Critique-Studies in Contemporary Fiction

Article	Citations
Sarah Perry’s Melmoth and the Implications of Gothic Form	7
Trash, ‘White Trash’ and ‘Wasted Humans’: Racial and Environmental (In)Justice in Tristan Egolf’s Lord of the Barnyard	4
Against Anthropocentrism: A Stray’s Quest in Diane Cook’s The New Wilderness	3
Carter, Porter, Herrera: Overcoming Mythology to Achieve Agency (Sometimes) Effectively	3
Post-postmodernist Esthetics of Irrelevance: Textual Disability as Narrative Prosthesis (The Lin/Wallace Connection)	2
The Right to Development and Self-Help: Faking Entrepreneurship of the Strategic Economic Man in Mohsin Hamid’s How to Get Filthy Rich in Rising Asia	2
“In the Black Abyss There Appeared a Single Eye”: The Gaze and Self-Fragmentation in The Lord of the Rings	2
The Poetics of Re-Enchantment: Penelope Fitzgerald’s The Beginning of Spring	2
Beyond Necropolitics: Colum McCann’sApeirogon	2
The Warped Bildung: Parody, Postmodern Gothic, and the Bildungsroman in Iain Banks’s The Wasp Factory	2
Global Forms in Bolaño’s 2666 : Genre, Race, Capital	2
Challenging the Boundaries between Humanity and Animality: Becoming(s) in Adrian Tchaikovsky’s Echoes of the Fall Trilogy	1
“From Plátano Player to Questioning Chronicler—Historiography in Junot Díaz’s The Brief Wondrous Life of Oscar Wao”	1
Most Alive: Vibrant Taxidermy and Art as Futural Practice in Kristen Arnett’s Mostly Dead Things	1
Reopening Agaat : Afrikaans, Encyclopedic Narrative, World Literature	1
Buddhist-Ecofeminist Spiritualities: Beyond the Entanglement of New Materialism and Engaged Buddhism in Ruth Ozeki’sA Tale for the Time Being	1
The Missing Corpse in Contemporary Iraqi Fiction: Ahmed Saadawi’s Frankenstein in Baghdad and Muhsin Al-Ramli’s Daughter of the Tigris	1
Faulty Power in the Faculty Tower: James Hynes’s The Lecturer’s Tale as a Parody of William Shakespeare’s Macbeth	1
Juxtaposition and Asynchronicity as Postcolonial Poetics in Elaine Castillo’s America Is Not the Heart	1
From Other to Posthuman: Meiji’s Journey in Manjula Padmanabhan’s Escape and The Island of Lost Girls	1
“We’ve Got to Move”: Mapping and Remapping the World in Cormac McCarthy’s The Road	1
Rhythmic Impersonality: The Legacy of Modernist Racialism in Zadie Smith’sSwing Time	1
Holding the Pen: Visions and Revisions of the American South in Sherley Anne Williams’s Dessa Rose	1
Subversive Triviality: John Ashbery’s and James Schuyler’s A Nest of Ninnies	1
The Failure of Imagination and its Redemption: John Banville‘s The Book of Evidence	1

“Why shouldn’t I be wanted, even loved?”: Eugenics, Reproduction, and the Postcolonial in Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Dea	1
The Politics of Nostalgia: Postmodernism, Capitalism and Repetition in Tao Lin’s Taipei	1
“ Ma semblable, ma soeur ”: Negative Capability and Self-Fashioning in “The Quilt Maker” by Angela Carter and Flights by Olga Tokarczuk	1
Theory (And/Or) Fiction: Academic Writing, Inhuman Horror, and the New Weird in Reza Negarestani’s Cyclonopedia	1
Environmental Memory, Place Identity, and Solastalgia in Arif Anwar’s The Storm	1
The Psychology of Dictatorship: A Journey into Muammar Gaddafi’s Mind in Yasmina Khadra’s The Dictator’s Last Night	1
The Misanthropocene in California: Susan Straight’s Blacker Than a Thousand Midnights and Joan Didion’s The Last Thing He Wanted	1
