British Journal of Aesthetics

Article	Citations
Portraits, Facial Perception, and Aspect-Seeing	13
Philosophy of Music: A History	10
‘Ad Reinhardt: “Art Is Art and Everything Else Is Everything Else”’, Fundación Juan March	7
Philosophy, Literature and Understanding: On Reading and Cognition	7
(What) Do We Owe Beautiful Objects? A Case for Aesthetic Obligations	7
Examining Hypothetical Intentionalism	6
The Heart of Classical Work-Performance	6
Of Pots and Plato’s Aesthetics	5
Feeling Fit for Function: Haptic Touch and Aesthetic Experience	4
Correction Erratum to: Imperfectionist Aesthetics in Art and Everyday Life	4
Kara Walker: A Black Hole is Everything a Star Longs to Be	3
The Good, the Bad, and the Ugly	3
Arts of Address: Being Alive to Language and the World	3
A Fitting-Attitude Approach to Aesthetic Value?	3
Musical Affordances and the Transformation Into Structure: How Gadamer can Complement Enactivist Perspectives on Music	3
Kant’s Critique of Taste: The Feeling of Life	3
Beyond Autonomy in Eighteenth-Century British and German Aesthetics	3
Retitling, Cultural Appropriation, and Aboriginal Title	3
Wonderful Worlds: Disinterested Engagement and Environmental Aesthetic Appreciation	3
Bolzano on aesthetic normativity	3
Looking Through Images: A Phenomenology of Visual Media	2
Poetry, painting, park. Goethe and Claude Lorrain	2
The Whole Picture: The colonial story of the art in our museums & why we need to talk about it	2
‘Truth in Fiction’ Reprised	2
Play and Aesthetics in Ancient Greece	2

Lynette Yiadom-Boakye: Fly in League with the Night	2
Reply to Abell’s and Currie’s comments on Gilmore’sApt Imaginings: Feelings for Fictions and Other Creatures of the Mind	2
Art and Ethico-Political Value	2
On Perspectivism and Expressivism: A Reply to Ted Nannicelli	2
The Normative Space of Musical Performance: Expertise and the Symbolic Body	2
The Ethics and Aesthetics of Intertextual Writing: Cultural Appropriation and Minor Literature	2
Elusive Fictional Truth	2
Distant Dinosaurs and the Aesthetics of Remote Art	2
Environmental Virtue Aesthetics	1
Uncommon Sense: Jeremy Bentham, Queer Aesthetics, and the Politics of Taste	1
Double-Standard Moralism: Why We Can Be More Permissive Within Our Imagination	1
Aesthetic Insight and Mental Agency	1
In Defence of the Production-Oriented Approach to the Ethical Criticism of Art: A Reply to James Harold	1
Definition of Fiction: State of the Art	1
Talk about Pop Muzik: Discussion of Enrico Terrone, ‘Listening to Other Minds: A Phenomenology of Pop Songs’,BJA60 (2020), 435–453	1
Interpreting Art	1
Art, Ethics, and the Relativism of Distance	1
Positive Garden Aesthetics	1
The Iconology of Abstraction: Non-Figurative Images and the Modern World	1
The Entanglement: How Art and Philosophy Make Us What We Are	1
Asteroids, Holoblack and Clearance Futurism	1
Arthur Danto’s Philosophy of Art: Essays	1
Does the Critical Scrutiny of Drill Constitute an Epistemic Injustice?	1
Immoralism is Obviously True: Towards Progress on the Ethical Question	1
Fictional reference: How to Account for both Directedness and Uniformity	1
Natural Perception: Environmental Images and Aesthetics in International Law	1
Philosophy of Lyric Voice: The Cognitive Value of Page and Performance Poetry	1
On the Deeply Moving and the Merely Touching	1
Art, Borders and Belonging	1
Camus’s ‘The Plague’: Philosophical Perspectives	1
Speculative Aesthetic Expressivism	1
Aesthetic Testimony and Aesthetic Authenticity	1
Aesthetics of Care: Practice in Everyday Life	1
Practical Form: Abstraction, Technique, and Beauty in Eighteenth-Century Aesthetics	1
The Philosophy of Curatorial Practice: Between Work and World	1
