Critique-Studies in Contemporary Fiction

Papers
(The median citation count of Critique-Studies in Contemporary Fiction is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
The Infant Planet and the Iron Sphere: Microcosmic Materiality in Twenty-First-Century Fiction13
The Warped Bildung: Parody, Postmodern Gothic, and the Bildungsroman in Iain Banks’s The Wasp Factory4
Against Anthropocentrism: A Stray’s Quest in Diane Cook’s The New Wilderness4
The Poetics of Re-Enchantment: Penelope Fitzgerald’s The Beginning of Spring4
Beyond Necropolitics: Colum McCann’sApeirogon3
“In the Black Abyss There Appeared a Single Eye”: The Gaze and Self-Fragmentation in The Lord of the Rings3
The Poetics of the Placeholder: Yiyun Li’s Counter-Testimonial Mourning and the Ethics of Negative Narratology3
Carter, Porter, Herrera: Overcoming Mythology to Achieve Agency (Sometimes) Effectively3
Exploring Inherited Shame in Zoë Wicomb’s Playing in the Light3
Time, Clocks, and Illnesses in Paul Harding’s Tinkers3
Trash, ‘White Trash’ and ‘Wasted Humans’: Racial and Environmental (In)Justice in Tristan Egolf’s Lord of the Barnyard3
The Right to Development and Self-Help: Faking Entrepreneurship of the Strategic Economic Man in Mohsin Hamid’s How to Get Filthy Rich in Rising Asia3
Inherent Transgression in the Society of Compulsory Jouissance : Reading Houellebecq’s Platform via Žižek3
Text of (as) the Erotic Sacrament: Erotics in Jeanette Winterson’s Written on the Body and Frankissstein3
Environmental Memory, Place Identity, and Solastalgia in Arif Anwar’s The Storm2
Ideal Caregiver? Caring Robot and the Dividuation in The School for Good Mothers and Klara and the Sun2
Holding the Pen: Visions and Revisions of the American South in Sherley Anne Williams’s Dessa Rose2
Global Forms in Bolaño’s 2666 : Genre, Race, Capital2
What is Owed to the Ghost? Postmemory and Political Honesty in André Dao’s Anam2
Rescuing Precarious Bodies: Biopolitics and Haitian Health in Edwidge Danticat’s Diasporic Writing2
The Failure of Imagination and its Redemption: John Banville‘s The Book of Evidence2
To Be or Not to Be (Human): Black Ontology and Belonging in Beatty and Adjei-Brenyah2
Isolation and Connectivity: The Insular Geopolitics in This Earth of Mankind2
Most Alive: Vibrant Taxidermy and Art as Futural Practice in Kristen Arnett’s Mostly Dead Things2
“But Karachi is Always Dual”: Cartography, Placemaking, and Identity in Kamila Shamsie’s Kartography2
“From Plátano Player to Questioning Chronicler—Historiography in Junot Díaz’s The Brief Wondrous Life of Oscar Wao”2
Refunctioning Western Speculative Genres: Transcultural Autoethnography and Posthuman Futurity in The Brief Wondrous Life of Oscar Wao2
“I Was A Woman of Appetites, A Growling Beast”: On Subversive Female Hunger in Butter and Milk Fed2
Chaos, Cosmos, and Waste: The Politics of “Maximalism” in Don DeLillo’s Underworld2
“We’re All Just Playing into Stories Created Before Our Time”: Fictional Female Serial Killers, Femgore, and the Illusion of Power2
The Misanthropocene in California: Susan Straight’s Blacker Than a Thousand Midnights and Joan Didion’s The Last Thing He Wanted2
Ilja Leonard Pfeijffer’s Literary Resistance to Right-Wing Populist Discourse in Grand Hotel Europa (2018)2
Deconstructing and Reconstructing Englishness: National Symbolism of the County House in McEwan’s Atonement2