Ilja Leonard Pfeijffer’s Literary Resistance to Right-Wing Populist Discourse in Grand Hotel Europa (2018)	1
Time, Clocks, and Illnesses in Paul Harding’s Tinkers	1
Deconstructing and Reconstructing Englishness: National Symbolism of the County House in McEwan’s Atonement	1
Memory Writing and Cosmopolitan Identity in Timothy Mo’s Pure	1
A Hermeneutical Revisit to ‘Biographic Metafiction’ through A.S. Byatt’sPossession: A Romance	1
The Short Autofictions of Eve Babitz, Lucia Berlin and Bette Howland	1
Telling Truth in Fiction: The Precarious Aesthetic of Valeria Luiselli’s Documentary Fiction Lost Children Archive	1
Olli Jalonen’s Literary Explorations of Time, Space, and Existential Meaning	1
What We Talk About When We Talk About Love in the Digital Age: Technology, Intimacy, and Affect in Olivia Sudjic’s Sympathy and Lauren Oyler’s Fake Accoun	1
Rescuing Precarious Bodies: Biopolitics and Haitian Health in Edwidge Danticat’s Diasporic Writing	1
Kazuo Ishiguro’s Development of Stories through Film	1
Collapsed Modernities in the Twenty-First-Century Southern European Novel	0
Politics of Food and Gender in Bulbul Sharma’s The Anger of Aubergines and Eating Women, Telling Tales	0
Sheila Heti, Melanie Klein and Motherhood	0
“When He Comes, He Will Be Like an Englishman”: Space, Spy Fiction, and Englishness in Michael Ondaatje’s Warlight	0
Metafiction as Movement and Movement as Metafiction in John Edgar Wideman’s Philadelphia Fire	0
The Polyphony of the Border: Genre, Narrative, Collective History	0
The Psychic Affective Turn: Body, Affect, and Exile in Manuel Puig’s The Buenos Aires Affair	0
Minds, Mapping Minds, Mapping Minds: Reading the Complex Minds of Richard Powers’sThe Echo Maker	0
“Faux Apparitions: Angels or Cannibals, Between Coetzee and Defoe ”	0
Alienated Exclusion: Redefining Nationalistic Fundamentalism and Diasporic Identity in Mohsin Hamid’s The Reluctant Fundamentalist	0
Joan Didion’s Woman Bartleby in Play It as It Lays	0
Sexuality and Irish Identity in Patrick McCabe’s Breakfast on Pluto	0
That “Willful” Migrant Adulteress: Female Embodiment and Diasporic Melancholia in Chandani Lokugé’s Softly, as I Leave You	0
The Ways of Seeing and Making in Ali Smith’sHow to Be Both	0
The Sisyphean Quest for Independence: Beyond Two Bildungsromans in Graham Swift’s Wish You Were Here	0
Narrative Complicity in Evelio Rosero’s Stories of Violence from Colombia	0
Climate Crises, Ruined Islands, and British Metamodernism	0
Graphic Capitaloscenes: Drawing Infrastructure as Historical Form	0
Capitalized Pollution and Inhabitability Critique in Kazuo Ishiguro’s Klara and the Sun	0
Paul’s Imaginary Revenge in Teddy Wayne’s The Great Man Theory	0
“It Began with Naming Things”: Mzungus and Other European Colonizers in Abdulrazak Gurnah’s Afterlives	0
Metabibliographic Fiction: Metafiction After the Death of the Book in Steven Hall’s Maxwell’s Demon and Nicola Barker’s I Am Sovereign	0
The Poetic of the Fragment: Raymond Carver and Social Class	0
From a Pin to an Elephant: Politics of Consumption and the Debordian Spectacle in James Lovegrove’s Days	0
The Novel at the Limit	0
The Carnivalesque in Hari Kunzru’s Gods Without Men and Emily St. John Mandel’s The Glass Hotel : A Bakhtinian Reading	0
