British Journal of Aesthetics

Article	Citations
Schiller on Freedom and Aesthetic Value: Part I	10
Learning to Imagine	7
Art as Political Discourse	6
A Two-Tiered Theory of the Sublime	5
Edith Landmann-Kalischer on Aesthetic Demarcation and Normativity	5
Fiction and Epistemic Value: State of the Art	4
Let’s be Liberal: An Alternative to Aesthetic Hedonism	4
Aesthetic Experience and the Unfathomable: A Pragmatist Critique of Hermeneutic Aesthetics	4
Schiller on Freedom and Aesthetic Value: Part II	4
Kant on the Aesthetic Ideas of Beautiful Nature	4
Reflective and Non-reflective Aesthetic Ideas in Kant’s Theory of Art	4
Fiction and Emotion: The Puzzle of Divergent Norms	3
Feeling Fit for Function: Haptic Touch and Aesthetic Experience	3
Rethinking Role Realism	3
Emotion in Fiction: State of the Art	3
The Heart of Classical Work-Performance	3
Country Music and the Problem of Authenticity	3
Aesthetic Self-Forgetfulness	3
Hair Oppression and Appropriation	2
Practice-Centered Pluralism and a Disjunctive Theory of Art	2
The Art of Tattoos	2
The Aesthetic Enkratic Principle	2
‘Truth in Fiction’ Reprised	2
The Ethics and Aesthetics of Intertextual Writing: Cultural Appropriation and Minor Literature	2
On Snobbery	2

At the Limits: What Drives Experiences of the Sublime	2
Musical Affordances and the Transformation Into Structure: How Gadamer can Complement Enactivist Perspectives on Music	2
Look a Little (Chuck) Closer: Aesthetic Attention and the Contact Phenomenon	1
New Objections to Cultural Appropriation in the Arts	1
Aesthetic Insight and Mental Agency	1
Emotions in Music: Hanslick and His False Follower	1
The Whole Picture: The colonial story of the art in our museums & why we need to talk about it	1
Fictional Discourse: A Reply to von Solodkoff’s ‘Demoting Fictional Names’	1
Kant on Aesthetic Attention	1
Definition of Fiction: State of the Art	1
Self-Location in Interactive Fiction	1
‘Andy Warhol’, Tate Modern, London, 12 March – 15 November 2020; then Museum Ludwig, Cologne, 12 December 2020 – 18 April 2021	1
Putting the Appropriator Back in Cultural Appropriation	1
Aesthetic Testimony and Aesthetic Authenticity	1
The Paradox of Rape in Horror Movies	1
The Narrative Characteristics of Images	1
Institutional Responsibility and Aesthetic Value: Commentary on Erich Hatala Matthes’s Drawing The Line: What to Do with the Work of Immoral Artists from Museums to the Movies	1
Antisubjectivism and the End of Art: Heidegger on Hegel	1
Defending the Hypothetical Author	1
Everyone Can Change a Musical Work	1
Truth in Fiction, Underdetermination, and the Experience of Actuality	1
Novel Assertions: A Reply to Mahon	1
Artistic Objectivity: From Ruskin’s ‘Pathetic Fallacy’ to Creative Receptivity	1
The Aesthetics of Crossword Puzzles	1
Depicting Motion in a Static Image: Philosophy, Psychology and the Perception of Pictures	1
The Virtue of Aesthetic Courage	1
Aesthetic Higher-Order Evidence for Subjectivists	1
Art Concept Pluralism Undermines the Definitional Project	1
What Makes a Kind an Art-kind?	1
Immoralism is Obviously True: Towards Progress on the Ethical Question	1
Enacting a Jazz Beat: Temporality in Sonic Environment and Symbolic Communication	1
Environmental Virtue Aesthetics	1
Erotic Art as Proprioceptive Art	1
Sense and Reference of Pictures	1
Higher-Order Evidence in Aesthetics	1
Bolzano on Aesthetic Normativity	0
Philosophy of Sculpture: Historical Problems, Contemporary Approaches	0