Descent into the Eye (I) of the Kraken: Friday and the Lacanian Real in J. M. Coetzee’s Foe2
Subversive Triviality: John Ashbery’s and James Schuyler’s A Nest of Ninnies2
Ben Lerner’s Novels and the Syntax of Collectivity1
How to Get Away with Murder: Unknowing and Subversion in Shirley Jackson’s We Have Always Lived in the Castle1
Telling Truth in Fiction: The Precarious Aesthetic of Valeria Luiselli’s Documentary Fiction Lost Children Archive1
The Compost of History: Olfactory Aesthetics, Patriarchal Ruin, and the Decolonial Archive in Shani Mootoo’s Cereus Blooms at Night1
Memory Writing and Cosmopolitan Identity in Timothy Mo’s Pure1
Faux Apparitions: Angels or Cannibals, Between Coetzee and Defoe1
Theory (And/Or) Fiction: Academic Writing, Inhuman Horror, and the New Weird in Reza Negarestani’s Cyclonopedia1
“When He Comes, He Will Be Like an Englishman”: Space, Spy Fiction, and Englishness in Michael Ondaatje’s Warlight1
A Quivering Ontology: Ali Smith, Hauntology, and Deconstructive Aesthetics1
Walking as Spatial Practice: Late-Life Growth in the Industrialized Countryside in Rachel Joyce’s The Unlikely Pilgrimage of Harold Fry1
Living in Endtimes: Countersentimental Domesticity in the Age of Uncertainty1
“Change, Change All the Time”: Loss and Re-Creation of Former Homes in Kazuo Ishiguro’s Novels1
The Short Autofictions of Eve Babitz, Lucia Berlin and Bette Howland1
Spectral Dissent: “Faultlines” In Sarah Waters’ The Little Stranger1
The Cybernetic Leviathan: Body Politic and Body Politics in Heinlein’s Starship Troopers1
The Experience of Return in Chimamanda Ngozi Adichie’s Americanah : Expanding the Category of the “Cosmopolitan Stranger”1
“The Lurid and the Lovely”: Degrees of Disillusionment and Existential Awakening in Thomas Ligotti’s Cosmic Horror1
I’m a Woman. Man, Woman, M–Woman .” – Identity, Sexuality, and the Body in the Short Fiction of Malika Moustadraf1
“He Doesn’t Belong in This House”: The Uncanny Cousin in Two Mid-Century Gothic Novels1
Relational Time, Female Transgenerational Bonds and Herstory in Linda Grant’s The Story of the Forest (2023)1
‘‘A Soul in Every Stone’’: Object-Worlds and Hysterical Detail in Thomas Pynchon’s Gravity’s Rainbow1
Topophrenia and Cognitive Mapping in The Brick People1
Meta-Minstrelsy and Market Logics in Percival Everett’s James1
From Other to Posthuman: Meiji’s Journey in Manjula Padmanabhan’s Escape and The Island of Lost Girls1
Performing Identity: Deconstructing Race and Gender in Brit Bennett’s The Vanishing Half1
Religious Hypocrisy and Moral Failure in James Baldwin’s Go Tell It on the Mountain and Khaled Hosseini’s The Kite Runner1
The Self Turned Inside Out: Neural Networks in Temi Oh’s More Perfect and Justin Cronin’s The Ferryman1
Ma semblable, ma soeur ”: Negative Capability and Self-Fashioning in “The Quilt Maker” by Angela Carter and Flights by Olga Tokarczuk1
Women Walking in the City: Zadie Smith’s NW1
“We’ve Got to Move”: Mapping and Remapping the World in Cormac McCarthy’s The Road1
Do It Yourself Dystopia: The Digital Future in Dave Eggers’s The Every1
Literary Setting and Social Form in Tash Aw’s We, the Survivors1
Beyond Blah Blah Blah: Climate and Historical Justice in Peter Dimock’s Daybook from Sheep Meadow1
Arboreal Obliquity or Trees Doing the Human in Murray Bail’s Eucalyptus1
Listening to Silence: Media and Intergenerational Memory in Abdulrazak Gurnah’s The Last Gift1