A Postsecular Reading of Nonsensical Caring in Ali Smith’s Fiction	0
African and Islamic: Doris Lessing’s Notion of Writerly Commitment in “The Small Personal Voice”	0
Reading with(out) Suspicion: Atwood, Sedgwick and Critical Practice	0
“Moist, Living”: The Hydro-Logics of Red Tory	0
Come West, Young Woman: Jane Smiley’s Trailing Wives	0
The Economic Wonderland of Thomas Pynchon’s the Crying of Lot 49	0

National Families and Private Companies: Narrative Structure and Economies of Exchange in Jane Smiley’sthe Last Hundred Years Trilogy	0
Pushing the Boundaries of Dystopia: Anna Burns’s Milkman	0
You Equals Not-I : Avowal, Disavowal, and Second-Person Narration in Marlene van Niekerk’s Agaat	0
Second-Person Narration and Self-Reflectivity: The Effectivity of the Narrative Technique in Empathizing with and Identifying the “Other” in N.K. Jemisin’s The Broken Earth	0
“Posthuman Intersections in BrexLit: Representing Migration in Contemporary British Fiction”	0
Borges, Simulation, and the Coming of Artificial Intelligence	0
The Summoning: Folk Horror and the Calendar Custom in Molly Aitken’s the Island Child (2020) and Zoe Gilbert’s Folk (2019)	0
Not Only Puritans and Snobs: The Dynamic Between the Urban and the Provincial in the Works of Elizabeth Strout	0
Materialism of Numbers in J. M. Coetzee’s The Schooldays of Jesus	0
Social Reproductive Labor and Uto/Dystopia: An Analysis of Leila, Midnight Robber and Woman World	0
W.G. Sebald’s The Rings of Saturn: Memories of the Holocaust in the Fluid Cartography of a “Natural History of Destruction”	0
The Cyborg’s Plant: Trans-corporeality in Kim Cho-yeop’s The Greenhouse at the End of the Earth	0
“I’m a Person like Any Goddamn Man’s a Person”: Feminine Cognitive Embodiment in Kathy Goes to Haiti	0
Natural Agency and Community in Paul Harding’s Tinkers	0
What Is Punch that They are Mindful of Him? Neil Gaiman, Ben Aaronovitch, and Russell Hoban	0
A Bastard’s Confession: National Forgetting, Remasculinization, and the Ethics of Just Memory in Viet Thanh Nguyen’sThe Sympathizer	0
Tender Transgressions: Olga Tokarczuk’s Exercises in Postsecular Imagination	0
Capitalist Dreams, Posthuman Nightmares: AI and the Neoliberal Reordering of Humanity in Ian McEwan’s Machines Like Me and Kazuo Ishiguro’s Klara and the	0
Amitav Ghosh’s Gun Island : The Climate Crisis and Planetary Environmentalism	0
Undoing Olive: Living with Alterity in Elizabeth Strout’sOlive KitteridgeBooks	0
Contingency and the Categorical Imperative in Iris Murdoch’s Under the Net	0
Why is this (K)night Different: Passover, Blood, War, and the Conflict Between Jewish and American Identity in Jo Sinclair’s Wasteland and Dara Horn’s All	0
Notes Toward an Epistemology of Brevity in Contemporary Narrative	0
Undocumenting Citizenship: Mixed-Status Families in María Escandón’s González and Daughter Trucking Co	0
“He Doesn’t Belong in This House”: The Uncanny Cousin in Two Mid-Century Gothic Novels	0
Autism and Post-Human: A Cyborgian Reading of Sabina Berman’s Me Who Dove into the Heart of the World	0
Enforcing Masculinities at the Border: An Ecomasculinist Reading of Cormac Mccarthy’s the Crossing	0
Writing Back to the Self: Leila Aboulela’sMinaretand Fadia Faqir’sMy Name Is Salma	0
The Asymmetries of Border Spaces	0
Female Pleasure and Car Accidents: Signifying Alice Munro’s Middle Stories	0
