Critique-Studies in Contemporary Fiction

Article	Citations
Post/Human Perfectibility and the Technological Other in Kazuo Ishiguro’s Klara and the Sun	5
Mastering Otherness with a Look: On the Politics of the Gaze and Technological Possibility in Kazuo Ishiguro’s Klara and the Sun	4
Mirrors and Windows: Synthesis of Surface and Depth in Kazuo Ishiguro’s Klara and the Sun	3
ReopeningAgaat: Afrikaans, Encyclopedic Narrative, World Literature	3
Witnessing Trauma in Hanya Yanagihara's A Little Life	2
Tender Transgressions: Olga Tokarczuk’s Exercises in Postsecular Imagination	2
Artfulness: Intertextuality, Wordplay, and Precariousness in Contemporary Experimental Fiction	2
Poetics of Allegory in The Queue : Revolutionizing the Narrative of Arabic Science Fiction between Estrangement and Diglossia	2
Post-Socialist Realism. Authenticity and Political Conscience in the Romanian Literature of the 2000s	2
The Novel at the Limit	2
Scripting Urbanity through Intertextuality and Consumerism in N.K. Jemisin’s The City We Became: “I’m Really Going to Have to Watch Some Better Movies about New York”	2
Willed Arboreality: Feminist Worldmaking in Han Kang’s The Vegetarian	2
Against Anthropocentrism: A Stray’s Quest in Diane Cook’s The New Wilderness	2
Politics of Food and Gender in Bulbul Sharma’s The Anger of Aubergines and Eating Women, Telling Tales	1
“Moist, Living”: The Hydro-Logics of Red Tory	1
God in Secret: Elizabeth Strout’s Postsecular Fiction	1
Reviving from the Archive: Kazuo Ishiguro’s Modern Ghost Stories and Memory Writing	1
Redefining Anthropos and Life. A Phenomenological Reading of Ximen Nao’s Post-Human Journey Towards Enlightenment in Mo Yan’s Life and Death are Wearing Me Out	1
Rethinking Haruki Murakami: An Alternative History of Traumas and Aftermaths in Kafka on the Shore	1
Sheila Heti, Melanie Klein and Motherhood	1
Houellebecq, Pornographer? Monstration and the Remains of Sex	1
Beyond Necropolitics: Colum McCann’sApeirogon	1
The Queer-Cyberspace of Jeanette Winterson’s’ The Powerbook: A Critique of St. Augustine’s Metaphysical Philosophy	1
Buddhist-Ecofeminist Spiritualities: Beyond the Entanglement of New Materialism and Engaged Buddhism in Ruth Ozeki’sA Tale for the Time Being	1
W.G. Sebald’s The Rings of Saturn: Memories of the Holocaust in the Fluid Cartography of a “Natural History of Destruction”	1

The Short Autofictions of Eve Babitz, Lucia Berlin and Bette Howland	1
Hawaiian Spirituality and Religious Syncretism in Gary Pak’s Children of a Fireland	1
Dissolving the Body-Mind Problem: Science, Senses, and Situational Subjectivity in the Gate of Angels	1
Tension Between Embodied Structures and the Pursuit of Change: Exploring the Metaphysical Underpinnings of Olga Tokarczuk’s Flights	1
Registering Trauma and the Construction of Narrative in Ian McEwan’s The Innocent	1
Kazuo Ishiguro’s Development of Stories through Film	1
A Retinal Twitch, A Misfired Nerve Cell: The Neuroscience of The Crying of Lot 49	1
‘Storied Matter’ & the Human Response In: Joy Williams’s The Changeling and Samantha Hunt’s The Seas	1
The Poetics of Re-Enchantment: Penelope Fitzgerald’s The Beginning of Spring	1
Toward an Ethics of Affinity: Posthumanism and the Question of the Animal in Two SF Narratives of Catastrophe	1
Forced Migration Narratives and the Nation-State: ‘ Out’ and ‘ Go, Went, Gone’	1
“Pain Comes in Waves”: Eroding Bodies in Colm Tóibín’s The Blackwater Lightship	1
Hacking the Society of Control: The Fiction of Hari Kunzru	1
Historicizing Madness in Jean Rhys’s Wide Sargasso Sea	1
The Experience of Return in Chimamanda Ngozi Adichie’s Americanah : Expanding the Category of the “Cosmopolitan Stranger”	1
From Other to Posthuman: Meiji’s Journey in Manjula Padmanabhan’s Escape and The Island of Lost Girls	1