Capitalist Dreams, Posthuman Nightmares: AI and the Neoliberal Reordering of Humanity in Ian McEwan’s Machines Like Me and Kazuo Ishiguro’s Klara and the 1
Androdecentrism in the Anthropocene: Weirding Masculinities in the Work of Max Porter, Martin MacInnes, and Matt Hill1
Tender Transgressions: Olga Tokarczuk’s Exercises in Postsecular Imagination1
Sarah Waters’s Subversion of the Country-House Myth: Conflicted Personal and National Identity in The Little Stranger1
Motherlands in Europe. Economic Subalternity and Fantasies of Family in Contemporary Romanian Literature of Migration1
Capitalized Pollution and Inhabitability Critique in Kazuo Ishiguro’s Klara and the Sun1
Subjects of Magic: A Comparative Analysis of Postcolonial Magical Realist Texts1
What We Talk About When We Talk About Love in the Digital Age: Technology, Intimacy, and Affect in Olivia Sudjic’s Sympathy and Lauren Oyler’s Fake Accoun1
Undocumenting Citizenship: Mixed-Status Families in María Escandón’s González and Daughter Trucking Co1
Faulty Power in the Faculty Tower: James Hynes’s The Lecturer’s Tale as a Parody of William Shakespeare’s Macbeth1
From the Obstructive “Mountain” to the Free “Water”: Examining the Evolution of Transculturalism in Ling Zhang’s Immigrant Narratives1
The Missing Corpse in Contemporary Iraqi Fiction: Ahmed Saadawi’s Frankenstein in Baghdad and Muhsin Al-Ramli’s Daughter of the Tigris1
Cohesion, Exile, Return: Non-Human Narrative and the Shape of Diaspora Community in Never Let Me Go1
Eco-Cosmopolitanism and the Politics of Planetary Vulnerability in Samantha Harvey’s Orbital (2023)1
Extracting the Ultradeep Oil: David Mitchell’s The Bone Clocks1
Homebound: Compromised Petroculture Criticism in American Neoliberal Family Novels1
“Fucked in the Head and Liking It”: Atomik Aztex , Postcoloniality, Psychosis of Civilization1
Revisiting Richard Ford’s The Sportswriter1
“Why shouldn’t I be wanted, even loved?”: Eugenics, Reproduction, and the Postcolonial in Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Dea1
Autism and Post-Human: A Cyborgian Reading of Sabina Berman’s Me Who Dove into the Heart of the World1
Beyond Pragmatic Eloquence: Compassion and David Mitchell’s Art of Reading Pain1
The Pattern Nexus: Postdigital Aesthetics, Technoscience and Mysticism in Tom McCarthy’s The Making of Incarnation and Beyond1
The Myth of Bourgeois Intimacy: Food, Colonial Desire, and Queer Diaspora in Monique Truong’s The Book of Salt0
World Literature Sickness: Exile and Dissent in Azareen Van der Vliet Oloomi’s Call Me Zebra0
Revisiting Trauma Through The Bluest Eye0
When the Powerpolis Paused: Representations of Political Trauma of Indian Emergency in Delhi Calm0
THE ‘ DERMOGROTESQUE’ BODY: ACNE, ALIENATION, AND AESTHETICS IN BUKOWSKI’S HAM ON RYE0
Come West, Young Woman: Jane Smiley’s Trailing Wives0
Technocratic Fiction, Indigenous Sovereignty, and Counter-Insurgent Infrastructure0
Alienated Exclusion: Redefining Nationalistic Fundamentalism and Diasporic Identity in Mohsin Hamid’s The Reluctant Fundamentalist0
Fractured Spheres, Entangled Worlds: Reimagining the Anglosphere in the Age of Permacrisis0
“All the World’s a Stage”: Beckettian World(s) and Self-Reflexive Theatricality in Dermot Healy’s A Goat’s Song0
The Trans Archive in Shola von Reinhold’s LOTE and Jordy Rosenberg’s Confessions of the Fox0
