Critical Quarterly

Papers
(The median citation count of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
The Buffer of Hedges9
Lessing's Legacy Explored Through Her Personal Archive2
Good Times, Bad Times2
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding2
Learning to Look: Berger’s Lessons1
Editorial1
Care1
Patrick Leigh Fermor: Writing a Walk1
Parsing Time in the Lyric1
1
Berger in Picasso’s Red Period1
Notes on contributors1
Bowing to a Cloud1
Curious George0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
Papermaking and Making Whiteness in Othello0
Challenging0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
Issue Information0
A Letter on Decolonising the curriculum0
Issue Information0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
Laura Marcus (7 March 1956–22 September 2021)0
Directing Follies at the National Theatre0
Notes on contributors0
Criticizing Sondheim0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Deliver0
Notes on Contributors0
A Chaplinish Play: Adrienne Kennedy's A Lancashire Lad0
0
Gothic and Racism – A Review0
The Clinch0
Bret/ BRAT0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
Matter0
Revaluations0
Objectivity0
Caspar David Friedrich and Iconographies of Religious Feeling0
Witch Hunt0
0
Metaphors of Transcendence in John Berger’s A Seventh Man0
A Paper Chase: Call a Group of Foxes0
Issue Information0
Poland's Other Pope: Re‐appreciating Maria Janion0
From The Far Side of Paradise0
The Poetics of the Single Sheet of Paper: From Research to Practice0
From Messianic Subjectivity to Immaculate Objectivity: An Etymology0
A Surface Reading of Vladimir Nabokov0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
In the Bargain Bin0
Creating Spaces: Redacted Poetry Through Papercutting0
Creative critique0
0
“It’s Fucking Obvious!”0
The Humanities and the University: a Brief History of the Present Crisis0
Beyond Theory of the Lyric0
That Funny Money‐Man: A Hundred Years of Harmonium0
Atheism in the Grand Scheme of Things0
Issue Information0
Assimilation0
Charlie in the House of Words0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
Notes on contributors0
Slapstick Classicism: Chaplin among the Sculptures0
On growing up with ‘America’0
The Solitary Mind in the Anatomy of Melancholy0
Editorial, CQ 64.10
Five Poems0
Passionate0
0
Berger and the Disappointment of Zoos0
Notes on contributors0
A Revolution of the Screw: Peripheralising Europe0
Issue Information0
Decisions to leave: a semi‐fictional essay0
Somerset Maugham's Failings0
Unfinished interview with Terence Davies0
Consorting0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
An Irish Childhood in the City of London0
Bills of Mortality: Poems0
Issue Information0
Prediction Machines0
Introduction: Paper and Poetry – Interventions in Theory and Practice0
You0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
White0
The Laugh of the Tramp0
The London Consortium: a Personal History0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
Issue Information0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
Producing Terence Davies—A short memoir0
Sri Lanka0
Lawnmower Poetry and the Poetry of Lawnmowers0
Ethnographies of Paper in Early Modern England0
Introduction: Peripheral Europes0
Editorial0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
Chaplin's Nuts0
John Berger, Time Traveller0
Intelligence0
Keywords: Decolonise0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Quiver0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
0
Notes on contributors0
Christopher Hitchens and ‘The Press as Opposition’0
Editorial0
Notes on Contributors0
Issue Information0
Experience0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
Ecologies of Papermaking: Craft, Rags and Plants0
Chaplin's Mis‐fit Physics: Disability and Mobility0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Living with Sondheim0
Poetry0
Thirty Years with Mark Cousins0
Sondheim and Weidman’s unintended trilogy0
Entitled0
Issue Information0
Chapters from an Abandoned History of English Literature0
Poetic Licentiousness and the Destitutions of High Culture0
Issue Information0
Christopher Hitchens: Let's Riot On0
CONTRE‐JOUR0
Objectivity in the Age of Story0
So What: Musings about the Method0
Editorial0
Conducting Liquids in Pursuit of Romance: Reading Ed Ruscha's Stains0
Indolence0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
Pronouns: we/us/our0
The Voice Disrupted: Articulation, Hesitation, and Moral Seriousness in F. R. Leavis's Pedagogy0
Living in a World of Pain0
Nice Is Different Than Good0
Capitalism and autocracy0
Inside/Outcast0
Reality Winners0
Editorial: Distant Voices/Still Lives0
Gull Island0
At Last Someone is Saying It0
Animal0
Editorial0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Lessing's Early Letters: A Prolific Personal Voice0
Introduction: Solitudes Past and Present0
Stress: A Keyword for Today?0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
When/And0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
Notes on contributors0
0
Issue Information0
Crossing of Crossings0
Tragedy and the Tramp: Chaplin's Surplus Populations0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
A Bathroom of One's Own: Intimacies of Austerity and Austerities of Intimacy in Barbara Pym's Fiction0
CHE0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
Issue Information0
0
Correction to Critical Quarterly: Volume 67, Issue 10
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
Inclusive0
Editorial0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
On the ‘Hitchslap’0
0
Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper0
‘The Ladies Who Lunch’, Again and Again0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
Friendship’s Death at Cannes, July 20210
0
Defined As0
Blank Forms for Future Applications0
Editorial0
Sondheim’s Puzzles0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Notes on contributors0
Dear Hitch0
‘I Can’t Breathe’0
Oh, Mr Hitchens!0
Beyond the Barbershop: Berger, Turner and the Inner World0
Affliction’s Lonely Hour0
Interstellar Migration, the Population ‘Problem’ and the Climate Emergency0
0
Reading and relating with Frieda Fromm‐Reichmann and Joanne Greenberg0
My back door to Sondheim0
Bluffing0
Chaplin's Eyes0
Editorial0
0
Waiting for the Rainbow: Poems0
Terrorist0
On Technique and Judgement in Modernist Poetics0
Issue Information0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
The Challenge of Ambivalence: Hitchens on Orwell0
A fortunate Man: The Story of a Country Doctor0
Reality Television’s ‘Open Lie’0
‘Scot‐free flip‐top’ or Ish 2b0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
The Success of The Success and Failure of Picasso0
‘It is money we are looking for’0
Solitude, Psychological Science and the Cold War Imagination0
The London Consortium: a Select Bibliography0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge0
The London Consortium Courses, 1996–20120
Issue Information0
Light Tactics: The Poem as Index0
0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
CatherineMalabou, Stop Thief!: Anarchism and Philosophy, trans. Carolyn Shread (Polity, 2023), 268 pp. ISBN 97815095552390
Notes on contributors0
Errata to ‘Parsing Time in the Lyric’0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
Safe0
Issue Information0
0
0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
The Art of Precarity0
Objectivity and the Historian: Beyond the Fried Egg Test0
Journalism and Objectivity: Reporting on Palestine and Israel0
Aphorism as Narrative Method: Assessing John Berger's G.0
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