Getting into Character: Racial Passing and the Limitations of Performativity and Performance in Brit Bennett’sThe Vanishing Half	1
African and Islamic: Doris Lessing’s Notion of Writerly Commitment in “The Small Personal Voice”	1
Calibrating the “Feminine” and the “Speculative” in Selective Short Stories of Vandana Singh	1
Urban Apocalypse, Global Precarity, and Uncanny Liminality in Colson Whitehead’sZone Oneand Ling Ma’sSeverance	1
Ben Lerner’s Novels and the Syntax of Collectivity	1
Realism, Postmodernism, and Authenticity in the Contemporary Circus Novel	1
The Ways of Seeing and Making in Ali Smith’sHow to Be Both	1
“Bodies in the Way”: Melancholia and Resistance in Fadia Faqir’sMy Name Is Salmaand Leila Aboulela’sMinaret	0
The Desiring Subject Vs. the Object of Desire in Indra Sinha’s Animal’s People (2007)	0
Losing “Touch”: The Sense of Belonging in Brit Bennett’s The Vanishing Half	0
“He Doesn’t Belong in This House”: The Uncanny Cousin in Two Mid-Century Gothic Novels	0
’’ I’m a Woman. Man, Woman, M–Woman .’’ – Identity, Sexuality, and the Body in the Short Fiction of Malika Moustadraf	0
Toward an Ethics of Witnessing: Refugee Memory and Community in Gish Jen’s World and Town	0
The Sound of Capitalism: Thomas Pynchon’s Critique of Future Economic Realities through Don Giovanni in Bleeding Edge	0
Unsettling Frontiers: Property, Empire, and Race in Denis Johnson’s Train Dreams	0
Towards an Ethics of Reading: Syntax and Self-Care in Depression Narratives	0
“Fucked in the Head and Liking It”: Atomik Aztex , Postcoloniality, Psychosis of Civilization	0
Reading the Graphic Narrative “The Taboo,” from the Anthology This Side, That Side: Restorying Partition: Graphic Narratives from Pakistan, India, Bangladesh , As a Micr	0
Mapping Traumatized Bodies and Territories in Doris Lessing’s Mara and Dann: An Adventure	0
Do It Yourself Dystopia: The Digital Future in Dave Eggers’s The Every	0
The Politics of Nostalgia: Postmodernism, Capitalism and Repetition in Tao Lin’s Taipei	0
Like a Record: The Muse and Mimesis of The Forensic Records Society	0
Mr. Ambivalent: Jonathan Franzen and the Masculinization of the Middlebrow	0
Neoliberal Humanism: Never Let Me Go and the Value of the Humanities	0
Doris Lessing’s Ethical Narrative in The Diary of a Good Neighbor	0
Sounds of the Contemporary: Listening to the Present in Richard McGuire’s Here	0
Minds, Mapping Minds, Mapping Minds: Reading the Complex Minds of Richard Powers’sThe Echo Maker	0
Climate Crises, Ruined Islands, and British Metamodernism	0
“‘Pleading Human’ in Paul Beatty’s The Sellout”	0
Enforcing Masculinities at the Border: An Ecomasculinist Reading of Cormac Mccarthy’s the Crossing	0
World Literature Sickness: Exile and Dissent in Azareen Van der Vliet Oloomi’s Call Me Zebra	0
“Playing God, Are We?”: The Cosmogonic Concoction in Kurt Vonnegut’s Galápagos	0
“May the Circle Be Unbroken”: Looking at the Relations between Self, Other and the World from a Critical Cosmopolitan Outlook in Julia Alvarez’s Finding Miracles	0
“Do You Love Him yet?”: The Aesthetics of Post-Traumatic Recuperation and the Fiction of J. M. Coetzee	0

Time Is on Our Side?: Homo Economicus in Time-Travel Romance	0
Illness and Sebald’s Dialectics of Literary Historiography	0
Vampire Aesthetics in Anne Rice’s Interview with the Vampire	0
The Urban Essential Solitude of the Hunger Character: A Blanchotian Reading of PAUL Auster’s Moon Palace	0
“Faux Apparitions: Angels or Cannibals, Between Coetzee and Defoe ”	0
“The Dance, the Music, the Rave”: Partying, Pleasure, and the Politics of Cultural Production in Morvern Callar 1995 and Morvern Callar 20	0
The Deprecation of the Non-German Other in Sabine Thiesler’s Novels: Representational Ethics and Popular Literature	0
