OOIR: Observatory of International Research

Papers

(The median citation count of Canadian Review of American Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)

Article	Citations
From Chico to Caesar, Why Chimps Are Good to Think	4
Le poète à l’essai : une transaction secrète chez Ralph Waldo Emerson	3
Die a Hero or Live Long Enough to See Yourself Become a Traditional American Family Sitcom: Exhausting Parody and Thirty-Three Years of The Simpsons	3
Making It New and Keeping It Old: Recasting Frameworks and Contexts in Georgia O’Keeffe Studies	2
American Borderlands: Reflections on Margins, Mainstreams, and Alternatives	2
Remembering Priscilla “Percy” L. Walton, 1957–2024	1
Liberal Containment in Marvel Movies of the Trump Era	1
Mad Men and the Falling Bodies of 9/11	1
From Disincorporation to Rematerialization: Breaking Bad and the Life of Cash	1
Être dansés. Technomagie, culture électronique et socialité après l’humanisme	1
Colonial Archives in Austin Clarke’s The Polished Hoe: In and on the Body of Mary-Mathilda	1
The Late Oedipal Genre, Thantagonists, and Secondary Televisuality	1
Reproductive Justice, Race, and the Prescience of the Past	1
Jane Gray’s Framing of Asa Gray through Autobiography, Biography, and Correspondence	1
Ezra Pound and Spatial Poetics	1
Introduction: Making and Remaking American Poetry	1
Alternative Makings in American Poetry	0
Missing the Boat: Narrative Artistry in Hawthorne’s “My Kinsman, Major Molineux” and James’s The Ambassadors	0
Introduction—Alternative/Mainstream	0
Detecting Meaninglessness and Meaning in Don DeLillo’s Players	0
The Journey of Self-Defence through Sound in Claudia Rankine’s Citizen	0
Petrocultural Formations: Crisis Discourse, Energy Geographies, and Neo-liberalism	0
Quests for the Power of the Poem (Forgetting the Power of the Past?)	0
“Love Thy Neighbor”: Neuroculture, Fundamentalism, and the Other in Gish Jen’s World and Town	0
Monster Menstrual: Women, Girls, and Queer Horror in Stranger Things	0

President Biden’s Restrained Hamiltonian Foreign Policy	0
Anglo-American Problems: The Special Relationship	0
Jonathan Edwards, Secular Duration, and the Evangelical Aesthetics of Sinful Selfhood	0
Religion and Neuroscience in Uncle Tom’s Cabin	0
Liminality and Longing in Zora Neale Hurston’s Barracoon: The Story of the Last “Black Cargo” and Dionne Brand’s At the Full and Change of the Moon	0
From Slavery to Individuality: A Marxist Reading of Narrative of the Life of Frederick Douglass	0
Revisiting Asian American Poetics: A Review of Heterogeneity and a Case of Russell Leong	0
“The American Sentence”	0
“The Spirit of Their Fathers Moves Within Them”: The Radical Conservatism of the Virginia Populists	0
Fleabag, Modernism, and New Television	0
Fiddling with Southern California at a Time of Upheaval: A.E. Maxwell’s Mystery Series	0
Why Are Public Attitudes towards Immigration in Canada Becoming Increasingly Positive? Exploring the Factors Behind the Changes in Attitudes towards Immigration (1998–2021)	0
“Don’t Pray for Me, Pray for Them!”: Norman Jewison’s In the Heat of the Night and Hollywood “Redneckification” of Anti-Black Racism	0
The Impact of Mis-Recognition on Homeland for Muslim Second-Generation Immigrants in Post-9/11 America	0
Ecology, Natural History, and Ecospatiality in American Literature	0
“If You Wish a Picture”: Ekphrasis as Technique in Solmaz Sharif’s Look	0
Trump’s Base! You Can Say That Again!! An Optimistic Deconstruction of Base Politics	0
Jennifer Haley’s The Nether: Transhumanism in the Post-Internet World	0
Breaking Bad and Better Call Saul: Struggling and Living in Liquid Times	0
North of Carmel: Jeffers, Bringhurst, and the Ecological View	0
“Up Against the Wall, Motherfucker”: The History of a Phrase	0
The World of the Fathers: Hawthorne in “The Custom-House”	0
“Knowing Our Place”: Reading Barbara Kingsolver’s Works from a Bioregional Perspective	0
The Mainstreaming of American Queer Cinema	0
The Elusive Killer in Didactic Cinema: Conceptualizing Munch-ian Art and Adorno’s Negative Dialectics in Horror	0
Taiwan Shift in Anglophone Fiction and Memoir	0
Towards Post-Institutional Individualism: Ralph Ellison’s Invisible Man and the Therapeutic Politics of Dissent	0
Introduction—New Perspectives on New Television	0
Borders and Betrayal in Zora Neale Hurston’s Barracoon: Rethinking Truths and Facts in the American Slave Narrative	0
Modern Liberty, Partisanship, and Identity: On Mark Lilla and Yuval Levin	0
The Practice of Everyday Death: On the Paratactical “Life” of Neo-liberal Biopolitics	0
L’obscénité intégrale. Pornoculture et vie quotidienne	0
Pornoculture et fétichisme : œuvres d’art mutilées. Un imaginaire de la chair entre photographie, cinéma, série télévisée et réseaux sociaux	0
Refashioning Noir: Do Dead Girls Still Live in L.A.?	0
Films at the Fairs: Cinema at the San Francisco and San Diego International Expositions of 1915	0
The Spectacle and Reification of Traumapower in Game of Thrones	0
A “Burlesque Queen in Bobby Socks”: Domesticity, Criminality, and Suspense in Charles Williams’s Noir Fiction	0
“We Couldn’t Do That Even if We Wanted To”: Family and Natality in Veep and House of Cards (US)	0
Boot Camp Baby: Military Science Fiction’s Incubator	0
Civil War Diplomacy: A Fresh Look	0
The (Anti-)Hero with a Thousand Faces: Reconstructing Villainy in The Sopranos, Breaking Bad, and Better Call Saul	0
Justified: Transitioning the Old TV Western Lawman into a New Television Protagonist	0
The Sentimental Physician: J. Marion Sims’sStory of My Life	0
What Is Long-Form Television? An Answer to Jason Mittell’s Complex TV	0
“I Will Have Your Surrender”: British Colonization and the Rape of Jamie Fraser	0
Cities and Ruin in American Studies	0
Containing and Unleashing the Shock of the Modern in “A Clean, Well-Lighted Place,” “A Natural History of the Dead,” and “A Way You’ll Never Be”	0
Revisiting Auburn Avenue: The Construction of an Afrofuturist Counterpublic Space	0
New Television as Neo-Naturalism: The Wire and The Shield	0
“True Canadian”: Advertising Canadian Branded Products in the Early American Press, 1760–1810	0

Crossing Cultures and the Poetic Worlds of Forrest Gander, Thomas King, and Margaret Atwood	0
Morbid Symptoms	0