“It Began with Naming Things”: Mzungus and Other European Colonizers in Abdulrazak Gurnah’s Afterlives0
Our Business is Emotion: Affective Labor in the Workplace Wellness Novel0
Ghostly Thinking and Fictional Dwelling: Heidegger’s Philosophy of Nature and Rushdie’s The Satanic Verses0
Semiperipheral Interventions into Post-Human Protagonist Trajectories: Disembodiment and Palimpsestic Be-Longing in Dukaj’s The Old Axolotl (2015) and Chabria’s 0
The Tempting Signifier: Covert Deixis and Ontological Suspicion in Ali Smith’s The Accidental0
Navigating the Labyrinth: Spatial Alienation and the Fragmentation of Memory in Kazuo Ishiguro’s The Unconsoled0
“Playing God, Are We?”: The Cosmogonic Concoction in Kurt Vonnegut’s Galápagos0
Palimpsestuous Fragmentation in James Cahill’s Tiepolo Blue0
From a Pin to an Elephant: Politics of Consumption and the Debordian Spectacle in James Lovegrove’s Days0
Mr. Ambivalent: Jonathan Franzen and the Masculinization of the Middlebrow0
Sounds of the Contemporary: Listening to the Present in Richard McGuire’s Here0
Jeanette Winterson’s The Gap of Time in the Caesura of the Time That is Left0
Dawning of the Changelingocene: Political Economy of Speed and Surplus Data in Ken Liu’s Maddie Trilogy0
The Tragedy of Alignment: Machinic Consistency and the Failure of Human Relations in Ian McEwan’s Machines Like Me and Kazuo Ishiguro’s 0
Pushing the Boundaries of Dystopia: Anna Burns’s Milkman0
Love as Critique: Doomscrolling Through the Unfeeling Surface in Richard Flanagan’s The Living Sea of Waking Dreams0
Form After the Internet Novel: The Hermeneutics of Digital Ekphrasis0
Affect, Evolution, and Reparation: AI Self-Sacrifice in Klara and the Sun0
Doris Lessing’s Ethical Narrative in The Diary of a Good Neighbor0
The Asymmetries of Border Spaces0
Seeking Solidarity from Afar: Gurnah’s Vision for the Zanzibar National Community in By the Sea0
The Civil War of the Body: Archival, Ruined, and Spectral Time in Ocean Vuong’s The Emperor of Gladness0
Statement of Retraction: A Deleuzian Reading of “Becoming-Plant” in Han Kang’s Writing: “The Fruit of My Woman” and The Vegetarian0
Breaking into the Middle of the Story: Reading Lydia Syson’s Mr Peacock’s Possessions as a Neo-Victorian Robinsonade0
Metabolic Dystopia in Mo Yan’s The Republic of Wine0
Arachne Silenced: Herstoriographic Metafiction and Gender Trouble in Stevie Davies’ Impassioned Clay (1999)0
“The Origin of Everything”: Sex Against Social Convention in Sally Rooney’s Normal People and Intermezzo0
“The City Eats and Sleeps Noise”: Don DeLillo’s Cosmopolis and the Contours of Entangled Corporeality0
Spectral Ecologies and Decolonial Haunting in Edgar Mittelholzer’s My Bones and My Flute (1955): Landscape, Sound, and Somatic Memory0
Monstrous Technology in Thomas Pynchon’s Bleeding Edge : The Internet as Terror and Transformation0
Paul’s Imaginary Revenge in Teddy Wayne’s The Great Man Theory0
Joan Didion’s Woman Bartleby in Play It as It Lays0
Klara and the Sun : Dystopia, Utopian Desire and Altermodernist Estrangement in Kazuo Ishiguro’s Science Fiction0
The Desiring Subject Vs. the Object of Desire in Indra Sinha’s Animal’s People (2007)0
From Senescence to Self-Renewal: Narrative of Gerontology and Journey in Ishiguro’s The Remains of the Day0
Metabibliographic Fiction: Metafiction After the Death of the Book in Steven Hall’s Maxwell’s Demon and Nicola Barker’s I Am Sover0