Faulty Power in the Faculty Tower: James Hynes’s The Lecturer’s Tale as a Parody of William Shakespeare’s Macbeth	0
Rhythmic Impersonality: The Legacy of Modernist Racialism in Zadie Smith’sSwing Time	0
“The City Eats and Sleeps Noise”: Don DeLillo’s Cosmopolis and the Contours of Entangled Corporeality	0
The Polyphony of the Border: Genre, Narrative, Collective History	0
A Hermeneutical Revisit to ‘Biographic Metafiction’ through A.S. Byatt’sPossession: A Romance	0
Aesthetics for Idiots: Truth and Beauty in Elif Batuman’sthe Idiot	0
“I’m Here”: Isolation and Presence in the Short Stories of Tobias Wolff	0
J.G. Ballard’s Depiction of Global Psychodynamics: “The Terminal Beach” and Pre-Traumatic Stress	0
The Climate of Indigenous Literature: Thomas King’s Anthropocene Realism	0
Between Maternity and Autonomy: Radical Mothering in Mona Simpson’sAnywhere but Here	0
Ilja Leonard Pfeijffer’s Literary Resistance to Right-Wing Populist Discourse in Grand Hotel Europa (2018)	0
Undoing Olive: Living with Alterity in Elizabeth Strout’sOlive KitteridgeBooks	0
Memory and the Jungian Unconscious in J. G. Ballard’s Autobiographical Narratives	0
Madness, Authorship, and the City: Elvira Navarro’sA Working Woman	0
Repressive Mythologies: Defensive Nostalgia in Ishiguro, McEwan and Ondaatje	0
INTRODUCTION - Special Issue: The Novel at Its Limits	0
A Just Englishman in Russia: The Ethical Self in Penelope Fitzgerald’s The Beginning of Spring	0
Political Memory, Amnesia and Identity in Playing Madame Mao	0
Indigenizing Blankness in the Works of Leanne Betasamosake Simpson, Gerald Vizenor, and Jordan Abel	0
Lacan, Shadow Feminism, and Paul Auster’s City of Glass	0
Extracting the Ultradeep Oil: David Mitchell’s The Bone Clocks	0
Olli Jalonen’s Literary Explorations of Time, Space, and Existential Meaning	0
Van Gogh and Myth in A. S. Byatt’s Still Life	0
Come West, Young Woman: Jane Smiley’s Trailing Wives	0
Jerusalem Time: Reading Contemporary Israeli Dystopias	0
“Interspecies Empathy and Canine Captivity in Karen Russell’s Short Fiction”	0
A Pale View or a Cryptic View	0
Monstrous Technology in Thomas Pynchon’s Bleeding Edge : The Internet as Terror and Transformation	0
Scheherazade Unbowed: Muslim Arab Women Diaspoetics in Fadia Faqir’s The Cry of the Dove (2007)	0
The Warped Bildung: Parody, Postmodern Gothic, and the Bildungsroman in Iain Banks’s The Wasp Factory	0
Insignificant Inheritance: Repairing Domestic Interiors	0
The Ethics and Politics of Love and Freedom in J. M. Coetzee’s Age of Iron	0
Articulating the Collective Immigrant Experience in Canada: The Boat People and Shut Up, You’re Pretty	0
Holding the Pen: Visions and Revisions of the American South in Sherley Anne Williams’s Dessa Rose	0
“This Sense of Otherness”: The Horrors of the Countryside in Andrew Michael Hurley’s Starve Acre	0
“Posthuman Intersections in BrexLit: Representing Migration in Contemporary British Fiction”	0
Ekphrasis and Ways of Seeing in DeLillo’s Zero K	0
The Author as Reader: Reading Auster Reading Crane	0
Limitations of Postmodern Irony: How David Foster Wallace Writes a Superior Critique of American Consumerism in Infinite Jest Compared with Bret Easton Ellis’s ‘	0
“Memory Shot Through Holes”: The Idea of Postmemory in Elif Shafak’s The Island of Missing Trees	0
Palimpsestuous Fragmentation in James Cahill’s Tiepolo Blue	0
“A Jail within a Jail”: Concealment and Unveiling as Narrative Structure in Colson Whitehead’sThe Nickel Boys	0
Why is this (K)night Different: Passover, Blood, War, and the Conflict Between Jewish and American Identity in Jo Sinclair’s Wasteland and Dara Horn’s All	0
The Time Regulation Institute: The transition from the Muvakkithane to the Institute	0
Rescuing Precarious Bodies: Biopolitics and Haitian Health in Edwidge Danticat’s Diasporic Writing	0
