Cambridge Quarterly

Papers
(The TQCC of Cambridge Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Reclaimed Romanticism in Robin Hyde’s ‘Houses by the Sea’2
Romantics De-Romanticised?1
Introduction: A Conversation with Geoff Wall1
The Amazoniad1
‘Parnellian Silences’ in Virginia Woolf’s The Years0
The Promise of Philosophical Fiction0
Is Poetry Communist?0
Putting in a Word or Two for Mrs Lirriper0
‘Nothing is not connected. Nothing is not alive’: Ali Smith as Art Critic0
Simeon Solomon’s Contradictions0
Notes on Contributors0
Alone, Ness: W. S. Graham to Nessie Dunsmuir0
Richardson’s Punctilios0
Touching Paintings (in the Contemporary American Novel)0
Lessons in Modernity0
Penelope Fitzgerald and Edward Burne-Jones: The Spirit of Her Work0
Miss Stephen’s Lessons0
‘Organs of Embodied Sentiment’: Contextualising William Blake’s Sistine Studies c.1770-17900
A Mirror and a Razor Lay Crossed0
Notes on Contributors0
Notes on Contributors0
Notes on Contributors0
Stevie Smith’s Questions0
Notes on Contributors0
Proustian Extravagance0
Notes on Contributors0
Splitting Allegiances: A Reading of Swift’s On the Words – Brother Protestants, and Fellow Christians0
From an Unfinished Biography of George Sand0
Voices and Publics: An Interview with Stefan Collini0
Mina Loy’s Brilliance0
‘Colossal Snob’? The Class-Ridden World of Simon Raven0
Hardy’s Poetic Retrospect0
Habit, Romanticism, and the Literary Imagination0
Terraqueous Intimacy0
Alexander Pope’s Lucretian Vestiges0
‘Cockney Aristotle’: Hazlitt’s Second Nature0
Things Unattempted0
Foreword0
Crisis, Legitimation, Disciplinarity0
The Whale and the Wire: Moby-Dick and the 1858 Atlantic Telegraph Cable0
Larkinography0
Description, Despite Itself0
Family Matters0
Three Words0
Hamlet’s Wisdom0
James Merrill’s Sprezzatura0
Jamesian Footings0
Future-Oriented, Backward-Looking0
Notes on Contributors0
Magazine Publics, Jim Crow Politics0
A Conversation with Professor Dame Hermione Lee0
An Undercurrent of Shelley’s Poetics in Ruskin’s Modern Painters0
Where Is the Poem Really From?0
Irving Kristol and the Biographical Threads of Neoconservatism0
Exemplary Reading?0
Artistic Culture and the Book Trade in Late Seventeenth-Century London0
On Good Form(s)0
Dorothy Wordsworth and the Writing of Resolve0
Epic Allusions0
Notes on Contributors0
Ann Yearsley and Habituated Indifference0
Elizabeth Daryush and the Company She Keeps0
Winston’s Desires, Orwell’s Politics0
Polish Poetry Speaks Out0
Making Belief: Epistemology and Scenography in John Home’s Theatrical Adaptation of Ossian0
The Use of Poetry0
Experimenting with Failure0
Indebted – Henry James and Honoré de Balzac0
Words for Jazz? Perhaps: Jazzing Up the Poetry of Michael Longley0
Hard-Core Poetry0
Poetry, Painting, Physics0
Early Modernity’s Bad Boy0
Notes on Contributors0
Repair: A New History0
‘Rotten Work of Genius’: Ford Madox Ford and D. H. Lawrence0
Good for Nothing0
Thom Gunn’s Variants0
The Two Audens0
‘An Encyclopaedia of the Everyday’0
What Makes Us Laugh?0
Biographical Questing: Stoppard and Eliot0
Notes on Contributors0
Conrad’s Margins and Details0
Fading to Black: Embodied Spectatorship and Empowered Subjectivity in James Baldwin’s Cinematic Imagination0
Notes on Contributors0
Versatile Georgic Variety0
Reframing Novelistic Recognition0
Zaina Alsous’s Dodo Poetics0
Marx and Morality0
The Come-Back Kid0
‘Breathing Through its Spectacles’: The Queer Trees of Frank O’Hara0
Radical: Marianne Moore’s Characters0
On Nature, and ‘Man’s Dominion’0
‘Beyond the path itself’: archive and text in the correspondence of Bernard Dubourg and J. H. Prynne0
Seeing Music, Hearing Images0
Notes on Contributors0
Bird Learning0
Notes on Contributors0
Weird Horizons and the Mysticism of the Unhuman in Jeff VanderMeer’s Southern Reach Trilogy0
Thoreau’s Disobedient Thinking0
Preface: Habit0
Veronica Forrest-Thomson’s ABC of Atoms: Poetry, Knowledge, Technique0
Dispatches from a Socialist Century0
Paths and Puzzles: Walking the Maze in the Apocalypse of Golias0
Less and More: The Fin-de-Siècle Android0
Roman Greatness0
Compound Eyes: Richard H. Horne’s Polyoptics0
How Hollywood Watched Television0
Notes on Contributors0
Spectres of the Gulag: Soviet Bloc Dissident Poetics and Seamus Heaney’s Representation of Political Imprisonment0
Jane Austen, Elizabeth Bowen, and the Novel0
I Shock Myself: Beatrice Wood on, and in, New York Dada0
Notes on Contributors0
Lewis Carroll’s Instructive Alice0
Afterword: Thomas Love Peacock and Habits of Thinking0
An ‘Incongruous Bill of Fare’: Musical Canons and Copies in George Du Maurier’s Trilby0
Open-Ended0
A Likeness Only Fancied? Lancelot Andrewes and Gertrude Stein0
The Draughtswoman of Middlemarch0
The Borders of Biography: Lucia Berlin and Me0
‘Still Repeated Circles’: William Cowper’s The Task and the Shape of Habit0
The Humanities: Between Skills and Canons0
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