Immoral Artists and Our Aesthetic Projects: Commentary on Mary Beth Willard’sWhy It’s OK to Enjoy the Work of Immoral Artists	1
Popular Song and Ethics: Ethical Perspectives and Personal Qualities	1
Classics in Western Philosophy of Art	1
The dualist character of a garden’s aesthetic properties	1
Kehinde Wiley at the National Gallery: The Prelude	1
The Global Rules of Art: The Emergence and Divisions of a Cultural World Economy	1
On Snobbery	0
Diversity-in-Unity: Art Criticism in Conversation	0
100 × Congo: A Century of Congolese Art in Antwerp	0
Correction to: Merging Philosophical Traditions for a New Way to Research Music: On the Ekphrastic Description of Musical Experience	0
The Narrative Characteristics of Images	0
Folk Song as Hybrid Art Form	0
Enacting a Jazz Beat: Temporality in Sonic Environment and Symbolic Communication	0
Art as Political Discourse	0
On Beauty and Wellformedness	0

Reply to Currie’s and Gilmore’s comments on Abell’s Fiction: A Philosophical Analysis	0
Erasure and Assertion in Body Aesthetics: Respectability Politics to Anti-Assimilationist Aesthetics	0
Sympathy for a Serial Killer: Malick’s Badlands, Visual Metaphor and Frankfurt’s Concept of a Person	0
Commentary on Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind by Jonathan Gilmore; and Imagining and Knowing: the Shape of Fiction by Gregory Currie	0
How can we be moved by magic?	0
Schiller on Aesthetic Education as Radical Ethical-Political Remedy	0
The Aesthetics of Crossword Puzzles	0
Theme Issue ‘Art, Aesthetics and Predictive Processing: Theoretical and Empirical Perspectives’	0
Social Appearances: A Philosophy of Display and Prestige	0
The Aesthetics of Science: Beauty, Imagination and Understanding	0
The Qua Problem in the Value Interaction Debate	0
Correction to: Lubaina Himid exhibition at Tate Modern	0
Introduction and Précis	0
Affect in Artistic Creativity: Painting to Feel	0
Copyright and Collective Authorship: Locating the Authors of Collaborative Work	0
Style Appropriation, Intimacy, and Expressiveness	0
Aesthetic Austerity in Persuasion	0
Sounding Sense and Sensing Sound: ‘Form-Content Unity’ Revisited and Reformulated	0
Choreography Invisible: The Disappearing Work of Dance	0
Learning to Imagine	0
Commentary on Fiction: A Philosophical Analysis, by Catharine Abell; and Imagining and Knowing: The Shape of Fiction, by Gregory Currie	0
Belgian Solutions	0
Motivational Internalism and Disinterestedness	0
This Beauty: A Philosophy of Being Alive	0
Musical Ontology and the Audibility of Musical Works	0
Modern Art & the Remaking of Human Disposition	0
Everyone Can Change a Musical Work	0
Commentary on Fiction: A Philosophical Analysis, by Catharine Abell; and Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind by Jonathan Gilmore	0
Artful Truths: The Philosophy of Memoir	0
A Comparative Philosophy of Sport and Art	0
Absolutes and Ambiguity: Transforming Artefacts Towards Non-violence	0
Modeling the Meanings of Pictures	0
The Aesthetic Theory of Frances Power Cobbe	0
Musical Ontology: Works, Versions, and Lineages	0
The Audience Effect. On the Collective Cinema Experience	0
Dylan at 80: It used to go like that, and now it goes like this	0
Hair Oppression and Appropriation	0
Institutional Responsibility and Aesthetic Value: Commentary on Erich Hatala Matthes’s Drawing The Line: What to Do with the Work of Immoral Artists from Museums to the Movies	0
New Objections to Cultural Appropriation in the Arts	0
If These Apples Should Fall. Cézanne and the Present	0
Screen stories and moral understanding: Interdisciplinary perspectives	0
Tool, Collaborator, or Participant: AI and Artistic Agency	0
