Critical Quarterly

Article	Citations
The Buffer of Hedges	16
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding	2
Lessing's Legacy Explored Through Her Personal Archive	2
Good Times, Bad Times	2
Learning to Look: Berger’s Lessons	1
A Bathroom of One's Own: Intimacies of Austerity and Austerities of Intimacy in Barbara Pym's Fiction	1
The Wishes of Human Vanity	1
Patrick Leigh Fermor: Writing a Walk	1
Notes on contributors	1
Bowing to a Cloud	1
	1
Berger in Picasso’s Red Period	1
Care	1
Editorial	1
The Art of Precarity	0
On the ‘Hitchslap’	0
Reality Winners	0
Infinite Joyce	0
Curious George	0
	0
Challenging	0
Papermaking and Making Whiteness in Othello	0
Defined As	0
Lawnmower Poetry and the Poetry of Lawnmowers	0
Theatres of Indirectness: Passive Aggression and Failure	0

	0
The Clinch	0
Introduction: Solitudes Past and Present	0
Sri Lanka	0
Objectivity	0
A Chaplinish Play: Adrienne Kennedy's A Lancashire Lad	0
Ethnographies of Paper in Early Modern England	0
Inclusive	0
Oh, Mr Hitchens!	0
Issue Information	0
Consorting	0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’	0
Reading and relating with Frieda Fromm‐Reichmann and Joanne Greenberg	0
The Success of The Success and Failure of Picasso	0
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Formal Introductions: Transference and Authority in ‘Forty‐One False Starts’	0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To	0
Experience	0
Directing Follies at the National Theatre	0
A Paper Chase: Call a Group of Foxes	0
Gothic and Racism – A Review	0
Issue Information	0
From Messianic Subjectivity to Immaculate Objectivity: An Etymology	0
Editorial	0
Issue Information	0
Terrorist	0
A Surface Reading of Vladimir Nabokov	0
Issue Information	0
On Technique and Judgement in Modernist Poetics	0
‘To Save a Likeness’: Berger on Drawing & Resemblance	0
Metaphors of Transcendence in John Berger’s A Seventh Man	0
Notes on contributors	0
Issue Information	0
Chaplin's Eyes	0
Editorial	0
A fortunate Man: The Story of a Country Doctor	0
Notes on contributors	0
The Challenge of Ambivalence: Hitchens on Orwell	0
The London Consortium: a Select Bibliography	0
Reality Television’s ‘Open Lie’	0
Conducting Liquids in Pursuit of Romance: Reading Ed Ruscha's Stains	0
Living in a World of Pain	0
Charlie in the House of Words	0
The London Consortium Courses, 1996–2012	0
‘It is money we are looking for’	0
Decisions to leave: a semi‐fictional essay	0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem	0
At Last Someone is Saying It	0
CatherineMalabou, Stop Thief!: Anarchism and Philosophy, trans. Carolyn Shread (Polity, 2023), 268 pp. ISBN 9781509555239	0
An Irish Childhood in the City of London	0

