Critical Quarterly

Papers
(The median citation count of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
The Buffer of Hedges16
Good Times, Bad Times2
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding2
Lessing's Legacy Explored Through Her Personal Archive2
Berger in Picasso’s Red Period1
Care1
Editorial1
Learning to Look: Berger’s Lessons1
A Bathroom of One's Own: Intimacies of Austerity and Austerities of Intimacy in Barbara Pym's Fiction1
The Wishes of Human Vanity1
Patrick Leigh Fermor: Writing a Walk1
Notes on contributors1
Bowing to a Cloud1
1
Criticizing Sondheim0
Reality Winners0
Issue Information0
CHE0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
The Art of Precarity0
‘The Ladies Who Lunch’, Again and Again0
Creative Critique0
Issue Information0
Sondheim and Weidman’s unintended trilogy0
Notes on contributors0
Challenging0
Atheism in the Grand Scheme of Things0
Deliver0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
Chaplin's Mis‐fit Physics: Disability and Mobility0
Ethnographies of Paper in Early Modern England0
Sondheim’s Puzzles0
From The Far Side of Paradise0
Bret/ BRAT0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Dear Hitch0
The Success of The Success and Failure of Picasso0
Living with Sondheim0
Unfinished interview with Terence Davies0
Notes on contributors0
Objectivity and the Historian: Beyond the Fried Egg Test0
Issue Information0
Gothic and Racism – A Review0
‘Scot‐free flip‐top’ or Ish 2b0
“It’s Fucking Obvious!”0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
Issue Information0
So What: Musings about the Method0
A Surface Reading of Vladimir Nabokov0
Editorial0
0
Contesting Constraint: Eleanor Careless on the ‘Carceral Poetry’ of Anna Mendelssohn0
0
Metaphors of Transcendence in John Berger’s A Seventh Man0
Producing Terence Davies—A short memoir0
Issue Information0
Slapstick Classicism: Chaplin among the Sculptures0
Infinite Joyce0
0
The Challenge of Ambivalence: Hitchens on Orwell0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
Reality Television’s ‘Open Lie’0
Papermaking and Making Whiteness in Othello0
Somerset Maugham's Failings0
Lawnmower Poetry and the Poetry of Lawnmowers0
The Solitary Mind in the Anatomy of Melancholy0
Objectivity0
‘It is money we are looking for’0
Editorial: Distant Voices/Still Lives0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
Inclusive0
Lessing's Early Letters: A Prolific Personal Voice0
Introduction: Solitudes Past and Present0
Stress: A Keyword for Today?0
A Revolution of the Screw: Peripheralising Europe0
Parsing Time in the Lyric0
White0
0
0
Issue Information0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
On the ‘Hitchslap’0
Journalism and Objectivity: Reporting on Palestine and Israel0
Issue Information0
Curious George0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Directing Follies at the National Theatre0
The Rhythmic and the Metronomic: On Charlie Chaplin's Gait0
Defined As0
Issue Information0
Theatres of Indirectness: Passive Aggression and Failure0
From Messianic Subjectivity to Immaculate Objectivity: An Etymology0
Matter0
The Clinch0
Chaplin's Eyes0
Sri Lanka0
A fortunate Man: The Story of a Country Doctor0
A Chaplinish Play: Adrienne Kennedy's A Lancashire Lad0
Issue Information0
Conducting Liquids in Pursuit of Romance: Reading Ed Ruscha's Stains0
Consorting0
Charlie in the House of Words0
Reading and relating with Frieda Fromm‐Reichmann and Joanne Greenberg0
Correction to Critical Quarterly : Volume 67, Issue 10
Oh, Mr Hitchens!0
At Last Someone is Saying It0
Experience0
An Irish Childhood in the City of London0
A Paper Chase: Call a Group of Foxes0
0
Formal Introductions: Transference and Authority in ‘Forty‐One False Starts’0
0
Editorial0
Introduction: Peripheral Europes0
Christopher Hitchens: Let's Riot On0
Terrorist0
0
On Technique and Judgement in Modernist Poetics0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
Tragedy and the Tramp: Chaplin's Surplus Populations0
Notes on contributors0
Notes on contributors0
Jorge Luis Borges' Medieval Aesthetics of Failure0
Editorial0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
Notes on contributors0
The London Consortium: a Select Bibliography0
The Humanities and the University: a Brief History of the Present Crisis0
Living in a World of Pain0
What Did Janet Malcolm Want?0
Notes on contributors0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Assimilation0
Decisions to leave: a semi‐fictional essay0
Waiting for the Rainbow: Poems0
Introduction: Paper and Poetry – Interventions in Theory and Practice0
CatherineMalabou, Stop Thief!: Anarchism and Philosophy, trans. Carolyn Shread (Polity, 2023), 268 pp. ISBN 97815095552390
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
The London Consortium Courses, 1996–20120
Editorial0
Introduction: The Art of Failure—Disruption, Loss, Decline0
Aphorism as Narrative Method: Assessing John Berger's G.0
Solitude, Psychological Science and the Cold War Imagination0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
CONTRE‐JOUR0
0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
The Laugh of the Tramp0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
Witch Hunt0
Beyond the Barbershop: Berger, Turner and the Inner World0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
My back door to Sondheim0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
Revaluations0
Issue Information0
Berger and the Disappointment of Zoos0
The London Consortium: a Personal History0
0
Literary Journalism on Trial: Janet Malcolm, Criminal Character and the Legacy of New Journalism0
Editorial0
Errata to ‘Parsing Time in the Lyric’0
Issue Information0
Interstellar Migration, the Population ‘Problem’ and the Climate Emergency0
Crossing of Crossings0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
Poetic Licentiousness and the Destitutions of High Culture0
Editorial0
Intelligence0
Keywords: Decolonise0
Light Tactics: The Poem as Index0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
John Berger, Time Traveller0
Issue Information0
Christopher Hitchens and ‘The Press as Opposition’0
Bills of Mortality: Poems0
Poland's Other Pope: Re‐appreciating Maria Janion0
Issue Information0
0
When/And0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
Gesturing While Writing: An Alternate Perspective on Mimetic Prosody0
Creating Spaces: Redacted Poetry Through Papercutting0
0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
Beyond Theory of the Lyric0
The Origins of Printed Man: Ian Watt, Marshall McLuhan and Rise of the Literacy Thesis0
That Funny Money‐Man: A Hundred Years of Harmonium0
‘reportless places’: Janet Malcolm and Collage0
Issue Information0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Editorial0
The Last Line0
Entitled0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
In the Bargain Bin0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
Passionate0
Janet Malcolm's Self‐Portrait0
Gull Island0
Introduction0
The Poetics of the Single Sheet of Paper: From Research to Practice0
Blank Forms for Future Applications0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
Objectivity in the Age of Story0
Issue Information0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
Notes on Contributors0
On growing up with ‘America’0
Issue Information0
Inside/Outcast0
0
Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper0
Chaplin's Nuts0
Ecologies of Papermaking: Craft, Rags and Plants0
RichardHolmes, The Boundless Deep: Young Tennyson, Science and the Crisis of Belief(William Collins, 2025)0
On Not Being Stuck: Changing Humanities in 20th‐ and 21st‐Century Britain: The Lorna Sage Lecture, 20250
The Voice Disrupted: Articulation, Hesitation, and Moral Seriousness in F. R. Leavis's Pedagogy0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
Nice Is Different Than Good0
Affliction’s Lonely Hour0
0
0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
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