocentrism: A Stray’s Quest in Diane Cook’s The New Wilderness4
The Poetics of Re-Enchantment: Penelope Fitzgerald’s The Beginning of Spring4
The Warped Bildung: Parody, Postmodern Gothic, and the Bildungsroman in Iain Banks’s The Wasp Factory4
Trash, ‘White Trash’ and ‘Wasted Humans’: Racial and Environmental (In)Justice in Tristan Egolf’s Lord of the Barnyard3
“In the Black Abyss There Appeared a Single Eye”: The Gaze and Self-Fragmentation in The Lord of the Rings3
Beyond Necropolitics: Colum McCann’sApeirogon3
Inherent Transgression in the Society of Compulsory Jouissance : Reading Houellebecq’s Platform via Žižek3
The Right to Development and Self-Help: Faking Entrepreneurship of the Strategic Economic Man in Mohsin Hamid’s How to Get Filthy Rich in Rising Asia3
Text of (as) the Erotic Sacrament: Erotics in Jeanette Winterson’s Written on the Body and Frankissstein3
Carter, Porter, Herrera: Overcoming Mythology to Achieve Agency (Sometimes) Effectively3
Time, Clocks, and Illnesses in Paul Harding’s Tinkers2
“From Plátano Player to Questioning Chronicler—Historiography in Junot Díaz’s The Brief Wondrous Life of Oscar Wao”2
What is Owed to the Ghost? Postmemory and Political Honesty in André Dao’s Anam2
“I Was A Woman of Appetites, A Growling Beast”: On Subversive Female Hunger in Butter and Milk Fed2
Subversive Triviality: John Ashbery’s and James Schuyler’s A Nest of Ninnies2
Ilja Leonard Pfeijffer’s Literary Resistance to Right-Wing Populist Discourse in Grand Hotel Europa (2018)2
Global Forms in Bolaño’s 2666 : Genre, Race, Capital2
Refunctioning Western Speculative Genres: Transcultural Autoethnography and Posthuman Futurity in The Brief Wondrous Life of Oscar Wao2
The Misanthropocene in California: Susan Straight’s Blacker Than a Thousand Midnights and Joan Didion’s The Last Thing He Wanted2
Most Alive: Vibrant Taxidermy and Art as Futural Practice in Kristen Arnett’s Mostly Dead Things2
Holding the Pen: Visions and Revisions of the American South in Sherley Anne Williams’s Dessa Rose2
Exploring Inherited Shame in Zoë Wicomb’s Playing in the Light2
Deconstructing and Reconstructing Englishness: National Symbolism of the County House in McEwan’s Atonement2
“But Karachi is Always Dual”: Cartography, Placemaking, and Identity in Kamila Shamsie’s Kartography2
Isolation and Connectivity: The Insular Geopolitics in This Earth of Mankind2
Descent into the Eye (I) of the Kraken: Friday and the Lacanian Real in J. M. Coetzee’s Foe2
The Cybernetic Leviathan: Body Politic and Body Politics in Heinlein’s Starship Troopers1
How to Get Away with Murder: Unknowing and Subversion in Shirley Jackson’s We Have Always Lived in the Castle1
Ben Lerner’s Novels and the Syntax of Collectivity1
The Compost of History: Olfactory Aesthetics, Patriarchal Ruin, and the Decolonial Archive in Shani Mootoo’s Cereus Blooms at Night1
“We’ve Got to Move”: Mapping and Remapping the World in Cormac McCarthy’s The Road1
Relational Time, Female Transgenerational Bonds and Herstory in Linda Grant’s The Story of the Forest (2023)1
Eco-Cosmopolitanism and the Politics of Planetary Vulnerability in Samantha Harvey’s Orbital (2023)1
Spectral Dissent: “Faultlines” In Sarah Waters’ The Little Stranger1
To Be or Not to Be (Human): Black Ontology and Belonging in Beatty and Adjei-Brenyah1
The Self Turned Inside Out: Neural Networks in Temi Oh’s More Perfect and Justin Cronin’s The Ferryman1
Environmental Memory, Place Identity, and Solastalgia in Arif Anwar’s The Storm1
From the Obstructive “Mountain” to the Free “Water”: Examining the Evolution of Transculturalism in Ling Zhang’s Immigrant Narratives1
Living in Endtimes: Countersentimental Domesticity in the Age of Uncertainty1
Capitalized Pollution and Inhabitability Critique in Kazuo Ishiguro’s Klara and the Sun1
Motherlands in Europe. Economic Subalternity and Fantasies of Family in Contemporary Romanian Literature of Migration1
Ma semblable, ma soeur ”: Negative Capability and Self-Fashioning in “The Quilt Maker” by Angela Carter and Flights by Olga Tokarczuk1