Fictional Discourse: A Reply to von Solodkoff’s ‘Demoting Fictional Names’	0
Destroyed – Disappeared – Lost – Never Were	0
Personal and Impersonal Expression	0
Retroactive Continuity and Fictional Facts	0
Imperfectionist Aesthetics in Art and Everyday Life	0
Fiction versus Pretence	0
Aesthetic Non-Naturalism	0
Aesthetic Testimony: An Optimistic Approach	0
Putting the Appropriator Back in Cultural Appropriation	0
Moving for Grace: Motor-Aesthetic Properties and Dance Appreciation	0
Aesthetic Ideas and Art Interpretation in Kant’s Third Critique and Schelling’s ‘System of Transcendental Idealism’	0
Merging Philosophical Traditions for a New Way to Research Music: On the Ekphrastic Description of Musical Experience	0
Demoting Fictional Names—A Critical Note to Predelli’s Fictional Discourse: A Radical Fictionalist Semantics	0
Philosophy of Sculpture: Historical Problems, Contemporary Approaches	0
Epistemic and Aesthetic Conflict	0
Books Received	0
Hooked: Art and Attachment	0
The Landscape of Utopia: Writings on Everyday Life, Taste, Democracy, and Design	0
Quod significat: Vitruvius’ ultimate criterion for (good) architecture	0
Philosophy and the Art of Writing	0
Knowledge and the Aesthetics of Nature	0
Culture, Cooperation, and Communication: The Co-evolution of Hominin Cognition, Sociality, and Musicality	0
Ars Erotica: Sex and Somaesthetics in the Classical Arts of Love	0
The role of the performer in Hanslick’s On the Musically Beautiful	0
Kant’s Humorous Writings	0
Books Received	0
The Aesthetic Value of the World	0
Dubious pleasures	0
Voice, Rhyme, and Aesthetic Injustice	0
Touched by Fashion: On Feeling What we Wear	0
Improvisational mistakes	0
Adam Smith on Aesthetic Imagination and Scientific Enquiry	0
The Poem as Icon: A Study in Aesthetic Cognition	0
Human Landscapes: Contributions to a Pragmatist Anthropology	0
Thunderclap: A memoir of art and life & sudden death	0
Music’s Monisms: Disarticulating Modernism	0
Improvisation as a Method of Composition: Reconciling the Dichotomy	0
Adorning Bodies: Meaning, Evolution, and Beauty in Humans and Animals	0

Fiction and Epistemic Value: State of the Art	0
Look a Little (Chuck) Closer: Aesthetic Attention and the Contact Phenomenon	0
The Dissonance of Modernity: On Baudelaire and Adorno	0
Defending the Hypothetical Author	0
In Sublimity’s Wake	0
Applying Aesthetics to Everyday Life: Methodologies, History and New Directions	0
Philosophical Theories of Political Cinema	0
Visual Metaphors	0
A Sensibility of Humour	0
‘Kant on the Deceitful Art of Rhetoric’	0
Cinema, Displayed	0
The Ruins Lesson: Meaning and Material in Western Culture	0
Aesthetic Reasons, Aesthetic Value, and the Myth of the Aesthetic Meritocracy: A Reply to Erich Hatala Matthes	0
Tragedy as a Symbol of Autonomy in Schiller’s Aesthetics	0
Correction to: Interpreting Art	0
Zinger, Clunker, Clanger, Flunker: On Two-Point Comparisons, and Why we Love Them	0
Towards a Pragmatist Aesthetics	0
Art and Posthistory: Conversations on the End of Aesthetics	0
Show, Don’t Tell: Emotion, Acquaintance and Moral Understanding Through Fiction	0
Germs: A Memoir of Childhood	0
Alternative Realities	0
Emotion in Fiction: State of the Art	0
The Paradox of Rape in Horror Movies	0
Novel Assertions: A Reply to Mahon	0
How to Do (Im)moral Things with Artworks: Commentary on James Harold’s Dangerous Art	0
Why It’s OK to Love Bad Movies	0
Aesthetic Bias in Epistemic Evaluation and the Value of Art	0
Aesthetic Life and Why it Matters	0
Unbiased Awarding of Art Prizes? It’s Hard to Judge	0
Higher-Order Evidence in Aesthetics	0
Essays on Beauty & the Arts	0
Satire, Comedy, and Mental Health: Coping with the Limits of Critique	0