What We Talk About When We Talk About Love in the Digital Age: Technology, Intimacy, and Affect in Olivia Sudjic’s Sympathy and Lauren Oyler’s Fake Accoun	0
Frontier Stories: Burnt Shadows and an Alternative Ethic of Narrativizing Violence	0
Social Reproductive Labor and Uto/Dystopia: An Analysis of Leila, Midnight Robber and Woman World	0
Abjecting the Racial Agency in Damon Galgut’s The Promise	0
Global Forms in Bolaño’s 2666 : Genre, Race, Capital	0
Arachne Silenced: Herstoriographic Metafiction and Gender Trouble in Stevie Davies’ Impassioned Clay (1999)	0
Eastern Premise: Writing the East of England in the Novels of Graham Swift	0
Enforced Conviviality and the Violence of Care in Han Kang’sThe Vegetarian	0
Pushing the Boundaries of Dystopia: Anna Burns’s Milkman	0
Materialism of Numbers in J. M. Coetzee’s The Schooldays of Jesus	0
Reading with(out) Suspicion: Atwood, Sedgwick and Critical Practice	0
The Invasiveness of Healing in Mohsin Hamid’s the Reluctant Fundamentalist	0
The Failure of Imagination and its Redemption: John Banville‘s The Book of Evidence	0
‘At the Edge of the Intactile Dark’: Gothic Minimalism in Cormac McCarthy’s The Passenger and Stella Maris	0
The Short Story and Intertextuality: Fictional Discreteness, Textual Self-Sufficiency and the Concept of the Uncanny Resemblance	0
A Postsecular Reading of Nonsensical Caring in Ali Smith’s Fiction	0
Post-postmodernist Esthetics of Irrelevance: Textual Disability as Narrative Prosthesis (The Lin/Wallace Connection)	0
That “Willful” Migrant Adulteress: Female Embodiment and Diasporic Melancholia in Chandani Lokugé’s Softly, as I Leave You	0
Man and Beast: Mo Yan’s Details and Politics	0
The Psychology of Dictatorship: A Journey into Muammar Gaddafi’s Mind in Yasmina Khadra’s The Dictator’s Last Night	0
Between Tenderness and Anger. Oscillation in Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk	0
Opaque Poetics in Salvador Plascencia’s The People of Paper	0
Guerrilla Gardening: At the Intersection of Birnam Wood and Minneapolis	0
A Limbo Between Beckett and Kafka: The Tartar Steppe	0
Juxtaposition and Asynchronicity as Postcolonial Poetics in Elaine Castillo’s America Is Not the Heart	0
Theory (And/Or) Fiction: Academic Writing, Inhuman Horror, and the New Weird in Reza Negarestani’s Cyclonopedia	0
“With an Eye to Their Later Existence as Ruins”: Language, Materiality, and the Ruin in the Work of W.G. Sebald	0
The Thinking Self and Discourse of Love Lead to Self-Knowledge in Iris Gomez’s Try to Remember	0

Transitions and Acknowledgments	0
National Families and Private Companies: Narrative Structure and Economies of Exchange in Jane Smiley’sthe Last Hundred Years Trilogy	0
Edges, Borders, Peripheries: Contested European Imaginaries and Narrative Forms	0
What Is Punch that They are Mindful of Him? Neil Gaiman, Ben Aaronovitch, and Russell Hoban	0
Joan Didion’s Woman Bartleby in Play It as It Lays	0
“The Interconnectedness and Spiritual Equality of All Things”: Recovering Indigenous Ecological Imagination in Postcolonial Australian Fiction	0
Homebound: Compromised Petroculture Criticism in American Neoliberal Family Novels	0
Capitalized Pollution and Inhabitability Critique in Kazuo Ishiguro’s Klara and the Sun	0
Autism and Post-Human: A Cyborgian Reading of Sabina Berman’s Me Who Dove into the Heart of the World	0
Immigrant Ghosts and Haunted Heritages in Rani Manicka’s The Rice Mother	0
“Something Else Already Opening up.” The Utopian Impulse and the Novum of Disability in Missouri Williams’s The Doloriad	0
Second-Person Narration and Self-Reflectivity: The Effectivity of the Narrative Technique in Empathizing with and Identifying the “Other” in N.K. Jemisin’s The Broken Earth	0
