Critique-Studies in Contemporary Fiction

Papers
(The TQCC of Critique-Studies in Contemporary Fiction is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Carter, Porter, Herrera: Overcoming Mythology to Achieve Agency (Sometimes) Effectively8
The Poetics of Re-Enchantment: Penelope Fitzgerald’s The Beginning of Spring7
The Right to Development and Self-Help: Faking Entrepreneurship of the Strategic Economic Man in Mohsin Hamid’s How to Get Filthy Rich in Rising Asia3
The Warped Bildung: Parody, Postmodern Gothic, and the Bildungsroman in Iain Banks’s The Wasp Factory3
Post-postmodernist Esthetics of Irrelevance: Textual Disability as Narrative Prosthesis (The Lin/Wallace Connection)2
Against Anthropocentrism: A Stray’s Quest in Diane Cook’s The New Wilderness2
Global Forms in Bolaño’s 2666 : Genre, Race, Capital2
Beyond Necropolitics: Colum McCann’sApeirogon2
Deconstructing and Reconstructing Englishness: National Symbolism of the County House in McEwan’s Atonement2
“From Plátano Player to Questioning Chronicler—Historiography in Junot Díaz’s The Brief Wondrous Life of Oscar Wao”2
“In the Black Abyss There Appeared a Single Eye”: The Gaze and Self-Fragmentation in The Lord of the Rings2
The Infant Planet and the Iron Sphere: Microcosmic Materiality in Twenty-First-Century Fiction2
Trash, ‘White Trash’ and ‘Wasted Humans’: Racial and Environmental (In)Justice in Tristan Egolf’s Lord of the Barnyard2
Sarah Perry’s Melmoth and the Implications of Gothic Form2
’’ I’m a Woman. Man, Woman, M–Woman .’’ – Identity, Sexuality, and the Body in the Short Fiction of Malika Moustadraf1
The Ways of Seeing and Making in Ali Smith’sHow to Be Both1
Telling Truth in Fiction: The Precarious Aesthetic of Valeria Luiselli’s Documentary Fiction Lost Children Archive1
Buddhist-Ecofeminist Spiritualities: Beyond the Entanglement of New Materialism and Engaged Buddhism in Ruth Ozeki’sA Tale for the Time Being1
Rescuing Precarious Bodies: Biopolitics and Haitian Health in Edwidge Danticat’s Diasporic Writing1
Ma semblable, ma soeur ”: Negative Capability and Self-Fashioning in “The Quilt Maker” by Angela Carter and Flights by Olga Tokarczuk1
The Failure of Imagination and its Redemption: John Banville‘s The Book of Evidence1
What We Talk About When We Talk About Love in the Digital Age: Technology, Intimacy, and Affect in Olivia Sudjic’s Sympathy and Lauren Oyler’s Fake Accoun1
Subversive Triviality: John Ashbery’s and James Schuyler’s A Nest of Ninnies1
Rhythmic Impersonality: The Legacy of Modernist Racialism in Zadie Smith’sSwing Time1
“But Karachi is Always Dual”: Cartography, Placemaking, and Identity in Kamila Shamsie’s Kartography1
From Other to Posthuman: Meiji’s Journey in Manjula Padmanabhan’s Escape and The Island of Lost Girls1
Theory (And/Or) Fiction: Academic Writing, Inhuman Horror, and the New Weird in Reza Negarestani’s Cyclonopedia1
Ideal Caregiver? Caring Robot and the Dividuation in The School for Good Mothers and Klara and the Sun1
Ben Lerner’s Novels and the Syntax of Collectivity1
The Politics of Nostalgia: Postmodernism, Capitalism and Repetition in Tao Lin’s Taipei1
Reopening Agaat : Afrikaans, Encyclopedic Narrative, World Literature1
The Short Autofictions of Eve Babitz, Lucia Berlin and Bette Howland1
Juxtaposition and Asynchronicity as Postcolonial Poetics in Elaine Castillo’s America Is Not the Heart1
The Missing Corpse in Contemporary Iraqi Fiction: Ahmed Saadawi’s Frankenstein in Baghdad and Muhsin Al-Ramli’s Daughter of the Tigris1
A Hermeneutical Revisit to ‘Biographic Metafiction’ through A.S. Byatt’sPossession: A Romance1
“The Lurid and the Lovely”: Degrees of Disillusionment and Existential Awakening in Thomas Ligotti’s Cosmic Horror1
Holding the Pen: Visions and Revisions of the American South in Sherley Anne Williams’s Dessa Rose1
Most Alive: Vibrant Taxidermy and Art as Futural Practice in Kristen Arnett’s Mostly Dead Things1
