Critical Quarterly

Papers
(The median citation count of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
6
Deliver2
Introduction: Solitudes Past and Present2
Solitude, Psychological Science and the Cold War Imagination2
Tower House1
John Berger, Time Traveller1
Quiver1
Prediction Machines1
Reality Television’s ‘Open Lie’1
Keywords: Decolonise1
Waiting for the Rainbow: Poems1
Notes on contributors1
Pronouns: we/us/our1
Friendship’s Death at Cannes, July 20211
The Buffer of Hedges1
Defined As1
Editorial1
On the ‘Hitchslap’1
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem1
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song1
Editorial1
Revaluations1
Intelligence1
‘The Ladies Who Lunch’, Again and Again1
Decisions to leave: a semi‐fictional essay0
Criticizing Sondheim0
0
Issue Information0
Editorial0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
Issue Information0
0
A Surface Reading of Vladimir Nabokov0
0
Editorial0
Metaphors of Transcendence in John Berger’s A Seventh Man0
Poetic Licentiousness and the Destitutions of High Culture0
Issue Information0
You0
An Irish Childhood in the City of London0
Notes on contributors0
A Line around a Think0
Gull Island0
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding0
Assault on Freedom0
Notes on contributors0
0
‘In That Other Voice’: Doris Lessing’s Ironic ‘Return to Realism’ in the 1980s0
Notes on contributors0
Editorial0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
2021: How Film Festivals and Women Will Defeat COVID‐190
Streaming: The World of Endless Amusement0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
Notes on contributors0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
Crossing of Crossings0
Assimilation0
When/And0
Introduction: Marion Milner: Modernism, Politics, Psychoanalysis0
The Clinch0
0
Objectivity in the age of story0
‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing0
Poetry0
The Solitary Mind in the Anatomy of Melancholy0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
Learning to Look: Berger’s Lessons0
Issue Information0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
Creative critique0
So What: Musings about the Method0
Notes on Contributors0
“It’s Fucking Obvious!”0
Curious George0
Caspar David Friedrich and Iconographies of Religious Feeling0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
Dear Hitch0
‘Boris’0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
Issue Information0
20080
At Last Someone is Saying It0
Macro‐Historicism and Micro‐History in Contemporary Russian Cinema0
Beyond Theory of the Lyric0
Issue Information0
0
On growing up with ‘America’0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Witch Hunt0
Issue Information0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
Doris Lessing’s Documentary Speculations on Futures Past0
0
Editorial0
That Funny Money‐Man: A Hundred Years of Harmonium0
Issue Information0
Living with Sondheim0
Editorial0
‘It is money we are looking for’0
Gothic and Racism – A Review0
Unfinished interview with Terence Davies0
Matter0
Calling Out0
Producing Terence Davies—A short memoir0
Sondheim and Weidman’s unintended trilogy0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
Issue Information0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
What is Amateur Film?0
Passionate0
Bowing to a Cloud0
Safe0
A Psychoanalysis of Milk: The Case of Alfred Hitchcock0
Editorial: Distant Voices/Still Lives0
Issue Information0
Notes on contributors0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Falling in Love with Everyone: Lessing’s Letters to Smithie at the Keep, University of Sussex0
List of illustrations0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
Russia's New Patriotic Tresh0
The London Consortium: a Personal History0
‘The Unconscious was Another Word for Inspiration’: Adam Phillips on Marion Milner0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
0
Notes on contributors0
Notes on contributors0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
Introduction: Peripheral Europes0
Editorial: ‘Doris Lessing at 100: The Writer’s Quest’0
Stress: A Keyword for Today?0
Beyond the Barbershop: Berger, Turner and the Inner World0
Sri Lanka0
Between desire and uncertainty: Tomorrow Sex Will be Good Again by Katherine Angel0
Parsing Time in the Lyric0
Notes on contributors0
0
Alfred and Emily (2008): Speculation in the Aftermath of Empire0
Key Tendencies of Auteur Cinema in the Putin Era or Sleep, Dear Country!0
Living in a World of Pain0
Notes on contributors0
Inside/Outcast0
Issue Information0
Berger in Picasso’s Red Period0
Good Times, Bad Times0
Issue Information0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Christopher Hitchens and ‘The Press as Opposition’0
Oh, Mr Hitchens!0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
Care0
Inclusive0
Chapters from an Abandoned History of English Literature0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
The Golden Notebook: a masterpiece among its Isms0
Sondheim’s Puzzles0
A Letter on Decolonising the curriculum0
The London Consortium Courses, 1996–20120
Aphorism as Narrative Method: Assessing John Berger's G.0
‘I Can’t Breathe’0
Terrorist0
Capitalism and autocracy0
Issue Information0
My back door to Sondheim0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Poland's Other Pope: Re‐appreciating Maria Janion0
A fortunate Man: The Story of a Country Doctor0
Can History be a Science?0
Affliction’s Lonely Hour0
Lessing's Early Letters: A Prolific Personal Voice0
Lessing's Legacy Explored Through Her Personal Archive0
CRIQ 62:5 – Abstracts0
Bluffing0
Nice Is Different Than Good0
Berger and the Disappointment of Zoos0
Challenging0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
Foreswearing the Anthropocence0
‘Redeeming the body’: Embodiment and the ‘other’ in the work of Marion Milner0
0
Putin ~ Culture: Introduction0
Athwart Culture: The Putin Power Vertical0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Six Moscow Yarns0
Notes on Contributors0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
CHE0
Directing Follies at the National Theatre0
The Boilerplate World0
The Challenge of Ambivalence: Hitchens on Orwell0
Five Poems0
Animal0
A Revolution of the Screw: Peripheralising Europe0
Entitled0
Censorship in Russian Cinema: Ten Years of ‘Work‐in‐Progress’0
The Art of Precarity0
0
White0
Notes on contributors0
The Humanities and the University: a Brief History of the Present Crisis0
Triviality, Materiality and Synchronicity in the Lessing Archive0
Editorial, CQ 64.10
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
The Politics of Cleaning in Doris Lessing’s 1980s Realist Fiction: The Diary of a Good Neighbour (1983) and The Good Terrorist (1985)0
Editorial0
CONTRE‐JOUR0
‘No Hip Muffs’: female ageing in Doris Lessing’s fiction and correspondence0
‘A poet of human nature’: Marion Milner’s William Blake0
Errata to ‘Parsing Time in the Lyric’0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
The Success of The Success and Failure of Picasso0
To the Anxious Humanities Scholar0
Thirty Years with Mark Cousins0
Atheism in the Grand Scheme of Things0
Bills of Mortality: Poems0
The London Consortium: a Select Bibliography0
Issue Information0
In the Bargain Bin0
0
Issue Information0
Notes on contributors0
Christopher Hitchens: Let's Riot On0
Issue Information0
Indolence0
‘A problem to be faced about history’: Marion Milner on holiday0
Consorting0
‘Comrade Doris’: Lessing’s correspondence with the Foreign Commission of the Board of Soviet Writers in the 1950s0
0
Syntax as Punishment: Joy Williams’s Reckonings0
‘Action […] real and effective’: Marion Milner and ‘Expressive Action’0
From The Far Side of Paradise0
0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
Laura Marcus (7 March 1956–22 September 2021)0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
On Data, Media, and the Deconstruction of the Administrative State0
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