Critical Quarterly

Papers
(The TQCC of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
The Buffer of Hedges6
Good Times, Bad Times2
2021: How Film Festivals and Women Will Defeat COVID‐192
Lessing's Legacy Explored Through Her Personal Archive2
The Boilerplate World1
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding1
Learning to Look: Berger’s Lessons1
Bowing to a Cloud1
1
Parsing Time in the Lyric1
Notes on contributors1
Care1
A Letter on Decolonising the curriculum1
Aphorism as Narrative Method: Assessing John Berger's G.1
Putin ~ Culture: Introduction1
Berger in Picasso’s Red Period1
Editorial1
Editorial: Distant Voices/Still Lives1
1
Poetic Licentiousness and the Destitutions of High Culture0
Dear Hitch0
The Challenge of Ambivalence: Hitchens on Orwell0
0
Poland's Other Pope: Re‐appreciating Maria Janion0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
Indolence0
On growing up with ‘America’0
So What: Musings about the Method0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Bluffing0
White0
Notes on contributors0
0
A Revolution of the Screw: Peripheralising Europe0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
That Funny Money‐Man: A Hundred Years of Harmonium0
Issue Information0
Editorial0
Atheism in the Grand Scheme of Things0
Producing Terence Davies—A short memoir0
Crossing of Crossings0
An Irish Childhood in the City of London0
Russia's New Patriotic Tresh0
Waiting for the Rainbow: Poems0
Beyond the Barbershop: Berger, Turner and the Inner World0
Poetry0
Decisions to leave: a semi‐fictional essay0
Issue Information0
Issue Information0
Entitled0
Defined As0
Inclusive0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
Notes on contributors0
Athwart Culture: The Putin Power Vertical0
Notes on contributors0
0
Notes on contributors0
Issue Information0
Issue Information0
Berger and the Disappointment of Zoos0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
Gull Island0
0
‘A problem to be faced about history’: Marion Milner on holiday0
Editorial0
Stress: A Keyword for Today?0
Lawnmower Poetry and the Poetry of Lawnmowers0
Notes on contributors0
0
Notes on contributors0
‘A poet of human nature’: Marion Milner’s William Blake0
Five Poems0
Introduction: Solitudes Past and Present0
‘The Ladies Who Lunch’, Again and Again0
Gothic and Racism – A Review0
My back door to Sondheim0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
Revaluations0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
A fortunate Man: The Story of a Country Doctor0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
The Humanities and the University: a Brief History of the Present Crisis0
‘I Can’t Breathe’0
0
Censorship in Russian Cinema: Ten Years of ‘Work‐in‐Progress’0
Terrorist0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
0
Objectivity in the age of story0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Issue Information0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
Beyond Theory of the Lyric0
Issue Information0
0
Living with Sondheim0
Pronouns: we/us/our0
The Solitary Mind in the Anatomy of Melancholy0
Calling Out0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
‘Boris’0
Oh, Mr Hitchens!0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
Foreswearing the Anthropocence0
Nice Is Different Than Good0
The London Consortium: a Select Bibliography0
Issue Information0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Editorial0
Bills of Mortality: Poems0
Animal0
The London Consortium Courses, 1996–20120
On Data, Media, and the Deconstruction of the Administrative State0
You0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
Between desire and uncertainty: Tomorrow Sex Will be Good Again by Katherine Angel0
Notes on contributors0
Christopher Hitchens: Let's Riot On0
At Last Someone is Saying It0
Challenging0
Unfinished interview with Terence Davies0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
Chapters from an Abandoned History of English Literature0
‘Action […] real and effective’: Marion Milner and ‘Expressive Action’0
Objectivity and the historian: Beyond the fried egg test0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
0
Assault on Freedom0
A Psychoanalysis of Milk: The Case of Alfred Hitchcock0
Witch Hunt0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
Keywords: Decolonise0
Six Moscow Yarns0
Friendship’s Death at Cannes, July 20210
Syntax as Punishment: Joy Williams’s Reckonings0
On the ‘Hitchslap’0
“It’s Fucking Obvious!”0
To the Anxious Humanities Scholar0
Deliver0
Metaphors of Transcendence in John Berger’s A Seventh Man0
0
Quiver0
The Success of The Success and Failure of Picasso0
Directing Follies at the National Theatre0
The London Consortium: a Personal History0
‘The Unconscious was Another Word for Inspiration’: Adam Phillips on Marion Milner0
Notes on Contributors0
The Clinch0
Issue Information0
Editorial0
From The Far Side of Paradise0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
Editorial, CQ 64.10
‘Redeeming the body’: Embodiment and the ‘other’ in the work of Marion Milner0
Sondheim’s Puzzles0
Solitude, Psychological Science and the Cold War Imagination0
Macro‐Historicism and Micro‐History in Contemporary Russian Cinema0
Issue Information0
Issue Information0
Christopher Hitchens and ‘The Press as Opposition’0
Notes on contributors0
0
Notes on Contributors0
Reality Winners0
In the Bargain Bin0
From messianic subjectivity to immaculate objectivity: An etymology0
Creative critique0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
Inside/Outcast0
Streaming: The World of Endless Amusement0
What is Amateur Film?0
Reality Television’s ‘Open Lie’0
Capitalism and autocracy0
CRIQ 62:5 – Abstracts0
Editorial0
Intelligence0
Lessing's Early Letters: A Prolific Personal Voice0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
Issue Information0
Errata to ‘Parsing Time in the Lyric’0
Passionate0
The Art of Precarity0
Safe0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
CHE0
Consorting0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
Matter0
0
Sondheim and Weidman’s unintended trilogy0
Laura Marcus (7 March 1956–22 September 2021)0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Key Tendencies of Auteur Cinema in the Putin Era or Sleep, Dear Country!0
When/And0
Curious George0
Criticizing Sondheim0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Prediction Machines0
Introduction: Marion Milner: Modernism, Politics, Psychoanalysis0
Can History be a Science?0
Sri Lanka0
Issue Information0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
Living in a World of Pain0
Notes on contributors0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
John Berger, Time Traveller0
Introduction: Peripheral Europes0
Editorial0
CONTRE‐JOUR0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
Editorial0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
A Surface Reading of Vladimir Nabokov0
Issue Information0
Assimilation0
Issue Information0
‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing0
List of illustrations0
0
Notes on contributors0
Affliction’s Lonely Hour0
Issue Information0
‘It is money we are looking for’0
A Line around a Think0
Caspar David Friedrich and Iconographies of Religious Feeling0
Editorial0
0
Thirty Years with Mark Cousins0
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