Critique-Studies in Contemporary Fiction

Papers
(The median citation count of Critique-Studies in Contemporary Fiction is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Metamodernism, the Anthropocene, and the Resurgence of Historicity: Ben Lerner’s 10:04 and “The Utopian Glimmer of Fiction”7
Mastering Otherness with a Look: On the Politics of the Gaze and Technological Possibility in Kazuo Ishiguro’s Klara and the Sun4
“It Was Our Great Generational Decision”: Capitalism, the Internet and Depersonalization in Some Millennial Irish Women’s Writing4
Post/Human Perfectibility and the Technological Other in Kazuo Ishiguro’s Klara and the Sun4
The Hero at a Thousand Places: Kurt Vonnegut’s Slaughterhouse-Five as Anti-Monomyth3
ReopeningAgaat: Afrikaans, Encyclopedic Narrative, World Literature3
Back to Gondwanaland: Deep Time and Planetarity in Thomas Pynchon’sGravity’s Rainbowand Cormac McCarthy’sBlood Meridian2
Willed Arboreality: Feminist Worldmaking in Han Kang’sThe Vegetarian2
Poetics of Allegory in The Queue : Revolutionizing the Narrative of Arabic Science Fiction between Estrangement and Diglossia2
Witnessing Trauma in Hanya Yanagihara'sA Little Life2
Artfulness: Intertextuality, Wordplay, and Precariousness in Contemporary Experimental Fiction2
Scripting Urbanity through Intertextuality and Consumerism in N.K. Jemisin’s The City We Became: “I’m Really Going to Have to Watch Some Better Movies about New York”2
Tender Transgressions: Olga Tokarczuk’s Exercises in Postsecular Imagination2
Against Anthropocentrism: A Stray’s Quest in Diane Cook’s The New Wilderness2
Registering Trauma and the Construction of Narrative in Ian McEwan’s The Innocent1
“Pain Comes in Waves”: Eroding Bodies in Colm Tóibín’s The Blackwater Lightship1
Tension Between Embodied Structures and the Pursuit of Change: Exploring the Metaphysical Underpinnings of Olga Tokarczuk’s Flights1
Narrative Nonlinearity and the Birth of the Wreader: A Hypertext Critical Reading of Selected Digital Literary Texts1
Kazuo Ishiguro’s Development of Stories through Film1
Writing in the “Second Person Plural”: Ben Lerner, Ambient Esthetics, and Problems of Scale1
A Heideggerian Reading of the Posthuman Treatment of Death in Don DeLillo’s Zero K1
‘Storied Matter’ & the Human Response In: Joy Williams’s The Changeling and Samantha Hunt’s The Seas1
Narrative Crisis and Renewal in the Age of Information: David Foster Wallace’s “Mister Squishy”1
Hacking the Society of Control: The Fiction of Hari Kunzru1
Toward an Ethics of Affinity: Posthumanism and the Question of the Animal in Two SF Narratives of Catastrophe1
Hawaiian Spirituality and Religious Syncretism in Gary Pak’s Children of a Fireland1
Carnivalesque Memoryscapes of Multiculturalism: History, Memory, Storytelling in Tash Aw’s Harmony Silk Factory1
God in Secret: Elizabeth Strout’s Postsecular Fiction1
The Ways of Seeing and Making in Ali Smith’sHow to Be Both1
Rethinking Haruki Murakami: An Alternative History of Traumas and Aftermaths in Kafka on the Shore1
Redefining Anthropos and Life. A Phenomenological Reading of Ximen Nao’s Post-Human Journey Towards Enlightenment in Mo Yan’s Life and Death are Wearing Me Out1
Remembering and Writing the Cycles of Oppression and Resistance in Ece Temelkuran’sThe Time of Mute Swans1
Postcolonial Predicaments: Encumbering the Emancipatory Potential in Susan Abulhawa’s Mornings in Jenin1
Sheila Heti, Melanie Klein and Motherhood1
The Eternal Recurrence of Oedipus: A Deleuzean Reading of Love and Ethics in Iris Murdoch’sThe Sandcastle1
Urban Apocalypse, Global Precarity, and Uncanny Liminality in Colson Whitehead’sZone Oneand Ling Ma’sSeverance1
Buddhist-Ecofeminist Spiritualities: Beyond the Entanglement of New Materialism and Engaged Buddhism in Ruth Ozeki’s A Tale for the Time Being1
