Cambridge Quarterly

Papers
(The median citation count of Cambridge Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
The Amazoniad2
Reclaimed Romanticism in Robin Hyde’s ‘Houses by the Sea’2
Romantics De-Romanticised?1
Whose Poetics?1
‘Rotten Work of Genius’: Ford Madox Ford and D. H. Lawrence1
Introduction: A Conversation with Geoff Wall1
Notes on Contributors1
The Borders of Biography: Lucia Berlin and Me0
How Not to Know Mr Lear0
The Two Audens0
A Formal Intimacy: Donald Hall in Henry Moore’s Atelier0
Putting in a Word or Two for Mrs Lirriper0
The Promise of Philosophical Fiction0
Performing Briggflatts0
Notes on Contributors0
‘Breathing Through its Spectacles’: The Queer Trees of Frank O’Hara0
Three Words0
On Nature, and ‘Man’s Dominion’0
Notes on Contributors0
Touching Paintings (in the Contemporary American Novel)0
Alone, Ness: W. S. Graham to Nessie Dunsmuir0
The Come-Back Kid0
‘Organs of Embodied Sentiment’: Contextualising William Blake’s Sistine Studies c.1770-17900
An Undercurrent of Shelley’s Poetics in Ruskin’s Modern Painters0
On Good Form(s)0
Magazine Publics, Jim Crow Politics0
Notes on Contributors0
‘Not by an Act of God’: Capital in the Work of Basil Bunting0
Thoreau’s Disobedient Thinking0
Spectres of the Gulag: Soviet Bloc Dissident Poetics and Seamus Heaney’s Representation of Political Imprisonment0
The Use of Poetry0
A Mirror and a Razor Lay Crossed0
Notes on Contributors0
Making Belief: Epistemology and Scenography in John Home’s Theatrical Adaptation of Ossian0
Exemplary Reading?0
Winston’s Desires, Orwell’s Politics0
From an Unfinished Biography of George Sand0
A Conversation with Professor Dame Hermione Lee0
Compound Eyes: Richard H. Horne’s Polyoptics0
Notes on Contributors0
‘A Nice Noise’: Briggflatts and the Poetics of (In)Attention0
Terraqueous Intimacy0
The Whale and the Wire: Moby-Dick and the 1858 Atlantic Telegraph Cable0
What Close Reading Really Is0
Thom Gunn’s Variants0
On the Hunt: Predatory Metaphor and the Early Modern Essay0
The Draughtswoman of Middlemarch0
Family Matters0
Lessons in Modernity0
Notes on Contributors0
Jamesian Footings0
What Makes Us Laugh?0
Marx and Morality0
Foreword0
Simeon Solomon’s Contradictions0
Fading to Black: Embodied Spectatorship and Empowered Subjectivity in James Baldwin’s Cinematic Imagination0
‘Colossal Snob’? The Class-Ridden World of Simon Raven0
Versatile Georgic Variety0
Voices and Publics: An Interview with Stefan Collini0
Bird Learning0
Irving Kristol and the Biographical Threads of Neoconservatism0
Dorothy Wordsworth and the Writing of Resolve0
Radical: Marianne Moore’s Characters0
Paths and Puzzles: Walking the Maze in the Apocalypse of Golias0
‘Nothing is not connected. Nothing is not alive’: Ali Smith as Art Critic0
Introduction by the Editors0
Artistic Culture and the Book Trade in Late Seventeenth-Century London0
Splitting Allegiances: A Reading of Swift’s On the Words – Brother Protestants, and Fellow Christians0
Repair: A New History0
Hard-Core Poetry0
Notes on Contributors0
Notes on Contributors0
Ann Yearsley and Habituated Indifference0
Risky Business0
Dispatches from a Socialist Century0
Notes on Contributors0
Poetry, Painting, Physics0
‘Cockney Aristotle’: Hazlitt’s Second Nature0
Habit, Romanticism, and the Literary Imagination0
Jane Austen, Elizabeth Bowen, and the Novel0
‘An Encyclopaedia of the Everyday’0
Notes on Contributors0
How Hollywood Watched Television0
Crisis, Legitimation, Disciplinarity0
Biographical Questing: Stoppard and Eliot0
Conrad’s Margins and Details0
A Likeness Only Fancied? Lancelot Andrewes and Gertrude Stein0
Bunting’s Monosyllables0
Reframing Novelistic Recognition0
‘Still Repeated Circles’: William Cowper’s The Task and the Shape of Habit0
Indebted – Henry James and Honoré de Balzac0
Afterword: Thomas Love Peacock and Habits of Thinking0
Good for Nothing0
Penelope Fitzgerald and Edward Burne-Jones: The Spirit of Her Work0
Richardson’s Punctilios0
Seeing Music, Hearing Images0
Zaina Alsous’s Dodo Poetics0
The Two Voices: Suffering and Will in Tennyson’s Maud0
Miss Stephen’s Lessons0
Elizabeth Daryush and the Company She Keeps0
Notes on Contributors0
Stevie Smith’s Questions0
Preface: Habit0
Proustian Extravagance0
Notes on Contributors0
Notes on Contributors0
Less and More: The Fin-de-Siècle Android0
Things Unattempted0
Epic Allusions0
Polish Poetry Speaks Out0
Words for Jazz? Perhaps: Jazzing Up the Poetry of Michael Longley0
An Apology for Logic0
Experimenting with Failure0
Hardy’s Poetic Retrospect0
Mina Loy’s Brilliance0
Open-Ended0
I Shock Myself: Beatrice Wood on, and in, New York Dada0
An ‘Incongruous Bill of Fare’: Musical Canons and Copies in George Du Maurier’s Trilby0
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