Ilja Leonard Pfeijffer’s Literary Resistance to Right-Wing Populist Discourse in Grand Hotel Europa (2018)1
Kazuo Ishiguro’s Development of Stories through Film1
Olli Jalonen’s Literary Explorations of Time, Space, and Existential Meaning1
Left in the Dark: Regimes of Affect and Political Passivity in Kazuo Ishiguro’sthe Remains of the Day1
“Why shouldn’t I be wanted, even loved?”: Eugenics, Reproduction, and the Postcolonial in Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Dea1
Capitalized Pollution and Inhabitability Critique in Kazuo Ishiguro’s Klara and the Sun1
Environmental Memory, Place Identity, and Solastalgia in Arif Anwar’s The Storm1
Faulty Power in the Faculty Tower: James Hynes’s The Lecturer’s Tale as a Parody of William Shakespeare’s Macbeth1
The Psychology of Dictatorship: A Journey into Muammar Gaddafi’s Mind in Yasmina Khadra’s The Dictator’s Last Night1
Memory Writing and Cosmopolitan Identity in Timothy Mo’s Pure1
Chaos, Cosmos, and Waste: The Politics of “Maximalism” in Don DeLillo’s Underworld1
The Misanthropocene in California: Susan Straight’s Blacker Than a Thousand Midnights and Joan Didion’s The Last Thing He Wanted1
Challenging the Boundaries between Humanity and Animality: Becoming(s) in Adrian Tchaikovsky’s Echoes of the Fall Trilogy1
Time, Clocks, and Illnesses in Paul Harding’s Tinkers1
“We’ve Got to Move”: Mapping and Remapping the World in Cormac McCarthy’s The Road1
The Experience of Return in Chimamanda Ngozi Adichie’s Americanah : Expanding the Category of the “Cosmopolitan Stranger”0
Abjecting the Racial Agency in Damon Galgut’s The Promise0
Neomodernism and the Social Novel: Rachel Cusk’sOutline Trilogy0
The Story of Revenge in Natalie Haynes’ A Thousand Ships0
Edges, Borders, Peripheries: Contested European Imaginaries and Narrative Forms0
“The Interconnectedness and Spiritual Equality of All Things”: Recovering Indigenous Ecological Imagination in Postcolonial Australian Fiction0
The Cyborg’s Plant: Trans-corporeality in Kim Cho-yeop’s The Greenhouse at the End of the Earth0
Man and Beast: Mo Yan’s Details and Politics0
Reading the Graphic Narrative “The Taboo,” from the AnthologyThis Side, That Side: Restorying Partition: Graphic Narratives from Pakistan, India, Bangladesh, As a Microhistory of Partition0
Notes Toward an Epistemology of Brevity in Contemporary Narrative0
When the Powerpolis Paused: Representations of Political Trauma of Indian Emergency in Delhi Calm0
“Fucked in the Head and Liking It”: Atomik Aztex , Postcoloniality, Psychosis of Civilization0
Borges, Simulation, and the Coming of Artificial Intelligence0
Tessa Hadley and William Wordsworth: Literary Lineage and Patriarchal Legacy in The Past0
Between Tenderness and Anger. Oscillation in Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk0
An Intertextual Approach to the Question of Literary Plagiarism: Ian McEwan’s Atonement , Solar , and My Purple Scented Nov0
The Queer-Cyberspace of Jeanette Winterson’s’ The Powerbook: A Critique of St. Augustine’s Metaphysical Philosophy0
Do It Yourself Dystopia: The Digital Future in Dave Eggers’s The Every0
“Shadowy Objects in Test Tubes”: Gene Fetishism and Racialized Biocapital in Kazuo Ishiguro’s Never Let Me Go0
Limitations of Postmodern Irony: How David Foster Wallace Writes a Superior Critique of American Consumerism in Infinite Jest Compared with Bret Easton Ellis’s ‘ 0
“‘Pleading Human’ in Paul Beatty’s The Sellout0
Trauma and the Science Fiction of the Interior in Tom McCarthy’s Remainder0
Between Maternity and Autonomy: Radical Mothering in Mona Simpson’sAnywhere but Here0
African and Islamic: Doris Lessing’s Notion of Writerly Commitment in “The Small Personal Voice”0
Amitav Ghosh’s Gun Island : The Climate Crisis and Planetary Environmentalism0
