Canadian Review of American Studies

Papers
(The TQCC of Canadian Review of American Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Liberal Containment in Marvel Movies of the Trump Era2
The Impact of Mis-Recognition on Homeland for Muslim Second-Generation Immigrants in Post-9/11 America2
The (Anti-)Hero with a Thousand Faces: Reconstructing Villainy in The Sopranos, Breaking Bad, and Better Call Saul2
Fleabag,Modernism, and New Television2
Panic, Don’t Panic: Poetry and Affective Politics from the Cold War to Trump1
Justified: Transitioning the Old TV Western Lawman into a New Television Protagonist1
The Screamers: Pop Ambition, Punk Nihilism, and Queer Futurities1
Weeks’chiloowew: Resistance and Disidentification in Tomson Highway’s Kiss of the Fur Queen and Jean de Léry’s History of a Voyage to the Land of Brazil1
Chain-Gang Gothic: The Colonel’s Dream and the Spectacular Terrors of State Punishment1
Crossing Cultures and the Poetic Worlds of Forrest Gander, Thomas King, and Margaret Atwood1
Introduction—New Perspectives on New Television1
Film Theory after Copjec1
“We Couldn’t Do That Even if We Wanted To”: Family and Natality inVeepandHouse of Cards(US)1
Jennifer Haley’s The Nether: Transhumanism in the Post-Internet World1
Introduction—Lacan in America1
Refashioning Noir: Do Dead Girls Still Live in L.A.?1
American Borderlands: Reflections on Margins, Mainstreams, and Alternatives1
Containing and Unleashing the Shock of the Modern in “A Clean, Well-Lighted Place,” “A Natural History of the Dead,” and “A Way You’ll Never Be”1
“It’s Still Real to Me”: Contemporary Professional Wrestling, Neo-Liberalism, and the Problems of Performed/Real Violence1
The Mainstreaming of American Queer Cinema1
The Late Oedipal Genre, Thantagonists, and Secondary Televisuality1
Colonial Archives in Austin Clarke’s The Polished Hoe: In and on the Body of Mary-Mathilda1
The Intrinsic Irony of the Future Sublime1
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