Infrastructure and the Valences of the Literary in Fiston Mwanza Mujila’s Tram 83	0
Interrogating “Feeling Politics”: Animal and Vegetal Empathy in Han Kang’s The Vegetarian	0
An Esthetic of the Meaningless: The Problem of Knausgaard’s Readability	0
Yearning for the Plot Enclosure in Ian McEwan’s Black Dogs	0
“A Question, in the End, of Vision”: Pessimism and the Paradox of Marriage in Lauren Groff’s Fates and Furies	0
Female Pleasure and Car Accidents: Signifying Alice Munro’s Middle Stories	0
“I’m a Person like Any Goddamn Man’s a Person”: Feminine Cognitive Embodiment in Kathy Goes to Haiti	0
Beyond Blah Blah Blah: Climate and Historical Justice in Peter Dimock’s Daybook from Sheep Meadow	0
From a Pin to an Elephant: Politics of Consumption and the Debordian Spectacle in James Lovegrove’s Days	0
The Economic Wonderland of Thomas Pynchon’s the Crying of Lot 49	0
Post-Apocalyptic Fiction and the Limits of Optimism: A Pessimistic Reading of Cormac McCarthy’s The Road	0
“It Began with Naming Things”: Mzungus and Other European Colonizers in Abdulrazak Gurnah’s Afterlives	0
Most Alive: Vibrant Taxidermy and Art as Futural Practice in Kristen Arnett’s Mostly Dead Things	0
The Architecture of Narrative Reciprocity in Ali Smith’s How to Be Both	0
Paul’s Imaginary Revenge in Teddy Wayne’s The Great Man Theory	0
From the Obstructive “Mountain” to the Free “Water”: Examining the Evolution of Transculturalism in Ling Zhang’s Immigrant Narratives	0
“He Was Struck Out. Deleted”: We Need to Talk about Wesley in Nicola Barker’s Behindlings	0
The Summoning: Folk Horror and the Calendar Custom in Molly Aitken’s the Island Child (2020) and Zoe Gilbert’s Folk (2019)	0
Female (Mis)representation in Moroccan Male-Authored Postcolonial Literature: The Madwoman Trope in Mohamed Mrabet’s The Big Mirror	0
Motherlands in Europe. Economic Subalternity and Fantasies of Family in Contemporary Romanian Literature of Migration	0
Overcoming Daddy: The Daughter’s Rite of Passage in Joyce Carol Oates’ Late Novels	0
The Image as Double-edged Sword – Don DeLillo’s Falling Man and Non-violent Resistance to Fundamentalist Ideologies	0
Gender Politics in Question: A Comparative Study of Edna O’Brien and Li Ang	0
Shroud : John Banville’s Critique of the Critique of Ideology	0
An Intertextual Approach to the Question of Literary Plagiarism: Ian McEwan’s Atonement , Solar , and My Purple Scented Nov	0
Revisiting Richard Ford’s The Sportswriter	0
Neomodernism and the Social Novel: Rachel Cusk’sOutline Trilogy	0
“Pointing at Shadows”: Wallace, Wittgenstein, and the Problem of Putting Pain into Words	0
A Taoist Interpretation of Dragons’ Feminine Power and Genderless Nature in the Earthsea Cycle	0
A Bastard’s Confession: National Forgetting, Remasculinization, and the Ethics of Just Memory in Viet Thanh Nguyen’sThe Sympathizer	0
Blooming against Meat: Silence, Starvation, and Arboreal Subjectivity in Han Kang’s The Vegetarian	0
Correction	0
Discard Ecologies and the ‘Hyposubject’ in Indra Sinha’s Animal’s People (2007)	0
‘I Can Hear Schacht, You’re Right. Also the fans.’ David Foster Wallace’s Reading of Richard Schacht’s Alienation	0
Arboreal Obliquity or Trees Doing the Human in Murray Bail’s Eucalyptus	0
Shakespeare and Other Suspects: The Concealed Narrator in Ian McEwan’s Nutshell	0
“ Ma semblable, ma soeur ”: Negative Capability and Self-Fashioning in “The Quilt Maker” by Angela Carter and Flights by Olga Tokarczuk	0
Metabibliographic Fiction: Metafiction After the Death of the Book in Steven Hall’s Maxwell’s Demon and Nicola Barker’s I Am Sovereign	0
Sexuality and Irish Identity in Patrick McCabe’s Breakfast on Pluto	0
Driving While Brown: The American Road Trip in H.M. Naqvi’s Home Boy	0
Deconstructing and Reconstructing Englishness: National Symbolism of the County House in McEwan’s Atonement	0
