Critical Quarterly

Papers
(The TQCC of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
The Buffer of Hedges14
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding2
Lessing's Legacy Explored Through Her Personal Archive2
Good Times, Bad Times2
Patrick Leigh Fermor: Writing a Walk1
Learning to Look: Berger’s Lessons1
A Bathroom of One's Own: Intimacies of Austerity and Austerities of Intimacy in Barbara Pym's Fiction1
The Wishes of Human Vanity1
Care1
Notes on contributors1
Editorial1
Bowing to a Cloud1
Berger in Picasso’s Red Period1
1
A Letter on Decolonising the curriculum1
Living with Sondheim0
‘It is money we are looking for’0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
Bret/ BRAT0
Reality Winners0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
Creating Spaces: Redacted Poetry Through Papercutting0
Light Tactics: The Poem as Index0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
Editorial0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Issue Information0
Formal Introductions: Transference and Authority in ‘Forty‐One False Starts’0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
What Did Janet Malcolm Want?0
CONTRE‐JOUR0
Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper0
In the Bargain Bin0
Criticizing Sondheim0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
The Art of Precarity0
Notes on Contributors0
Contesting Constraint: Eleanor Careless on the ‘Carceral Poetry’ of Anna Mendelssohn0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
0
The Voice Disrupted: Articulation, Hesitation, and Moral Seriousness in F. R. Leavis's Pedagogy0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
Crossing of Crossings0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
Experience0
Bills of Mortality: Poems0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
Consorting0
Living in a World of Pain0
The London Consortium Courses, 1996–20120
The Success of The Success and Failure of Picasso0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Editorial: Distant Voices/Still Lives0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
On Technique and Judgement in Modernist Poetics0
Ethnographies of Paper in Early Modern England0
0
Papermaking and Making Whiteness in Othello0
‘Scot‐free flip‐top’ or Ish 2b0
The Laugh of the Tramp0
Creative Critique0
“It’s Fucking Obvious!”0
On the ‘Hitchslap’0
From Messianic Subjectivity to Immaculate Objectivity: An Etymology0
Introduction: Paper and Poetry – Interventions in Theory and Practice0
Chaplin's Mis‐fit Physics: Disability and Mobility0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
Atheism in the Grand Scheme of Things0
CHE0
0
0
0
Dear Hitch0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
Notes on contributors0
Nice Is Different Than Good0
Issue Information0
Ecologies of Papermaking: Craft, Rags and Plants0
Objectivity and the Historian: Beyond the Fried Egg Test0
The Clinch0
Notes on contributors0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
Deliver0
Jorge Luis Borges' Medieval Aesthetics of Failure0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Oh, Mr Hitchens!0
Assimilation0
‘reportless places’: Janet Malcolm and Collage0
The Poetics of the Single Sheet of Paper: From Research to Practice0
The Humanities and the University: a Brief History of the Present Crisis0
When/And0
Bluffing0
Editorial, CQ 64.10
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
A Paper Chase: Call a Group of Foxes0
Lessing's Early Letters: A Prolific Personal Voice0
Janet Malcolm's Self‐Portrait0
Lawnmower Poetry and the Poetry of Lawnmowers0
0
Pronouns: we/us/our0
0
Terrorist0
Editorial0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
Issue Information0
White0
Directing Follies at the National Theatre0
So What: Musings about the Method0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge0
Matter0
A fortunate Man: The Story of a Country Doctor0
Notes on contributors0
Journalism and Objectivity: Reporting on Palestine and Israel0
My back door to Sondheim0
The London Consortium: a Select Bibliography0
Witch Hunt0
0
Issue Information0
Correction to Critical Quarterly : Volume 67, Issue 10
Objectivity0
Decisions to leave: a semi‐fictional essay0
From The Far Side of Paradise0
0
Challenging0
Stress: A Keyword for Today?0
Keywords: Decolonise0
0
Aphorism as Narrative Method: Assessing John Berger's G.0
Issue Information0
Notes on contributors0
A Chaplinish Play: Adrienne Kennedy's A Lancashire Lad0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
Inclusive0
Revaluations0
Notes on contributors0
Chaplin's Eyes0
Curious George0
Issue Information0
Sondheim and Weidman’s unintended trilogy0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Reading and relating with Frieda Fromm‐Reichmann and Joanne Greenberg0
CatherineMalabou, Stop Thief!: Anarchism and Philosophy, trans. Carolyn Shread (Polity, 2023), 268 pp. ISBN 97815095552390
Conducting Liquids in Pursuit of Romance: Reading Ed Ruscha's Stains0
Theatres of Indirectness: Passive Aggression and Failure0
Gesturing While Writing: An Alternate Perspective on Mimetic Prosody0
Introduction: Solitudes Past and Present0
Editorial0
Editorial0
Berger and the Disappointment of Zoos0
Sri Lanka0
0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
Infinite Joyce0
John Berger, Time Traveller0
Entitled0
Unfinished interview with Terence Davies0
Poland's Other Pope: Re‐appreciating Maria Janion0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
0
Affliction’s Lonely Hour0
Reality Television’s ‘Open Lie’0
Introduction: Peripheral Europes0
Somerset Maugham's Failings0
Inside/Outcast0
At Last Someone is Saying It0
Notes on contributors0
Waiting for the Rainbow: Poems0
Tragedy and the Tramp: Chaplin's Surplus Populations0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
That Funny Money‐Man: A Hundred Years of Harmonium0
A Revolution of the Screw: Peripheralising Europe0
Introduction0
Issue Information0
Solitude, Psychological Science and the Cold War Imagination0
An Irish Childhood in the City of London0
Beyond Theory of the Lyric0
Editorial0
Literary Journalism on Trial: Janet Malcolm, Criminal Character and the Legacy of New Journalism0
0
Indolence0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
Charlie in the House of Words0
Producing Terence Davies—A short memoir0
Slapstick Classicism: Chaplin among the Sculptures0
You0
Issue Information0
The Solitary Mind in the Anatomy of Melancholy0
Issue Information0
Issue Information0
Passionate0
Issue Information0
Beyond the Barbershop: Berger, Turner and the Inner World0
Objectivity in the Age of Story0
Blank Forms for Future Applications0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
Poetry0
Gull Island0
Issue Information0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Notes on contributors0
Editorial0
Parsing Time in the Lyric0
Errata to ‘Parsing Time in the Lyric’0
The Origins of Printed Man: Ian Watt, Marshall McLuhan and Rise of the Literacy Thesis0
Editorial0
Interstellar Migration, the Population ‘Problem’ and the Climate Emergency0
Issue Information0
The Last Line0
Defined As0
Poetic Licentiousness and the Destitutions of High Culture0
The London Consortium: a Personal History0
Introduction: The Art of Failure—Disruption, Loss, Decline0
0
Chaplin's Nuts0
Christopher Hitchens and ‘The Press as Opposition’0
Quiver0
Christopher Hitchens: Let's Riot On0
On growing up with ‘America’0
Issue Information0
Gothic and Racism – A Review0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
‘The Ladies Who Lunch’, Again and Again0
Metaphors of Transcendence in John Berger’s A Seventh Man0
Animal0
Editorial0
A Surface Reading of Vladimir Nabokov0
Issue Information0
Sondheim’s Puzzles0
The Challenge of Ambivalence: Hitchens on Orwell0
Prediction Machines0
Friendship’s Death at Cannes, July 20210
Issue Information0
Intelligence0
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