Beyond Necropolitics: Colum McCann’s Apeirogon1
Politics of Food and Gender in Bulbul Sharma’s The Anger of Aubergines and Eating Women, Telling Tales1
The Novel at the Limit1
Mirrors and Windows: Synthesis of Surface and Depth in Kazuo Ishiguro’s Klara and the Sun1
Unreality in America: ReadingBilly Lynn’s Long Halftime Walkin a Post-Truth Age1
Timely, Untimely, Timeless: Temporal Limits in J.M. Coetzee’s Late Global Fiction1
Seeing Is Believing: Perception and Liminality in China Miéville’s The City & The City1
Jeff VanderMeer, or the Novel Trapped in the Open World1
Rubbing Out Forever or Cutting Up? Dialectics of the Mystical and the Subversive Attitude to Language in William Burroughs’ The Nova Trilogy1
“I Am, (Therefore and with Difficulty) I Think”: An Enactive Reading of Sabina Berman’s Autistic Narrator1
The Individual Reader1
A Retinal Twitch, A Misfired Nerve Cell: The Neuroscience of The Crying of Lot 491
A Post-Anthropocentric Explication of the Posthuman World-Building in Adrian Tchaikovsky’s the Doors of Eden1
Reading Others / Reading Texts: The Hermeneutics of Suspicion inBrief Interviews with Hideous Men1
The Short Autofictions of Eve Babitz, Lucia Berlin and Bette Howland1
The Queer-Cyberspace of Jeanette Winterson’s’ The Powerbook: A Critique of St. Augustine’s Metaphysical Philosophy1
Coetzee’sFoeand Borges: An Intertextual Reading1
W.G. Sebald’s The Rings of Saturn: Memories of the Holocaust in the Fluid Cartography of a “Natural History of Destruction”1
Historicizing Madness in Jean Rhys’s Wide Sargasso Sea1
Heads in the Fridge and Minds in New Bodies – Transfers of Consciousness in Hanif Kureishi’sthe Body, Marcel Theroux’sStrange Bodiesand Don DeLillo’sZero K1
Neomodernism and the Social Novel: Rachel Cusk’s Outline Trilogy0
Ma semblable, ma soeur ”: Negative Capability and Self-Fashioning in “The Quilt Maker” by Angela Carter and Flights by Olga Tokarczuk0
The Psychology of Dictatorship: A Journey into Muammar Gaddafi’s Mind in Yasmina Khadra’s The Dictator’s Last Night0
Arachne Silenced: Herstoriographic Metafiction and Gender Trouble in Stevie Davies’ Impassioned Clay (1999)0
A “Sodomized” Postcolony? Narrating Algeria’s Cultural Impasse in Belkacem Meghzouchene’s The overcoat of Virginia0
Self-Dispersal and Self-Help: Paul Auster’s Second Person0
“Posthuman Intersections in BrexLit: Representing Migration in Contemporary British Fiction”0
Aesthetics for Idiots: Truth and Beauty in Elif Batuman’s the Idiot0
The Deprecation of the Non-German Other in Sabine Thiesler’s Novels: Representational Ethics and Popular Literature0
Getting into Character: Racial Passing and the Limitations of Performativity and Performance in Brit Bennett’sThe Vanishing Half0
The Possession-Possessor Dichotomy in the Turkish-Museum Novel0
Revisiting Trauma Through The Bluest Eye0
The End of the 90s in Porochista Khakpour's The Last Illusion, Rachel Kushner's The Mars Room and Ottessa Moshfegh’s My Year of Rest and Relaxation0
“Sharing the Same Soil”: The Critique of Post-Feminist Gender Identity and the Materiality of Body in Sally Rooney’s Normal People (2018)0
“With an Eye to Their Later Existence as Ruins”: Language, Materiality, and the Ruin in the Work of W.G. Sebald0
Infrastructure and the Valences of the Literary in Fiston Mwanza Mujila’s Tram 830
The Decline and Fall of Liberal Democracy: Michel Houellebecq’s Submission as Satire0
Fearful and Shameful: Affective and Ethical Reactions to Modernity in David Mitchell’sCloud Atlas0
A Postsecular Reading of Nonsensical Caring in Ali Smith’s Fiction0
Why is this (K)night Different: Passover, Blood, War, and the Conflict Between Jewish and American Identity in Jo Sinclair’s Wasteland and Dara Horn’s All0
Beyond Blah Blah Blah: Climate and Historical Justice in Peter Dimock’s Daybook from Sheep Meadow0
