Critical Quarterly

Papers
(The median citation count of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
The Buffer of Hedges6
Lessing's Legacy Explored Through Her Personal Archive2
Good Times, Bad Times2
The Boilerplate World1
Notes on contributors1
Editorial: Distant Voices/Still Lives1
A Letter on Decolonising the curriculum1
Aphorism as Narrative Method: Assessing John Berger's G.1
2021: How Film Festivals and Women Will Defeat COVID‐191
Putin ~ Culture: Introduction1
Berger in Picasso’s Red Period1
1
1
Care1
Learning to Look: Berger’s Lessons1
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding1
Parsing Time in the Lyric1
Bowing to a Cloud1
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career1
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
On growing up with ‘America’0
The Success of The Success and Failure of Picasso0
Passionate0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Between desire and uncertainty: Tomorrow Sex Will be Good Again by Katherine Angel0
Notes on contributors0
Five Poems0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
A Surface Reading of Vladimir Nabokov0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
A fortunate Man: The Story of a Country Doctor0
Sondheim and Weidman’s unintended trilogy0
Consorting0
Reality Winners0
Notes on contributors0
0
Sri Lanka0
Issue Information0
‘The Unconscious was Another Word for Inspiration’: Adam Phillips on Marion Milner0
At Last Someone is Saying It0
Metaphors of Transcendence in John Berger’s A Seventh Man0
Gull Island0
Objectivity and the historian: Beyond the fried egg test0
John Berger, Time Traveller0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
0
Reality Television’s ‘Open Lie’0
Quiver0
Unfinished interview with Terence Davies0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
Inside/Outcast0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
The Clinch0
Directing Follies at the National Theatre0
Affliction’s Lonely Hour0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
Chapters from an Abandoned History of English Literature0
Notes on contributors0
Caspar David Friedrich and Iconographies of Religious Feeling0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
Thirty Years with Mark Cousins0
Issue Information0
A Psychoanalysis of Milk: The Case of Alfred Hitchcock0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Indolence0
Matter0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
Notes on Contributors0
Pronouns: we/us/our0
What is Amateur Film?0
Editorial0
Foreswearing the Anthropocence0
Issue Information0
Dear Hitch0
Issue Information0
Defined As0
In the Bargain Bin0
Issue Information0
From The Far Side of Paradise0
The Art of Precarity0
So What: Musings about the Method0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
Editorial0
CHE0
Poetic Licentiousness and the Destitutions of High Culture0
CONTRE‐JOUR0
0
0
That Funny Money‐Man: A Hundred Years of Harmonium0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Nice Is Different Than Good0
Gothic and Racism – A Review0
Producing Terence Davies—A short memoir0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
0
‘Action […] real and effective’: Marion Milner and ‘Expressive Action’0
Assimilation0
Atheism in the Grand Scheme of Things0
Issue Information0
Introduction: Marion Milner: Modernism, Politics, Psychoanalysis0
Prediction Machines0
Notes on contributors0
Beyond the Barbershop: Berger, Turner and the Inner World0
Objectivity in the age of story0
Editorial0
Safe0
Issue Information0
Editorial, CQ 64.10
Key Tendencies of Auteur Cinema in the Putin Era or Sleep, Dear Country!0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
Keywords: Decolonise0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Editorial0
Notes on contributors0
Intelligence0
White0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
When/And0
Notes on contributors0
Can History be a Science?0
Syntax as Punishment: Joy Williams’s Reckonings0
Issue Information0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
Notes on contributors0
0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
Criticizing Sondheim0
Editorial0
Notes on Contributors0
0
Issue Information0
Crossing of Crossings0
Revaluations0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
Living with Sondheim0
‘I Can’t Breathe’0
Notes on contributors0
Issue Information0
Terrorist0
‘Boris’0
“It’s Fucking Obvious!”0
Issue Information0
Issue Information0
Berger and the Disappointment of Zoos0
Laura Marcus (7 March 1956–22 September 2021)0
Beyond Theory of the Lyric0
‘Redeeming the body’: Embodiment and the ‘other’ in the work of Marion Milner0
Bluffing0
Macro‐Historicism and Micro‐History in Contemporary Russian Cinema0
Capitalism and autocracy0
The London Consortium: a Personal History0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
Calling Out0
0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
Christopher Hitchens: Let's Riot On0
Creative critique0
0
The London Consortium: a Select Bibliography0
Streaming: The World of Endless Amusement0
Lessing's Early Letters: A Prolific Personal Voice0
Inclusive0
Stress: A Keyword for Today?0
Errata to ‘Parsing Time in the Lyric’0
Entitled0
On Data, Media, and the Deconstruction of the Administrative State0
From messianic subjectivity to immaculate objectivity: An etymology0
List of illustrations0
Witch Hunt0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
The London Consortium Courses, 1996–20120
The Humanities and the University: a Brief History of the Present Crisis0
Decisions to leave: a semi‐fictional essay0
0
Assault on Freedom0
Poetry0
Waiting for the Rainbow: Poems0
Living in a World of Pain0
An Irish Childhood in the City of London0
Friendship’s Death at Cannes, July 20210
‘It is money we are looking for’0
Introduction: Peripheral Europes0
Solitude, Psychological Science and the Cold War Imagination0
Notes on contributors0
Issue Information0
Deliver0
The Challenge of Ambivalence: Hitchens on Orwell0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
‘The Ladies Who Lunch’, Again and Again0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Editorial0
Editorial0
Bills of Mortality: Poems0
Sondheim’s Puzzles0
To the Anxious Humanities Scholar0
‘A poet of human nature’: Marion Milner’s William Blake0
A Revolution of the Screw: Peripheralising Europe0
Athwart Culture: The Putin Power Vertical0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Notes on contributors0
You0
Issue Information0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
Six Moscow Yarns0
Poland's Other Pope: Re‐appreciating Maria Janion0
My back door to Sondheim0
The Solitary Mind in the Anatomy of Melancholy0
Challenging0
Christopher Hitchens and ‘The Press as Opposition’0
Introduction: Solitudes Past and Present0
On the ‘Hitchslap’0
‘A problem to be faced about history’: Marion Milner on holiday0
Animal0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
Editorial0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
A Line around a Think0
Oh, Mr Hitchens!0
0
Curious George0
Censorship in Russian Cinema: Ten Years of ‘Work‐in‐Progress’0
Issue Information0
CRIQ 62:5 – Abstracts0
0
Russia's New Patriotic Tresh0
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