Chaucer Review

Papers
(The TQCC of Chaucer Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Leaving Carthage in Chaucer’s House of Fame7
Adam Pinkhurst Goes to Berwick? A Life-Record for Adam Pynkherst, Archer5
“When Ace beareth up Six”: Ever Is Six the Best Chance of the Dice and the Composition and Collecting of Middle English Dice Poems4
A Chaucer Holograph3
Chaucer on Suspending Disbelief in the Merchant’s Tale3
Diagnosis, Medical Ethics, and Moral Authority in the Pardoner’s Tale2
About This Issue2
In Memoriam: Peter G. Beidler (1940-2023)2
A merveillous desir : Authorship, Ethics, and Knowing Others in the Clerk’s Tale2
Documentary Chaucer: Cecily Chaumpaigne, the Archive, and the Future of Chaucer Studies2
Materializing Latinate Prayers: John Lydgate’s Aureate and Paraliturgical Poems in a London Merchant’s Booklet2
Derek Pearsall and John Gower1
On Servant Women, Rape Culture, and Endurance1
Chaucer’s Troy in Early Modern Wales: Time and History in the Welsh Troelus a Chresyd1
APPENDIX 1. Chronology of the Known Chaucer–Chaumpaigne Records1
Speaking Survival: Chaucer Studies and the Discourses of Sexual Assault1
The Case of Geoffrey Chaucer and Cecily Chaumpaigne: New Evidence0
Before Chaucer, Inc.: Thomas Pope Blount’s Literary History0
Who Was Cecily Chaumpaigne?0
Three Polish Translations of the Canterbury Tales0
Plain Speaking: A Response to A. S. G. Edwards, “Editing and The Oxford Chaucer0
For a High, Short Lydgate Chronology0
King John’s Envoy: Patronage and Date of the Book of the Duchess0
Geoffrey Chaucer, Cecily Chaumpaigne, and the Statute of Laborers: New Records and Old Evidence Reconsidered0
Index, Volume 58, 20230
Cecily Chaumpaigne: A Microhistorical Biography0
Cloacina’s Office: Pope’s Temple of Fame and the Ripples of Chaucerian Obscenity0
Saint Erkenwald and the Judge in Limbo0
“Nobody Cain’t Die”: An Appalachian Analogue to the Old Man in Chaucer’s Pardoner’s Tale0
The Broken Moon: Lunar Semiotics in Ancrene Wisse and Pearl0
Derek Pearsall (1931-2021): List of Publications0
The Fragmentary Poetry of Cecily Chaumpaigne’s De Raptu Meo0
“O sely preest, o sely innocent!”: The Rhetoric of Religious Feeling in Chaucer0
The Elusive Progress of Prosodical Study: Essays in Honor of Thomas Cable0
Obscenity in Three English Lives of Geoffrey Chaucer, 1700–18030
Borrowed Feathers: The Spurious Older Scots Ending to Chaucer’s Parliament of Fowls in Bodleian Library MS Arch. Selden. B. 240
Index, Volume 59, 20240
About This Issue0
“Ful Louder”: Raising the Hue and Cry in the Nun’s Priest’s Tale0
Instrumentalizing Griseldis: Promotion of a Royal French Child Bride for Richard II and the Production of a Rhymed, Illustrated Play of Griseldis0
Bridling at Halters: Equine Bodies and Double Binds in John Gower’s “Tale of Rosiphelee”0
Closing History: Honor, Greimas, and the Franklin’s Tale0
Politics of Translation: The Wife of Bath’s Tale in Chinese in the Early Twentieth Century0
It’s Complicated: Some Irregular Line-Ending Morphosyllabic Sequences in Piers Plowman B0
Gender and Conversion in the Middle English Otuel Romances0
What Kind of Man Are You?: Chaucer, the Matter of Woman, and Rape Culture in the Canterbury Tales0
Rhetorical Rhythms of Troy: Chaucer, Guido delle Colonne, and the Ars dictaminis0
Making and Unmaking: Maternal Rhetoric in Fragment VI of the Canterbury Tales0
Imagining Chaucer’s Male Audience0
Cecily Chaumpaigne’s Claim0
Manuscript Readings We Don’t Think About in the Prioress’s Tale0
The Poetics of Experience and Illusion: Ovidian Alter-Egos in the Wife of Bath’s Prologue and Tale0
Messy Chaucer0
The Elusive Transformation of Alliterative Meter0
APPENDIX 2. Transcriptions and Translations0
“Our” Home Is “Here”: The Sense of a Homeland in Chaucer and Middle English Romance0
A Metrico-Stylistic Trait of Aural Punctuation in Old English Verse0
Introduction: Chaucer and Rhetoric0
The Naming of Will in Piers Plowman0
Whiteness, Innocence, and Childhood in the Prioress’s Tale and Its Devotional Milieu0
Reading Courtesy Texts in Late Medieval England: The Audience of Lydgate’s Stans puer ad mensam0