Transitions and Acknowledgments0
Sarah Perry’s Melmoth and the Implications of Gothic Form0
Faulty Power in the Faculty Tower: James Hynes’s The Lecturer’s Tale as a Parody of William Shakespeare’s Macbeth0
Proxy Medico: Alternative Therapeutic Communities in Cinematic and Literary Narrative0
The Fearful Transience of Identity: Analyzing the Gothic Antiheroine in Claire Messud’sthe Woman Upstairsand Lauren Acampora’sthe Paper Wasp0
Global Forms in Bolaño’s 2666 : Genre, Race, Capital0
Guerrilla Gardening: At the Intersection of Birnam Wood and Minneapolis0
Telling Truth in Fiction: The Precarious Aesthetic of Valeria Luiselli’s Documentary Fiction Lost Children Archive0
‘I Can Hear Schacht, You’re Right. Also the fans.’ David Foster Wallace’s Reading of Richard Schacht’s Alienation0
“I’m a Person like Any Goddamn Man’s a Person”: Feminine Cognitive Embodiment in Kathy Goes to Haiti0
Female (Mis)representation in Moroccan Male-Authored Postcolonial Literature: The Madwoman Trope in Mohamed Mrabet’s The Big Mirror0
An Ecological View in Kazuo Ishiguro’s Never Let Me Go: The Landscape of Nagasaki Implied by the Narrator0
From the Obstructive “Mountain” to the Free “Water”: Examining the Evolution of Transculturalism in Ling Zhang’s Immigrant Narratives0
The Politics of Alienation in Gary Shteyngart’s Lake Success0
Left in the Dark: Regimes of Affect and Political Passivity in Kazuo Ishiguro’sthe Remains of the Day0
INTRODUCTION - Special Issue: The Novel at Its Limits0
“Fucked in the Head and Liking It”: Atomik Aztex , Postcoloniality, Psychosis of Civilization0
Memory and the Jungian Unconscious in J. G. Ballard’s Autobiographical Narratives0
“Pointing at Shadows”: Wallace, Wittgenstein, and the Problem of Putting Pain into Words0
The Missing Corpse in Contemporary Iraqi Fiction: Ahmed Saadawi’sFrankenstein in Baghdadand Muhsin Al-Ramli’sDaughter of the Tigris0
Changing Horses: The Legacy of the Quixote in the Novels of Ian McEwan0
The Stepford Wives, Or: The Horrors of Domesticity0
“I’m Here”: Isolation and Presence in the Short Stories of Tobias Wolff0
Towards an Ethics of Reading: Syntax and Self-Care in Depression Narratives0
The Economic Wonderland of Thomas Pynchon’s the Crying of Lot 490
“Moist, Living”: The Hydro-Logics of Red Tory0
Infrastructural Closure, Rupture, and Insurgency in Lidia Yuknavitch’s The Book of Joan0
I, We and All of Us: Transcending the Individualistic “I” in Three Chinese Breast Cancer Narratives0
You Equals Not-I : Avowal, Disavowal, and Second-Person Narration in Marlene van Niekerk’s Agaat0
Blooming against Meat: Silence, Starvation, and Arboreal Subjectivity in Han Kang’s The Vegetarian0
From Other to Posthuman: Meiji’s Journey in Manjula Padmanabhan’s Escape and The Island of Lost Girls0
Indigenizing Blankness in the Works of Leanne Betasamosake Simpson, Gerald Vizenor, and Jordan Abel0
African and Islamic: Doris Lessing’s Notion of Writerly Commitment in “The Small Personal Voice”0
Indentured History in Lore: Theorizing the Communal Discourse Archive0
Materialism of Numbers in J. M. Coetzee’s The Schooldays of Jesus0
Dissolving the Body-Mind Problem: Science, Senses, and Situational Subjectivity in the Gate of Angels0
Pushing the Boundaries of Dystopia: Anna Burns’sMilkman0
Discard Ecologies and the ‘Hyposubject’ in Indra Sinha’s Animal’s People (2007)0
The Sublime in Philip K. Dick’s Flow My Tears, the Policeman Said0
“A Stage-Hand, Perhaps”: Life as a Stage Play in John Banville’s the Book of Evidence0
J.G. Ballard’s Depiction of Global Psychodynamics: “The Terminal Beach” and Pre-Traumatic Stress0
Eastern Premise: Writing the East of England in the Novels of Graham Swift0
To Sound and to Absorb: Art, Solipsism and the Problem of Mediation in John Banville’sthe Blue Guitarand Wallace Stevens’ “The Man with the Blue Guitar”0