“A Question, in the End, of Vision”: Pessimism and the Paradox of Marriage in Lauren Groff’s Fates and Furies0
David Vann’s Legend of a Suicide : Dismantling the Trauma Paradigm0
National Families and Private Companies: Narrative Structure and Economies of Exchange in Jane Smiley’sthe Last Hundred Years Trilogy0
Beyond the Novel: Satire in Eastern Europe and Volodymyr Rafeyenko’s Mondegreen (2019)0
Contingency and the Categorical Imperative in Iris Murdoch’s Under the Net0
Faux Apparitions: Angels or Cannibals, Between Coetzee and Defoe0
Deterritorializing Hegemonic Globalization Progressively in Xiaolu Guo’s Experimental Writing: A Comparative Reading of A Concise Chinese-English Dictionary for Lovers a0
Introduction: Insurgent Infrastructures and Infrastructures of Insurgency0
You Equals Not-I : Avowal, Disavowal, and Second-Person Narration in Marlene van Niekerk’s Agaat0
Mastering Otherness with a Look: On the Politics of the Gaze and Technological Possibility in Kazuo Ishiguro’s Klara and the Sun0
Rethinking Haruki Murakami: An Alternative History of Traumas and Aftermaths in Kafka on the Shore0
“When He Comes, He Will Be Like an Englishman”: Space, Spy Fiction, and Englishness in Michael Ondaatje’s Warlight0
Technocratic Fiction, Indigenous Sovereignty, and Counter-Insurgent Infrastructure0
The Asymmetries of Border Spaces0
Post-Truth, Testimony and Crises of Trust in Margaret Atwood’s The Handmaid’s Tale and The Testaments0
The Poetic of the Fragment: Raymond Carver and Social Class0
Revisiting Trauma Through The Bluest Eye0
Frontier Stories: Burnt Shadows and an Alternative Ethic of Narrativizing Violence0
“Console Us for Our losses”: Representing Dementia in Emma Healey’s Elizabeth is Missing0
Articulating the Collective Immigrant Experience in Canada:The Boat PeopleandShut Up, You’re Pretty0
Sexuality and Irish Identity in Patrick McCabe’s Breakfast on Pluto0
Gothic Economics: Unmasking the Uncanny in Indian Literature0
Metafiction as Movement and Movement as Metafiction in John Edgar Wideman’s Philadelphia Fire0
From a Pin to an Elephant: Politics of Consumption and the Debordian Spectacle in James Lovegrove’s Days0
Transitions and Acknowledgments0
“I Am Not Returning Home”: A Transgender Reading of Jeff VanderMeer’s Annihilation0
Palimpsestuous Fragmentation in James Cahill’s Tiepolo Blue0
Capitalist Dreams, Posthuman Nightmares: AI and the Neoliberal Reordering of Humanity in Ian McEwan’s Machines Like Me and Kazuo Ishiguro’s Klara and the 0
The Sisyphean Quest for Independence: Beyond Two Bildungsromans in Graham Swift’s Wish You Were Here0
Reading with(out) Suspicion: Atwood, Sedgwick and Critical Practice0
Not Only Puritans and Snobs: The Dynamic Between the Urban and the Provincial in the Works of Elizabeth Strout0
Between Remembrance and Forgetting: Memory and the Concept of Home in Map of the Invisible World0
Tender Transgressions: Olga Tokarczuk’s Exercises in Postsecular Imagination0
Sounds of the Contemporary: Listening to the Present in Richard McGuire’s Here0
Collage and Bagatelle as Dialogic Games: Representational and Narrative Strategies in Ali Smith’s Autumn0
“It Began with Naming Things”: Mzungus and Other European Colonizers in Abdulrazak Gurnah’s Afterlives0
Approaching Postmodern Financial Reality in Hernan Diaz’s Trust0
“Interspecies Empathy and Canine Captivity in Karen Russell’s Short Fiction”0
The Novel at the Limit0
The Urban Essential Solitude of the Hunger Character: A Blanchotian Reading of Paul Auster’s Moon Palace0
A Postsecular Reading of Nonsensical Caring in Ali Smith’s Fiction0
Apartheid Blueprints and Palimpsestic Time0
“Memory Shot Through Holes”: The Idea of Postmemory in Elif Shafak’s The Island of Missing Trees0
Performing Identity: Deconstructing Race and Gender in Brit Bennett’s The Vanishing Half0
The Economic Wonderland of Thomas Pynchon’s the Crying of Lot 490
