Critique-Studies in Contemporary Fiction

Article	Citations
The Infant Planet and the Iron Sphere: Microcosmic Materiality in Twenty-First-Century Fiction	11
Against Anthropocentrism: A Stray’s Quest in Diane Cook’s The New Wilderness	4
The Warped Bildung: Parody, Postmodern Gothic, and the Bildungsroman in Iain Banks’s The Wasp Factory	4
Sarah Perry’s Melmoth and the Implications of Gothic Form	4
The Poetics of Re-Enchantment: Penelope Fitzgerald’s The Beginning of Spring	3
Carter, Porter, Herrera: Overcoming Mythology to Achieve Agency (Sometimes) Effectively	3
Beyond Necropolitics: Colum McCann’sApeirogon	3
“In the Black Abyss There Appeared a Single Eye”: The Gaze and Self-Fragmentation in The Lord of the Rings	3
Trash, ‘White Trash’ and ‘Wasted Humans’: Racial and Environmental (In)Justice in Tristan Egolf’s Lord of the Barnyard	3
The Right to Development and Self-Help: Faking Entrepreneurship of the Strategic Economic Man in Mohsin Hamid’s How to Get Filthy Rich in Rising Asia	2
Global Forms in Bolaño’s 2666 : Genre, Race, Capital	2
“From Plátano Player to Questioning Chronicler—Historiography in Junot Díaz’s The Brief Wondrous Life of Oscar Wao”	2
Juxtaposition and Asynchronicity as Postcolonial Poetics in Elaine Castillo’s America Is Not the Heart	2
“I Was A Woman of Appetites, A Growling Beast”: On Subversive Female Hunger in Butter and Milk Fed	2
Subversive Triviality: John Ashbery’s and James Schuyler’s A Nest of Ninnies	2
The Misanthropocene in California: Susan Straight’s Blacker Than a Thousand Midnights and Joan Didion’s The Last Thing He Wanted	2
Text of (as) the Erotic Sacrament: Erotics in Jeanette Winterson’s Written on the Body and Frankissstein	2
Deconstructing and Reconstructing Englishness: National Symbolism of the County House in McEwan’s Atonement	2
Refunctioning Western Speculative Genres: Transcultural Autoethnography and Posthuman Futurity in The Brief Wondrous Life of Oscar Wao	2
What is Owed to the Ghost? Postmemory and Political Honesty in André Dao’s Anam	2
Most Alive: Vibrant Taxidermy and Art as Futural Practice in Kristen Arnett’s Mostly Dead Things	2
The Failure of Imagination and its Redemption: John Banville‘s The Book of Evidence	2
“But Karachi is Always Dual”: Cartography, Placemaking, and Identity in Kamila Shamsie’s Kartography	2
Time, Clocks, and Illnesses in Paul Harding’s Tinkers	2
Ilja Leonard Pfeijffer’s Literary Resistance to Right-Wing Populist Discourse in Grand Hotel Europa (2018)	2

Holding the Pen: Visions and Revisions of the American South in Sherley Anne Williams’s Dessa Rose	2
Isolation and Connectivity: The Insular Geopolitics in This Earth of Mankind	2
Descent into the Eye (I) of the Kraken: Friday and the Lacanian Real in J. M. Coetzee’s Foe	2
Chaos, Cosmos, and Waste: The Politics of “Maximalism” in Don DeLillo’s Underworld	2
“We’re All Just Playing into Stories Created Before Our Time”: Fictional Female Serial Killers, Femgore, and the Illusion of Power	1
“When He Comes, He Will Be Like an Englishman”: Space, Spy Fiction, and Englishness in Michael Ondaatje’s Warlight	1
“ I’m a Woman. Man, Woman, M–Woman .” – Identity, Sexuality, and the Body in the Short Fiction of Malika Moustadraf	1
Androdecentrism in the Anthropocene: Weirding Masculinities in the Work of Max Porter, Martin MacInnes, and Matt Hill	1
Capitalized Pollution and Inhabitability Critique in Kazuo Ishiguro’s Klara and the Sun	1
