Critical Quarterly

Article	Citations
CoronaGothic: a Post‐Mortem	8
The Humanities and the University: a Brief History of the Present Crisis	4
‘The China Virus’: Invasion, Contagion, and the ‘Yellow Peril’	2
Key Tendencies of Auteur Cinema in the Putin Era or Sleep, Dear Country!	2
‘No Hip Muffs’: female ageing in Doris Lessing’s fiction and correspondence	2
Censorship in Russian Cinema: Ten Years of ‘Work‐in‐Progress’	2
Assimilation	1
Care	1
Putin ~ Culture: Introduction	1
The Golden Notebook: a masterpiece among its Isms	1
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose	1
The Solitary Mind in the Anatomy of Melancholy	1
Do You Speak Franglais? The hotchpotch of languages in Henry V	1
A Letter on Decolonising the curriculum	1
A Psychoanalysis of Milk: The Case of Alfred Hitchcock	1
Syntax as Punishment: Joy Williams’s Reckonings	1
Doris Lessing’s Documentary Speculations on Futures Past	1
‘In That Other Voice’: Doris Lessing’s Ironic ‘Return to Realism’ in the 1980s	1
‘Comrade Doris’: Lessing’s correspondence with the Foreign Commission of the Board of Soviet Writers in the 1950s	1
Russia's New Patriotic Tresh	1
To the Anxious Humanities Scholar	1
Pandemics, Power, and Conspiracy Theories	1
Issue Information	1
On Data, Media, and the Deconstruction of the Administrative State	1
‘Boris’	1

The Politics of Cleaning in Doris Lessing’s 1980s Realist Fiction: The Diary of a Good Neighbour (1983) and The Good Terrorist (1985)	1
Issue Information	0
Beyond Theory of the Lyric	0
Affliction’s Lonely Hour	0
Berger and the Disappointment of Zoos	0
Reality Television’s ‘Open Lie’	0
In the Bargain Bin	0
The Clinch	0
That Funny Money‐Man: A Hundred Years of Harmonium	0
Poland's Other Pope: Re‐appreciating Maria Janion	0
Challenging	0
CQ 62:4 – Abstracts	0
Friendship’s Death at Cannes, July 2021	0
Notes on contributors	0
‘To Save a Likeness’: Berger on Drawing & Resemblance	0
Lessing's Early Letters: A Prolific Personal Voice	0
CRIQ 62:5 – Abstracts	0
Assault on Freedom	0
Poetry	0
Pronouns: we/us/our	0
2008	0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean	0
An Irish Childhood in the City of London	0
Foreswearing the Anthropocence	0
2021: How Film Festivals and Women Will Defeat COVID‐19	0
Atheism in the Grand Scheme of Things	0
The Chinese Virus	0
Notes on contributors	0
Issue Information	0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To	0
Six Moscow Yarns	0
Laura Marcus (7 March 1956–22 September 2021)	0
	0
John Berger, Time Traveller	0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture	0
Indolence	0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’	0
Parsing Time in the Lyric	0
Solitude, Psychological Science and the Cold War Imagination	0
Editorial	0
Pandemics, Social Disruption, and Dark Skies: Apocalyptic Fictions and the end of Human Culture	0
The Challenge of Ambivalence: Hitchens on Orwell	0
Issue Information	0
Matter	0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe	0
	0
Triviality, Materiality and Synchronicity in the Lessing Archive	0
	0
Inclusive	0
Alfred and Emily (2008): Speculation in the Aftermath of Empire	0