Repressive Mythologies: Defensive Nostalgia in Ishiguro, McEwan and Ondaatje	0
Bastašić’s Uhvati Zeca in the Light of the Global Novel Discussion: A Southeastern European Perspective	0
“Technocratic Fiction, Indigenous Sovereignty, and Counter-Insurgent Infrastructure”	0
“Do You Love Him yet?”: The Aesthetics of Post-Traumatic Recuperation and the Fiction of J. M. Coetzee	0
Chinese Ulysses	0
An Intertextual Approach to the Question of Literary Plagiarism: Ian McEwan’s Atonement , Solar , and My Purple Scented Nov	0
Homebound: Compromised Petroculture Criticism in American Neoliberal Family Novels	0
Transnational Identity and Humor in Bernardine Evaristo’s Mr Loverman	0
Palimpsestuous Fragmentation in James Cahill’s Tiepolo Blue	0
Forced Migration Narratives and the Nation-State: ‘ Out’ and ‘ Go, Went, Gone’	0
A Just Englishman in Russia: The Ethical Self in Penelope Fitzgerald’s The Beginning of Spring	0
Arboreal Obliquity or Trees Doing the Human in Murray Bail’s Eucalyptus	0
Revisiting Trauma Through The Bluest Eye	0
The Time Regulation Institute: The transition from the Muvakkithane to the Institute	0
Wayward Plots: Public Transport and Abolition Narratology in Namwali Serpell’s The Furrows	0
“Pointing at Shadows”: Wallace, Wittgenstein, and the Problem of Putting Pain into Words	0
“May the Circle Be Unbroken”: Looking at the Relations between Self, Other and the World from a Critical Cosmopolitan Outlook in Julia Alvarez’s Finding Miracles	0
Yearning for the Plot Enclosure in Ian McEwan’s Black Dogs	0
The Invasiveness of Healing in Mohsin Hamid’s the Reluctant Fundamentalist	0
The End of the 90s in Porochista Khakpour's The Last Illusion, Rachel Kushner's The Mars Room and Ottessa Moshfegh’s My Year of Rest and Relaxation	0
Insignificant Inheritance: Repairing Domestic Interiors	0
Left in the Dark: Regimes of Affect and Political Passivity in Kazuo Ishiguro’sthe Remains of the Day	0
Deconstructing the Narrative of Fascination in J. M. Coetzee’s Waiting for the Barbarians and Foe	0
Queer Literary Assemblages: Justin Torres’s Blackouts (2023)	0
Dawning of the Changelingocene: Political Economy of Speed and Surplus Data in Ken Liu’s Maddie Trilogy	0
Guerrilla Gardening: At the Intersection of Birnam Wood and Minneapolis	0
“The Lurid and the Lovely”: Degrees of Disillusionment and Existential Awakening in Thomas Ligotti’s Cosmic Horror	0
Female (Mis)representation in Moroccan Male-Authored Postcolonial Literature: The Madwoman Trope in Mohamed Mrabet’s The Big Mirror	0
Mr. Ambivalent: Jonathan Franzen and the Masculinization of the Middlebrow	0
“Memory Shot Through Holes”: The Idea of Postmemory in Elif Shafak’s The Island of Missing Trees	0
Between Maternity and Autonomy: Radical Mothering in Mona Simpson’sAnywhere but Here	0
Man and Beast: Mo Yan’s Details and Politics	0
Redefining Anthropos and Life. A Phenomenological Reading of Ximen Nao’s Post-Human Journey Towards Enlightenment in Mo Yan’s Life and Death are Wearing Me Out	0
‘I Can Hear Schacht, You’re Right. Also the fans.’ David Foster Wallace’s Reading of Richard Schacht’s Alienation	0
Approaching Postmodern Financial Reality in Hernan Diaz’s Trust	0
Memory and the Jungian Unconscious in J. G. Ballard’s Autobiographical Narratives	0
The Culture Industry Meets Authentic Art in Angela Carter’s The Passion of New Eve	0
