Critical Survey

Papers
(The median citation count of Critical Survey is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Romantic Love, Gender Imbalance and Feminist Readings in Iris Murdoch’s The Sea, The Sea4
Between Two Worlds4
Terrorism and Culture3
Reflections on Co-Creativity in Early Modern Drama2
Whose Othello Are We Talking About Anyway?2
Västanå Teater's 1996 Hamlet2
Ibsen’s Arab Journey2
A Sacrament of Intellectual Self-Gratification2
Redeeming Lady Macbeth1
(There Is) Nothing Like a Dane1
Liturgical Time in Chaucer’s Canterbury Tales1
Restriction and Oppression of Women under the Feudal System in the Drama ‘The Jade Hairpin’1
Alterity and Tragicality in Shakespeare and Fitzgerald1
The Tempest and The Faerie Queene1
Germany in the Russian Jewish Mind during the Cold War1
Constructing Childhood through Remembrance in Selected Short Stories by Alice Munro1
In Memoriam1
Actualising History1
On the Edge of Reality1
‘The Seasons’1
Ethnographic characteristics of traditional poems (on the material of family customs)1
‘Besmeared with Sluttish Time’1
‘Need’ and ‘Desire’ in Shakespeare's Sonnets and Mawlana's Ghazals1
Critical Discourse from Ancient Literature to Contemporary Literature1
Susan Abulhawa’s Appropriation of Shakespeare’s Romeo and Juliet1
‘To Say What Could Not Be Said’0
Francis Meres Revisited0
‘Our golden crown’0
Evaluation of the Interplay between Literature and Art0
The Narrative Mechanism of Mainstream Ideology0
Biblical Mythopoeia, Gendered War and Sexuality in D. H. Lawrence's ‘Samson and Delilah’0
Counterpoint as a means of creating an author's commentary in a film0
The Sociolinguistic Dynamics of Grotesque and Satire0
Exploring Chinese Literature from a Critical Perspective0
Urban Decay or the Uncanny Return of Dionysus0
Putting Strangeness in Perspective0
‘We read Hamlet together’0
The Speech Act of Promising in Romantic Love0
Simulation, Fetishism and World Domination0
Nathaniel Lee’s Politics of Sovereignty0
Editorial0
Titus and Coriolanus in Tehran0
American Feminist Poetry0
Editorial0
Thinking about Collaboration0
‘A Scorneful Image of this Present World’0
Introduction0
Alienating Hamlet0
‘|Y]oung Hamlet’0
Trauma in Nada Jarrar's An Unsafe Haven (2016) and Dima Wannous’ The Frightened Ones (2020)0
Cultivating Wisdom through Ancient Chinese Philosophy0
Fudging the Outcome of Much Ado About Nothing0
Carol Ann Duffy's ‘Standing Female Nude’0
‘In the old age black was not counted fair’0
A Kingdom for a Mirth0
Sweden and Shakespeare's Protestant Afterlife0
Introduction0
A Critical Appreciation of Socratic Philosophical Thought in the Narrative of Euthyphro from the Perspective of Chinese Literature0
The Last Roman King0
An Analysis of Critical Discourse Construction in Xinjiang-Related Literary Works0
Poetry0
Unaccommodated Religion0
Analysis of the Global Literary Significance of Foreign Novel Translations in Late Qing China0
Othello’s ‘Travailous History’0
Fudging the Outcome of Much Ado About Nothing0
Lexical reflection of collectivisation in literary works in Kazakhstan in the early 1930s0
Givers and Gifts, Mothers and Writers0
Elli Tompuri's Female Hamlet, 19130
Turkish History on the Early Stuart Stage0
‘You Mean Some Strange Revenge’0
‘Fanciful associations’0
The influence of urbanisation processes on the national culture of the Kazakh people0
Fairy-tale and mythological descriptions in the epic ‘Manas’0
Shakespeare's Sonnet 145 and the Challenges of Legacy Criticism0
A Danish Fool at Elsinore?0
The Interactive Verbal Network of Early Modern Theatre0
Ethics, Sublimity and Hospitality0
The Question of Culpability in Shakespeare’s Antony and Cleopatra0
Introduction0
Whoso List to Find?0
What Is Early Modern Dramatic Collaboration?0
‘As a Stranger Give it Welcome’0
Narratives of Neocolonialism and Resilience in Peter Kimani's Before the Rooster Crows0
Liturgical Time in Chaucer’s Canterbury Tales0
Reflecting upon Coriolanus as Being-in-and-for-Mother through the Gaze of Existential Semiotics0
Noise, Sound and Fury in Macbeth0
‘Failed Feminism’0
Manipulation of Theatrical Audience Size0
The Cultural Transformation of the Trope of the Renegade in Late Seventeenth- and Early Nineteenth-Century English Drama0
Introduction0
The Future of Andrew Marvell0
The Historical Process of Manchu Cultural Identity0
Origin, life and traditions of the Kazakhs in Central Asia, and their influence on modern Kazakhstan0
‘Fanciful associations’0
Editorial0
The Restoration Muslim Tangerines Caliban and Sycorax in Dryden-Davenant’s Adaptation of Shakespeare’s The Tempest0
Abai in Alash heritage0
The Construction of Muslim Women Characters in Early English Drama0
Ninagawa’s Ancient Journeys0
Whoso List to Find?0
The Apocalyptic Image of the Beast in William Blake’s ‘The Tyger’ and W.B. Yeats’ ‘The Second Coming’0
The distribution area of Kazakh children's folklore0
‘These arts I used with thee’0
Harold Bloom and William Shakespeare0
John Ford’s Strange Truth0
Shakespearean Boars and Dolphins0
Ukrainian historical prose archaisms0
Lear Reassembled0
Massinger’s Strange Pirates0
Romantic Love, Gender Imbalance and Feminist Readings in Iris Murdoch’s The Sea, The Sea0
Shakespeare’s Clarence0
Transgressive Catholicism0
Preserving cultural identities0
‘Moving back and forth of the I’0
Poetry0
Lear’s Subjectivity and Apotheosis0
Editorial0
Postmodern Depthlessness and the Psyche0
Genealogical Traces of the Misogynistic Murder Motif in Eugene O'Neill's Autobiographical Tragedies0
Comparative poetics of wedding ritual folklore of Central Asian Turks0
A New Interpretation of ‘无恶’ in the Book Analects · Li Ren0
Hallucinations in Post-9/11 American Poetry0
Urban Decay or the Uncanny Return of Dionysus0
‘Our Troy, our Rome’0
The Becoming-Greek Tragedy of Julian Barnes's Love, etc0
Collaborating with the Dead0
‘Changed to another form’0
The Way of the Bodhisattva0
On the Verge of the Here and Now0
Universal Human Values in Kazakh Poetry of the Late Twentieth to Early Twenty-First Centuries0
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