“Why shouldn’t I be wanted, even loved?”: Eugenics, Reproduction, and the Postcolonial in Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Dea	1
Autism and Post-Human: A Cyborgian Reading of Sabina Berman’s Me Who Dove into the Heart of the World	1
Religious Hypocrisy and Moral Failure in James Baldwin’s Go Tell It on the Mountain and Khaled Hosseini’s The Kite Runner	1
Motherlands in Europe. Economic Subalternity and Fantasies of Family in Contemporary Romanian Literature of Migration	1
Memory Writing and Cosmopolitan Identity in Timothy Mo’s Pure	1
Extracting the Ultradeep Oil: David Mitchell’s The Bone Clocks	1
“ Ma semblable, ma soeur ”: Negative Capability and Self-Fashioning in “The Quilt Maker” by Angela Carter and Flights by Olga Tokarczuk	1
Tension Between Embodied Structures and the Pursuit of Change: Exploring the Metaphysical Underpinnings of Olga Tokarczuk’s Flights	1
Rescuing Precarious Bodies: Biopolitics and Haitian Health in Edwidge Danticat’s Diasporic Writing	1
“Fucked in the Head and Liking It”: Atomik Aztex , Postcoloniality, Psychosis of Civilization	1
“We’ve Got to Move”: Mapping and Remapping the World in Cormac McCarthy’s The Road	1
From the Obstructive “Mountain” to the Free “Water”: Examining the Evolution of Transculturalism in Ling Zhang’s Immigrant Narratives	1
Eco-Cosmopolitanism and the Politics of Planetary Vulnerability in Samantha Harvey’s Orbital (2023)	1
Do It Yourself Dystopia: The Digital Future in Dave Eggers’s The Every	1
To Be or Not to Be (Human): Black Ontology and Belonging in Beatty and Adjei-Brenyah	1
The Self Turned Inside Out: Neural Networks in Temi Oh’s More Perfect and Justin Cronin’s The Ferryman	1
Environmental Memory, Place Identity, and Solastalgia in Arif Anwar’s The Storm	1
Undocumenting Citizenship: Mixed-Status Families in María Escandón’s González and Daughter Trucking Co	1
Social Reproductive Labor and Uto/Dystopia: An Analysis of Leila, Midnight Robber and Woman World	1
The Cybernetic Leviathan: Body Politic and Body Politics in Heinlein’s Starship Troopers	1
“He Doesn’t Belong in This House”: The Uncanny Cousin in Two Mid-Century Gothic Novels	1
Telling Truth in Fiction: The Precarious Aesthetic of Valeria Luiselli’s Documentary Fiction Lost Children Archive	1
“Interspecies Empathy and Canine Captivity in Karen Russell’s Short Fiction”	1
Faulty Power in the Faculty Tower: James Hynes’s The Lecturer’s Tale as a Parody of William Shakespeare’s Macbeth	1
How to Get Away with Murder: Unknowing and Subversion in Shirley Jackson’s We Have Always Lived in the Castle	1
Beyond Pragmatic Eloquence: Compassion and David Mitchell’s Art of Reading Pain	1
“Change, Change All the Time”: Loss and Re-Creation of Former Homes in Kazuo Ishiguro’s Novels	1
What We Talk About When We Talk About Love in the Digital Age: Technology, Intimacy, and Affect in Olivia Sudjic’s Sympathy and Lauren Oyler’s Fake Accoun	1
Arboreal Obliquity or Trees Doing the Human in Murray Bail’s Eucalyptus	1
From Other to Posthuman: Meiji’s Journey in Manjula Padmanabhan’s Escape and The Island of Lost Girls	1
Faux Apparitions: Angels or Cannibals, Between Coetzee and Defoe	1
Ideal Caregiver? Caring Robot and the Dividuation in The School for Good Mothers and Klara and the Sun	1
Cohesion, Exile, Return: Non-Human Narrative and the Shape of Diaspora Community in Never Let Me Go	1
A Quivering Ontology: Ali Smith, Hauntology, and Deconstructive Aesthetics	1