African and Islamic: Doris Lessing’s Notion of Writerly Commitment in “The Small Personal Voice”0
Art and Gentrification in Howard Cunnell’s The Painter’s Friend0
White Focalization as Racist Interpellation in Caryl Phillips’ Crossing the River0
“The Dance, the Music, the Rave”: Partying, Pleasure, and the Politics of Cultural Production in Morvern Callar 1995 and Morvern C0
Forgetting to remember: Amnesia as Metaphor in Chinese North American Literature0
Natural Agency and Community in Paul Harding’s Tinkers0
Chronicle of a Tempest Foretold: Confrontations with the Barbarian in Ian McEwan’s Saturday0
Don DeLillo’s Cosmopolis : The Transhuman Delusion0
‘Off to the Side’: An Ethics of Interruption in Ali Smith’s Hotel World And There but for the0
Living Through the State of Exception: Paul Lynch’s Prophet Song0
‘Ofer eall wifa cyn’: Cultivating Female Agency in David Foster Wallace’s Infinite Jest and Cynewulf’s Juliana0
From Testimony to Appropriation: A Radical Intersectional Critique of The Help0
The Summoning: Folk Horror and the Calendar Custom in Molly Aitken’s the Island Child (2020) and Zoe Gilbert’s Folk (2019)0
Discard Ecologies and the ‘Hyposubject’ in Indra Sinha’s Animal’s People (2007)0
“This is Our Place”: Politics of Mobility and Reinhabitation in Ann Pancake’s Strange as This Weather Has Been0
Photographic Evocation of Time: Identity, Memory, and Modernity in Claude Simon’s The Wind and W. G. Sebald’s Austerlitz0
We’re Still Inside the Fucking paradigm !’: Flagging the Crisis of Attention in Eleanor Catton’s Birnam Wood0
A Look at the Gaze in Tolkien’s The Lord of the Rings0
Frontier Stories: Burnt Shadows and an Alternative Ethic of Narrativizing Violence0
“Ethics is Optics”: Paul Ricoeur and Telling Otherwise in Viet Thanh Nguyen’s The Refugees0
Abjecting the Racial Agency in Damon Galgut’s The Promise0
Mapping Traumatized Bodies and Territories in Doris Lessing’s Mara and Dann: An Adventure0
Gothic Economics: Unmasking the Uncanny in Indian Literature0
Between Tenderness and Anger. Oscillation in Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk0
The Sisyphean Quest for Independence: Beyond Two Bildungsromans in Graham Swift’s Wish You Were Here0
Performativity and Performance: Identities and Multi-Dimensional Psychological Passing in Go Tell It on the Mountain0
The Culture Industry Meets Authentic Art in Angela Carter’s The Passion of New Eve0
Sanitizing Stories, Palatable Books: Fictionalizing Dutch Colonial History for Anglophone Audiences in The Miniaturist and The Nat0
Diaspora as an Ideal? Exile, Zionism, and the Double Bind in Philip Roth’s The Counterlife and Operation Shylock0
Mimesis at Stake: Tom McCarthy, the Death of Materiality, and the Rise of Virtual Realism0
The Psychic Affective Turn: Body, Affect, and Exile in Manuel Puig’s The Buenos Aires Affair0
Collapsed Modernities in the Twenty-First-Century Southern European Novel0
Van Gogh and Myth in A. S. Byatt’s Still Life0
Navigating neurotechnology and astrobiology in Richard Powers’s Bewilderment0
Metafiction as Movement and Movement as Metafiction in John Edgar Wideman’s Philadelphia Fire0
Why Britain Chooses Brexit: Post-Imperial Affects in Julian Barnes’ Fiction and Brexlits0
Tension Between Embodied Structures and the Pursuit of Change: Exploring the Metaphysical Underpinnings of Olga Tokarczuk’s Flights0
Edges, Borders, Peripheries: Contested European Imaginaries and Narrative Forms0