“He Doesn’t Belong in This House”: The Uncanny Cousin in Two Mid-Century Gothic Novels0
Memory and the Jungian Unconscious in J. G. Ballard’s Autobiographical Narratives0
The Culture Industry Meets Authentic Art in Angela Carter’s The Passion of New Eve0
Extracting the Ultradeep Oil: David Mitchell’s The Bone Clocks0
Nonviolence as a Form of Caring in Buddhist and Posthumanist Contexts: Ruth Ozeki’s A Tale for the Time Being0
Realism, Postmodernism, and Authenticity in the Contemporary Circus Novel0
Female (Mis)representation in Moroccan Male-Authored Postcolonial Literature: The Madwoman Trope in Mohamed Mrabet’s The Big Mirror0
Female Pleasure and Car Accidents: Signifying Alice Munro’s Middle Stories0
Ghostly Thinking and Fictional Dwelling: Heidegger’s Philosophy of Nature and Rushdie’s The Satanic Verses0
“Change, Change All the Time”: Loss and Re-Creation of Former Homes in Kazuo Ishiguro’s Novels0
“The Dance, the Music, the Rave”: Partying, Pleasure, and the Politics of Cultural Production in Morvern Callar 1995 and Morvern Callar 200
The Climate of Indigenous Literature: Thomas King’s Anthropocene Realism0
The Summoning: Folk Horror and the Calendar Custom in Molly Aitken’s the Island Child (2020) and Zoe Gilbert’s Folk (2019)0
INTRODUCTION - Special Issue: The Novel at Its Limits0
Interrogating “Feeling Politics”: Animal and Vegetal Empathy in Han Kang’s The Vegetarian0
What Is Punch that They are Mindful of Him? Neil Gaiman, Ben Aaronovitch, and Russell Hoban0
“Moist, Living”: The Hydro-Logics of Red Tory0
“I’m Here”: Isolation and Presence in the Short Stories of Tobias Wolff0
Scheherazade Unbowed: Muslim Arab Women Diaspoetics in Fadia Faqir’s The Cry of the Dove (2007)0
Post/Human Perfectibility and the Technological Other in Kazuo Ishiguro’s Klara and the Sun0
A Bastard’s Confession: National Forgetting, Remasculinization, and the Ethics of Just Memory in Viet Thanh Nguyen’sThe Sympathizer0
A Just Englishman in Russia: The Ethical Self in Penelope Fitzgerald’s The Beginning of Spring0
Getting into Character: Racial Passing and the Limitations of Performativity and Performance in Brit Bennett’sThe Vanishing Half0
Beyond Blah Blah Blah: Climate and Historical Justice in Peter Dimock’s Daybook from Sheep Meadow0
Forced Migration Narratives and the Nation-State: ‘ Out’ and ‘ Go, Went, Gone’0
Mapping Traumatized Bodies and Territories in Doris Lessing’s Mara and Dann: An Adventure0
Bastašić’s Uhvati Zeca in the Light of the Global Novel Discussion: A Southeastern European Perspective0
Monstrous Technology in Thomas Pynchon’s Bleeding Edge : The Internet as Terror and Transformation0
From the Obstructive “Mountain” to the Free “Water”: Examining the Evolution of Transculturalism in Ling Zhang’s Immigrant Narratives0
The Invasiveness of Healing in Mohsin Hamid’s the Reluctant Fundamentalist0
Wayward Plots: Public Transport and Abolition Narratology in Namwali Serpell’s The Furrows0
Performativity and Performance: Identities and Multi-Dimensional Psychological Passing in Go Tell It on the Mountain0
Guerrilla Gardening: At the Intersection of Birnam Wood and Minneapolis0
“Something Else Already Opening up.” The Utopian Impulse and the Novum of Disability in Missouri Williams’s The Doloriad0
Androdecentrism in the Anthropocene: Weirding Masculinities in the Work of Max Porter, Martin Macinnes, and Matt Hill0
For the “Briefly Gorgeous” Moment: Imagism and Queer Aesthetics in Ocean Vuong’s On Earth We’re Briefly Gorgeous0
The Psychic Affective Turn: Body, Affect, and Exile in Manuel Puig’s The Buenos Aires Affair0
A Pale View or a Cryptic View0
Insignificant Inheritance: Repairing Domestic Interiors0
Calibrating the “Feminine” and the “Speculative” in Selective Short Stories of Vandana Singh0
Shakespeare and Other Suspects: The Concealed Narrator in Ian McEwan’s Nutshell0
The Polyphony of the Border: Genre, Narrative, Collective History0
