British Journal of Aesthetics

Article	Citations
‘Ad Reinhardt: “Art Is Art and Everything Else Is Everything Else”’, Fundación Juan March	10
Philosophy of Music: A History	9
Of Pots and Plato’s Aesthetics	8
The Necessity of Aesthetic Education: The Place of the Arts on the Curriculum	7
Erratum to: Imperfectionist Aesthetics in Art and Everyday Life	6
Examining Hypothetical Intentionalism	5
(What) Do We Owe Beautiful Objects? A Case for Aesthetic Obligations	5
Kara Walker: A Black Hole is Everything a Star Longs to Be	5
A Stone should not be Music: Abstract Artefacts and Social Practices	4
A Fitting-Attitude Approach to Aesthetic Value?	4
Bolzano on aesthetic normativity	4
Beyond Autonomy in Eighteenth-Century British and German Aesthetics	4
Having a Good Laugh: The Comic Advantages of Moral Virtue	4
Lynette Yiadom-Boakye: Fly in League with the Night	4
The Good, the Bad, and the Ugly	4
Musical Affordances and the Transformation Into Structure: How Gadamer can Complement Enactivist Perspectives on Music	4
Arts of Address: Being Alive to Language and the World	4
True Beauty	3
Distant Dinosaurs and the Aesthetics of Remote Art	3
Play and Aesthetics in Ancient Greece	3
Art and Ethico-Political Value	3
On Perspectivism and Expressivism: A Reply to Ted Nannicelli	3
Virtual Reality, Seeing-In, and Twofoldness	3
Aesthetic Insight and Mental Agency	3
Kant’s Critique of Taste: The Feeling of Life	3

The Normative Space of Musical Performance: Expertise and the Symbolic Body	3
‘Her Fresh Voice’: Reparatively Staging Puccini’s Turandot with Andrea Dworkin	3
Practical Form: Abstraction, Technique, and Beauty in Eighteenth-Century Aesthetics	3
Video Game Photography and Spectator Gaming: A Flusserian Perspective	3
Arthur Danto’s Philosophy of Art: Essays	3
Looking Through Images: A Phenomenology of Visual Media	3
Wonderful Worlds: Disinterested Engagement and Environmental Aesthetic Appreciation	3
On Kant’s ‘General Remark’: An Analysis of the Productive Imagination’s Role in Interpreting Artworks	3
Aesthetics of Care: Practice in Everyday Life	3
Speculative Aesthetic Expressivism	2
Aesthetic Testimony and Aesthetic Authenticity	2
Double-Standard Moralism: Why We Can Be More Permissive Within Our Imagination	2
Does the Critical Scrutiny of Drill Constitute an Epistemic Injustice?	2
Environmental Virtue Aesthetics	2
In Defence of the Production-Oriented Approach to the Ethical Criticism of Art: A Reply to James Harold	2
Asteroids, Holoblack and Clearance Futurism	2
Camus’s ‘The Plague’: Philosophical Perspectives	2
The Iconology of Abstraction: Non-Figurative Images and the Modern World	2
Uncommon Sense: Jeremy Bentham, Queer Aesthetics, and the Politics of Taste	2
The Entanglement: How Art and Philosophy Make Us What We Are	2
The Global Rules of Art: The Emergence and Divisions of a Cultural World Economy	2
Immoralism is Obviously True: Towards Progress on the Ethical Question	2
Women on Philosophy of Art: Britain 1770–1900	1
Musical Performance as Translation: A Hermeneutics	1
Kehinde Wiley at the National Gallery: The Prelude	1
Sounding Sense and Sensing Sound: ‘Form-Content Unity’ Revisited and Reformulated	1
Changeability and Modal Flexibility: Two Puzzles Against Creationism	1
On the Deeply Moving and the Merely Touching	1
Hume's Two Standards of Taste: A Response to Kim	1
Art, Ethics, and the Relativism of Distance	1
Theorizing Covers	1
Authority and Freedom: A Defense of Art	1
Folk Song as Hybrid Art Form	1
Framing Resemblance and Expressiveness in Music	1
Popular Song and Ethics: Ethical Perspectives and Personal Qualities	1
