Critical Quarterly

Article	Citations
The Buffer of Hedges	13
Good Times, Bad Times	2
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding	2
Lessing's Legacy Explored Through Her Personal Archive	2
Notes on contributors	1
Care	1
Editorial	1
Berger in Picasso’s Red Period	1
A Bathroom of One's Own: Intimacies of Austerity and Austerities of Intimacy in Barbara Pym's Fiction	1
A Letter on Decolonising the curriculum	1
Patrick Leigh Fermor: Writing a Walk	1
Learning to Look: Berger’s Lessons	1
Bowing to a Cloud	1
	1
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose	0
‘To Save a Likeness’: Berger on Drawing & Resemblance	0
Directing Follies at the National Theatre	0
A Chaplinish Play: Adrienne Kennedy's A Lancashire Lad	0
‘Scot‐free flip‐top’ or Ish 2b	0
Defined As	0
Formal Introductions: Transference and Authority in ‘Forty‐One False Starts’	0
My back door to Sondheim	0
Keywords: Decolonise	0
The London Consortium: a Select Bibliography	0
The Last Line	0

Witch Hunt	0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge	0
A fortunate Man: The Story of a Country Doctor	0
Contesting Constraint: Eleanor Careless on the ‘Carceral Poetry’ of Anna Mendelssohn	0
Objectivity	0
Gesturing While Writing: An Alternate Perspective on Mimetic Prosody	0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career	0
Dear Hitch	0
From The Far Side of Paradise	0
	0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To	0
Bret/ BRAT	0
	0
Ecologies of Papermaking: Craft, Rags and Plants	0
Aphorism as Narrative Method: Assessing John Berger's G.	0
Errata to ‘Parsing Time in the Lyric’	0
On Technique and Judgement in Modernist Poetics	0
Interstellar Migration, the Population ‘Problem’ and the Climate Emergency	0
The London Consortium Courses, 1996–2012	0
Editorial	0
Entitled	0
The Wishes of Human Vanity	0
Poetic Licentiousness and the Destitutions of High Culture	0
CONTRE‐JOUR	0
	0
Papermaking and Making Whiteness in Othello	0
The Real Age of Newspapers: Hitch, the Vanity Fair Years	0
Reality Television’s ‘Open Lie’	0
Criticizing Sondheim	0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe	0
CHE	0
Introduction: Solitudes Past and Present	0
Inclusive	0
‘It might as well be Stephen’ essays in appreciation of Sondheim	0
Editorial	0
Berger and the Disappointment of Zoos	0
Issue Information	0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’	0
Inside/Outcast	0
Waiting for the Rainbow: Poems	0
Infinite Joyce	0
Deliver	0
Unfinished interview with Terence Davies	0
Notes on contributors	0
Solitude, Psychological Science and the Cold War Imagination	0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy	0
	0
	0
Introduction: Peripheral Europes	0
Literary Journalism on Trial: Janet Malcolm, Criminal Character and the Legacy of New Journalism	0

Journalism and Objectivity: Reporting on Palestine and Israel	0
Poland's Other Pope: Re‐appreciating Maria Janion	0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife	0
Experience	0
Tragedy and the Tramp: Chaplin's Surplus Populations	0
You	0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean	0
Issue Information	0
Editorial	0
What Did Janet Malcolm Want?	0
	0
When/And	0
Issue Information	0
Beyond Theory of the Lyric	0
Objectivity in the Age of Story	0
Lessing's Early Letters: A Prolific Personal Voice	0
Notes on contributors	0
Charlie in the House of Words	0
On the ‘Hitchslap’	0
Notes on contributors	0
Quiver	0
Chaplin's Nuts	0
Editorial	0
	0
Issue Information	0
Issue Information	0
Passionate	0
Chaplin's Mis‐fit Physics: Disability and Mobility	0
Issue Information	0
Slapstick Classicism: Chaplin among the Sculptures	0
Failing Better: Inauthenticity, Collusion and the Politics of Truth	0
Notes on contributors	0
Blank Forms for Future Applications	0
The Origins of Printed Man: Ian Watt, Marshall McLuhan and Rise of the Literacy Thesis	0
Decisions to leave: a semi‐fictional essay	0
Poetry	0
Gull Island	0
	0
Issue Information	0
Editorial	0
	0
Parsing Time in the Lyric	0
Creative Critique	0
The Success of The Success and Failure of Picasso	0
From Messianic Subjectivity to Immaculate Objectivity: An Etymology	0
Stress: A Keyword for Today?	0
Metaphors of Transcendence in John Berger’s A Seventh Man	0
Issue Information	0
Producing Terence Davies—A short memoir	0
Atheism in the Grand Scheme of Things	0
Curious George	0
“It’s Fucking Obvious!”	0
Introduction: Paper and Poetry – Interventions in Theory and Practice	0
The Challenge of Ambivalence: Hitchens on Orwell	0
Reality Winners	0
Somerset Maugham's Failings	0
On growing up with ‘America’	0
Theatres of Indirectness: Passive Aggression and Failure	0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification	0
The Rescue Plot: Maritime Encounter and the Borders of Europe	0
‘It is money we are looking for’	0
‘The Ladies Who Lunch’, Again and Again	0
Animal	0
Sri Lanka	0
Issue Information	0
Light Tactics: The Poem as Index	0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem	0
Prediction Machines	0
John Berger, Time Traveller	0
An Irish Childhood in the City of London	0
Editorial	0
Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper	0
Sondheim’s Puzzles	0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray	0
Affliction’s Lonely Hour	0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere	0
The Art of Precarity	0
Reading and relating with Frieda Fromm‐Reichmann and Joanne Greenberg	0
White	0
Living with Sondheim	0