Sanitizing Stories, Palatable Books: Fictionalizing Dutch Colonial History for Anglophone Audiences in The Miniaturist and The Naturalist of Amsterdam	0
How to Blow Up a Novel: Pipeline Insurgency and Narrative Form in Alexis Wright’sCarpentaria	0
Van Gogh and Myth in A. S. Byatt’s Still Life	0
“The City Eats and Sleeps Noise”: Don DeLillo’s Cosmopolis and the Contours of Entangled Corporeality	0
Madness, Authorship, and the City: Elvira Navarro’sA Working Woman	0
Reading the Graphic Narrative “The Taboo,” from the AnthologyThis Side, That Side: Restorying Partition: Graphic Narratives from Pakistan, India, Bangladesh, As a Microhistory of Partition	0
Mapping Traumatized Bodies and Territories in Doris Lessing’s Mara and Dann: An Adventure	0
Toward an Ethics of Affinity: Posthumanism and the Question of the Animal in Two SF Narratives of Catastrophe	0
Nonviolence as a Form of Caring in Buddhist and Posthumanist Contexts: Ruth Ozeki’s A Tale for the Time Being	0
INTRODUCTION - Special Issue: The Novel at Its Limits	0
The Possession-Possessor Dichotomy in the Turkish-Museum Novel	0
“Playing God, Are We?”: The Cosmogonic Concoction in Kurt Vonnegut’s Galápagos	0
Like a Record: The Muse and Mimesis of The Forensic Records Society	0

Writing Space and Death Experience in Saul Bellow’s Novels	0
Scheherazade Unbowed: Muslim Arab Women Diaspoetics in Fadia Faqir’s The Cry of the Dove (2007)	0
Neomodernism and the Social Novel: Rachel Cusk’sOutline Trilogy	0
“Shadowy Objects in Test Tubes”: Gene Fetishism and Racialized Biocapital in Kazuo Ishiguro’s Never Let Me Go	0
“I Am Not Returning Home”: A Transgender Reading of Jeff VanderMeer’s Annihilation	0
Lacan, Shadow Feminism, and Paul Auster’s City of Glass	0
‘Storied Matter’ & the Human Response In: Joy Williams’s The Changeling and Samantha Hunt’s The Seas	0
Losing “Touch”: The Sense of Belonging in Brit Bennett’s The Vanishing Half	0
The Experience of Return in Chimamanda Ngozi Adichie’s Americanah : Expanding the Category of the “Cosmopolitan Stranger”	0
“The Interconnectedness and Spiritual Equality of All Things”: Recovering Indigenous Ecological Imagination in Postcolonial Australian Fiction	0
Realism, Postmodernism, and Authenticity in the Contemporary Circus Novel	0
Post-Truth, Testimony and Crises of Trust in Margaret Atwood’s The Handmaid’s Tale and The Testaments	0
Rethinking Haruki Murakami: An Alternative History of Traumas and Aftermaths in Kafka on the Shore	0
“‘Pleading Human’ in Paul Beatty’s The Sellout”	0
Sacred Water: Neo-Spiritual Consumerism in Catherine Chanter’s The Well	0
Extracting the Ultradeep Oil: David Mitchell’s The Bone Clocks	0
The Climate of Indigenous Literature: Thomas King’s Anthropocene Realism	0
Tessa Hadley and William Wordsworth: Literary Lineage and Patriarchal Legacy in The Past	0
For the “Briefly Gorgeous” Moment: Imagism and Queer Aesthetics in Ocean Vuong’s On Earth We’re Briefly Gorgeous	0
Apartheid Blueprints and Palimpsestic Time	0
“Introduction: Insurgent Infrastructures and Infrastructures of Insurgency”	0
Enforced Conviviality and the Violence of Care in Han Kang’sThe Vegetarian	0
“Fucked in the Head and Liking It”: Atomik Aztex , Postcoloniality, Psychosis of Civilization	0