Against Moral-Aesthetic Prescriptivism: Rejecting the Foundations of the Moralism Versus Immoralism Debate	1
Ethical Presuppositions in Narrative Art	1
Country Music and the Problem of Authenticity	1
Philosophy of Lyric Voice: The Cognitive Value of Page and Performance Poetry	1
Natural Perception: Environmental Images and Aesthetics in International Law	1
Positive Garden Aesthetics	1
The Philosophy of Curatorial Practice: Between Work and World	1
From Period Eye to Niche Eye: Re-situating Renaissance Painting in a Landscape of Affordances	1
Immoral Artists and Our Aesthetic Projects: Commentary on Mary Beth Willard’sWhy It’s OK to Enjoy the Work of Immoral Artists	1
Improvisation and Work-Performance	1
Philosophy of Sculpture: Historical Problems, Contemporary Approaches	1
The Landscape of Utopia: Writings on Everyday Life, Taste, Democracy, and Design	1
Remote Art and Aesthetics: An Introduction	1
Interpreting Art	1
Thunderclap: A memoir of art and life & sudden death	1

What Is a Portrait? A Functionalist Account	1
Visual Metaphors	1
Implicit Cinematic Narrator Revisited	1
The Aesthetics of Crossword Puzzles	1
The dualist character of a garden’s aesthetic properties	1
Art, Borders and Belonging	1
Poetry, Sound, and Form: A Reply to Eliza Ives	1
Grief, Creativity, and Ambiguity: The ‘as if’ of Artistic Play	1
The Female Avenger, Women’s Anger and Rape-Revenge Film and Television	1
Liturgy and the Sublime	1
Taste: A Philosophy of Food	1
Classics in Western Philosophy of Art	1
Voice, Rhyme, and Aesthetic Injustice	1
Correction to: Merging Philosophical Traditions for a New Way to Research Music: On the Ekphrastic Description of Musical Experience	0
Ancient Ruins and the Sublime	0
A Critique of the Idea of Literary and Musical Works	0
The Aesthetic Theory of Frances Power Cobbe	0
Touched by Fashion: On Feeling What we Wear	0
Spectating Games can be a Form of Gameplay	0
The Aesthetic Value of the World	0
Theme Issue ‘Art, Aesthetics and Predictive Processing: Theoretical and Empirical Perspectives’	0
If These Apples Should Fall. Cézanne and the Present	0
Kant on the Deceitful Art of Rhetoric	0
Aesthetic Realism and the Importance of Firsthand Experience: On Edith Landmann-Kalischer’s View of Beauty	0
Against Recognizability as a Criterion of Work-Performance	0
Co-Producing Art’s Cognitive Value	0
Correction to: Lubaina Himid exhibition at Tate Modern	0
Adam Smith on Aesthetic Imagination and Scientific Enquiry	0
Imperfectionist Aesthetics in Art and Everyday Life	0
Painting and Presence: Why Paintings Matter	0
On the Need for ‘Poetic’ Art Criticism	0
The Aesthetic Value of Food	0
On Snobbery	0
Copyright and Collective Authorship: Locating the Authors of Collaborative Work	0
Towards a Pragmatist Aesthetics	0
Emotions in Music: Hanslick and His False Follower	0
A Comparative Philosophy of Sport and Art	0
Quod significat: Vitruvius’ ultimate criterion for (good) architecture	0
Park Aesthetics Between Wilderness Representations and Everyday Affordances	0
Landscape Aesthetics: Toward an Engaged Ecology	0
When a Balloon is Enough: An Attention-Based Account of Toys and Games	0
Literature and Understanding: The Value of a Close Reading of Literary Texts	0
Performing Arts and Affordances: Moving toward Epistemic Justice through Embodied Learning	0
Sympathy for a Serial Killer: Malick’s Badlands, Visual Metaphor and Frankfurt’s Concept of a Person	0
Higher-Order Evidence in Aesthetics	0
Introduction to the Special Issue on Art and Morality and Précis of the Four Books Included in the Symposium	0
An Analytic of Eeriness	0
Improvisation as a Method of Composition: Reconciling the Dichotomy	0