How can we be moved by magic?	0
Art and Objects	0
Art, ethics, and the relativism of distance	0
Folk Song as Hybrid Art Form	0
Philosophies of Improvisation	0
Lubaina Himid exhibition at Tate Modern	0
Re-Reading Hanslick’s Aesthetics: Die Rezeption Eduard Hanslicks im englischen Sprachraum und ihre diskursiven Grundlagen	0
Painting and Presence: Why Paintings Matter	0
Does the Critical Scrutiny of Drill Constitute an Epistemic Injustice?	0
Narrative Identity and Recognition Deficiency	0
Choreography Invisible: The Disappearing Work of Dance	0
Alternative Realities	0
Possessions: Indigenous Art/Colonial Culture/Decolonization (2nd edition).	0

Symbolic Cognition in Poetic Experience: Re-representing the Paraphrase Paradox	0
The Entanglement: How Art and Philosophy Make Us What We Are	0
Uncommon Sense: Jeremy Bentham, Queer Aesthetics, and the Politics of Taste	0
Correction to: Lubaina Himid exhibition at Tate Modern	0
Aesthetics of Care: Practice in Everyday Life	0
Adam Smith on Aesthetic Imagination and Scientific Enquiry	0
Tragedy as a Symbol of Autonomy in Schiller’s Aesthetics	0
Bacon and the Mind: Art, Neuroscience and Psychology (Francis Bacon Studies I)Francis Bacon: Painting, Philosophy, Psychoanalysis (Francis Bacon Studies II)	0
Dubious pleasures	0
Merging Philosophical Traditions for a New Way to Research Music: On the Ekphrastic Description of Musical Experience	0
Arts of Address: Being Alive to Language and the World	0
Opposite: Poems, Philosophy & Coffee	0
Social Appearances: A Philosophy of Display and Prestige	0
The Dissonance of Modernity: On Baudelaire and Adorno	0
Elusive Fictional Truth	0
Kehinde Wiley at the National Gallery: The Prelude	0
On the Deeply Moving and the Merely Touching	0
The Landscape of Utopia: Writings on Everyday Life, Taste, Democracy, and Design	0
Relativism and the Metaphysics of Value	0
The Poem as Icon: A Study in Aesthetic Cognition	0
On Perspectivism and Expressivism: A Reply to Ted Nannicelli	0
The Aesthetics of Science: Beauty, Imagination and Understanding	0
On the Relative Unimportance of Aesthetic Value in Evaluating Visual Arts	0
A Fitting-Attitude Approach to Aesthetic Value?	0
Art and Form: From Roger Fry to Global Modernism	0
Artful Truths: The Philosophy of Memoir	0
Classics in Western Philosophy of Art	0
Introduction to the Special Issue on Art and Morality and Précis of the Four Books Included in the Symposium	0
Supervenience and Realization: Aesthetic Objects and their Properties	0
Correction to: On Perspectivism and Expressivism: Response to Nannicelli	0
A Sensibility of Humour	0
Philosophy and the Art of Writing	0
When does Something ‘Belong’ to a Culture?	0
Moved by Music Alone	0
Masculinities: Liberation through Photography	0
The Philosophy of Curatorial Practice: Between Work and World	0
Fashion Sense: On Philosophy and Fashion	0
Double-Standard Moralism: Why We Can Be More Permissive Within Our Imagination	0
Taste: A Philosophy of Food	0
Gesamtausgabe. Series II: Nachlass. A: Nachgelassene Schriften. Vol. 13: Ästhetische Schriften	0
Correction to: Interpreting Art	0
Retitling, Cultural Appropriation, and Aboriginal Title	0
In Defence of the Production-Oriented Approach to the Ethical Criticism of Art: A Reply to James Harold	0
Musical Ontology and the Audibility of Musical Works	0
The Audience Effect. On the Collective Cinema Experience	0