The London Consortium and Me: Memoir of an Experiment in Doctoral Education	0
A Revolution of the Screw: Peripheralising Europe	0
Aphorism as Narrative Method: Assessing John Berger's G.	0
White	0
	0
CONTRE‐JOUR	0
Introduction: Peripheral Europes	0
The Rhythmic and the Metronomic: On Charlie Chaplin's Gait	0
The Laugh of the Tramp	0
Journalism and Objectivity: Reporting on Palestine and Israel	0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray	0
Beyond the Barbershop: Berger, Turner and the Inner World	0
Tragedy and the Tramp: Chaplin's Surplus Populations	0
Matter	0
Revaluations	0
What Did Janet Malcolm Want?	0
The London Consortium: a Personal History	0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’	0
Issue Information	0
Introduction: Paper and Poetry – Interventions in Theory and Practice	0
Editorial	0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose	0
Issue Information	0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk	0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy	0
	0
Editorial	0
Editorial	0
Keywords: Decolonise	0
Correction to Critical Quarterly : Volume 67, Issue 1	0
The Rescue Plot: Maritime Encounter and the Borders of Europe	0
Poland's Other Pope: Re‐appreciating Maria Janion	0
Failing Better: Inauthenticity, Collusion and the Politics of Truth	0
John Berger, Time Traveller	0
My back door to Sondheim	0
Christopher Hitchens and ‘The Press as Opposition’	0
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Witch Hunt	0
Creating Spaces: Redacted Poetry Through Papercutting	0
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	0
Christopher Hitchens: Let's Riot On	0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean	0
	0
Berger and the Disappointment of Zoos	0
Interstellar Migration, the Population ‘Problem’ and the Climate Emergency	0
	0
Notes on contributors	0
Beyond Theory of the Lyric	0
Jorge Luis Borges' Medieval Aesthetics of Failure	0
Errata to ‘Parsing Time in the Lyric’	0
That Funny Money‐Man: A Hundred Years of Harmonium	0
Issue Information	0
Notes on contributors	0
The Last Line	0
The Humanities and the University: a Brief History of the Present Crisis	0
Poetic Licentiousness and the Destitutions of High Culture	0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge	0
Intelligence	0
The Poetics of the Single Sheet of Paper: From Research to Practice	0
Assimilation	0
Passionate	0
Waiting for the Rainbow: Poems	0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe	0
Gull Island	0
Issue Information	0
On growing up with ‘America’	0
Introduction: The Art of Failure—Disruption, Loss, Decline	0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry	0
Solitude, Psychological Science and the Cold War Imagination	0
Issue Information	0
‘Notebook Literature’: Virginia Woolf and Marion Milner	0
When/And	0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice	0
	0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses	0
‘reportless places’: Janet Malcolm and Collage	0
Ecologies of Papermaking: Craft, Rags and Plants	0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere	0
On Not Being Stuck: Changing Humanities in 20th‐ and 21st‐Century Britain: The Lorna Sage Lecture, 2025	0

Literary Journalism on Trial: Janet Malcolm, Criminal Character and the Legacy of New Journalism	0
The Voice Disrupted: Articulation, Hesitation, and Moral Seriousness in F. R. Leavis's Pedagogy	0
Issue Information	0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification	0
Affliction’s Lonely Hour	0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture	0
Crossing of Crossings	0
Criticizing Sondheim	0
Introduction	0
CHE	0
In the Bargain Bin	0
‘The Ladies Who Lunch’, Again and Again	0
Notes on Contributors	0
Issue Information	0
Blank Forms for Future Applications	0
Notes on contributors	0
Light Tactics: The Poem as Index	0
Issue Information	0
Sondheim’s Puzzles	0
RichardHolmes, The Boundless Deep: Young Tennyson, Science and the Crisis of Belief(William Collins, 2025)	0
Deliver	0
Issue Information	0
Chaplin's Mis‐fit Physics: Disability and Mobility	0
Bills of Mortality: Poems	0
Chaplin's Nuts	0
Living with Sondheim	0
	0
Bret/ BRAT	0
	0
Dear Hitch	0
Gesturing While Writing: An Alternate Perspective on Mimetic Prosody	0
Nice Is Different Than Good	0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive	0
Notes on contributors	0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image	0
Issue Information	0
The Origins of Printed Man: Ian Watt, Marshall McLuhan and Rise of the Literacy Thesis	0
Issue Information	0
‘Scot‐free flip‐top’ or Ish 2b	0
Sondheim and Weidman’s unintended trilogy	0
“It’s Fucking Obvious!”	0
Editorial	0
So What: Musings about the Method	0
Entitled	0
Creative Critique	0
Editorial	0
Contesting Constraint: Eleanor Careless on the ‘Carceral Poetry’ of Anna Mendelssohn	0
The Real Age of Newspapers: Hitch, the Vanity Fair Years	0
Producing Terence Davies—A short memoir	0
Janet Malcolm's Self‐Portrait	0
Atheism in the Grand Scheme of Things	0
Slapstick Classicism: Chaplin among the Sculptures	0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife	0
The Solitary Mind in the Anatomy of Melancholy	0
‘It might as well be Stephen’ essays in appreciation of Sondheim	0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career	0
Objectivity in the Age of Story	0
From The Far Side of Paradise	0
Somerset Maugham's Failings	0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont	0
Stress: A Keyword for Today?	0
Inside/Outcast	0
Editorial: Distant Voices/Still Lives	0
Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper	0
Unfinished interview with Terence Davies	0
Lessing's Early Letters: A Prolific Personal Voice	0
Objectivity and the Historian: Beyond the Fried Egg Test	0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George	0
Parsing Time in the Lyric	0
The shaping of character: The classics as a remedy for cultural despair in Victorian England	0
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To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis	0