Xiang 象 as a Dynamic Perceptual Framework: Bridging Sensory Experience and Aesthetic Meaning	0
Space Creation	0
Why Delight in Screamed Vocals? Emotional Hardcore and the Case Against Beautifying Pain	0
Epistemic and Aesthetic Conflict	0
Philosophical Theories of Political Cinema	0
The Aesthetic Enkratic Principle	0
Music Genres as Historical Individuals	0
The Sublime of Consciousness	0
Satire, Comedy, and Mental Health: Coping with the Limits of Critique	0
Erasure and Assertion in Body Aesthetics: Respectability Politics to Anti-Assimilationist Aesthetics	0
How Museums and Arts Institutions Can Deal With the Problem of Immoral Artists: A Reply to Mary Beth Willard	0
Aesthetic Bias in Epistemic Evaluation and the Value of Art	0
Aesthetic Austerity in Persuasion	0
Personal and Impersonal Expression	0
Diversity-in-Unity: Art Criticism in Conversation	0
Kant’s Assessment of Music	0
Fiction versus Pretence	0
Image in the Making: Digital Innovation and the Visual Arts	0
Narrative Identity and Recognition Deficiency	0
Culture, Cooperation, and Communication: The Co-evolution of Hominin Cognition, Sociality, and Musicality	0
A Sensibility of Humour	0
Breaking the Fourth Wall and (Meta)Fictional Reference	0
Towards an Aesthetics of Archery	0
Affect in Artistic Creativity: Painting to Feel	0
Philosophy of Improvisation	0
To Know Beauty Exactly: The Aims of Eros and Aesthetic Judgment	0
The Qua Problem in the Value Interaction Debate	0
The role of the performer in Hanslick’s On the Musically Beautiful	0
Retroactive Continuity and Fictional Facts	0
Modern Art & the Remaking of Human Disposition	0
‘Making-remote’ as an Alternative to Realism in Late Palaeolithic Cave Art: Representations of the Human at the Threshold of Appearance	0
Record Collecting as a Focal Practice: The Aesthetics and Sociality of Music Formats	0

The Art of Expressing Selves	0
Schiller on Aesthetic Education as Radical Ethical-Political Remedy	0
Musical Silences—Opaque and Capacious	0
The Passenger	0
Merging Philosophical Traditions for a New Way to Research Music: On the Ekphrastic Description of Musical Experience	0
The Routledge Companion to Literature and Art	0
Value Pluralism in Restoration Aesthetics	0
Absolutes and Ambiguity: Transforming Artefacts Towards Non-violence	0
Deliciously Vicious: Not Like Us as a Case Study for Aesthetic Contextualism	0
Defending the Hypothetical Author	0
Zinger, Clunker, Clanger, Flunker: On Two-Point Comparisons, and Why we Love Them	0
Dubious pleasures	0
Social Appearances: A Philosophy of Display and Prestige	0
The Narrative Characteristics of Images	0
Tsai Ming-Liang: Walker Series	0
Why Follow the Score? Aesthetic Normativity in Performing Classical Music and the Genuine Performing Experience	0
Perceiving Aesthetic Properties	0
Real Moral Options and Imaginative Resistance	0
The philosophy of fiction: Imagination and cognition	0
Musical Ontology: Works, Versions, and Lineages	0
Embodied Voices: An Introduction	0
In Sublimity’s Wake	0
Humour in Grief	0
Human Landscapes: Contributions to a Pragmatist Anthropology	0
On the Theory and Practice of Aesthetic Judgment: Edith Landmann-Kalischer's Perspective	0
The Ruins Lesson: Meaning and Material in Western Culture	0
Artistic Honesty BSA Prize Essay , 2024	0
Books Received	0
Where Ethics and Aesthetics Diverge: Reconsidering the Objection from Creepiness	0
Essays on Beauty & the Arts	0
Fictional Game Spectatorship: On Pretend-Play and Collective Imagination in Gaming Communities	0
Institutional Responsibility and Aesthetic Value: Commentary on Erich Hatala Matthes’s Drawing The Line: What to Do with the Work of Immoral Artists from Museums to the Movies	0