Getting into Character: Racial Passing and the Limitations of Performativity and Performance in Brit Bennett’sThe Vanishing Half	0
Deterritorializing Hegemonic Globalization Progressively in Xiaolu Guo’s Experimental Writing: A Comparative Reading of A Concise Chinese-English Dictionary for Lovers a	0
Trauma and the Science Fiction of the Interior in Tom McCarthy’s Remainder	0
David Vann’s Legend of a Suicide : Dismantling the Trauma Paradigm	0
Driving While Brown: The American Road Trip in H.M. Naqvi’s Home Boy	0
From the Obstructive “Mountain” to the Free “Water”: Examining the Evolution of Transculturalism in Ling Zhang’s Immigrant Narratives	0
‘Ofer eall wifa cyn’: Cultivating Female Agency in David Foster Wallace’s Infinite Jest and Cynewulf’s Juliana	0
Doris Lessing’s Ethical Narrative in The Diary of a Good Neighbor	0
A Limbo Between Beckett and Kafka: The Tartar Steppe	0
Interrogating “Feeling Politics”: Animal and Vegetal Empathy in Han Kang’s The Vegetarian	0
Do It Yourself Dystopia: The Digital Future in Dave Eggers’s The Every	0
Calibrating the “Feminine” and the “Speculative” in Selective Short Stories of Vandana Singh	0
Transitions and Acknowledgments	0
Beyond the Novel: Satire in Eastern Europe and Volodymyr Rafeyenko’s Mondegreen (2019)	0
’’ I’m a Woman. Man, Woman, M–Woman .’’ – Identity, Sexuality, and the Body in the Short Fiction of Malika Moustadraf	0
Love as Critique: Doomscrolling Through the Unfeeling Surface in Richard Flanagan’s The Living Sea of Waking Dreams	0
Artists in Isolation: The Paradox of Recognition in Paul Auster’sthe Book of Illusions	0
The Deprecation of the Non-German Other in Sabine Thiesler’s Novels: Representational Ethics and Popular Literature	0
Indentured History in Lore: Theorizing the Communal Discourse Archive	0
Ben Lerner’s Novels and the Syntax of Collectivity	0
Sounds of the Contemporary: Listening to the Present in Richard McGuire’s Here	0
“I’m Here”: Isolation and Presence in the Short Stories of Tobias Wolff	0
Edges, Borders, Peripheries: Contested European Imaginaries and Narrative Forms	0
J.G. Ballard’s Depiction of Global Psychodynamics: “The Terminal Beach” and Pre-Traumatic Stress	0
Beyond Blah Blah Blah: Climate and Historical Justice in Peter Dimock’s Daybook from Sheep Meadow	0
A Contemporary Myth of Er? From Homo Sacer to Freeform Life in Matt Haig’s The Midnight Library	0
Eastern Premise: Writing the East of England in the Novels of Graham Swift	0
Between Tenderness and Anger. Oscillation in Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk	0
A Look at the Gaze in Tolkien’s The Lord of the Rings	0
An Ecological View in Kazuo Ishiguro’s Never Let Me Go: The Landscape of Nagasaki Implied by the Narrator	0
“A Question, in the End, of Vision”: Pessimism and the Paradox of Marriage in Lauren Groff’s Fates and Furies	0
Motherlands in Europe. Economic Subalternity and Fantasies of Family in Contemporary Romanian Literature of Migration	0
Abjecting the Racial Agency in Damon Galgut’s The Promise	0
Hernan Díaz on “Trust” in Literature	0
Time Is on Our Side?: Homo Economicus in Time-Travel Romance	0
Performativity and Performance: Identities and Multi-Dimensional Psychological Passing in Go Tell It on the Mountain	0
Shakespeare and Other Suspects: The Concealed Narrator in Ian McEwan’s Nutshell	0
