Critical Survey

Papers
(The TQCC of Critical Survey is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Romantic Love, Gender Imbalance and Feminist Readings in Iris Murdoch’s The Sea, The Sea4
Västanå Teater's 1996 Hamlet4
Between Two Worlds3
Whose Othello Are We Talking About Anyway?2
Terrorism and Culture2
Actualising History2
Reflections on Co-Creativity in Early Modern Drama2
A Sacrament of Intellectual Self-Gratification2
Ibsen’s Arab Journey2
Critical Discourse from Ancient Literature to Contemporary Literature1
Redeeming Lady Macbeth1
Restriction and Oppression of Women under the Feudal System in the Drama ‘The Jade Hairpin’1
Constructing Childhood through Remembrance in Selected Short Stories by Alice Munro1
Alterity and Tragicality in Shakespeare and Fitzgerald1
The Tempest and The Faerie Queene1
Ethnographic characteristics of traditional poems (on the material of family customs)1
‘All the world’s a [post-apocalyptic] stage’1
An Anti-Imperial Mythology1
Susan Abulhawa’s Appropriation of Shakespeare’s Romeo and Juliet1
‘The Seasons’1
(There Is) Nothing Like a Dane1
‘Need’ and ‘Desire’ in Shakespeare's Sonnets and Mawlana's Ghazals1
The Question of Culpability in Shakespeare’s Antony and Cleopatra0
Shakespearean Boars and Dolphins0
‘Fanciful associations’0
Almost Shakespeare – But Not Quite0
Fairy-tale and mythological descriptions in the epic ‘Manas’0
Editorial0
Francis Meres Revisited0
Transgressive Catholicism0
Shakespeare's Sonnet 145 and the Challenges of Legacy Criticism0
Liturgical Time in Chaucer’s Canterbury Tales0
The Interactive Verbal Network of Early Modern Theatre0
The Speech Act of Promising in Romantic Love0
Ian McEwan Celebrates Shakespeare0
Flights of Fancy and the Dissolution of Shakespearean Space-Time in Angela Carter’s Nights at the Circus0
The Apocalyptic Image of the Beast in William Blake’s ‘The Tyger’ and W.B. Yeats’ ‘The Second Coming’0
Hallucinations in Post-9/11 American Poetry0
‘Failed Feminism’0
‘|Y]oung Hamlet’0
The influence of urbanisation processes on the national culture of the Kazakh people0
Othello’s ‘Travailous History’0
Sweden and Shakespeare's Protestant Afterlife0
Editorial0
Whoso List to Find?0
Abai in Alash heritage0
Carol Ann Duffy's ‘Standing Female Nude’0
Modernising Misogyny in Shakespeare’s Shrew0
A Kingdom for a Mirth0
On the Verge of the Here and Now0
The Construction of Muslim Women Characters in Early English Drama0
The Narrative Mechanism of Mainstream Ideology0
Canon Fodder and Conscripted Genres0
Postmodern Depthlessness and the Psyche0
Simulation, Fetishism and World Domination0
Genealogical Traces of the Misogynistic Murder Motif in Eugene O'Neill's Autobiographical Tragedies0
The distribution area of Kazakh children's folklore0
Shakespeare’s Clarence0
‘You Mean Some Strange Revenge’0
Turkish History on the Early Stuart Stage0
‘Moving back and forth of the I’0
Exploring Chinese Literature from a Critical Perspective0
Ukrainian historical prose archaisms0
Lexical reflection of collectivisation in literary works in Kazakhstan in the early 1930s0
Introduction0
Introduction0
The Last Roman King0
Nathaniel Lee’s Politics of Sovereignty0
Millennial Dark Ladies0
Loving Shakespeare0
Alienating Hamlet0
‘A Scorneful Image of this Present World’0
‘Fanciful associations’0
Liturgical Time in Chaucer’s Canterbury Tales0
Reflecting upon Coriolanus as Being-in-and-for-Mother through the Gaze of Existential Semiotics0
A Critical Appreciation of Socratic Philosophical Thought in the Narrative of Euthyphro from the Perspective of Chinese Literature0
Fudging the Outcome of Much Ado About Nothing0
Urban Decay or the Uncanny Return of Dionysus0
Ethics, Sublimity and Hospitality0
‘Changed to another form’0
Elli Tompuri's Female Hamlet, 19130
The Becoming-Greek Tragedy of Julian Barnes's Love, etc0
‘To Say What Could Not Be Said’0
Manipulation of Theatrical Audience Size0
The Restoration Muslim Tangerines Caliban and Sycorax in Dryden-Davenant’s Adaptation of Shakespeare’s The Tempest0
Collaborating with the Dead0
Ninagawa’s Ancient Journeys0
The Way of the Bodhisattva0
An Analysis of Critical Discourse Construction in Xinjiang-Related Literary Works0
Preserving cultural identities0
‘These arts I used with thee’0
Lear’s Subjectivity and Apotheosis0
Biblical Mythopoeia, Gendered War and Sexuality in D. H. Lawrence's ‘Samson and Delilah’0
Lear Reassembled0
Fudging the Outcome of Much Ado About Nothing0
The Sociolinguistic Dynamics of Grotesque and Satire0
Titus and Coriolanus in Tehran0
Editorial0
Urban Decay or the Uncanny Return of Dionysus0
Thinking about Collaboration0
‘We read Hamlet together’0
Romantic Love, Gender Imbalance and Feminist Readings in Iris Murdoch’s The Sea, The Sea0
Whoso List to Find?0
Massinger’s Strange Pirates0
Harold Bloom and William Shakespeare0
‘Besmeared with Sluttish Time’0
Evaluation of the Interplay between Literature and Art0
Poetry0
In Memoriam0
What Is Early Modern Dramatic Collaboration?0
‘As a Stranger Give it Welcome’0
Noise, Sound and Fury in Macbeth0
Comparative poetics of wedding ritual folklore of Central Asian Turks0
A New Interpretation of ‘无恶’ in the Book Analects · Li Ren0
Trauma in Nada Jarrar's An Unsafe Haven (2016) and Dima Wannous’ The Frightened Ones (2020)0
The Cultural Transformation of the Trope of the Renegade in Late Seventeenth- and Early Nineteenth-Century English Drama0
The Future of Andrew Marvell0
Counterpoint as a means of creating an author's commentary in a film0
Origin, life and traditions of the Kazakhs in Central Asia, and their influence on modern Kazakhstan0
Introduction0
Unaccommodated Religion0
‘Our Troy, our Rome’0
‘Our golden crown’0
Introduction0
Analysis of the Global Literary Significance of Foreign Novel Translations in Late Qing China0
The Historical Process of Manchu Cultural Identity0
Poetry0
Putting Strangeness in Perspective0
Editorial0
Editorial0
A Danish Fool at Elsinore?0
Poetry0
John Ford’s Strange Truth0
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