The Missing Corpse in Contemporary Iraqi Fiction: Ahmed Saadawi’s Frankenstein in Baghdad and Muhsin Al-Ramli’s Daughter of the Tigris	1
Relational Time, Female Transgenerational Bonds and Herstory in Linda Grant’s The Story of the Forest (2023)	1
Ben Lerner’s Novels and the Syntax of Collectivity	1
Revisiting Richard Ford’s The Sportswriter	1
“The Lurid and the Lovely”: Degrees of Disillusionment and Existential Awakening in Thomas Ligotti’s Cosmic Horror	1
‘‘A Soul in Every Stone’’: Object-Worlds and Hysterical Detail in Thomas Pynchon’s Gravity’s Rainbow	1
The Short Autofictions of Eve Babitz, Lucia Berlin and Bette Howland	1

Meta-Minstrelsy and Market Logics in Percival Everett’s James	1
Theory (And/Or) Fiction: Academic Writing, Inhuman Horror, and the New Weird in Reza Negarestani’s Cyclonopedia	1
Performing Identity: Deconstructing Race and Gender in Brit Bennett’s The Vanishing Half	1
Topophrenia and Cognitive Mapping in The Brick People	1
Homebound: Compromised Petroculture Criticism in American Neoliberal Family Novels	1
Living in Endtimes: Countersentimental Domesticity in the Age of Uncertainty	1
Spectral Dissent: “Faultlines” In Sarah Waters’ The Little Stranger	1
Literary Setting and Social Form in Tash Aw’s We, the Survivors	1
Beyond Blah Blah Blah: Climate and Historical Justice in Peter Dimock’s Daybook from Sheep Meadow	1
Jeanette Winterson’s The Gap of Time in the Caesura of the Time That is Left	0
“The City Eats and Sleeps Noise”: Don DeLillo’s Cosmopolis and the Contours of Entangled Corporeality	0
Metabolic Dystopia in Mo Yan’s The Republic of Wine	0
The Compost of History: Olfactory Aesthetics, Patriarchal Ruin, and the Decolonial Archive in Shani Mootoo’s Cereus Blooms at Night	0
Transnational Identity and Humor in Bernardine Evaristo’s Mr Loverman	0
Ways of Being Male: Masculinities as Allegories in Yu Hua’s Brothers	0
Edges, Borders, Peripheries: Contested European Imaginaries and Narrative Forms	0
The Experience of Return in Chimamanda Ngozi Adichie’s Americanah : Expanding the Category of the “Cosmopolitan Stranger”	0
“Ethics is Optics”: Paul Ricoeur and Telling Otherwise in Viet Thanh Nguyen’s The Refugees	0
Politics of Food and Gender in Bulbul Sharma’s The Anger of Aubergines and Eating Women, Telling Tales	0
Statement of Retraction: A Deleuzian Reading of “Becoming-Plant” in Han Kang’s Writing: “The Fruit of My Woman” and The Vegetarian	0
Metabibliographic Fiction: Metafiction After the Death of the Book in Steven Hall’s Maxwell’s Demon and Nicola Barker’s I Am Sover	0
Event, Catastrophe and Crisis in Don DeLillo’s The Silence : “The Wrong Kind of Normal”	0
Pushing the Boundaries of Dystopia: Anna Burns’s Milkman	0
Monstrous Technology in Thomas Pynchon’s Bleeding Edge : The Internet as Terror and Transformation	0
David Vann’s Legend of a Suicide : Dismantling the Trauma Paradigm	0
Reviving from the Archive: Kazuo Ishiguro’s Modern Ghost Stories and Memory Writing	0
Memory and the Jungian Unconscious in J. G. Ballard’s Autobiographical Narratives	0
Doris Lessing’s Ethical Narrative in The Diary of a Good Neighbor	0
White Focalization as Racist Interpellation in Caryl Phillips’ Crossing the River	0
“Do You Love Him yet?”: The Aesthetics of Post-Traumatic Recuperation and the Fiction of J. M. Coetzee	0
Disneyland and Its Discontents: J.G. Ballard and the Commodification of Dissent	0
Time Is on Our Side?: Homo Economicus in Time-Travel Romance	0