A Revolution of the Screw: Peripheralising Europe	0
‘A poet of human nature’: Marion Milner’s William Blake	0
CHE	0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry	0
Issue Information	0
	0
Caspar David Friedrich and Iconographies of Religious Feeling	0
Entitled	0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont	0
Editorial	0
Keywords: Decolonise	0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses	0
‘Redeeming the body’: Embodiment and the ‘other’ in the work of Marion Milner	0
Notes on contributors	0
A Surface Reading of Vladimir Nabokov	0
Issue Information	0
Metaphors of Transcendence in John Berger’s A Seventh Man	0
Issue Information	0
Learning to Look: Berger’s Lessons	0
Issue Information	0
The London Consortium: a Select Bibliography	0
Christopher Hitchens and ‘The Press as Opposition’	0
Good Times, Bad Times	0
Can History be a Science?	0
Notes on contributors	0
Editorial	0
“It’s Fucking Obvious!”	0
Aphorism as Narrative Method: Assessing John Berger's G.	0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife	0
Curious George	0
Introduction: Peripheral Europes	0
Notes on contributors	0
Issue Information	0
Stress: A Keyword for Today?	0
	0
At Last Someone is Saying It	0
You	0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal	0
Quiver	0
Macro‐Historicism and Micro‐History in Contemporary Russian Cinema	0
Notes on contributors	0
Inside/Outcast	0
Editorial	0
List of illustrations	0
Creative critique	0
No Place for Racism	0
Introduction: CoronaGothic, Culture, and Crisis	0
Terrorist	0
Amabie goes viral: the monstrous mercreature returns to battle the Gothic Covid‐19	0
Notes on contributors	0
Issue Information	0
Poetic Licentiousness and the Destitutions of High Culture	0
Editorial	0
Issue Information	0
Issue Information	0
	0
Chapters from an Abandoned History of English Literature	0
Gull Island	0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem	0
The London Consortium Courses, 1996–2012	0
The Ghosts of Lockdown	0
Notes on contributors	0
The Art of Precarity	0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice	0
Deliver	0
Gothic and Racism – A Review CristinaArtenie, ed., Gothic and Racism, revised and enlarged second edition (Montreal: Universitas Press, 2023)	0
	0
Streaming: The World of Endless Amusement	0
Medieval Lyric: Another Direction	0
Lessing's Legacy Explored Through Her Personal Archive	0
Notes on contributors	0
‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing	0
Introduction: Marion Milner: Modernism, Politics, Psychoanalysis	0
Producing Terence Davies—A short memoir	0
Notes on contributors	0
	0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy	0
Editorial	0
Editorial	0
‘Action […] real and effective’: Marion Milner and ‘Expressive Action’	0

Beyond the Barbershop: Berger, Turner and the Inner World	0
Notes on contributors	0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education	0
Crossing of Crossings	0
From The Far Side of Paradise	0
A fortunate Man: The Story of a Country Doctor	0
Intelligence	0
The shaping of character: The classics as a remedy for cultural despair in Victorian England	0
Passionate	0
Bills of Mortality: Poems	0
A Scary Story	0
Decisions to leave: a semi‐fictional essay	0
Bluffing	0
On the ‘Hitchslap’	0
	0
White	0
Witch Hunt	0
Christopher Hitchens: Let's Riot On	0
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding	0
	0
The Buffer of Hedges	0
Berger in Picasso’s Red Period	0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’	0
The Rescue Plot: Maritime Encounter and the Borders of Europe	0
Issue Information	0
Safe	0
Prediction Machines	0
‘A problem to be faced about history’: Marion Milner on holiday	0
Editorial	0
Unfinished interview with Terence Davies	0
Calling Out	0
Athwart Culture: The Putin Power Vertical	0
Editorial, CQ 64.1	0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song	0
	0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray	0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive	0
What is Amateur Film?	0
The Boilerplate World	0
Living in a World of Pain	0
Risk, Invisibility, and Gothic Ruins in 2020: A Photo Essay	0
Viral Vampires	0
Notes on Contributors	0
Editorial: Distant Voices/Still Lives	0
Issue Information	0
‘I Can’t Breathe’	0
Bowing to a Cloud	0
Tower House	0
Consorting	0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain	0
Issue Information	0
Errata to ‘Parsing Time in the Lyric’	0
Editorial	0
	0
Masques of the Red Death	0
The Real Age of Newspapers: Hitch, the Vanity Fair Years	0
Five Poems	0
Issue Information	0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk	0
Introduction: Solitudes Past and Present	0
Notes on contributors	0
‘The Unconscious was Another Word for Inspiration’: Adam Phillips on Marion Milner	0
	0
Falling in Love with Everyone: Lessing’s Letters to Smithie at the Keep, University of Sussex	0
	0
Between desire and uncertainty: Tomorrow Sex Will be Good Again by Katherine Angel	0
Editorial: ‘Doris Lessing at 100: The Writer’s Quest’	0
Oh, Mr Hitchens!	0
Defined As	0
Notes on contributors	0
Thirty Years with Mark Cousins	0
‘Notebook Literature’: Virginia Woolf and Marion Milner	0
When/And	0
Capitalism and autocracy	0
A Line around a Think	0
So What: Musings about the Method	0
	0
	0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image	0
Revaluations	0
CONTRE‐JOUR	0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification	0
Notes on Contributors	0
Dear Hitch	0
The London Consortium: a Personal History	0
‘It is money we are looking for’	0
Animal	0
Waiting for the Rainbow: Poems	0
The Success of The Success and Failure of Picasso	0