Cambridge Quarterly

Papers
(The TQCC of Cambridge Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
‘Rotten Work of Genius’: Ford Madox Ford and D. H. Lawrence1
Reclaimed Romanticism in Robin Hyde’s ‘Houses by the Sea’1
Romantics De-Romanticised?1
The Amazoniad1
Introduction: A Conversation with Geoff Wall1
Terraqueous Intimacy0
Notes on Contributors0
Hard-Core Poetry0
The Draughtswoman of Middlemarch0
A Likeness Only Fancied? Lancelot Andrewes and Gertrude Stein0
Lessons in Modernity0
Description, Despite Itself0
Notes on Contributors0
‘Cockney Aristotle’: Hazlitt’s Second Nature0
‘Still Repeated Circles’: William Cowper’s The Task and the Shape of Habit0
Notes on Contributors0
‘An Encyclopaedia of the Everyday’0
Foreword0
Fading to Black: Embodied Spectatorship and Empowered Subjectivity in James Baldwin’s Cinematic Imagination0
Notes on Contributors0
Conrad’s Margins and Details0
The Copyeditor Test0
Zaina Alsous’s Dodo Poetics0
Peace Descends0
Reframing Novelistic Recognition0
Repair: A New History0
‘Nothing is not connected. Nothing is not alive’: Ali Smith as Art Critic0
Translation Kits0
On Nature, and ‘Man’s Dominion’0
Notes on Contributors0
Richardson’s Punctilios0
Artistic Culture and the Book Trade in Late Seventeenth-Century London0
On Good Form(s)0
Voices and Publics: An Interview with Stefan Collini0
Rabbits and Ladders0
Epic Allusions0
An ‘Incongruous Bill of Fare’: Musical Canons and Copies in George Du Maurier’s Trilby0
Good for Nothing0
The Art of Advice0
Bird Learning0
Notes on Contributors0
Notes on Contributors0
Notes on Contributors0
How Hollywood Watched Television0
Veronica Forrest-Thomson’s ABC of Atoms: Poetry, Knowledge, Technique0
I Shock Myself: Beatrice Wood on, and in, New York Dada0
Poetry, Painting, Physics0
Stevie Smith’s Questions0
‘In a Church, in a Cave’: Cruising with E. M. Forster0
‘Beyond the path itself’: archive and text in the correspondence of Bernard Dubourg and J. H. Prynne0
Jane Austen, Elizabeth Bowen, and the Novel0
Splitting Allegiances: A Reading of Swift’s On the Words – Brother Protestants, and Fellow Christians0
Things Unattempted0
Crisis, Legitimation, Disciplinarity0
Where Is the Poem Really From?0
‘Organs of Embodied Sentiment’: Contextualising William Blake’s Sistine Studies c.1770-17900
Larkinography0
Open-Ended0
Spectres of the Gulag: Soviet Bloc Dissident Poetics and Seamus Heaney’s Representation of Political Imprisonment0
Three Words0
The Humanities: Between Skills and Canons0
The Borders of Biography: Lucia Berlin and Me0
Notes on Contributors0
Is Poetry Communist?0
Putting in a Word or Two for Mrs Lirriper0
The Promise of Philosophical Fiction0
James Merrill’s Sprezzatura0
Notes on Contributors0
Marx and Morality0
A Conversation with Professor Dame Hermione Lee0
Magazine Publics, Jim Crow Politics0
Radical: Marianne Moore’s Characters0
Notes on Contributors0
Simeon Solomon’s Contradictions0
Making Belief: Epistemology and Scenography in John Home’s Theatrical Adaptation of Ossian0
Irving Kristol and the Biographical Threads of Neoconservatism0
Notes on Contributors0
‘Colossal Snob’? The Class-Ridden World of Simon Raven0
Touching Paintings (in the Contemporary American Novel)0
From an Unfinished Biography of George Sand0
Weird Horizons and the Mysticism of the Unhuman in Jeff VanderMeer’s Southern Reach Trilogy0
‘A Genteel Form of Suicide’: Julian Bell’s Chinese Journey0
Seeing Music, Hearing Images0
Winston’s Desires, Orwell’s Politics0
Indebted – Henry James and Honoré de Balzac0
Notes on Contributors0
Hardy’s Poetic Retrospect0
Experimenting with Failure0
Paths and Puzzles: Walking the Maze in the Apocalypse of Golias0
Proustian Extravagance0
Alexander Pope’s Lucretian Vestiges0
Mina Loy’s Brilliance0
Thoreau’s Disobedient Thinking0
Roman Greatness0
Preface: Habit0
‘Defiantly Ambiguous’: Life in the Black Midwest0
Lewis Carroll’s Instructive Alice0
Biographical Questing: Stoppard and Eliot0
The Two Audens0
What Makes Us Laugh?0
A Reunion of the Arts0
The Whale and the Wire: Moby-Dick and the 1858 Atlantic Telegraph Cable0
Afterword: Thomas Love Peacock and Habits of Thinking0
Critical Prehistory0
Hamlet’s Wisdom0
Family Matters0
‘Parnellian Silences’ in Virginia Woolf’s The Years0
Future-Oriented, Backward-Looking0
Notes on Contributors0
Jamesian Footings0
Versatile Georgic Variety0
An Undercurrent of Shelley’s Poetics in Ruskin’s Modern Painters0
Alone, Ness: W. S. Graham to Nessie Dunsmuir0
Ann Yearsley and Habituated Indifference0
The Come-Back Kid0
Thom Gunn’s Variants0
Penelope Fitzgerald and Edward Burne-Jones: The Spirit of Her Work0
‘Breathing Through its Spectacles’: The Queer Trees of Frank O’Hara0
Less and More: The Fin-de-Siècle Android0
Miss Stephen’s Lessons0
A Mirror and a Razor Lay Crossed0
Notes on Contributors0
Exemplary Reading?0
Notes on Contributors0
The Higher Feebleness: E.M. Forster as a Public Intellectual0
Dorothy Wordsworth and the Writing of Resolve0
Words for Jazz? Perhaps: Jazzing Up the Poetry of Michael Longley0
Dispatches from a Socialist Century0
Old Ageing0
Elizabeth Daryush and the Company She Keeps0
Early Modernity’s Bad Boy0
Compound Eyes: Richard H. Horne’s Polyoptics0
Polish Poetry Speaks Out0
The Use of Poetry0
Habit, Romanticism, and the Literary Imagination0
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