Ensouling Agential Praxis in A Secular World: A Sufi Spiritual Turn in Leila Aboulela’s the Kindness of Enemies0
Memory and the Jungian Unconscious in J. G. Ballard’s Autobiographical Narratives0
Restored to Infinity: Self-Obliteration, Consent, and Phytomorphism in Han Kang’s The Vegetarian0
David Vann’s Legend of a Suicide : Dismantling the Trauma Paradigm0
Revisiting Soft Power Through the Translation of Chinese Science Fiction: A Non-Confrontational Response to Techno-Orientalism0
Paul Auster’s Cinematic Novel: An Intermedial Reading of The Book of Illusions0
Time Is on Our Side?: Homo Economicus in Time-Travel Romance0
“Console Us for Our losses”: Representing Dementia in Emma Healey’s Elizabeth is Missing0
Materialism of Numbers in J. M. Coetzee’s The Schooldays of Jesus0
Blooming against Meat: Silence, Starvation, and Arboreal Subjectivity in Han Kang’s The Vegetarian0
Monstrous Reproduction, Monstrous Evolution, and Extinction Anxiety in Steve Alten’s MEG Books0
Lacan, Shadow Feminism, and Paul Auster’s City of Glass0
From Icon to Ideology: Gandhian Iconography and Necropolitical Nationalism in Subimal Misra’s Short Fiction0
The Stepford Wives, Or: The Horrors of Domesticity0
Female (Mis)representation in Moroccan Male-Authored Postcolonial Literature: The Madwoman Trope in Mohamed Mrabet’s The Big Mirror0
“Shadowy Objects in Test Tubes”: Gene Fetishism and Racialized Biocapital in Kazuo Ishiguro’s Never Let Me Go0
Reviving from the Archive: Kazuo Ishiguro’s Modern Ghost Stories and Memory Writing0
Repeating the (Un-) Making of Organic Society: The Practice of Everyday-Life Rituals in Tom McCarthy’s Fiction0
Between Remembrance and Forgetting: Memory and the Concept of Home in Map of the Invisible World0
Cinematic consciousness and time images: Don DeLillo’s The Body Artist and Point Omega0
“Bodies in the Way”: Melancholia and Resistance in Fadia Faqir’sMy Name Is Salmaand Leila Aboulela’sMinaret0
“Something Else Already Opening up.” The Utopian Impulse and the Novum of Disability in Missouri Williams’s The Doloriad0
Space, Time, and Progression: Narrating Chinese Americans Between Worlds in Literature0
Post-Truth, Testimony and Crises of Trust in Margaret Atwood’s The Handmaid’s Tale and The Testaments0
Indigenizing Blankness in the Works of Leanne Betasamosake Simpson, Gerald Vizenor, and Jordan Abel0
Roads and Racism: The Dialectics of Infrastructure in Philip K. Dick’s Marin Novels0
Not Only Puritans and Snobs: The Dynamic Between the Urban and the Provincial in the Works of Elizabeth Strout0
You Equals Not-I : Avowal, Disavowal, and Second-Person Narration in Marlene van Niekerk’s Agaat0
Narrating Panarchy in the Anthropocene: The Adaptive (Short Story) Cycle in Rebecca Campbell’s Arboreality0
Object Dynamics: Reinvoking “Fukú” And “Fukú”-Imbued Network in The Brief Wondrous Life of Oscar Wao0
Narrative Complicity in Evelio Rosero’s Stories of Violence from Colombia0
Why is this (K)night Different: Passover, Blood, War, and the Conflict Between Jewish and American Identity in Jo Sinclair’s Wasteland and Dara Horn’s All0
“Adrift without Certainty, Only Conjecture”: Nomadic Utopia in Pynchon’s Against the Day0
A Pale View or a Cryptic View0
Correction0
Queer Literary Assemblages: Justin Torres’s Blackouts (2023)0
Lateral Composition and Posthuman Community in Kazuo Ishiguro’s Klara and the Sun0
