OOIR: Observatory of International Research

Papers

(The median citation count of Critical Survey is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)

Article	Citations
Romantic Love, Gender Imbalance and Feminist Readings in Iris Murdoch’s The Sea, The Sea	4
Between Two Worlds	4
Terrorism and Culture	3
A Sacrament of Intellectual Self-Gratification	2
Reflections on Co-Creativity in Early Modern Drama	2
Whose Othello Are We Talking About Anyway?	2
Västanå Teater's 1996 Hamlet	2
Ibsen’s Arab Journey	2
Actualising History	1
Susan Abulhawa’s Appropriation of Shakespeare’s Romeo and Juliet	1
‘The Seasons’	1
Ethnographic characteristics of traditional poems (on the material of family customs)	1
‘Besmeared with Sluttish Time’	1
Redeeming Lady Macbeth	1
Critical Discourse from Ancient Literature to Contemporary Literature	1
On the Edge of Reality	1
Restriction and Oppression of Women under the Feudal System in the Drama ‘The Jade Hairpin’	1
(There Is) Nothing Like a Dane	1
Liturgical Time in Chaucer’s Canterbury Tales	1
Alterity and Tragicality in Shakespeare and Fitzgerald	1
The Tempest and The Faerie Queene	1
‘Need’ and ‘Desire’ in Shakespeare's Sonnets and Mawlana's Ghazals	1
Constructing Childhood through Remembrance in Selected Short Stories by Alice Munro	1
In Memoriam	1
The influence of urbanisation processes on the national culture of the Kazakh people	0

Sweden and Shakespeare's Protestant Afterlife	0
Cultivating Wisdom through Ancient Chinese Philosophy	0
Reflecting upon Coriolanus as Being-in-and-for-Mother through the Gaze of Existential Semiotics	0
A Critical Appreciation of Socratic Philosophical Thought in the Narrative of Euthyphro from the Perspective of Chinese Literature	0
Elli Tompuri's Female Hamlet, 1913	0
An Analysis of Critical Discourse Construction in Xinjiang-Related Literary Works	0
Carol Ann Duffy's ‘Standing Female Nude’	0
Unaccommodated Religion	0
A Kingdom for a Mirth	0
Noise, Sound and Fury in Macbeth	0
Introduction	0
The Last Roman King	0
Fudging the Outcome of Much Ado About Nothing	0
Lexical reflection of collectivisation in literary works in Kazakhstan in the early 1930s	0
Counterpoint as a means of creating an author's commentary in a film	0
Evaluation of the Interplay between Literature and Art	0
Putting Strangeness in Perspective	0
American Feminist Poetry	0
Turkish History on the Early Stuart Stage	0
A Danish Fool at Elsinore?	0
‘Fanciful associations’	0
The Question of Culpability in Shakespeare’s Antony and Cleopatra	0
‘You Mean Some Strange Revenge’	0
The Speech Act of Promising in Romantic Love	0
Whoso List to Find?	0
Fairy-tale and mythological descriptions in the epic ‘Manas’	0
Introduction	0
Introduction	0
The Interactive Verbal Network of Early Modern Theatre	0
Poetry	0
Germany in the Russian Jewish Mind during the Cold War	0
Poetry	0
Postmodern Depthlessness and the Psyche	0
The Cultural Transformation of the Trope of the Renegade in Late Seventeenth- and Early Nineteenth-Century English Drama	0
Liturgical Time in Chaucer’s Canterbury Tales	0
The Future of Andrew Marvell	0
Origin, life and traditions of the Kazakhs in Central Asia, and their influence on modern Kazakhstan	0
‘Failed Feminism’	0
Ethics, Sublimity and Hospitality	0
Editorial	0
Manipulation of Theatrical Audience Size	0
Abai in Alash heritage	0
Introduction	0
Ninagawa’s Ancient Journeys	0
The Historical Process of Manchu Cultural Identity	0
Othello’s ‘Travailous History’	0
‘Fanciful associations’	0
The Restoration Muslim Tangerines Caliban and Sycorax in Dryden-Davenant’s Adaptation of Shakespeare’s The Tempest	0
Transgressive Catholicism	0
‘These arts I used with thee’	0

Genealogical Traces of the Misogynistic Murder Motif in Eugene O'Neill's Autobiographical Tragedies	0
The distribution area of Kazakh children's folklore	0
Lear Reassembled	0
Editorial	0
John Ford’s Strange Truth	0
Shakespeare’s Clarence	0
Ukrainian historical prose archaisms	0
‘Moving back and forth of the I’	0
Shakespearean Boars and Dolphins	0
Shakespeare's Sonnet 145 and the Challenges of Legacy Criticism	0
Lear’s Subjectivity and Apotheosis	0
Massinger’s Strange Pirates	0
Editorial	0
The Apocalyptic Image of the Beast in William Blake’s ‘The Tyger’ and W.B. Yeats’ ‘The Second Coming’	0
Biblical Mythopoeia, Gendered War and Sexuality in D. H. Lawrence's ‘Samson and Delilah’	0
‘A Scorneful Image of this Present World’	0
Hallucinations in Post-9/11 American Poetry	0
What Is Early Modern Dramatic Collaboration?	0
‘In the old age black was not counted fair’	0
The Becoming-Greek Tragedy of Julian Barnes's Love, etc	0
Comparative poetics of wedding ritual folklore of Central Asian Turks	0
‘\|Y]oung Hamlet’	0
‘Changed to another form’	0
On the Verge of the Here and Now	0
Urban Decay or the Uncanny Return of Dionysus	0
A New Interpretation of ‘无恶’ in the Book Analects · Li Ren	0
‘To Say What Could Not Be Said’	0
‘Our Troy, our Rome’	0
‘Our golden crown’	0
Collaborating with the Dead	0
The Way of the Bodhisattva	0
Whoso List to Find?	0
Alienating Hamlet	0
The Narrative Mechanism of Mainstream Ideology	0
Francis Meres Revisited	0
Preserving cultural identities	0
Trauma in Nada Jarrar's An Unsafe Haven (2016) and Dima Wannous’ The Frightened Ones (2020)	0
Narratives of Neocolonialism and Resilience in Peter Kimani's Before the Rooster Crows	0
The Sociolinguistic Dynamics of Grotesque and Satire	0
Givers and Gifts, Mothers and Writers	0
Exploring Chinese Literature from a Critical Perspective	0
Urban Decay or the Uncanny Return of Dionysus	0
Titus and Coriolanus in Tehran	0
Editorial	0
Thinking about Collaboration	0
‘We read Hamlet together’	0
Harold Bloom and William Shakespeare	0
Simulation, Fetishism and World Domination	0
Nathaniel Lee’s Politics of Sovereignty	0
Romantic Love, Gender Imbalance and Feminist Readings in Iris Murdoch’s The Sea, The Sea	0
Analysis of the Global Literary Significance of Foreign Novel Translations in Late Qing China	0
The Construction of Muslim Women Characters in Early English Drama	0
‘As a Stranger Give it Welcome’	0
Fudging the Outcome of Much Ado About Nothing	0
Universal Human Values in Kazakh Poetry of the Late Twentieth to Early Twenty-First Centuries	0