The Global Rules of Art: The Emergence and Divisions of a Cultural World Economy	0
Quod significat: Vitruvius’ ultimate criterion for (good) architecture	0
Productive Disagreements: Commentary on Ted Nannicelli’sArtistic Creation and Ethical Criticism	0
Destroyed – Disappeared – Lost – Never Were	0
Looking Through Images: A Phenomenology of Visual Media	0
The Aesthetic Theory of Frances Power Cobbe	0
Ars Erotica: Sex and Somaesthetics in the Classical Arts of Love	0
How to Do (Im)moral Things with Artworks: Commentary on James Harold’s Dangerous Art	0
Value Pluralism in Restoration Aesthetics	0
Reply to Abell’s and Currie’s comments on Gilmore’sApt Imaginings: Feelings for Fictions and Other Creatures of the Mind	0
The Good, the Bad, and the Ugly	0
How Museums and Arts Institutions Can Deal With the Problem of Immoral Artists: A Reply to Mary Beth Willard	0
A Philosopher Looks at Architecture	0
Satire, Comedy, and Mental Health: Coping with the Limits of Critique	0
The Philosophy of Susanne Langer: Embodied Meaning in Logic, Art and Feeling	0
‘Ad Reinhardt: “Art Is Art and Everything Else Is Everything Else”’, Fundación Juan March	0
Against Modernism and Postmodernism on Art and Entertainment: A Kristeller Thesis of Entertainment	0
Schiller on Aesthetic Education as Radical Ethical-Political Remedy	0
Hooked: Art and Attachment	0
Wonderful Worlds: Disinterested Engagement and Environmental Aesthetic Appreciation	0
Radically Rethinking Copyright in the Arts: A Philosophical Approach	0
White Negroes: When Cornrows Were in Vogue … and Other Thoughts on Cultural Appropriation	0
Speculative Aesthetic Expressivism	0
Aesthetic Life and Why it Matters	0
Correction to: Merging Philosophical Traditions for a New Way to Research Music: On the Ekphrastic Description of Musical Experience	0
Commentary on Fiction: A Philosophical Analysis, by Catharine Abell; and Imagining and Knowing: The Shape of Fiction, by Gregory Currie	0
100 × Congo: A Century of Congolese Art in Antwerp	0
If These Apples Should Fall. Cézanne and the Present	0
Books Received	0
Perceiving Aesthetic Properties	0
Musical Silences—Opaque and Capacious	0
Philosophical Theories of Political Cinema	0
Liturgy and the Sublime	0
Corrigendum to: The Philosophy of Susanne Langer: Embodied Meaning in Logic, Art and Feeling	0
The Power of the Copy: Rethinking Replication Through the Cult Image	0

Art and Ethico-Political Value	0
Wollheim on art’s historicity: an intersection of theoretical art history and the philosophy of art	0
Jane Austen’s Emma: Philosophical Perspectives	0
Epistemic and Aesthetic Conflict	0
Herder’s Naturalist Aesthetics	0
Park Aesthetics Between Wilderness Representations and Everyday Affordances	0
Improvisation as a Method of Composition: Reconciling the Dichotomy	0
Germs: A Memoir of Childhood	0
Listening to Other Minds: A Phenomenology of Pop Songs	0
Interpreting Art	0
Questioning Imaginative Resistance and Resistant Reading	0
Commentary on Fiction: A Philosophical Analysis, by Catharine Abell; and Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind by Jonathan Gilmore	0
Sympathy for a Serial Killer: Malick’s Badlands, Visual Metaphor and Frankfurt’s Concept of a Person	0
Modeling the Meanings of Pictures	0
Natural Beauty, Reflective Judgment and Kant’s Aesthetic Humanism	0
Towards a Pragmatist Aesthetics	0
Demoting Fictional Names—A Critical Note to Predelli’s Fictional Discourse: A Radical Fictionalist Semantics	0