Re-visions of Literary Tragedy: Postcolonial Innovations in the Fiction of Preti Taneja and Kamila Shamsie0
Unity Throughout Fragments: Childhood, Science, and Gender in Ian McEwan’s The Child in Time0
Untwining the Threads in John Banville’s Birchwood : False Shadows, Bogus Plots and What Lies Beyond Unreliability0
‘I Can Hear Schacht, You’re Right. Also the fans.’ David Foster Wallace’s Reading of Richard Schacht’s Alienation0
Politics of Food and Gender in Bulbul Sharma’s The Anger of Aubergines and Eating Women, Telling Tales0
Scalar Anglosphere: Wasteocene Waters and Vulnerable Bodies in Chioma Okereke’s Water Baby0
Haunted Laughter: Spectral Justice and Satirical Memory in Percival Everett’s The Trees0
A Postsecular Reading of Nonsensical Caring in Ali Smith’s Fiction0
A Contemporary Myth of Er? From Homo Sacer to Freeform Life in Matt Haig’s The Midnight Library0
Correction0
Sexuality and Irish Identity in Patrick McCabe’s Breakfast on Pluto0
Disneyland and Its Discontents: J.G. Ballard and the Commodification of Dissent0
Reading the Graphic Narrative “The Taboo,” from the Anthology This Side, That Side: Restorying Partition: Graphic Narratives from Pakistan, India, Bangladesh , As a Micr0
Deconstructing the Narrative of Fascination in J. M. Coetzee’s Waiting for the Barbarians and Foe0
Voluntary Euthanasia as a Field of Moral Ambiguity: Satirizing Consent, Capacity, and Medical Bureaucracy in Ian McEwan’s Amsterdam and Steven Amsterdam’0
Social Reproductive Labor and Uto/Dystopia: An Analysis of Leila, Midnight Robber and Woman World0
Climate Crises, Ruined Islands, and British Metamodernism0
The Story of Revenge in Natalie Haynes’ A Thousand Ships0
Deterritorializing Hegemonic Globalization Progressively in Xiaolu Guo’s Experimental Writing: A Comparative Reading of A Concise Chinese-English Dictionary for Lovers a0
“Born to Be Sold”: Child Commodification, Sexual Exploitation, and Systemic Impunity in Margaret Atwood’s Oryx and Crake and the Jeffrey Epstein Network0
From Parody Toward an Itinerant Life: Mapping the Minor in Salar Abdoh’s The Poet Game0
Consuming Appetites, Disappearing Meals: Things Becoming Food in Chana Porter’s The Thick and the Lean0
Orbital Gaze, Earthly Wounds: Reading Samantha Harvey’s Orbital as Planetary Fiction0
One Day in the Anthropocene: The Ecological Value of Temporal Forms in Samantha Harvey’s Orbital0
The Polyphony of the Border: Genre, Narrative, Collective History0
“Memory Shot Through Holes”: The Idea of Postmemory in Elif Shafak’s The Island of Missing Trees0
Cosmopolitan Travel and Identity Construction in Kazuo Ishiguro’s International Novels0
Transnational Identity and Humor in Bernardine Evaristo’s Mr Loverman0
Two Hundred Years of Technodystopia: AI and the Politics of Embodiment in Winterson’s Frankissstein0
Borges, Simulation, and the Coming of Artificial Intelligence0
“Sharing the Same Soil”: The Critique of Post-Feminist Gender Identity and the Materiality of Body in Sally Rooney’s Normal People (2018)0
Vampire Aesthetics in Anne Rice’s Interview with the Vampire0
Nonviolence as a Form of Caring in Buddhist and Posthumanist Contexts: Ruth Ozeki’s A Tale for the Time Being0
Correction0
The Possession-Possessor Dichotomy in the Turkish-Museum Novel0
‘Storied Matter’ & the Human Response In: Joy Williams’s The Changeling and Samantha Hunt’s The Seas0
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