The Routledge Companion to Literature and Art	0
The Power of the Copy: Rethinking Replication Through the Cult Image	0
Authority and Freedom: A Defense of Art	0
A Little Mood Music: On the Relationship between Musical and Psychological Moods	0
Art Concept Pluralism Undermines the Definitional Project	0
Co-Producing Art’s Cognitive Value	0
Liturgy and the Sublime	0
Structures of Morality and Allegiance in the Character Arc Story	0
Emotions in Music: Hanslick and His False Follower	0
Park Aesthetics Between Wilderness Representations and Everyday Affordances	0
Reply to Abell’s and Gilmore’s comments on Currie’s Imagining and Knowing: the Shape of Fiction	0
Narrative Identity and Recognition Deficiency	0
Artists Remake the World: A Contemporary Art Manifesto	0
Towards an Aesthetics of Archery	0
Aesthetic Self-Forgetfulness	0
Remote Art and Aesthetics: An Introduction	0
Painting and Presence: Why Paintings Matter	0
The Philosophy of Modern Song	0
Musical Silences—Opaque and Capacious	0
Lubaina Himid exhibition at Tate Modern	0
The Aesthetics of Virtual Reality	0
Political Aesthetics: Addison and Shaftesbury on Taste, Morals and Society	0
The Aesthetic Enkratic Principle	0
How Museums and Arts Institutions Can Deal With the Problem of Immoral Artists: A Reply to Mary Beth Willard	0
Against Recognizability as a Criterion of Work-Performance	0
Epic Theatre as a Form of Platonic Drama	0
Country Music and the Problem of Authenticity	0
Against Modernism and Postmodernism on Art and Entertainment: A Kristeller Thesis of Entertainment	0
Criticism and Truth: On Method in Literary Studies	0
An Analytic of Eeriness	0
Drumming as Embodied and Mindful Performance: Observations on the Aesthetic Theories of Bill Bruford and Shaun Gallagher	0
Possessions: Indigenous Art/Colonial Culture/Decolonization (2nd edition).	0
Value Pluralism in Restoration Aesthetics	0
A Philosopher Looks at Architecture	0
Reading Ideas in Victorian Literature: Literary Content as Artistic Experience	0
Moved by Music Alone	0
Aesthetic Higher-Order Evidence for Subjectivists	0
Books Received	0
Taste: A Philosophy of Food	0
Productive Disagreements: Commentary on Ted Nannicelli’sArtistic Creation and Ethical Criticism	0
Fashion Sense: On Philosophy and Fashion	0
Breaking the Fourth Wall and (Meta)Fictional Reference	0
Depicting Motion in a Static Image: Philosophy, Psychology and the Perception of Pictures	0
‘Making-remote’ as an Alternative to Realism in Late Palaeolithic Cave Art: Representations of the Human at the Threshold of Appearance	0
The Geography of Taste	0
Kant on the Aesthetic Ideas of Beautiful Nature	0
The Offences of the Imagination: The Grotesque in Kant’s Aesthetics	0
Kant on Aesthetic Attention	0
Image in the Making: Digital Innovation and the Visual Arts	0
Franz Boas and the Primacy of Form	0
Introduction to the Special Issue on Art and Morality and Précis of the Four Books Included in the Symposium	0
Gesamtausgabe. Series II: Nachlass. A: Nachgelassene Schriften. Vol. 13: Ästhetische Schriften	0
The Aesthetic Value of Food	0
Literature and Understanding: The Value of a Close Reading of Literary Texts	0
Philosophies of Improvisation	0
Why Delight in Screamed Vocals? Emotional Hardcore and the Case Against Beautifying Pain	0
The Sublime of Consciousness	0
The Beautiful Voice in Opera: The Injustice of Vocal Discrimination	0
Wollheim on art’s historicity: an intersection of theoretical art history and the philosophy of art	0
Correction to: On Perspectivism and Expressivism: Response to Nannicelli	0
Questioning Imaginative Resistance and Resistant Reading	0
The Chief Business of the True Judges in Hume’s Standard of Taste	0
Perceiving Aesthetic Properties	0