Cambridge Quarterly

Papers
(The TQCC of Cambridge Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Reclaimed Romanticism in Robin Hyde’s ‘Houses by the Sea’2
The Amazoniad1
Romantics De-Romanticised?1
Introduction: A Conversation with Geoff Wall1
Zaina Alsous’s Dodo Poetics0
Marx and Morality0
Voices and Publics: An Interview with Stefan Collini0
Versatile Georgic Variety0
Radical: Marianne Moore’s Characters0
On Nature, and ‘Man’s Dominion’0
Habit, Romanticism, and the Literary Imagination0
The Come-Back Kid0
‘Cockney Aristotle’: Hazlitt’s Second Nature0
Bird Learning0
Foreword0
‘Beyond the path itself’: archive and text in the correspondence of Bernard Dubourg and J. H. Prynne0
Notes on Contributors0
The Whale and the Wire: Moby-Dick and the 1858 Atlantic Telegraph Cable0
Thoreau’s Disobedient Thinking0
Preface: Habit0
Weird Horizons and the Mysticism of the Unhuman in Jeff VanderMeer’s Southern Reach Trilogy0
Family Matters0
Paths and Puzzles: Walking the Maze in the Apocalypse of Golias0
Less and More: The Fin-de-Siècle Android0
Dispatches from a Socialist Century0
Jamesian Footings0
How Hollywood Watched Television0
Notes on Contributors0
Compound Eyes: Richard H. Horne’s Polyoptics0
I Shock Myself: Beatrice Wood on, and in, New York Dada0
Jane Austen, Elizabeth Bowen, and the Novel0
A Conversation with Professor Dame Hermione Lee0
Lewis Carroll’s Instructive Alice0
An ‘Incongruous Bill of Fare’: Musical Canons and Copies in George Du Maurier’s Trilby0
Exemplary Reading?0
A Likeness Only Fancied? Lancelot Andrewes and Gertrude Stein0
The Draughtswoman of Middlemarch0
Dorothy Wordsworth and the Writing of Resolve0
‘Still Repeated Circles’: William Cowper’s The Task and the Shape of Habit0
The Humanities: Between Skills and Canons0
Elizabeth Daryush and the Company She Keeps0
Is Poetry Communist?0
Putting in a Word or Two for Mrs Lirriper0
The Use of Poetry0
‘Parnellian Silences’ in Virginia Woolf’s The Years0
Notes on Contributors0
Alone, Ness: W. S. Graham to Nessie Dunsmuir0
Hard-Core Poetry0
‘Nothing is not connected. Nothing is not alive’: Ali Smith as Art Critic0
Penelope Fitzgerald and Edward Burne-Jones: The Spirit of Her Work0
‘Rotten Work of Genius’: Ford Madox Ford and D. H. Lawrence0
Richardson’s Punctilios0
Lessons in Modernity0
Good for Nothing0
Notes on Contributors0
Miss Stephen’s Lessons0
A Mirror and a Razor Lay Crossed0
‘An Encyclopaedia of the Everyday’0
Stevie Smith’s Questions0
Notes on Contributors0
Notes on Contributors0
Conrad’s Margins and Details0
Splitting Allegiances: A Reading of Swift’s On the Words – Brother Protestants, and Fellow Christians0
From an Unfinished Biography of George Sand0
Notes on Contributors0
‘Colossal Snob’? The Class-Ridden World of Simon Raven0
Hardy’s Poetic Retrospect0
Mina Loy’s Brilliance0
Reframing Novelistic Recognition0
Alexander Pope’s Lucretian Vestiges0
Terraqueous Intimacy0
‘Breathing Through its Spectacles’: The Queer Trees of Frank O’Hara0
Things Unattempted0
Crisis, Legitimation, Disciplinarity0
Seeing Music, Hearing Images0
Larkinography0
Description, Despite Itself0
Notes on Contributors0
Three Words0
Hamlet’s Wisdom0
Veronica Forrest-Thomson’s ABC of Atoms: Poetry, Knowledge, Technique0
Future-Oriented, Backward-Looking0
Notes on Contributors0
Roman Greatness0
James Merrill’s Sprezzatura0
An Undercurrent of Shelley’s Poetics in Ruskin’s Modern Painters0
Where Is the Poem Really From?0
Spectres of the Gulag: Soviet Bloc Dissident Poetics and Seamus Heaney’s Representation of Political Imprisonment0
Magazine Publics, Jim Crow Politics0
Notes on Contributors0
On Good Form(s)0
Afterword: Thomas Love Peacock and Habits of Thinking0
Irving Kristol and the Biographical Threads of Neoconservatism0
Artistic Culture and the Book Trade in Late Seventeenth-Century London0
Open-Ended0
Notes on Contributors0
Ann Yearsley and Habituated Indifference0
Epic Allusions0
The Borders of Biography: Lucia Berlin and Me0
Polish Poetry Speaks Out0
Making Belief: Epistemology and Scenography in John Home’s Theatrical Adaptation of Ossian0
Winston’s Desires, Orwell’s Politics0
The Promise of Philosophical Fiction0
Indebted – Henry James and Honoré de Balzac0
Words for Jazz? Perhaps: Jazzing Up the Poetry of Michael Longley0
Experimenting with Failure0
Early Modernity’s Bad Boy0
Poetry, Painting, Physics0
Simeon Solomon’s Contradictions0
Repair: A New History0
Notes on Contributors0
Touching Paintings (in the Contemporary American Novel)0
Thom Gunn’s Variants0
The Two Audens0
‘Organs of Embodied Sentiment’: Contextualising William Blake’s Sistine Studies c.1770-17900
What Makes Us Laugh?0
Biographical Questing: Stoppard and Eliot0
Notes on Contributors0
Fading to Black: Embodied Spectatorship and Empowered Subjectivity in James Baldwin’s Cinematic Imagination0
Notes on Contributors0
Proustian Extravagance0
Notes on Contributors0
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