The Possession-Possessor Dichotomy in the Turkish-Museum Novel	0
“Shadowy Objects in Test Tubes”: Gene Fetishism and Racialized Biocapital in Kazuo Ishiguro’s Never Let Me Go	0
Why is this (K)night Different: Passover, Blood, War, and the Conflict Between Jewish and American Identity in Jo Sinclair’s Wasteland and Dara Horn’s All	0
‘Off to the Side’: An Ethics of Interruption in Ali Smith’s Hotel World And There but for the	0
Borges, Simulation, and the Coming of Artificial Intelligence	0
Revisiting Trauma Through The Bluest Eye	0
Materialism of Numbers in J. M. Coetzee’s The Schooldays of Jesus	0
Monstrous Reproduction, Monstrous Evolution, and Extinction Anxiety in Steve Alten’s MEG Books	0
Object Dynamics: Reinvoking “Fukú” And “Fukú”-Imbued Network in The Brief Wondrous Life of Oscar Wao	0
‘Storied Matter’ & the Human Response In: Joy Williams’s The Changeling and Samantha Hunt’s The Seas	0
Metafiction as Movement and Movement as Metafiction in John Edgar Wideman’s Philadelphia Fire	0
Cinematic consciousness and time images: Don DeLillo’s The Body Artist and Point Omega	0
Frontier Stories: Burnt Shadows and an Alternative Ethic of Narrativizing Violence	0
‘ We’re Still Inside the Fucking paradigm !’: Flagging the Crisis of Attention in Eleanor Catton’s Birnam Wood	0
Our Business is Emotion: Affective Labor in the Workplace Wellness Novel	0
A Pale View or a Cryptic View	0
Living Through the State of Exception: Paul Lynch’s Prophet Song	0
Sanitizing Stories, Palatable Books: Fictionalizing Dutch Colonial History for Anglophone Audiences in The Miniaturist and The Nat	0
Ghostly Thinking and Fictional Dwelling: Heidegger’s Philosophy of Nature and Rushdie’s The Satanic Verses	0
Mimesis at Stake: Tom McCarthy, the Death of Materiality, and the Rise of Virtual Realism	0
The End of the 90s in Porochista Khakpour's The Last Illusion, Rachel Kushner's The Mars Room and Ottessa Moshfegh’s My Year of Rest and Relaxation	0
How to Blow Up a Novel: Pipeline Insurgency and Narrative Form in Alexis Wright’s Carpentaria	0
Roads and Racism: The Dialectics of Infrastructure in Philip K. Dick’s Marin Novels	0
“Playing God, Are We?”: The Cosmogonic Concoction in Kurt Vonnegut’s Galápagos	0
The Sisyphean Quest for Independence: Beyond Two Bildungsromans in Graham Swift’s Wish You Were Here	0
A Look at the Gaze in Tolkien’s The Lord of the Rings	0
“Moist, Living”: The Hydro-Logics of Red Tory	0
Narrative Complicity in Evelio Rosero’s Stories of Violence from Colombia	0
Haunted Laughter: Spectral Justice and Satirical Memory in Percival Everett’s The Trees	0
Performativity and Performance: Identities and Multi-Dimensional Psychological Passing in Go Tell It on the Mountain	0
Sounds of the Contemporary: Listening to the Present in Richard McGuire’s Here	0
Narrating Panarchy in the Anthropocene: The Adaptive (Short Story) Cycle in Rebecca Campbell’s Arboreality	0
Tender Transgressions: Olga Tokarczuk’s Exercises in Postsecular Imagination	0
Queer Literary Assemblages: Justin Torres’s Blackouts (2023)	0
Spectral Ecologies and Decolonial Haunting in Edgar Mittelholzer’s My Bones and My Flute (1955): Landscape, Sound, and Somatic Memory	0
Orbital Gaze, Earthly Wounds: Reading Samantha Harvey’s Orbital as Planetary Fiction	0
Re-visions of Literary Tragedy: Postcolonial Innovations in the Fiction of Preti Taneja and Kamila Shamsie	0