‘At the Edge of the Intactile Dark’: Gothic Minimalism in Cormac McCarthy’s The Passenger and Stella Maris	0
Urban Apocalypse, Global Precarity, and Uncanny Liminality in Colson Whitehead’sZone Oneand Ling Ma’sSeverance	0
Cinematic consciousness and time images: Don DeLillo’s The Body Artist and Point Omega	0
Immigrant Ghosts and Haunted Heritages in Rani Manicka’s The Rice Mother	0
Arachne Silenced: Herstoriographic Metafiction and Gender Trouble in Stevie Davies’ Impassioned Clay (1999)	0
Ghostly Thinking and Fictional Dwelling: Heidegger’s Philosophy of Nature and Rushdie’s The Satanic Verses	0
The Thinking Self and Discourse of Love Lead to Self-Knowledge in Iris Gomez’s Try to Remember	0
“The Dance, the Music, the Rave”: Partying, Pleasure, and the Politics of Cultural Production in Morvern Callar 1995 and Morvern Callar 20	0
Articulating the Collective Immigrant Experience in Canada:The Boat PeopleandShut Up, You’re Pretty	0
Monstrous Technology in Thomas Pynchon’s Bleeding Edge : The Internet as Terror and Transformation	0
The Queer-Cyberspace of Jeanette Winterson’s’ The Powerbook: A Critique of St. Augustine’s Metaphysical Philosophy	0
The Author as Reader: Reading Auster Reading Crane	0
Tension Between Embodied Structures and the Pursuit of Change: Exploring the Metaphysical Underpinnings of Olga Tokarczuk’s Flights	0
Limitations of Postmodern Irony: How David Foster Wallace Writes a Superior Critique of American Consumerism in Infinite Jest Compared with Bret Easton Ellis’s ‘	0
The Urban Essential Solitude of the Hunger Character: A Blanchotian Reading of PAUL Auster’s Moon Palace	0
Don DeLillo’s Cosmopolis : The Transhuman Delusion	0
The Architecture of Narrative Reciprocity in Ali Smith’s How to Be Both	0
A Pale View or a Cryptic View	0
When the Powerpolis Paused: Representations of Political Trauma of Indian Emergency in Delhi Calm	0
Tensions of “Masculinity”: The Urban Naxalite Bhadralok in The Lives of Others and The Lowland	0
Performing Identity: Deconstructing Race and Gender in Brit Bennett’s The Vanishing Half	0
Revisiting Richard Ford’s The Sportswriter	0
Breaking into the Middle of the Story: Reading Lydia Syson’s Mr Peacock’s Possessions as a Neo-Victorian Robinsonade	0
“Something Else Already Opening up.” The Utopian Impulse and the Novum of Disability in Missouri Williams’s The Doloriad	0
The Apocrypha of The Maples Stories: John Updike’s Fe/Male Points of View Reconsidered	0
Daniel Kehlmann’sTyll: Historical Fiction for the Information Age	0
Infrastructural Closure, Rupture, and Insurgency in Lidia Yuknavitch’s The Book of Joan	0
How to Get Away with Murder: Unknowing and Subversion in Shirley Jackson’s We Have Always Lived in the Castle	0
Post-Apocalyptic Fiction and the Limits of Optimism: A Pessimistic Reading of Cormac McCarthy’s The Road	0
“Console Us for Our losses”: Representing Dementia in Emma Healey’s Elizabeth is Missing	0
Post/Human Perfectibility and the Technological Other in Kazuo Ishiguro’s Klara and the Sun	0
Who Is Afraid of the Mad Man?: Demythologizing the State’s Narrative of Riots in Gillian Slovo’s Ten Days and J.G. Ballard’s Kingdom Come	0
Neoliberal Humanism:Never Let Me Goand the Value of the Humanities	0
“Interspecies Empathy and Canine Captivity in Karen Russell’s Short Fiction”	0
Vampire Aesthetics in Anne Rice’s Interview with the Vampire	0