Who Is Afraid of the Mad Man?: Demythologizing the State’s Narrative of Riots in Gillian Slovo’s Ten Days and J.G. Ballard’s Kingdom Come	0
“Sharing the Same Soil”: The Critique of Post-Feminist Gender Identity and the Materiality of Body in Sally Rooney’s Normal People (2018)	0
Fearful and Shameful: Affective and Ethical Reactions to Modernity in David Mitchell’sCloud Atlas	0
Infrastructural Closure, Rupture, and Insurgency in Lidia Yuknavitch’s The Book of Joan	0
Ghostly Thinking and Fictional Dwelling: Heidegger’s Philosophy of Nature and Rushdie’s The Satanic Verses	0
Indentured History in Lore: Theorizing the Communal Discourse Archive	0
Artists in Isolation: The Paradox of Recognition in Paul Auster’sthe Book of Illusions	0
Writing Space and Death Experience in Saul Bellow’s Novels	0
The Stepford Wives, Or: The Horrors of Domesticity	0
The Possession-Possessor Dichotomy in the Turkish-Museum Novel	0
Trash, ‘White Trash’ and ‘Wasted Humans’: Racial and Environmental (In)Justice in Tristan Egolf’s Lord of the Barnyard	0
The Cyborg’s Plant: Trans-corporeality in Kim Cho-yeop’s The Greenhouse at the End of the Earth	0
The End of the 90s in Porochista Khakpour's The Last Illusion, Rachel Kushner's The Mars Room and Ottessa Moshfegh’s My Year of Rest and Relaxation	0
Trauma and the Science Fiction of the Interior in Tom McCarthy’s Remainder	0
Challenging the Boundaries between Humanity and Animality: Becoming(s) in Adrian Tchaikovsky’s Echoes of the Fall Trilogy	0
Graphic Capitaloscenes: Drawing Infrastructure as Historical Form	0
Chinese Ulysses	0
When the Powerpolis Paused: Representations of Political Trauma of Indian Emergency in Delhi Calm	0
Sarah Perry’s Melmoth and the Implications of Gothic Form	0
How to Blow Up a Novel: Pipeline Insurgency and Narrative Form in Alexis Wright’sCarpentaria	0
Collapsed Modernities in the Twenty-First-Century Southern European Novel	0
Memory Writing and Cosmopolitan Identity in Timothy Mo’s Pure	0
“From Plátano Player to Questioning Chronicler—Historiography in Junot Díaz’s The Brief Wondrous Life of Oscar Wao”	0
Left in the Dark: Regimes of Affect and Political Passivity in Kazuo Ishiguro’sthe Remains of the Day	0
Subversive Triviality: John Ashbery’s and James Schuyler’s A Nest of Ninnies	0
The Missing Corpse in Contemporary Iraqi Fiction: Ahmed Saadawi’s Frankenstein in Baghdad and Muhsin Al-Ramli’s Daughter of the Tigris	0
The Misanthropocene in California: Susan Straight’s Blacker Than a Thousand Midnights and Joan Didion’s The Last Thing He Wanted	0
Can Androids Write Science Fiction? Ian McEwan’s Machines like Me	0
Time, Clocks, and Illnesses in Paul Harding’s Tinkers	0
Beyond the Novel: Satire in Eastern Europe and Volodymyr Rafeyenko’s Mondegreen (2019)	0
Changing Horses: The Legacy of the Quixote in the Novels of Ian McEwan	0
A Look at the Gaze in Tolkien’s The Lord of the Rings	0
Hernan Díaz on “Trust” in Literature	0
Sacred Water: Neo-Spiritual Consumerism in Catherine Chanter’s The Well	0
“I Am Not Returning Home”: A Transgender Reading of Jeff VanderMeer’s Annihilation	0
Performativity and Performance: Identities and Multi-Dimensional Psychological Passing in Go Tell It on the Mountain	0
Revisiting Trauma Through The Bluest Eye	0
An Ecological View in Kazuo Ishiguro’s Never Let Me Go: The Landscape of Nagasaki Implied by the Narrator	0
What Future for a Europe of the Past? Myth, Memory, and the Map of Time in the Work of Jean Raspail and Georgi Gospodinov	0
Natural Agency and Community in Paul Harding’s Tinkers	0
The Apocrypha of The Maples Stories: John Updike’s Fe/Male Points of View Reconsidered	0
You Equals Not-I : Avowal, Disavowal, and Second-Person Narration in Marlene van Niekerk’s Agaat	0