“Do You Love Him yet?”: The Aesthetics of Post-Traumatic Recuperation and the Fiction of J. M. Coetzee0
The Deprecation of the Non-German Other in Sabine Thiesler’s Novels: Representational Ethics and Popular Literature0
Correction0
Alienated Exclusion: Redefining Nationalistic Fundamentalism and Diasporic Identity in Mohsin Hamid’s The Reluctant Fundamentalist0
Urban Apocalypse, Global Precarity, and Uncanny Liminality in Colson Whitehead’sZone Oneand Ling Ma’sSeverance0
Joan Didion’s Woman Bartleby in Play It as It Lays0
A Look at the Gaze in Tolkien’s The Lord of the Rings0
Revisiting Richard Ford’s The Sportswriter0
Deconstructing the Narrative of Fascination in J. M. Coetzee’s Waiting for the Barbarians and Foe0
Sanitizing Stories, Palatable Books: Fictionalizing Dutch Colonial History for Anglophone Audiences in The Miniaturist and The Naturalist of Amsterdam0
Mr. Ambivalent: Jonathan Franzen and the Masculinization of the Middlebrow0
“I’m a Person like Any Goddamn Man’s a Person”: Feminine Cognitive Embodiment in Kathy Goes to Haiti0
Metabibliographic Fiction: Metafiction After the Death of the Book in Steven Hall’s Maxwell’s Demon and Nicola Barker’s I Am Sovereign0
Motherlands in Europe. Economic Subalternity and Fantasies of Family in Contemporary Romanian Literature of Migration0
A Contemporary Myth of Er? From Homo Sacer to Freeform Life in Matt Haig’s The Midnight Library0
Toward an Ethics of Affinity: Posthumanism and the Question of the Animal in Two SF Narratives of Catastrophe0
Lacan, Shadow Feminism, and Paul Auster’s City of Glass0
The Apocrypha of The Maples Stories: John Updike’s Fe/Male Points of View Reconsidered0
Social Reproductive Labor and Uto/Dystopia: An Analysis of Leila, Midnight Robber and Woman World0
Undoing Olive: Living with Alterity in Elizabeth Strout’sOlive KitteridgeBooks0
W.G. Sebald’s The Rings of Saturn: Memories of the Holocaust in the Fluid Cartography of a “Natural History of Destruction”0
Pushing the Boundaries of Dystopia: Anna Burns’s Milkman0
Dawning of the Changelingocene: Political Economy of Speed and Surplus Data in Ken Liu’s Maddie Trilogy0
Undocumenting Citizenship: Mixed-Status Families in María Escandón’s González and Daughter Trucking Co0
“The City Eats and Sleeps Noise”: Don DeLillo’s Cosmopolis and the Contours of Entangled Corporeality0
The Thinking Self and Discourse of Love Lead to Self-Knowledge in Iris Gomez’s Try to Remember0
Time Is on Our Side?: Homo Economicus in Time-Travel Romance0
‘Storied Matter’ & the Human Response In: Joy Williams’s The Changeling and Samantha Hunt’s The Seas0
Repressive Mythologies: Defensive Nostalgia in Ishiguro, McEwan and Ondaatje0
Cinematic consciousness and time images: Don DeLillo’s The Body Artist and Point Omega0
Breaking into the Middle of the Story: Reading Lydia Syson’s Mr Peacock’s Possessions as a Neo-Victorian Robinsonade0
Vampire Aesthetics in Anne Rice’s Interview with the Vampire0
Driving While Brown: The American Road Trip in H.M. Naqvi’s Home Boy0
“Playing God, Are We?”: The Cosmogonic Concoction in Kurt Vonnegut’s Galápagos0
Arboreal Obliquity or Trees Doing the Human in Murray Bail’s Eucalyptus0
Paul’s Imaginary Revenge in Teddy Wayne’s The Great Man Theory0
How to Blow Up a Novel: Pipeline Insurgency and Narrative Form in Alexis Wright’s Carpentaria0
Natural Agency and Community in Paul Harding’s Tinkers0
The Architecture of Narrative Reciprocity in Ali Smith’s How to Be Both0
That “Willful” Migrant Adulteress: Female Embodiment and Diasporic Melancholia in Chandani Lokugé’s Softly, as I Leave You0
Materialism of Numbers in J. M. Coetzee’s The Schooldays of Jesus0
‘At the Edge of the Intactile Dark’: Gothic Minimalism in Cormac McCarthy’s The Passenger and Stella Maris0
White Focalization as Racist Interpellation in Caryl Phillips’ Crossing the River0