On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain	0
Notes on contributors	0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture	0
Crossing of Crossings	0
Issue Information	0
Bills of Mortality: Poems	0
‘Notebook Literature’: Virginia Woolf and Marion Milner	0
Lawnmower Poetry and the Poetry of Lawnmowers	0
Issue Information	0
In the Bargain Bin	0
Ethnographies of Paper in Early Modern England	0
So What: Musings about the Method	0
	0
That Funny Money‐Man: A Hundred Years of Harmonium	0
	0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice	0
The Voice Disrupted: Articulation, Hesitation, and Moral Seriousness in F. R. Leavis's Pedagogy	0
Revaluations	0
Do You Speak Franglais? The hotchpotch of languages in Henry V	0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal	0
Notes on Contributors	0
Indolence	0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’	0
Correction to Critical Quarterly : Volume 67, Issue 1	0
Editorial: Distant Voices/Still Lives	0
Christopher Hitchens and ‘The Press as Opposition’	0
Consorting	0
Living in a World of Pain	0
	0
The Solitary Mind in the Anatomy of Melancholy	0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk	0
Gothic and Racism – A Review	0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry	0
Issue Information	0
CatherineMalabou, Stop Thief!: Anarchism and Philosophy, trans. Carolyn Shread (Polity, 2023), 268 pp. ISBN 9781509555239	0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive	0
Beyond the Barbershop: Berger, Turner and the Inner World	0
Christopher Hitchens: Let's Riot On	0
Jorge Luis Borges' Medieval Aesthetics of Failure	0
The Laugh of the Tramp	0
Chaplin's Eyes	0
A Surface Reading of Vladimir Nabokov	0
Sondheim and Weidman’s unintended trilogy	0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education	0
Notes on contributors	0
The Humanities and the University: a Brief History of the Present Crisis	0
Notes on contributors	0
Conducting Liquids in Pursuit of Romance: Reading Ed Ruscha's Stains	0
The London Consortium: a Personal History	0
	0
Issue Information	0
Assimilation	0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image	0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song	0
Nice Is Different Than Good	0
Issue Information	0
Objectivity and the Historian: Beyond the Fried Egg Test	0
Editorial, CQ 64.1	0
The Clinch	0
Issue Information	0
Editorial	0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont	0
A Revolution of the Screw: Peripheralising Europe	0
Pronouns: we/us/our	0
‘reportless places’: Janet Malcolm and Collage	0
Friendship’s Death at Cannes, July 2021	0
Intelligence	0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George	0
The shaping of character: The classics as a remedy for cultural despair in Victorian England	0
Oh, Mr Hitchens!	0
At Last Someone is Saying It	0
The Poetics of the Single Sheet of Paper: From Research to Practice	0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis	0
Matter	0
A Paper Chase: Call a Group of Foxes	0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses	0
Bluffing	0
Introduction	0
Editorial	0
	0
Challenging	0
Terrorist	0
Janet Malcolm's Self‐Portrait	0
Creating Spaces: Redacted Poetry Through Papercutting	0