Critical Quarterly

Papers
(The TQCC of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
The Buffer of Hedges7
Good Times, Bad Times2
Lessing's Legacy Explored Through Her Personal Archive2
1
Parsing Time in the Lyric1
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding1
Care1
Learning to Look: Berger’s Lessons1
Bowing to a Cloud1
Notes on contributors1
Berger in Picasso’s Red Period1
Notes on contributors0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge0
When/And0
Animal0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
Decisions to leave: a semi‐fictional essay0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
Prediction Machines0
Living with Sondheim0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
You0
Editorial: Distant Voices/Still Lives0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Issue Information0
A Bathroom of One's Own: Intimacies of Austerity and Austerities of Intimacy in Barbara Pym's Fiction0
Lawnmower Poetry and the Poetry of Lawnmowers0
The London Consortium: a Personal History0
In the Bargain Bin0
Keywords: Decolonise0
Issue Information0
Notes on contributors0
Issue Information0
Issue Information0
Issue Information0
Metaphors of Transcendence in John Berger’s A Seventh Man0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
0
My back door to Sondheim0
Ethnographies of Paper in Early Modern England0
0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
‘The Ladies Who Lunch’, Again and Again0
A Line around a Think0
John Berger, Time Traveller0
‘The Unconscious was Another Word for Inspiration’: Adam Phillips on Marion Milner0
0
Revaluations0
Entitled0
Errata to ‘Parsing Time in the Lyric’0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Affliction’s Lonely Hour0
Issue Information0
The Humanities and the University: a Brief History of the Present Crisis0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
Notes on Contributors0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
0
‘It is money we are looking for’0
Terrorist0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
Poetic Licentiousness and the Destitutions of High Culture0
Poland's Other Pope: Re‐appreciating Maria Janion0
Sondheim and Weidman’s unintended trilogy0
‘A poet of human nature’: Marion Milner’s William Blake0
Notes on contributors0
Notes on contributors0
Reality Winners0
Nice Is Different Than Good0
Lessing's Early Letters: A Prolific Personal Voice0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
“It’s Fucking Obvious!”0
Light Tactics: The Poem as Index0
Producing Terence Davies—A short memoir0
Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper0
Berger and the Disappointment of Zoos0
Editorial0
Safe0
Issue Information0
Editorial0
Issue Information0
0
Unfinished interview with Terence Davies0
Atheism in the Grand Scheme of Things0
The Art of Precarity0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
Bills of Mortality: Poems0
0
CONTRE‐JOUR0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
Crossing of Crossings0
Introduction: Marion Milner: Modernism, Politics, Psychoanalysis0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
Notes on contributors0
0
Issue Information0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Editorial0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
CHE0
Directing Follies at the National Theatre0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
Inclusive0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
‘I Can’t Breathe’0
Solitude, Psychological Science and the Cold War Imagination0
Notes on contributors0
Papermaking and Making Whiteness in Othello0
Editorial0
Introduction: Solitudes Past and Present0
Editorial0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Quiver0
Gothic and Racism – A Review0
Witch Hunt0
The Clinch0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
Friendship’s Death at Cannes, July 20210
Objectivity0
A Paper Chase: Call a Group of Foxes0
Issue Information0
From The Far Side of Paradise0
Sondheim’s Puzzles0
0
Notes on contributors0
Assimilation0
Christopher Hitchens and ‘The Press as Opposition’0
Objectivity in the Age of Story0
Conducting Liquids in Pursuit of Romance: Reading Ed Ruscha's Stains0
Between desire and uncertainty: Tomorrow Sex Will be Good Again by Katherine Angel0
Interstellar Migration, the Population ‘Problem’ and the Climate Emergency0
Issue Information0
Editorial, CQ 64.10
Beyond Theory of the Lyric0
Editorial0
Issue Information0
Bluffing0
‘Redeeming the body’: Embodiment and the ‘other’ in the work of Marion Milner0
Issue Information0
The Challenge of Ambivalence: Hitchens on Orwell0
Chapters from an Abandoned History of English Literature0
Journalism and Objectivity: Reporting on Palestine and Israel0
The London Consortium Courses, 1996–20120
That Funny Money‐Man: A Hundred Years of Harmonium0
0
The Solitary Mind in the Anatomy of Melancholy0
A Revolution of the Screw: Peripheralising Europe0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
At Last Someone is Saying It0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
An Irish Childhood in the City of London0
Thirty Years with Mark Cousins0
Issue Information0
0
Gull Island0
Objectivity and the Historian: Beyond the Fried Egg Test0
Beyond the Barbershop: Berger, Turner and the Inner World0
Matter0
Aphorism as Narrative Method: Assessing John Berger's G.0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
Ecologies of Papermaking: Craft, Rags and Plants0
‘A problem to be faced about history’: Marion Milner on holiday0
Challenging0
A Letter on Decolonising the curriculum0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
Curious George0
Introduction: Peripheral Europes0
Laura Marcus (7 March 1956–22 September 2021)0
Christopher Hitchens: Let's Riot On0
Passionate0
Notes on Contributors0
Sri Lanka0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Correction to Critical Quarterly: Volume 67, Issue 10
Defined As0
‘Action […] real and effective’: Marion Milner and ‘Expressive Action’0
Living in a World of Pain0
Editorial0
Notes on contributors0
The Success of The Success and Failure of Picasso0
Introduction: Paper and Poetry – Interventions in Theory and Practice0
On the ‘Hitchslap’0
A fortunate Man: The Story of a Country Doctor0
Deliver0
Stress: A Keyword for Today?0
0
Criticizing Sondheim0
A Surface Reading of Vladimir Nabokov0
Issue Information0
‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing0
0
Experience0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
Reality Television’s ‘Open Lie’0
Poetry0
Caspar David Friedrich and Iconographies of Religious Feeling0
0
Editorial0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
Dear Hitch0
Waiting for the Rainbow: Poems0
Creative critique0
CatherineMalabou, Stop Thief!: Anarchism and Philosophy, trans. Carolyn Shread (Polity, 2023), 268 pp. ISBN 97815095552390
From Messianic Subjectivity to Immaculate Objectivity: An Etymology0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
So What: Musings about the Method0
Pronouns: we/us/our0
On growing up with ‘America’0
Oh, Mr Hitchens!0
Intelligence0
Indolence0
Inside/Outcast0
The London Consortium: a Select Bibliography0
White0
Consorting0
Creating Spaces: Redacted Poetry Through Papercutting0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Capitalism and autocracy0
Five Poems0
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