Cecily Chaumpaigne Cries Quits: Chaucer, Quitclaims, and Compromise0
Chaucer’s Rhetoric of Sound0
Thinking About (and With) the Prioress’s Tale : From Medieval Alterity to Modern Hate Narrative0
Introduction: What We Think About When We Think About the Prioress’s Tale0
The “Extra-Long” Dip in the Poems of the Gawain Poet0
Cover0
Index, Volume 57, 20220
“She Lives!”: Jephthah’s Daughter and Chaucer’s Virginia, Jews and Gentiles, Bad Narrative, and Ending Happily0
“Whil thilke mirour laste”: Virgil’s Mirror and the Work of Avarice in Gower’s Confessio Amantis0
Julian Reads Langland0
About This Issue0
K–I–S–S–I–N–G: Transforming Obscenity in Children’s Adaptations of Chaucer’s Merchant’s Tale0
In Memoriam: Russell A. Peck (1933-2023)0
The Role of Dialect in the Reeve’s Prologue and Tale0
Introduction0
Translation and the Squire’s Fabulous “Traveling Icon” Narrative Venture0
The “Voice of the Clerical Satirist”: Revisiting Pearsall’s Reading of The Merchant’s Tale0
The Sinclair Women and Oxford, Bodleian Library MS Arch. Selden. B. 240
Romance with a Difference: The Squire’s Tale and Sir Thopas0
Chaucerian Obscenity0
Chaucer the Mage: A Brief Exploration of Magic in the Squire’s Tale , the Canon’s Yeoman’s Tale , and the 0
The Archival Iceberg: New Sources for Literary Life-Records0
Middle English Manuscript Collections of Verse Romances0
“Thilke wombe in whiche youre children leye”: Bodily Sovereignty and Non-Freedom in the Clerk’s Tale0
Editing and The Oxford Chaucer0
In Memoriam: John C. Hirsh (1942–2024)0
Caxton’s Canterbury Tales at the Court of King’s Bench0
Scribes, Critics, and Malyne’s Tears0
Character and Control in Troilus and Criseyde0
Satire, Performance, and English Rustic Comedy in Harley 22530
Chaucer’s Complaint to His Purse and Authority in the World0
“Thow most a fewe of olde stories heere”: Past and Future Prophecies in Troilus and Criseyde0
On Raptus, Quitclaims, and Precedents in Staundon v. Chaucer–Chaumpaigne: An Afterword0
Sodomy Against the Binary with Chaucer’s Pardoner0
Texts and the City: William Caxton, Richard Hill, and Metropolitan Conjury0
Surprised by Sound: The Achievement of the Ellesmere Editor0
The Context of Sir Orfeo in a Miniature Library, Harley 3810, Section I0
APPENDIX 3. Calendar of New Chaucer Life-Records0
Translating Middle English (Im)politeness: The Case of Geoffrey Chaucer’s Miller’s Tale0
Afterword: The Form of the Reader0
Flood, Famine, Contagion, and Comedy: Laughing at Environmental Catastrophe with Chaucer’s Miller and Nun’s Priest0
About This Issue0
Chaucer’s Fortune : A Necessary Invention0
The Prioress’s Tale and La France juive : Chaucer in Nineteenth-Century French Antisemitism0
The Myth of the Poor, Homeless Poet: Revising the Chaucer Biography0
Index, Volume 60, 20250
The House of Fame and Its Gossip Mill0
The Ends of Fellowship: Obscenity, Felawe Masculinity, and Gendered Vulnerability in the Manciple’s Prologue and Tale0
Cover0
Time and Temporality in Sir Gawain and the Green Knight0
Teaching Documentary Chaucer Now: A Trauma-Informed Approach0
Coda: Translating Chaucer’s Queynte0
Lydgate, Chaucer, and Lady Margaret Beaufort0
Literary Nominalism and Anti-Allegory in Geoffrey Chaucer’s Clerk’s Tale0
Reading the Prioress’s Tale as Recovery Romance, or The Tale of a Prioress, a Sniper, and the Cross-Temporal Weaponization of Empathy0
“How the old carling did so crack”: Volubility, Aging, and Obscenity in Two Ballad Reimaginings of the Wife of Bath0
“Al for Some Conclusioun”: Trinitarian Structure and the Final Stanza of Chaucer’s Troilus0
“Ycomen of Cristen blood”: Racializing Christianity in Chaucer’s Prioress’s Tale0
Ecology and Gender in Sir Launfal0
The Discourse of Sighs in Medieval English Literature0
John Walton’s Invention of the Iambic Pentameter0
The Space of the List: The Nine Worthies in Medieval English Literature0
About This Issue0
Whose Chaucer? On Cecily Chaumpaigne, Cancellation, and the English Literary Canon0
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