Affect, Evolution, and Reparation: AI Self-Sacrifice in Klara and the Sun	0
Lacan, Shadow Feminism, and Paul Auster’s City of Glass	0
Collage and Bagatelle as Dialogic Games: Representational and Narrative Strategies in Ali Smith’s Autumn	0
Dawning of the Changelingocene: Political Economy of Speed and Surplus Data in Ken Liu’s Maddie Trilogy	0
Telling Others, Telling the Self: Autofiction, Empathy, and Ethical Dilemmas in W. G. Sebald’s The Emigrants	0
Navigating neurotechnology and astrobiology in Richard Powers’s Bewilderment	0
First-Person Paralepsis as Narratorial Invention: Desiderio’s Impossible Knowledge, Reliability, and Narrative Authority	0
Voluntary Euthanasia as a Field of Moral Ambiguity: Satirizing Consent, Capacity, and Medical Bureaucracy in Ian McEwan’s Amsterdam and Steven Amsterdam’	0
From Parody Toward an Itinerant Life: Mapping the Minor in Salar Abdoh’s The Poet Game	0
Reading the Graphic Narrative “The Taboo,” from the Anthology This Side, That Side: Restorying Partition: Graphic Narratives from Pakistan, India, Bangladesh , As a Micr	0
Sexuality and Irish Identity in Patrick McCabe’s Breakfast on Pluto	0

Not Only Puritans and Snobs: The Dynamic Between the Urban and the Provincial in the Works of Elizabeth Strout	0
The Asymmetries of Border Spaces	0
Correction	0
The Story of Revenge in Natalie Haynes’ A Thousand Ships	0
“The Dance, the Music, the Rave”: Partying, Pleasure, and the Politics of Cultural Production in Morvern Callar 1995 and Morvern C	0
Repeating the (Un-) Making of Organic Society: The Practice of Everyday-Life Rituals in Tom McCarthy’s Fiction	0
Introduction: Insurgent Infrastructures and Infrastructures of Insurgency	0
“Bodies in the Way”: Melancholia and Resistance in Fadia Faqir’sMy Name Is Salmaand Leila Aboulela’sMinaret	0
The Tempting Signifier: Covert Deixis and Ontological Suspicion in Ali Smith’s The Accidental	0
Natural Agency and Community in Paul Harding’s Tinkers	0
The Psychic Affective Turn: Body, Affect, and Exile in Manuel Puig’s The Buenos Aires Affair	0
Two Hundred Years of Technodystopia: AI and the Politics of Embodiment in Winterson’s Frankissstein	0
Indigenizing Blankness in the Works of Leanne Betasamosake Simpson, Gerald Vizenor, and Jordan Abel	0
A Postsecular Reading of Nonsensical Caring in Ali Smith’s Fiction	0
‘Ofer eall wifa cyn’: Cultivating Female Agency in David Foster Wallace’s Infinite Jest and Cynewulf’s Juliana	0
The Culture Industry Meets Authentic Art in Angela Carter’s The Passion of New Eve	0
For the “Briefly Gorgeous” Moment: Imagism and Queer Aesthetics in Ocean Vuong’s On Earth We’re Briefly Gorgeous	0
The Trans Archive in Shola von Reinhold’s LOTE and Jordy Rosenberg’s Confessions of the Fox	0
When the Powerpolis Paused: Representations of Political Trauma of Indian Emergency in Delhi Calm	0
The Civil War of the Body: Archival, Ruined, and Spectral Time in Ocean Vuong’s The Emperor of Gladness	0
Post-Truth, Testimony and Crises of Trust in Margaret Atwood’s The Handmaid’s Tale and The Testaments	0
Semiperipheral Interventions into Post-Human Protagonist Trajectories: Disembodiment and Palimpsestic Be-Longing in Dukaj’s The Old Axolotl (2015) and Chabria’s	0
“Adrift without Certainty, Only Conjecture”: Nomadic Utopia in Pynchon’s Against the Day	0
Abjecting the Racial Agency in Damon Galgut’s The Promise	0
Don DeLillo’s Cosmopolis : The Transhuman Delusion	0
“Console Us for Our losses”: Representing Dementia in Emma Healey’s Elizabeth is Missing	0
