Critical Quarterly

Papers
(The TQCC of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
The Buffer of Hedges13
Good Times, Bad Times2
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding2
Lessing's Legacy Explored Through Her Personal Archive2
Notes on contributors1
Care1
Editorial1
Berger in Picasso’s Red Period1
A Bathroom of One's Own: Intimacies of Austerity and Austerities of Intimacy in Barbara Pym's Fiction1
A Letter on Decolonising the curriculum1
Patrick Leigh Fermor: Writing a Walk1
Learning to Look: Berger’s Lessons1
Bowing to a Cloud1
1
Slapstick Classicism: Chaplin among the Sculptures0
Poetic Licentiousness and the Destitutions of High Culture0
Crossing of Crossings0
Notes on contributors0
0
Bills of Mortality: Poems0
Passionate0
Gull Island0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
Ethnographies of Paper in Early Modern England0
Issue Information0
Introduction: Solitudes Past and Present0
0
Decisions to leave: a semi‐fictional essay0
The Success of The Success and Failure of Picasso0
Berger and the Disappointment of Zoos0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
Stress: A Keyword for Today?0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
Revaluations0
Parsing Time in the Lyric0
Curious George0
Infinite Joyce0
Correction to Critical Quarterly : Volume 67, Issue 10
Introduction: Paper and Poetry – Interventions in Theory and Practice0
Unfinished interview with Terence Davies0
Christopher Hitchens and ‘The Press as Opposition’0
Producing Terence Davies—A short memoir0
Theatres of Indirectness: Passive Aggression and Failure0
0
Gothic and Racism – A Review0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Introduction: Peripheral Europes0
Somerset Maugham's Failings0
Christopher Hitchens: Let's Riot On0
Jorge Luis Borges' Medieval Aesthetics of Failure0
Tragedy and the Tramp: Chaplin's Surplus Populations0
‘The Ladies Who Lunch’, Again and Again0
Notes on contributors0
Sri Lanka0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
The Humanities and the University: a Brief History of the Present Crisis0
When/And0
Sondheim’s Puzzles0
Assimilation0
John Berger, Time Traveller0
What Did Janet Malcolm Want?0
Charlie in the House of Words0
Reading and relating with Frieda Fromm‐Reichmann and Joanne Greenberg0
Living with Sondheim0
Chaplin's Nuts0
Editorial, CQ 64.10
Affliction’s Lonely Hour0
0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
Issue Information0
Issue Information0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
Issue Information0
A Revolution of the Screw: Peripheralising Europe0
Notes on contributors0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
Pronouns: we/us/our0
Blank Forms for Future Applications0
So What: Musings about the Method0
That Funny Money‐Man: A Hundred Years of Harmonium0
Poetry0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
Issue Information0
0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
The Voice Disrupted: Articulation, Hesitation, and Moral Seriousness in F. R. Leavis's Pedagogy0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
Creative Critique0
Matter0
Indolence0
From Messianic Subjectivity to Immaculate Objectivity: An Etymology0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
Editorial0
Living in a World of Pain0
Atheism in the Grand Scheme of Things0
Challenging0
The Solitary Mind in the Anatomy of Melancholy0
“It’s Fucking Obvious!”0
Janet Malcolm's Self‐Portrait0
Editorial: Distant Voices/Still Lives0
CatherineMalabou, Stop Thief!: Anarchism and Philosophy, trans. Carolyn Shread (Polity, 2023), 268 pp. ISBN 97815095552390
On growing up with ‘America’0
A Chaplinish Play: Adrienne Kennedy's A Lancashire Lad0
Beyond the Barbershop: Berger, Turner and the Inner World0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
Defined As0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
A Surface Reading of Vladimir Nabokov0
Animal0
Keywords: Decolonise0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Issue Information0
The Last Line0
The Laugh of the Tramp0
The London Consortium: a Personal History0
Prediction Machines0
Gesturing While Writing: An Alternate Perspective on Mimetic Prosody0
Issue Information0
An Irish Childhood in the City of London0
Dear Hitch0
Notes on contributors0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
Ecologies of Papermaking: Craft, Rags and Plants0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
Editorial0
Issue Information0
Entitled0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
The Clinch0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
Editorial0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
Reality Television’s ‘Open Lie’0
In the Bargain Bin0
Oh, Mr Hitchens!0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
Friendship’s Death at Cannes, July 20210
Lawnmower Poetry and the Poetry of Lawnmowers0
0
A Paper Chase: Call a Group of Foxes0
Bluffing0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
Inside/Outcast0
The Poetics of the Single Sheet of Paper: From Research to Practice0
Notes on Contributors0
Waiting for the Rainbow: Poems0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Terrorist0
Creating Spaces: Redacted Poetry Through Papercutting0
Consorting0
Notes on contributors0
Editorial0
0
Solitude, Psychological Science and the Cold War Imagination0
‘Scot‐free flip‐top’ or Ish 2b0
Formal Introductions: Transference and Authority in ‘Forty‐One False Starts’0
Issue Information0
Literary Journalism on Trial: Janet Malcolm, Criminal Character and the Legacy of New Journalism0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
Journalism and Objectivity: Reporting on Palestine and Israel0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
The London Consortium: a Select Bibliography0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge0
Chaplin's Eyes0
You0
Contesting Constraint: Eleanor Careless on the ‘Carceral Poetry’ of Anna Mendelssohn0
Sondheim and Weidman’s unintended trilogy0
Issue Information0
0
Conducting Liquids in Pursuit of Romance: Reading Ed Ruscha's Stains0
Issue Information0
Bret/ BRAT0
0
Objectivity in the Age of Story0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
On Technique and Judgement in Modernist Poetics0
Nice Is Different Than Good0
On the ‘Hitchslap’0
The London Consortium Courses, 1996–20120
Objectivity and the Historian: Beyond the Fried Egg Test0
Quiver0
Aphorism as Narrative Method: Assessing John Berger's G.0
CONTRE‐JOUR0
Issue Information0
Issue Information0
Papermaking and Making Whiteness in Othello0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Chaplin's Mis‐fit Physics: Disability and Mobility0
The Wishes of Human Vanity0
CHE0
‘reportless places’: Janet Malcolm and Collage0
The Origins of Printed Man: Ian Watt, Marshall McLuhan and Rise of the Literacy Thesis0
Inclusive0
Intelligence0
Criticizing Sondheim0
At Last Someone is Saying It0
0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
Editorial0
Metaphors of Transcendence in John Berger’s A Seventh Man0
Issue Information0
Issue Information0
0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
The Challenge of Ambivalence: Hitchens on Orwell0
Deliver0
Introduction0
Directing Follies at the National Theatre0
Poland's Other Pope: Re‐appreciating Maria Janion0
‘It is money we are looking for’0
0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
Reality Winners0
My back door to Sondheim0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
Editorial0
Witch Hunt0
Light Tactics: The Poem as Index0
Experience0
A fortunate Man: The Story of a Country Doctor0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
Objectivity0
Beyond Theory of the Lyric0
Lessing's Early Letters: A Prolific Personal Voice0
From The Far Side of Paradise0
Editorial0
0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper0
Notes on contributors0
Editorial0
Errata to ‘Parsing Time in the Lyric’0
The Art of Precarity0
Notes on contributors0
Interstellar Migration, the Population ‘Problem’ and the Climate Emergency0
White0
0
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