Reviving from the Archive: Kazuo Ishiguro’s Modern Ghost Stories and Memory Writing0
The Short Story and Intertextuality: Fictional Discreteness, Textual Self-Sufficiency and the Concept of the Uncanny Resemblance0
That “Willful” Migrant Adulteress: Female Embodiment and Diasporic Melancholia in Chandani Lokugé’s Softly, as I Leave You0
Overcoming Daddy: The Daughter’s Rite of Passage in Joyce Carol Oates’ Late Novels0
“‘Pleading Human’ in Paul Beatty’s The Sellout0
Writing Space and Death Experience in Saul Bellow’s Novels0
The Experience of Return in Chimamanda Ngozi Adichie’s Americanah : Expanding the Category of the “Cosmopolitan Stranger”0
Correction0
Katja Kettu’s Rose on poissa as Transcultural Trauma Fiction0
The Warped Bildung: Parody, Postmodern Gothic, and the Bildungsroman in Iain Banks’s The Wasp Factory0
Illness and Sebald’s Dialectics of Literary Historiography0
Juxtaposition and Asynchronicity as Postcolonial Poetics in Elaine Castillo’s America Is Not the Heart0
Doris Lessing’s Ethical Narrative inThe Diary of a Good Neighbor0
Rhythmic Impersonality: The Legacy of Modernist Racialism in Zadie Smith’sSwing Time0
From a Pin to an Elephant: Politics of Consumption and the Debordian Spectacle in James Lovegrove’s Days0
Autism and Post-Human: A Cyborgian Reading of Sabina Berman’s Me Who Dove into the Heart of the World0
World Literature Sickness: Exile and Dissent in Azareen Van der Vliet Oloomi’s Call Me Zebra0
“Memory Shot Through Holes”: The Idea of Postmemory in Elif Shafak’s The Island of Missing Trees0
Houellebecq, Pornographer? Monstration and the Remains of Sex0
Coloniality and Identity in Kopano Matlwa’s Coconut (2007)0
Re-Reading Saramago on Community –Blindness0
“Impossible to Keep”: Home Renovation and the Australian Suburban Gothic in Sonya Hartnett’sGolden Boys0
Insignificant Inheritance: Repairing Domestic Interiors0
Ben Lerner’s Novels and the Syntax of Collectivity0
Chinese Ulysses0
What Is Punch that They are Mindful of Him? Neil Gaiman, Ben Aaronovitch, and Russell Hoban0
National Families and Private Companies: Narrative Structure and Economies of Exchange in Jane Smiley’sthe Last Hundred Years Trilogy0
Alienation and After Dark0
“Interspecies Empathy and Canine Captivity in Karen Russell’s Short Fiction”0
Do It Yourself Dystopia: The Digital Future in Dave Eggers’s The Every0
Trash, ‘White Trash’ and ‘Wasted Humans’: Racial and Environmental (In)Justice in Tristan Egolf’s Lord of the Barnyard0
Identity and Buddhism in Can Xue’sFrontier0
Abjecting the Racial Agency in Damon Galgut’s The Promise0
“I Am Not Returning Home”: A Transgender Reading of Jeff VanderMeer’s Annihilation0
Enforced Conviviality and the Violence of Care in Han Kang’sThe Vegetarian0
The Ethics and Politics of Love and Freedom in J. M. Coetzee’s Age of Iron0
When the Powerpolis Paused: Representations of Political Trauma of Indian Emergency in Delhi Calm0
Second-Person Narration and Self-Reflectivity: The Effectivity of the Narrative Technique in Empathizing with and Identifying the “Other” in N.K. Jemisin’s The Broken Earth 0
Political Memory, Amnesia and Identity in Playing Madame Mao0
The Influence of Leo Tolstoy’sWhat Is Art?On David Foster Wallace’s Literary Project0
Female Pleasure and Car Accidents: Signifying Alice Munro’s Middle Stories0
“Is There a Self in This Text? Satire, Passing, and Life in Danzy Senna’sCaucasia0
Limitations of Postmodern Irony: How David Foster Wallace Writes a Superior Critique of American Consumerism in Infinite Jest Compared with Bret Easton Ellis’s ‘ 0
Jerusalem Time: Reading Contemporary Israeli Dystopias0
Scheherazade Unbowed: Muslim Arab Women Diaspoetics in Fadia Faqir’s The Cry of the Dove (2007)0