From Testimony to Appropriation: A Radical Intersectional Critique of The Help	0
A Contemporary Myth of Er? From Homo Sacer to Freeform Life in Matt Haig’s The Midnight Library	0
Consuming Appetites, Disappearing Meals: Things Becoming Food in Chana Porter’s The Thick and the Lean	0
Limitations of Postmodern Irony: How David Foster Wallace Writes a Superior Critique of American Consumerism in Infinite Jest Compared with Bret Easton Ellis’s ‘	0
Technocratic Fiction, Indigenous Sovereignty, and Counter-Insurgent Infrastructure	0
From a Pin to an Elephant: Politics of Consumption and the Debordian Spectacle in James Lovegrove’s Days	0
What Is Punch that They are Mindful of Him? Neil Gaiman, Ben Aaronovitch, and Russell Hoban	0
Love as Critique: Doomscrolling Through the Unfeeling Surface in Richard Flanagan’s The Living Sea of Waking Dreams	0
Palimpsestuous Fragmentation in James Cahill’s Tiepolo Blue	0
From Kafka to Cinema: Kazuo Ishiguro’s Transmedia Reconstruction of Dream Narrative	0
Deterritorializing Hegemonic Globalization Progressively in Xiaolu Guo’s Experimental Writing: A Comparative Reading of A Concise Chinese-English Dictionary for Lovers a	0
Van Gogh and Myth in A. S. Byatt’s Still Life	0
Space, Time, and Progression: Narrating Chinese Americans Between Worlds in Literature	0
Paul’s Imaginary Revenge in Teddy Wayne’s The Great Man Theory	0
Climate Crises, Ruined Islands, and British Metamodernism	0
The Pattern Nexus: Postdigital Aesthetics, Technoscience and Mysticism in Tom McCarthy’s The Making of Incarnation and Beyond	0
Untwining the Threads in John Banville’s Birchwood : False Shadows, Bogus Plots and What Lies Beyond Unreliability	0
Come West, Young Woman: Jane Smiley’s Trailing Wives	0
“Memory Shot Through Holes”: The Idea of Postmemory in Elif Shafak’s The Island of Missing Trees	0
Capitalist Dreams, Posthuman Nightmares: AI and the Neoliberal Reordering of Humanity in Ian McEwan’s Machines Like Me and Kazuo Ishiguro’s Klara and the	0
Mr. Ambivalent: Jonathan Franzen and the Masculinization of the Middlebrow	0
Correction	0
Form After the Internet Novel: The Hermeneutics of Digital Ekphrasis	0
Scalar Anglosphere: Wasteocene Waters and Vulnerable Bodies in Chioma Okereke’s Water Baby	0
Shroud : John Banville’s Critique of the Critique of Ideology	0
Forced Migration Narratives and the Nation-State: ‘ Out’ and ‘ Go, Went, Gone’	0
The Carnivalesque in Hari Kunzru’s Gods Without Men and Emily St. John Mandel’s The Glass Hotel : A Bakhtinian Reading	0
Why Britain Chooses Brexit: Post-Imperial Affects in Julian Barnes’ Fiction and Brexlits	0
“Sharing the Same Soil”: The Critique of Post-Feminist Gender Identity and the Materiality of Body in Sally Rooney’s Normal People (2018)	0
Seeking Solidarity from Afar: Gurnah’s Vision for the Zanzibar National Community in By the Sea	0
Collapsed Modernities in the Twenty-First-Century Southern European Novel	0
Female (Mis)representation in Moroccan Male-Authored Postcolonial Literature: The Madwoman Trope in Mohamed Mrabet’s The Big Mirror	0
A Limbo Between Beckett and Kafka: The Tartar Steppe	0
Forgetting to remember: Amnesia as Metaphor in Chinese North American Literature	0
Arachne Silenced: Herstoriographic Metafiction and Gender Trouble in Stevie Davies’ Impassioned Clay (1999)	0
Vampire Aesthetics in Anne Rice’s Interview with the Vampire	0