Second-Person Narration and Self-Reflectivity: The Effectivity of the Narrative Technique in Empathizing with and Identifying the “Other” in N.K. Jemisin’s The Broken Earth 0
A Limbo Between Beckett and Kafka: The Tartar Steppe0
Like a Record: The Muse and Mimesis of The Forensic Records Society0
“Pointing at Shadows”: Wallace, Wittgenstein, and the Problem of Putting Pain into Words0
Graphic Capitaloscenes: Drawing Infrastructure as Historical Form0
“May the Circle Be Unbroken”: Looking at the Relations between Self, Other and the World from a Critical Cosmopolitan Outlook in Julia Alvarez’s Finding Miracles0
Politics of Food and Gender in Bulbul Sharma’s The Anger of Aubergines and Eating Women, Telling Tales0
Percival Everett, Jason Mott, and the “Trauma Plot” in Contemporary African American Literature0
Indentured History in Lore: Theorizing the Communal Discourse Archive0
The Possession-Possessor Dichotomy in the Turkish-Museum Novel0
Homebound: Compromised Petroculture Criticism in American Neoliberal Family Novels0
“This is Our Place”: Politics of Mobility and Reinhabitation in Ann Pancake’s Strange as This Weather Has Been0
The Carnivalesque in Hari Kunzru’s Gods Without Men and Emily St. John Mandel’s The Glass Hotel : A Bakhtinian Reading0
Don DeLillo’s Cosmopolis : The Transhuman Delusion0
J.G. Ballard’s Depiction of Global Psychodynamics: “The Terminal Beach” and Pre-Traumatic Stress0
Why is this (K)night Different: Passover, Blood, War, and the Conflict Between Jewish and American Identity in Jo Sinclair’s Wasteland and Dara Horn’s All0
How to Get Away with Murder: Unknowing and Subversion in Shirley Jackson’s We Have Always Lived in the Castle0
Living Through the State of Exception: Paul Lynch’s Prophet Song0
Immigrant Ghosts and Haunted Heritages in Rani Manicka’s The Rice Mother0
The End of the 90s in Porochista Khakpour's The Last Illusion, Rachel Kushner's The Mars Room and Ottessa Moshfegh’s My Year of Rest and Relaxation0
Yearning for the Plot Enclosure in Ian McEwan’s Black Dogs0
‘Ofer eall wifa cyn’: Cultivating Female Agency in David Foster Wallace’s Infinite Jest and Cynewulf’s Juliana0
Autism and Post-Human: A Cyborgian Reading of Sabina Berman’s Me Who Dove into the Heart of the World0
The Time Regulation Institute: The transition from the Muvakkithane to the Institute0
Madness, Authorship, and the City: Elvira Navarro’sA Working Woman0
Collapsed Modernities in the Twenty-First-Century Southern European Novel0
Writing Space and Death Experience in Saul Bellow’s Novels0
Love as Critique: Doomscrolling Through the Unfeeling Surface in Richard Flanagan’s The Living Sea of Waking Dreams0
Van Gogh and Myth in A. S. Byatt’s Still Life0
Artists in Isolation: The Paradox of Recognition in Paul Auster’sthe Book of Illusions0
Climate Crises, Ruined Islands, and British Metamodernism0
Tension Between Embodied Structures and the Pursuit of Change: Exploring the Metaphysical Underpinnings of Olga Tokarczuk’s Flights0
Transnational Identity and Humor in Bernardine Evaristo’s Mr Loverman0
Come West, Young Woman: Jane Smiley’s Trailing Wives0
Queer Literary Assemblages: Justin Torres’s Blackouts (2023)0
Eastern Premise: Writing the East of England in the Novels of Graham Swift0
Redefining Anthropos and Life. A Phenomenological Reading of Ximen Nao’s Post-Human Journey Towards Enlightenment in Mo Yan’s Life and Death are Wearing Me Out0
‘I Can Hear Schacht, You’re Right. Also the fans.’ David Foster Wallace’s Reading of Richard Schacht’s Alienation0
“Posthuman Intersections in BrexLit: Representing Migration in Contemporary British Fiction”0
Arachne Silenced: Herstoriographic Metafiction and Gender Trouble in Stevie Davies’ Impassioned Clay (1999)0
Hernan Díaz on “Trust” in Literature0
Doris Lessing’s Ethical Narrative in The Diary of a Good Neighbor0
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