Possessions: Indigenous Art/Colonial Culture/Decolonization (2nd edition).	0
Artists Remake the World: A Contemporary Art Manifesto	0
The Beautiful Voice in Opera: The Injustice of Vocal Discrimination	0
Dylan at 80: It used to go like that, and now it goes like this	0
Aesthetic Non-Naturalism	0
The Geography of Taste	0
Music’s Monisms: Disarticulating Modernism	0
Philosophy and the Art of Writing	0
The Generative Memorial: The Case of the 2018 National Memorial for Peace and Justice	0
Wollheim on art’s historicity: an intersection of theoretical art history and the philosophy of art	0
Destroyed – Disappeared – Lost – Never Were	0
Musical Ontology and the Audibility of Musical Works	0
Criticism and Truth: On Method in Literary Studies	0
How can we be moved by magic?	0
The Aesthetics of Science: Beauty, Imagination and Understanding	0
Unbiased Awarding of Art Prizes? It’s Hard to Judge	0
The Swirl of Emotion Among Us: Affect, the Voice, and Performance Training	0
Tragedy as a Symbol of Autonomy in Schiller’s Aesthetics	0
Belgian Solutions	0
Correction to: On Perspectivism and Expressivism: Response to Nannicelli	0
Cinema, Displayed	0
Faked nature? A Kantian Proto-Environmental Aesthetics	0
Alternative Realities	0
Productive Disagreements: Commentary on Ted Nannicelli’sArtistic Creation and Ethical Criticism	0
Who’s Reading? On Children’s Aesthetics and Parenting	0
The Power of the Copy: Rethinking Replication Through the Cult Image	0
The Offences of the Imagination: The Grotesque in Kant’s Aesthetics	0
On Beauty and Wellformedness	0
An Artist’s Voice: Expressive Achievement, Experiential Content, and Authority	0
Is There Any Body Out There?	0
The Philosophy of Modern Song	0
Gesamtausgabe. Series II: Nachlass. A: Nachgelassene Schriften. Vol. 13: Ästhetische Schriften	0
A Little Mood Music: On the Relationship between Musical and Psychological Moods	0
Show, Don’t Tell: Emotion, Acquaintance and Moral Understanding Through Fiction	0
The Paradox of Rape in Horror Movies	0
The Aesthetics of Virtual Reality	0
Kant’s Humorous Writings	0
Hooked: Art and Attachment	0
Germs: A Memoir of Childhood	0
Lubaina Himid exhibition at Tate Modern	0
Enigmas of Embodiment, Somaesthetics and Performance Art: A Reply to Ventzislavov	0
This Beauty: A Philosophy of Being Alive	0
Look a Little (Chuck) Closer: Aesthetic Attention and the Contact Phenomenon	0
Fashion Sense: On Philosophy and Fashion	0
Are Titles of Artworks Proper Names of the Artworks They Entitle?	0
Adorning Bodies: Meaning, Evolution, and Beauty in Humans and Animals	0
Modeling the Meanings of Pictures	0
On the Emptiness of Europa’s Face	0
Improvisational mistakes	0
Art and Posthistory: Conversations on the End of Aesthetics	0
Aesthetic Life and Why it Matters	0
Correction to: Interpreting Art	0
Living with the Everyday Kitsch Object: A New Existential Potentiality	0
Aesthetic Ideas and Art Interpretation in Kant’s Third Critique and Schelling’s ‘System of Transcendental Idealism’	0
Aesthetic Testimony: An Optimistic Approach	0
Can AI Create with Flair? Artistic Creativity and Artificial Intelligence	0
Moving for Grace: Motor-Aesthetic Properties and Dance Appreciation	0
Against Modernism and Postmodernism on Art and Entertainment: A Kristeller Thesis of Entertainment	0
The Chief Business of the True Judges in Hume’s Standard of Taste	0
Screen stories and moral understanding: Interdisciplinary perspectives	0
Conceptual Gardens	0
Reading Ideas in Victorian Literature: Literary Content as Artistic Experience	0
How to Do (Im)moral Things with Artworks: Commentary on James Harold’s Dangerous Art	0