Critical Quarterly

Papers
(The median citation count of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
The Buffer of Hedges14
Lessing's Legacy Explored Through Her Personal Archive2
Good Times, Bad Times2
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding2
Care1
Notes on contributors1
Editorial1
Bowing to a Cloud1
Berger in Picasso’s Red Period1
1
A Letter on Decolonising the curriculum1
Patrick Leigh Fermor: Writing a Walk1
Learning to Look: Berger’s Lessons1
A Bathroom of One's Own: Intimacies of Austerity and Austerities of Intimacy in Barbara Pym's Fiction1
The Wishes of Human Vanity1
Issue Information0
Inside/Outcast0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
Waiting for the Rainbow: Poems0
0
John Berger, Time Traveller0
A Revolution of the Screw: Peripheralising Europe0
Sondheim and Weidman’s unintended trilogy0
Poland's Other Pope: Re‐appreciating Maria Janion0
Solitude, Psychological Science and the Cold War Imagination0
Affliction’s Lonely Hour0
Chaplin's Eyes0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
Literary Journalism on Trial: Janet Malcolm, Criminal Character and the Legacy of New Journalism0
Introduction: Solitudes Past and Present0
Somerset Maugham's Failings0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
Notes on contributors0
Conducting Liquids in Pursuit of Romance: Reading Ed Ruscha's Stains0
Beyond Theory of the Lyric0
You0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
That Funny Money‐Man: A Hundred Years of Harmonium0
Issue Information0
Issue Information0
Berger and the Disappointment of Zoos0
Issue Information0
Unfinished interview with Terence Davies0
Editorial0
Objectivity in the Age of Story0
Indolence0
Infinite Joyce0
Producing Terence Davies—A short memoir0
Introduction: Peripheral Europes0
Slapstick Classicism: Chaplin among the Sculptures0
Notes on contributors0
The Solitary Mind in the Anatomy of Melancholy0
0
Passionate0
Editorial0
Gull Island0
The Last Line0
Beyond the Barbershop: Berger, Turner and the Inner World0
At Last Someone is Saying It0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
Introduction: The Art of Failure—Disruption, Loss, Decline0
Tragedy and the Tramp: Chaplin's Surplus Populations0
The Origins of Printed Man: Ian Watt, Marshall McLuhan and Rise of the Literacy Thesis0
Christopher Hitchens and ‘The Press as Opposition’0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Christopher Hitchens: Let's Riot On0
Introduction0
Parsing Time in the Lyric0
Gothic and Racism – A Review0
An Irish Childhood in the City of London0
Issue Information0
Metaphors of Transcendence in John Berger’s A Seventh Man0
0
Defined As0
A Surface Reading of Vladimir Nabokov0
Charlie in the House of Words0
The London Consortium: a Personal History0
Issue Information0
Chaplin's Nuts0
The Challenge of Ambivalence: Hitchens on Orwell0
Issue Information0
Quiver0
Issue Information0
Issue Information0
Issue Information0
Poetry0
‘It is money we are looking for’0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
‘The Ladies Who Lunch’, Again and Again0
Reality Winners0
Blank Forms for Future Applications0
Editorial0
Errata to ‘Parsing Time in the Lyric’0
Light Tactics: The Poem as Index0
Interstellar Migration, the Population ‘Problem’ and the Climate Emergency0
Sondheim’s Puzzles0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
Editorial0
Friendship’s Death at Cannes, July 20210
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
0
Living with Sondheim0
Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper0
Bret/ BRAT0
Poetic Licentiousness and the Destitutions of High Culture0
Issue Information0
The Art of Precarity0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
Creating Spaces: Redacted Poetry Through Papercutting0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
Editorial0
On growing up with ‘America’0
Crossing of Crossings0
Issue Information0
Formal Introductions: Transference and Authority in ‘Forty‐One False Starts’0
Bills of Mortality: Poems0
CONTRE‐JOUR0
Animal0
Criticizing Sondheim0
Ethnographies of Paper in Early Modern England0
Intelligence0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
The Success of The Success and Failure of Picasso0
Contesting Constraint: Eleanor Careless on the ‘Carceral Poetry’ of Anna Mendelssohn0
Prediction Machines0
The Voice Disrupted: Articulation, Hesitation, and Moral Seriousness in F. R. Leavis's Pedagogy0
Living in a World of Pain0
‘Scot‐free flip‐top’ or Ish 2b0
Experience0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
On the ‘Hitchslap’0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
On Technique and Judgement in Modernist Poetics0
Chaplin's Mis‐fit Physics: Disability and Mobility0
The London Consortium Courses, 1996–20120
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
Editorial: Distant Voices/Still Lives0
0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
“It’s Fucking Obvious!”0
Dear Hitch0
Papermaking and Making Whiteness in Othello0
Notes on contributors0
What Did Janet Malcolm Want?0
The Laugh of the Tramp0
Ecologies of Papermaking: Craft, Rags and Plants0
In the Bargain Bin0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
Introduction: Paper and Poetry – Interventions in Theory and Practice0
Notes on contributors0
Notes on Contributors0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
Jorge Luis Borges' Medieval Aesthetics of Failure0
0
CHE0
Consorting0
0
Assimilation0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
The Humanities and the University: a Brief History of the Present Crisis0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Issue Information0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
Editorial, CQ 64.10
0
The Clinch0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Deliver0
Janet Malcolm's Self‐Portrait0
From Messianic Subjectivity to Immaculate Objectivity: An Etymology0
Oh, Mr Hitchens!0
Pronouns: we/us/our0
The Poetics of the Single Sheet of Paper: From Research to Practice0
Creative Critique0
A Paper Chase: Call a Group of Foxes0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
0
Bluffing0
White0
0
Atheism in the Grand Scheme of Things0
Terrorist0
Matter0
Objectivity and the Historian: Beyond the Fried Egg Test0
Lessing's Early Letters: A Prolific Personal Voice0
Journalism and Objectivity: Reporting on Palestine and Israel0
0
Nice Is Different Than Good0
Challenging0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Editorial0
Correction to Critical Quarterly : Volume 67, Issue 10
Issue Information0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
So What: Musings about the Method0
A Chaplinish Play: Adrienne Kennedy's A Lancashire Lad0
When/And0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge0
Keywords: Decolonise0
Notes on contributors0
‘reportless places’: Janet Malcolm and Collage0
The London Consortium: a Select Bibliography0
0
Revaluations0
Issue Information0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
Decisions to leave: a semi‐fictional essay0
Issue Information0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
Notes on contributors0
Reading and relating with Frieda Fromm‐Reichmann and Joanne Greenberg0
Stress: A Keyword for Today?0
Lawnmower Poetry and the Poetry of Lawnmowers0
Aphorism as Narrative Method: Assessing John Berger's G.0
Gesturing While Writing: An Alternate Perspective on Mimetic Prosody0
0
Inclusive0
Editorial0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
Notes on contributors0
0
Directing Follies at the National Theatre0
Curious George0
Witch Hunt0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
A fortunate Man: The Story of a Country Doctor0
CatherineMalabou, Stop Thief!: Anarchism and Philosophy, trans. Carolyn Shread (Polity, 2023), 268 pp. ISBN 97815095552390
Entitled0
My back door to Sondheim0
Theatres of Indirectness: Passive Aggression and Failure0
From The Far Side of Paradise0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
0
Editorial0
Reality Television’s ‘Open Lie’0
Objectivity0
Sri Lanka0
0.2857620716095