Meta-Minstrelsy and Market Logics in Percival Everett’s James1
Religious Hypocrisy and Moral Failure in James Baldwin’s Go Tell It on the Mountain and Khaled Hosseini’s The Kite Runner1
Performing Identity: Deconstructing Race and Gender in Brit Bennett’s The Vanishing Half1
Telling Truth in Fiction: The Precarious Aesthetic of Valeria Luiselli’s Documentary Fiction Lost Children Archive1
“Why shouldn’t I be wanted, even loved?”: Eugenics, Reproduction, and the Postcolonial in Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Dea1
Women Walking in the City: Zadie Smith’s NW1
What We Talk About When We Talk About Love in the Digital Age: Technology, Intimacy, and Affect in Olivia Sudjic’s Sympathy and Lauren Oyler’s Fake Accoun1
“When He Comes, He Will Be Like an Englishman”: Space, Spy Fiction, and Englishness in Michael Ondaatje’s Warlight1
From Other to Posthuman: Meiji’s Journey in Manjula Padmanabhan’s Escape and The Island of Lost Girls1
Beyond Blah Blah Blah: Climate and Historical Justice in Peter Dimock’s Daybook from Sheep Meadow1
Ideal Caregiver? Caring Robot and the Dividuation in The School for Good Mothers and Klara and the Sun1
Homebound: Compromised Petroculture Criticism in American Neoliberal Family Novels1
A Quivering Ontology: Ali Smith, Hauntology, and Deconstructive Aesthetics1
Do It Yourself Dystopia: The Digital Future in Dave Eggers’s The Every1
Beyond Pragmatic Eloquence: Compassion and David Mitchell’s Art of Reading Pain1
I’m a Woman. Man, Woman, M–Woman .” – Identity, Sexuality, and the Body in the Short Fiction of Malika Moustadraf1
Androdecentrism in the Anthropocene: Weirding Masculinities in the Work of Max Porter, Martin MacInnes, and Matt Hill1
“Interspecies Empathy and Canine Captivity in Karen Russell’s Short Fiction”1
Theory (And/Or) Fiction: Academic Writing, Inhuman Horror, and the New Weird in Reza Negarestani’s Cyclonopedia1
Subjects of Magic: A Comparative Analysis of Postcolonial Magical Realist Texts1
Memory Writing and Cosmopolitan Identity in Timothy Mo’s Pure1
Topophrenia and Cognitive Mapping in The Brick People1
Extracting the Ultradeep Oil: David Mitchell’s The Bone Clocks1
The Missing Corpse in Contemporary Iraqi Fiction: Ahmed Saadawi’s Frankenstein in Baghdad and Muhsin Al-Ramli’s Daughter of the Tigris1
Walking as Spatial Practice: Late-Life Growth in the Industrialized Countryside in Rachel Joyce’s The Unlikely Pilgrimage of Harold Fry1
Chaos, Cosmos, and Waste: The Politics of “Maximalism” in Don DeLillo’s Underworld1
“Change, Change All the Time”: Loss and Re-Creation of Former Homes in Kazuo Ishiguro’s Novels1
Literary Setting and Social Form in Tash Aw’s We, the Survivors1
Arboreal Obliquity or Trees Doing the Human in Murray Bail’s Eucalyptus1
“We’re All Just Playing into Stories Created Before Our Time”: Fictional Female Serial Killers, Femgore, and the Illusion of Power1
Faux Apparitions: Angels or Cannibals, Between Coetzee and Defoe1
Rescuing Precarious Bodies: Biopolitics and Haitian Health in Edwidge Danticat’s Diasporic Writing1
Cohesion, Exile, Return: Non-Human Narrative and the Shape of Diaspora Community in Never Let Me Go1
The Failure of Imagination and its Redemption: John Banville‘s The Book of Evidence1
“Fucked in the Head and Liking It”: Atomik Aztex , Postcoloniality, Psychosis of Civilization1
‘‘A Soul in Every Stone’’: Object-Worlds and Hysterical Detail in Thomas Pynchon’s Gravity’s Rainbow1
“The Lurid and the Lovely”: Degrees of Disillusionment and Existential Awakening in Thomas Ligotti’s Cosmic Horror1
Tension Between Embodied Structures and the Pursuit of Change: Exploring the Metaphysical Underpinnings of Olga Tokarczuk’s Flights1
Faulty Power in the Faculty Tower: James Hynes’s The Lecturer’s Tale as a Parody of William Shakespeare’s Macbeth1
Undocumenting Citizenship: Mixed-Status Families in María Escandón’s González and Daughter Trucking Co1
The Short Autofictions of Eve Babitz, Lucia Berlin and Bette Howland1
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