Technologically Constituted Spaces: David Foster Wallace, Martin Heidegger, and Technological Nostalgia0
What We Talk About When We Talk About Love in the Digital Age: Technology, Intimacy, and Affect in Olivia Sudjic’s Sympathy and Lauren Oyler’s Fake Accoun0
“This Sense of Otherness”: The Horrors of the Countryside in Andrew Michael Hurley’s Starve Acre0
“Something Else Already Opening up.” The Utopian Impulse and the Novum of Disability in Missouri Williams’s The Doloriad0
Reading with(out) Suspicion: Atwood, Sedgwick and Critical Practice0
Performativity and Performance: Identities and Multi-Dimensional Psychological Passing in Go Tell It on the Mountain0
The Summoning: Folk Horror and the Calendar Custom in Molly Aitken’s the Island Child (2020) and Zoe Gilbert’s Folk (2019)0
Gender Politics in Question: A Comparative Study of Edna O’Brien and Li Ang0
“He Doesn’t Belong in This House”: The Uncanny Cousin in Two Mid-Century Gothic Novels0
Monstrous Technology in Thomas Pynchon’s Bleeding Edge: The Internet as Terror and Transformation0
Ilja Leonard Pfeijffer’s Literary Resistance to Right-Wing Populist Discourse in Grand Hotel Europa (2018)0
Irigarayan Sensible Transcendental in Alice Walker’sThe Color Purple0
The Apocrypha of The Maples Stories: John Updike’s Fe/Male Points of View Reconsidered0
Shakespeare and Other Suspects: The Concealed Narrator in Ian McEwan’s Nutshell0
Rescuing Precarious Bodies: Biopolitics and Haitian Health in Edwidge Danticat’s Diasporic Writing0
Enforcing Masculinities at the Border: An Ecomasculinist Reading of Cormac Mccarthy’s the Crossing0
Calibrating the “Feminine” and the “Speculative” in Selective Short Stories of Vandana Singh0
Post-postmodernist Esthetics of Irrelevance: Textual Disability as Narrative Prosthesis (The Lin/Wallace Connection)0
Trauma and the Science Fiction of the Interior in Tom McCarthy’s Remainder0
The Child Savage: Rethinking the Eurocentric Rhetoric of Civilization in William Golding’s Lord of the Flies0
Like a Record: The Muse and Mimesis of The Forensic Records Society0
Vampire Aesthetics in Anne Rice’s Interview with the Vampire0
Between Maternity and Autonomy: Radical Mothering in Mona Simpson’sAnywhere but Here0
The Urban Essential Solitude of the Hunger Character: A Blanchotian Reading of PAUL Auster’s Moon Palace0
“A Question, in the End, of Vision”: Pessimism and the Paradox of Marriage in Lauren Groff’s Fates and Furies0
Sexuality and Irish Identity in Patrick McCabe’s Breakfast on Pluto0
A Bastard’s Confession: National Forgetting, Remasculinization, and the Ethics of Just Memory in Viet Thanh Nguyen’sThe Sympathizer0
Opaque Poetics in Salvador Plascencia’s The People of Paper0
Unexplored Spaces for Unconventional Paces: Mapping the Colonial and the Body through Aritha van Herk’s Work0
Shades of Shakespeare in the Queering of Hill House0
Between Tenderness and Anger. Oscillation in Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk0
A Hermeneutical Revisit to ‘Biographic Metafiction’ through A.S. Byatt’s Possession: A Romance0
“Bodies in the Way”: Melancholia and Resistance in Fadia Faqir’sMy Name Is Salmaand Leila Aboulela’sMinaret0
Indigenous Silence, White Universality, and the Question of Appropriation in Mason & Dixon0
Homebound: Compromised Petroculture Criticism in American Neoliberal Family Novels0
Subversive Triviality: John Ashbery’s and James Schuyler’s A Nest of Ninnies0
From Lolita to Fang Siqi: Sabotaging the Narrative of Rape across Cultures0
Van Gogh and Myth in A. S. Byatt’s Still Life0
The Poetics of Re-Enchantment: Penelope Fitzgerald’s The Beginning of Spring0
How to Blow Up a Novel: Pipeline Insurgency and Narrative Form in Alexis Wright’s Carpentaria0
The Failure of Imagination and its Redemption: John Banville‘s The Book of Evidence0
Yearning for the Plot Enclosure in Ian McEwan’s Black Dogs0