Wayward Plots: Public Transport and Abolition Narratology in Namwali Serpell’s The Furrows	0
World Literature Sickness: Exile and Dissent in Azareen Van der Vliet Oloomi’s Call Me Zebra	0
Between Tenderness and Anger. Oscillation in Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk	0
“Something Else Already Opening up.” The Utopian Impulse and the Novum of Disability in Missouri Williams’s The Doloriad	0
Between Remembrance and Forgetting: Memory and the Concept of Home in Map of the Invisible World	0
From Senescence to Self-Renewal: Narrative of Gerontology and Journey in Ishiguro’s The Remains of the Day	0
Discard Ecologies and the ‘Hyposubject’ in Indra Sinha’s Animal’s People (2007)	0
Nonviolence as a Form of Caring in Buddhist and Posthumanist Contexts: Ruth Ozeki’s A Tale for the Time Being	0
Alienated Exclusion: Redefining Nationalistic Fundamentalism and Diasporic Identity in Mohsin Hamid’s The Reluctant Fundamentalist	0
African and Islamic: Doris Lessing’s Notion of Writerly Commitment in “The Small Personal Voice”	0
Joan Didion’s Woman Bartleby in Play It as It Lays	0
Toward an Ethics of Affinity: Posthumanism and the Question of the Animal in Two SF Narratives of Catastrophe	0
Fractured Spheres, Entangled Worlds: Reimagining the Anglosphere in the Age of Permacrisis	0
Photographic Evocation of Time: Identity, Memory, and Modernity in Claude Simon’s The Wind and W. G. Sebald’s Austerlitz	0
THE ‘ DERMOGROTESQUE’ BODY: ACNE, ALIENATION, AND AESTHETICS IN BUKOWSKI’S HAM ON RYE	0
Gothic Economics: Unmasking the Uncanny in Indian Literature	0
Klara and the Sun : Dystopia, Utopian Desire and Altermodernist Estrangement in Kazuo Ishiguro’s Science Fiction	0
Lateral Composition and Posthuman Community in Kazuo Ishiguro’s Klara and the Sun	0
The Summoning: Folk Horror and the Calendar Custom in Molly Aitken’s the Island Child (2020) and Zoe Gilbert’s Folk (2019)	0
“At the Edge of the Intactile Dark”: Gothic Minimalism in Cormac McCarthy’s The Passenger and Stella Maris	0
The Polyphony of the Border: Genre, Narrative, Collective History	0
Mapping Traumatized Bodies and Territories in Doris Lessing’s Mara and Dann: An Adventure	0
‘I Can Hear Schacht, You’re Right. Also the fans.’ David Foster Wallace’s Reading of Richard Schacht’s Alienation	0
“All the World’s a Stage”: Beckettian World(s) and Self-Reflexive Theatricality in Dermot Healy’s A Goat’s Song	0
“A Question, in the End, of Vision”: Pessimism and the Paradox of Marriage in Lauren Groff’s Fates and Furies	0
“This is Our Place”: Politics of Mobility and Reinhabitation in Ann Pancake’s Strange as This Weather Has Been	0
Unity Throughout Fragments: Childhood, Science, and Gender in Ian McEwan’s The Child in Time	0
You Equals Not-I : Avowal, Disavowal, and Second-Person Narration in Marlene van Niekerk’s Agaat	0
Deconstructing the Narrative of Fascination in J. M. Coetzee’s Waiting for the Barbarians and Foe	0
The Deprecation of the Non-German Other in Sabine Thiesler’s Novels: Representational Ethics and Popular Literature	0
Second-Person Narration and Self-Reflectivity: The Effectivity of the Narrative Technique in Empathizing with and Identifying the “Other” in N.K. Jemisin’s The Broken Earth	0
“It Began with Naming Things”: Mzungus and Other European Colonizers in Abdulrazak Gurnah’s Afterlives	0
The Tragedy of Alignment: Machinic Consistency and the Failure of Human Relations in Ian McEwan’s Machines Like Me and Kazuo Ishiguro’s	0