OOIR: Observatory of International Research

Papers

(The TQCC of Canadian Review of American Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-10-01 to 2025-10-01.)

Article	Citations
From Chico to Caesar, Why Chimps Are Good to Think	4
American Borderlands: Reflections on Margins, Mainstreams, and Alternatives	3
Die a Hero or Live Long Enough to See Yourself Become a Traditional American Family Sitcom: Exhausting Parody and Thirty-Three Years of The Simpsons	3
Ezra Pound and Spatial Poetics	1
The Late Oedipal Genre, Thantagonists, and Secondary Televisuality	1
Liberal Containment in Marvel Movies of the Trump Era	1
Remembering Priscilla “Percy” L. Walton, 1957–2024	1
Être dansés. Technomagie, culture électronique et socialité après l’humanisme	1
Mad Men and the Falling Bodies of 9/11	1
Civil War Diplomacy: A Fresh Look	1
Reproductive Justice, Race, and the Prescience of the Past	1
From Disincorporation to Rematerialization: Breaking Bad and the Life of Cash	1
Monster Menstrual: Women, Girls, and Queer Horror in Stranger Things	1
Colonial Archives in Austin Clarke’s The Polished Hoe: In and on the Body of Mary-Mathilda	1
Introduction: Making and Remaking American Poetry	1
Temperance, Slavery, and Reforming Excessive Appetite in White-Jacket and Moby-Dick	1
Jane Gray’s Framing of Asa Gray through Autobiography, Biography, and Correspondence	1
The Elusive Killer in Didactic Cinema: Conceptualizing Munch-ian Art and Adorno’s Negative Dialectics in Horror	0
Liminality and Longing in Zora Neale Hurston’s Barracoon: The Story of the Last “Black Cargo” and Dionne Brand’s At the Full and Change of the Moon	0
Towards Post-Institutional Individualism: Ralph Ellison’s Invisible Man and the Therapeutic Politics of Dissent	0
Revisiting Asian American Poetics: A Review of Heterogeneity and a Case of Russell Leong	0
“The American Sentence”	0
“The Spirit of Their Fathers Moves Within Them”: The Radical Conservatism of the Virginia Populists	0
Fleabag, Modernism, and New Television	0
Fiddling with Southern California at a Time of Upheaval: A.E. Maxwell’s Mystery Series	0

Missing the Boat: Narrative Artistry in Hawthorne’s “My Kinsman, Major Molineux” and James’s The Ambassadors	0
L’obscénité intégrale. Pornoculture et vie quotidienne	0
“If You Wish a Picture”: Ekphrasis as Technique in Solmaz Sharif’s Look	0
Alternative Makings in American Poetry	0
Jennifer Haley’s The Nether: Transhumanism in the Post-Internet World	0
Ecology, Natural History, and Ecospatiality in American Literature	0
North of Carmel: Jeffers, Bringhurst, and the Ecological View	0
“We Couldn’t Do That Even if We Wanted To”: Family and Natality in Veep and House of Cards (US)	0
Morbid Symptoms	0
“Knowing Our Place”: Reading Barbara Kingsolver’s Works from a Bioregional Perspective	0
Why Are Public Attitudes towards Immigration in Canada Becoming Increasingly Positive? Exploring the Factors Behind the Changes in Attitudes towards Immigration (1998–2021)	0
The Mainstreaming of American Queer Cinema	0
Religion and Neuroscience in Uncle Tom’s Cabin	0
Taiwan Shift in Anglophone Fiction and Memoir	0
Revisiting Auburn Avenue: The Construction of an Afrofuturist Counterpublic Space	0
Introduction—New Perspectives on New Television	0
Borders and Betrayal in Zora Neale Hurston’s Barracoon: Rethinking Truths and Facts in the American Slave Narrative	0
Modern Liberty, Partisanship, and Identity: On Mark Lilla and Yuval Levin	0
Tainted Love: Tracing Connie’s Trauma Through Music in Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”	0
Pornoculture et fétichisme : œuvres d’art mutilées. Un imaginaire de la chair entre photographie, cinéma, série télévisée et réseaux sociaux	0
Films at the Fairs: Cinema at the San Francisco and San Diego International Expositions of 1915	0
“Up Against the Wall, Motherfucker”: The History of a Phrase	0
A “Burlesque Queen in Bobby Socks”: Domesticity, Criminality, and Suspense in Charles Williams’s Noir Fiction	0
Refashioning Noir: Do Dead Girls Still Live in L.A.?	0
Boot Camp Baby: Military Science Fiction’s Incubator	0
The Spectacle and Reification of Traumapower in Game of Thrones	0
The (Anti-)Hero with a Thousand Faces: Reconstructing Villainy in The Sopranos, Breaking Bad, and Better Call Saul	0
Quests for the Power of the Poem (Forgetting the Power of the Past?)	0
Hotshop: Placing the Genesis of American Studio Glassblowing	0
Perturbed Spirits: The Garish Power of Conspiracy Theory	0
Majority Nationalism and the Trump Administration: Implications for Puerto Rico and Latinos	0
The Sentimental Physician: J. Marion Sims’sStory of My Life	0
“I Will Have Your Surrender”: British Colonization and the Rape of Jamie Fraser	0
Cities and Ruin in American Studies	0
Editorial Remarks	0
Telling American Stories: Mattel and the Material Culture of the US Past	0
New Television as Neo-Naturalism: The Wire and The Shield	0
“True Canadian”: Advertising Canadian Branded Products in the Early American Press, 1760–1810	0
Crossing Cultures and the Poetic Worlds of Forrest Gander, Thomas King, and Margaret Atwood	0
The Practice of Everyday Death: On the Paratactical “Life” of Neo-liberal Biopolitics	0
President Biden’s Restrained Hamiltonian Foreign Policy	0
Detecting Meaninglessness and Meaning in Don DeLillo’s Players	0
“Don’t Pray for Me, Pray for Them!”: Norman Jewison’s In the Heat of the Night and Hollywood “Redneckification” of Anti-Black Racism	0
Petrocultural Formations: Crisis Discourse, Energy Geographies, and Neo-liberalism	0
Introduction—Alternative/Mainstream	0
“Love Thy Neighbor”: Neuroculture, Fundamentalism, and the Other in Gish Jen’s World and Town	0
Trump’s Base! You Can Say That Again!! An Optimistic Deconstruction of Base Politics	0
How to Read a Drawer: Print Culture and Humour Practice in Harper’s New Monthly Magazine	0
Breaking Bad and Better Call Saul: Struggling and Living in Liquid Times	0
From Slavery to Individuality: A Marxist Reading of Narrative of the Life of Frederick Douglass	0

Justified: Transitioning the Old TV Western Lawman into a New Television Protagonist	0
What Is Long-Form Television? An Answer to Jason Mittell’s Complex TV	0