Cambridge Quarterly

Papers
(The TQCC of Cambridge Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Anti-Narratives of Slavery in Colson Whitehead’s The Underground Railroad1
‘Surrealism Found Me’: British Surrealism and Encounter1
Alexander Pope’s Lucretian Vestiges1
Critical Prehistory1
On Method: African Materials1
On the Making of African Literatures1
Christopher Okigbo’s Materials1
Penelope Fitzgerald and Edward Burne-Jones: The Spirit of Her Work1
A Conversation with Professor Dame Hermione Lee0
Liberalism and Intolerance0
Voices and Publics: An Interview with Stefan Collini0
On Good Form(s)0
Conrad’s Margins and Details0
Early Modernity’s Bad Boy0
Paths and Puzzles: Walking the Maze in the Apocalypse of Golias0
Where Is the Poem Really From?0
Ann Yearsley and Habituated Indifference0
‘What Does a Socialist Woman Do?’ Birth Control and the Body Politic in Naomi Mitchison’s We Have Been Warned0
Notes on Contributors0
Notes on Contributors0
‘Defiantly Ambiguous’: Life in the Black Midwest0
‘The Carpet Fits’: Coincidence and Fate in Howards End0
‘Rotten Work of Genius’: Ford Madox Ford and D. H. Lawrence0
Anthologies and the Materials of Nigerian Poetry0
A Reunion of the Arts0
‘Colossal Snob’? The Class-Ridden World of Simon Raven0
Things Unattempted0
Notes on Contributors0
The Humanities: Between Skills and Canons0
Epic Allusions0
‘Nothing is not connected. Nothing is not alive’: Ali Smith as Art Critic0
Romantics De-Romanticised?0
Materials of African Futures0
Notes on Contributors0
A Likeness Only Fancied? Lancelot Andrewes and Gertrude Stein0
How Subtle Is the Bird0
Notes on Contributors0
‘Pale, Male, Stale’: The Professor in Children’s Literature0
Notes on Contributors0
Notes on Contributors0
A Small Big Atlas of What If and Its Vicinities0
Notes on Contributors0
Jamesian Footings0
‘In a Church, in a Cave’: Cruising with E. M. Forster0
Notes on Contributors0
Seeing Blindness0
‘Organs of Embodied Sentiment’: Contextualising William Blake’s Sistine Studies c.1770-17900
Dispatches from a Socialist Century0
Repair: A New History0
Foreword0
Elizabeth Daryush and the Company She Keeps0
Touching Paintings (in the Contemporary American Novel)0
Christina Rossetti’s Apocalypse: Rhythm and Deferral in The Face of the Deep0
Making Belief: Epistemology and Scenography in John Home’s Theatrical Adaptation of Ossian0
Spectres of the Gulag: Soviet Bloc Dissident Poetics and Seamus Heaney’s Representation of Political Imprisonment0
Yeats’s Stillnesses0
Introduction0
The Art of Advice0
Against Presumption: E.M. Forster’s Critical Reception, Unsettlement and Hope0
Translation Kits0
‘Breathing Through its Spectacles’: The Queer Trees of Frank O’Hara0
Henry James and ‘The Auditive Intelligence’0
Preface: Habit0
Afterword: Thomas Love Peacock and Habits of Thinking0
Habit, Romanticism, and the Literary Imagination0
Exemplary Reading?0
Lewis Carroll’s Instructive Alice0
Passionate History0
Old Ageing0
The Literary Archives of Experience: Richard Rive’s Oxford Library0
Rabbits and Ladders0
Open-Ended0
Versatile Georgic Variety0
Peace Descends0
Running the ‘Household Poems’: Edward Thomas and Money0
‘Cockney Aristotle’: Hazlitt’s Second Nature0
Experimenting with Failure0
Indebted – Henry James and Honoré de Balzac0
I’m a Bug!0
Materials, Structures and African Literary Criticism: A Response0
Magazine Publics, Jim Crow Politics0
Strange Thinking0
Polish Poetry Speaks Out0
Hysterical Ballads0
Reclaimed Romanticism in Robin Hyde’s ‘Houses by the Sea’0
Terraqueous Intimacy0
‘A Genteel Form of Suicide’: Julian Bell’s Chinese Journey0
‘Beyond the path itself’: archive and text in the correspondence of Bernard Dubourg and J. H. Prynne0
Larkinography0
The ‘Inner Mumble’: Forster, Free Expression, and International PEN0
Notes on Contributors0
The Whale and the Wire: Moby-Dick and the 1858 Atlantic Telegraph Cable0
Hamlet’s Wisdom0
Notes on Contributors0
Romantic Connections0
How Hollywood Watched Television0
Reading and the Senses0
Splitting Allegiances: A Reading of Swift’s On the Words – Brother Protestants, and Fellow Christians0
James Merrill’s Sprezzatura0
Lessons in Modernity0
E.M. Forster and the Character of ‘Character’0
Words for Jazz? Perhaps: Jazzing Up the Poetry of Michael Longley0
Reconstructing the American Novel: The Theory and Practice of John W. De Forest0
What Makes Us Laugh?0
Veronica Forrest-Thomson’s ABC of Atoms: Poetry, Knowledge, Technique0
Notes on Contributors0
Notes on Contributors0
The Copyeditor Test0
‘Still Repeated Circles’: William Cowper’s The Task and the Shape of Habit0
Notes on Contributors0
Dorothy Wordsworth and the Writing of Resolve0
Simeon Solomon’s Contradictions0
The Borders of Biography: Lucia Berlin and Me0
Irving Kristol and the Biographical Threads of Neoconservatism0
‘Daily I sit | with the Language’: Solmaz Sharif’s and Philip Metres’s Documentary Poetics of War0
Future-Oriented, Backward-Looking0
‘An Encyclopaedia of the Everyday’0
Bird Learning0
A Mirror and a Razor Lay Crossed0
Description, Despite Itself0
Weird Horizons and the Mysticism of the Unhuman in Jeff VanderMeer’s Southern Reach Trilogy0
Family Matters0
The Higher Feebleness: E.M. Forster as a Public Intellectual0
Is Poetry Communist?0
‘Parnellian Silences’ in Virginia Woolf’s The Years0
I Shock Myself: Beatrice Wood on, and in, New York Dada0
The Two Audens0
Notes on Contributors0
An Undercurrent of Shelley’s Poetics in Ruskin’s Modern Painters0
Where Does the Stress Fall?0
Alone, Ness: W. S. Graham to Nessie Dunsmuir0
‘I Don’t Know Anything About Art’: An Interview with Ali Smith0
Roman Greatness0
The Radical Art of Believing Women0
Rossetti’s Giorgione and the Victorian ‘Cult of Vagueness’0
An ‘Incongruous Bill of Fare’: Musical Canons and Copies in George Du Maurier’s Trilby0
The Amazoniad0
Hardy’s Poetic Retrospect0
Notes on Contributors0
Rethinking Connection: The Edwardian Novels0
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