British Journal of Aesthetics

Papers
(The TQCC of British Journal of Aesthetics is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Learning to Imagine10
Art as Political Discourse7
Fiction and Epistemic Value: State of the Art6
Kant on the Aesthetic Ideas of Beautiful Nature5
A Two-Tiered Theory of the Sublime5
Country Music and the Problem of Authenticity5
Let’s be Liberal: An Alternative to Aesthetic Hedonism5
Emotion in Fiction: State of the Art5
Hair Oppression and Appropriation4
Aesthetic Experience and the Unfathomable: A Pragmatist Critique of Hermeneutic Aesthetics4
The Aesthetic Enkratic Principle4
The Heart of Classical Work-Performance4
Putting the Appropriator Back in Cultural Appropriation3
The Ethics and Aesthetics of Intertextual Writing: Cultural Appropriation and Minor Literature3
On Snobbery3
Feeling Fit for Function: Haptic Touch and Aesthetic Experience3
Aesthetic Self-Forgetfulness3
New Objections to Cultural Appropriation in the Arts2
Fictional Discourse: A Reply to von Solodkoff’s ‘Demoting Fictional Names’2
Immoralism is Obviously True: Towards Progress on the Ethical Question2
Speculative Aesthetic Expressivism2
‘Truth in Fiction’ Reprised2
Practice-Centered Pluralism and a Disjunctive Theory of Art2
Defending the Hypothetical Author2
Aesthetic Testimony and Aesthetic Authenticity2
Culture, Cooperation, and Communication: The Co-evolution of Hominin Cognition, Sociality, and Musicality2
Definition of Fiction: State of the Art2
Musical Affordances and the Transformation Into Structure: How Gadamer can Complement Enactivist Perspectives on Music2
Look a Little (Chuck) Closer: Aesthetic Attention and the Contact Phenomenon1
Artistic Objectivity: From Ruskin’s ‘Pathetic Fallacy’ to Creative Receptivity1
The Narrative Characteristics of Images1
Institutional Responsibility and Aesthetic Value: Commentary on Erich Hatala Matthes’s Drawing The Line: What to Do with the Work of Immoral Artists from Museums to the Movies1
Aesthetic Non-Naturalism1
The Whole Picture: The colonial story of the art in our museums & why we need to talk about it1
Style Appropriation, Intimacy, and Expressiveness1
Demoting Fictional Names—A Critical Note to Predelli’s Fictional Discourse: A Radical Fictionalist Semantics1
Kant on Aesthetic Attention1
(What) Do We Owe Beautiful Objects? A Case for Aesthetic Obligations1
Narrative Identity and Recognition Deficiency1
The Aesthetics of Crossword Puzzles1
Environmental Virtue Aesthetics1
Double-Standard Moralism: Why We Can Be More Permissive Within Our Imagination1
Aesthetic Higher-Order Evidence for Subjectivists1
Depicting Motion in a Static Image: Philosophy, Psychology and the Perception of Pictures1
Wollheim on art’s historicity: an intersection of theoretical art history and the philosophy of art1
Franz Boas and the Primacy of Form1
When does Something ‘Belong’ to a Culture?1
‘Making-remote’ as an Alternative to Realism in Late Palaeolithic Cave Art: Representations of the Human at the Threshold of Appearance1
Everyone Can Change a Musical Work1
The Philosophy of Rhythm: Aesthetics, Music, Poetics1
Erotic Art as Proprioceptive Art1
Higher-Order Evidence in Aesthetics1
Self-Location in Interactive Fiction1
Aesthetic Insight and Mental Agency1
The Paradox of Rape in Horror Movies1
Emotions in Music: Hanslick and His False Follower1
Art Concept Pluralism Undermines the Definitional Project1
The dualist character of a garden’s aesthetic properties1
Enacting a Jazz Beat: Temporality in Sonic Environment and Symbolic Communication1
Retitling, Cultural Appropriation, and Aboriginal Title1
Truth in Fiction, Underdetermination, and the Experience of Actuality1
Novel Assertions: A Reply to Mahon1
‘Andy Warhol’, Tate Modern, London, 12 March – 15 November 2020; then Museum Ludwig, Cologne, 12 December 2020 – 18 April 20211
Towards an Aesthetics of Archery1
0.045427083969116