Towards an Aesthetics of Archery	0
Kant’s Humorous Writings	0
Practical Form: Abstraction, Technique, and Beauty in Eighteenth-Century Aesthetics	0
The Iconology of Abstraction: Non-Figurative Images and the Modern World	0
Kara Walker: A Black Hole is Everything a Star Longs to Be	0
Introduction and Précis	0
Why It’s OK to Love Bad Movies	0
Books Received	0
Improvisational mistakes	0
The Philosophy of Modern Song	0
Arthur Danto’s Philosophy of Art: Essays	0
Reply to Currie’s and Gilmore’s comments on Abell’s Fiction: A Philosophical Analysis	0
Kant’s Critique of Taste: The Feeling of Life	0
Reading Ideas in Victorian Literature: Literary Content as Artistic Experience	0
Philosophy of Music: A History	0
Asteroids, Holoblack and Clearance Futurism	0
Aesthetic Reasons, Aesthetic Value, and the Myth of the Aesthetic Meritocracy: A Reply to Erich Hatala Matthes	0
The dualist character of a garden’s aesthetic properties	0
Structures of Morality and Allegiance in the Character Arc Story	0
Titian: Love, Desire, Death	0
Political Aesthetics: Addison and Shaftesbury on Taste, Morals and Society	0
Talk about Pop Muzik: Discussion of Enrico Terrone, ‘Listening to Other Minds: A Phenomenology of Pop Songs’, BJA 60 (2020), 435–453	0
Corrigendum to: 100 × Congo: A Century of Congolese Art in Antwerp	0
Philosophy, Literature and Understanding: On Reading and Cognition	0
Modern Art & the Remaking of Human Disposition	0
The Aesthetics of Virtual Reality	0
Relativism and the Metaphysics of Value: A Comment on Daan Evers	0
Lynette Yiadom-Boakye: Fly in League with the Night	0
Dancing in Blackness: A Memoir	0
Books Received	0
Absolutes and Ambiguity: Transforming Artefacts Towards Non-violence	0
Commentary on Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind by Jonathan Gilmore; and Imagining and Knowing: the Shape of Fiction by Gregory Currie	0
Franz Boas and the primacy of form	0
Artemisia	0
Authority and Freedom: A Defense of Art	0
Human Flourishing, Liberal Theory, and the Arts	0
OUP accepted manuscript	0
Belgian Solutions	0
Show, Don’t Tell: Emotion, Acquaintance and Moral Understanding Through Fiction	0
Style Appropriation, Intimacy, and Expressiveness	0
The Ruins Lesson: Meaning and Material in Western Culture	0
Portraits, Facial Perception, and Aspect-Seeing	0
Books Received	0
The role of the performer in Hanslick’s On the Musically Beautiful	0
Affect in Artistic Creativity: Painting to Feel	0
Game, Sports, and Play: Philosophical Essays	0
Beyond Autonomy in Eighteenth-Century British and German Aesthetics	0
The Philosophy of Rhythm: Aesthetics, Music, Poetics	0
Immoral Artists and Our Aesthetic Projects: Commentary on Mary Beth Willard’sWhy It’s OK to Enjoy the Work of Immoral Artists	0
Books Received	0
Art, Borders and Belonging	0
Art and Posthistory: Conversations on the End of Aesthetics	0
Poetry, painting, park. Goethe and Claude Lorrain	0
Human Landscapes: Contributions to a Pragmatist Anthropology	0
Reply to Abell’s and Gilmore’s comments on Currie’s Imagining and Knowing: the Shape of Fiction	0
Unbiased Awarding of Art Prizes? It’s Hard to Judge	0
Literature and Understanding: The Value of a Close Reading of Literary Texts	0
Books Received	0
Fictional reference: How to Account for both Directedness and Uniformity	0
The Aesthetic Value of the World	0
Aesthetic Austerity in Persuasion	0
A Comparative Philosophy of Sport and Art	0