Deconstructing and Reconstructing Englishness: National Symbolism of the County House in McEwan’s Atonement0
“Playing God, Are We?”: The Cosmogonic Concoction in Kurt Vonnegut’s Galápagos0
Existential Tensions and the Ifá Divinity in Isidore Okpewho’s Call Me by My Rightful Name0
Undoing Olive: Living with Alterity in Elizabeth Strout’sOlive KitteridgeBooks0
Olli Jalonen’s Literary Explorations of Time, Space, and Existential Meaning0
Holding the Pen: Visions and Revisions of the American South in Sherley Anne Williams’s Dessa Rose0
Post-Apocalyptic Fiction and the Limits of Optimism: A Pessimistic Reading of Cormac McCarthy’s The Road0
Arboreal Obliquity or Trees Doing the Human in Murray Bail’s Eucalyptus0
“The City Eats and Sleeps Noise”: Don DeLillo’s Cosmopolis and the Contours of Entangled Corporeality0
“The Body of Human Truths” and the Limits of Humanitarian Reading in Nuruddin Farah’s Links0
Graphic Capitaloscenes: Drawing Infrastructure as Historical Form0
Theory (And/Or) Fiction: Academic Writing, Inhuman Horror, and the New Weird in Reza Negarestani’s Cyclonopedia0
The Misanthropocene in California: Susan Straight’s Blacker Than a Thousand Midnights and Joan Didion’s The Last Thing He Wanted0
“He Was Struck Out. Deleted”: We Need to Talk about Wesley in Nicola Barker’s Behindlings0
Interrogating “Feeling Politics”: Animal and Vegetal Empathy in Han Kang’s The Vegetarian0
The Desiring Subject Vs. the Object of Desire in Indra Sinha’s Animal’s People (2007)0
An Esthetic of the Meaningless: The Problem of Knausgaard’s Readability0
Can Androids Write Science Fiction? Ian McEwan’s Machines like Me0
Challenging the Boundaries between Humanity and Animality: Becoming(s) in Adrian Tchaikovsky’s Echoes of the Fall Trilogy0
Minds, Mapping Minds, Mapping Minds: Reading the Complex Minds of Richard Powers’sThe Echo Maker0
Shroud : John Banville’s Critique of the Critique of Ideology0
“A Jail within a Jail”: Concealment and Unveiling as Narrative Structure in Colson Whitehead’s The Nickel Boys0
The Architecture of Narrative Reciprocity in Ali Smith’s How to Be Both0
Repressive Mythologies: Defensive Nostalgia in Ishiguro, McEwan and Ondaatje0
The Thinking Self and Discourse of Love Lead to Self-Knowledge in Iris Gomez’s Try to Remember0
Madness, Authorship, and the City: Elvira Navarro’s A Working Woman0
The Author as Reader: Reading Auster Reading Crane0
“We Read You”: Spies, Documents, and Identity in John le Carré and Joseph Conrad0
Neoliberal Humanism: Never Let Me Go and the Value of the Humanities0
Toward an Ethics of Witnessing: Refugee Memory and Community in Gish Jen’s World and Town0
Sounds of the Contemporary: Listening to the Present in Richard McGuire’s Here0
Lacan, Shadow Feminism, and Paul Auster’s City of Glass0
Unsettling Frontiers: Property, Empire, and Race in Denis Johnson’s Train Dreams0
Time Is on Our Side?: Homo Economicus in Time-Travel Romance0
Violence against Women in Science: The Future of Gender and Science in Gwyneth Jones’sLife0
“From Plátano Player to Questioning Chronicler—Historiography in Junot Díaz’s The Brief Wondrous Life of Oscar Wao”0
Paul’s Imaginary Revenge in Teddy Wayne’s The Great Man Theory0
Trauma, Horror and the Female Serial Killer in Stephen King’sCarrieandMisery0
“The Interconnectedness and Spiritual Equality of All Things”: Recovering Indigenous Ecological Imagination in Postcolonial Australian Fiction0
Climate Crises, Ruined Islands, and British Metamodernism0
Post-Socialist Realism. Authenticity and Political Conscience in the Romanian Literature of the 2000s0
“May the Circle Be Unbroken”: Looking at the Relations between Self, Other and the World from a Critical Cosmopolitan Outlook in Julia Alvarez’s Finding Miracles0
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