British Journal of Aesthetics

Papers
(The median citation count of British Journal of Aesthetics is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Of Pots and Plato’s Aesthetics13
The Necessity of Aesthetic Education: The Place of the Arts on the Curriculum9
Erratum to: Imperfectionist Aesthetics in Art and Everyday Life8
(What) Do We Owe Beautiful Objects? A Case for Aesthetic Obligations8
Reframing the Dehumanization of Art: Towards a Bioaesthetic Account7
The Good, the Bad, and the Ugly5
Examining Hypothetical Intentionalism5
Having a Good Laugh: The Comic Advantages of Moral Virtue5
Beyond Autonomy in Eighteenth-Century British and German Aesthetics5
Bolzano on aesthetic normativity5
A Stone should not be Music: Abstract Artefacts and Social Practices5
Kara Walker: A Black Hole is Everything a Star Longs to Be5
A Fitting-Attitude Approach to Aesthetic Value?5
Looking Through Images: A Phenomenology of Visual Media4
Play and Aesthetics in Ancient Greece4
Arts of Address: Being Alive to Language and the World4
Lynette Yiadom-Boakye: Fly in League with the Night4
Kant’s Critique of Taste: The Feeling of Life4
The Normative Space of Musical Performance: Expertise and the Symbolic Body4
Aesthetics of Care: Practice in Everyday Life3
Distant Dinosaurs and the Aesthetics of Remote Art3
On Perspectivism and Expressivism: A Reply to Ted Nannicelli3
Virtual Reality, Seeing-In, and Twofoldness3
Arthur Danto’s Philosophy of Art: Essays3
In Defence of the Production-Oriented Approach to the Ethical Criticism of Art: A Reply to James Harold3
Aesthetic Insight and Mental Agency3
Practical Form: Abstraction, Technique, and Beauty in Eighteenth-Century Aesthetics3
On Kant’s ‘General Remark’: An Analysis of the Productive Imagination’s Role in Interpreting Artworks3
Video Game Photography and Spectator Gaming: A Flusserian Perspective3
Aesthetic Testimony and Aesthetic Authenticity3
Uncommon Sense: Jeremy Bentham, Queer Aesthetics, and the Politics of Taste3
Speculative Aesthetic Expressivism3
Art and Ethico-Political Value3
Wonderful Worlds: Disinterested Engagement and Environmental Aesthetic Appreciation3
‘Her Fresh Voice’: Reparatively Staging Puccini’s Turandot with Andrea Dworkin3
True Beauty3
Double-Standard Moralism: Why We Can Be More Permissive Within Our Imagination3
The Entanglement: How Art and Philosophy Make Us What We Are3
Kehinde Wiley at the National Gallery: The Prelude2
Does the Critical Scrutiny of Drill Constitute an Epistemic Injustice?2
The Global Rules of Art: The Emergence and Divisions of a Cultural World Economy2
Poetry, Sound, and Form: A Reply to Eliza Ives2
The dualist character of a garden’s aesthetic properties2
Art, Ethics, and the Relativism of Distance2
Classics in Western Philosophy of Art2
Camus’s ‘The Plague’: Philosophical Perspectives2
From Period Eye to Niche Eye: Re-situating Renaissance Painting in a Landscape of Affordances2
Immoralism is Obviously True: Towards Progress on the Ethical Question2
On the Deeply Moving and the Merely Touching2
Implicit Cinematic Narrator Revisited2
Art, Borders and Belonging2
Environmental Virtue Aesthetics2
The Iconology of Abstraction: Non-Figurative Images and the Modern World2
Hume's Two Standards of Taste: A Response to Kim2
Positive Garden Aesthetics2
Against Moral-Aesthetic Prescriptivism: Rejecting the Foundations of the Moralism Versus Immoralism Debate1
The Aesthetics of Crossword Puzzles1
Moving for Grace: Motor-Aesthetic Properties and Dance Appreciation1
The Female Avenger, Women’s Anger and Rape-Revenge Film and Television1
Liturgy and the Sublime1
Taste: A Philosophy of Food1
Natural Perception: Environmental Images and Aesthetics in International Law1
Grief, Creativity, and Ambiguity: The ‘as if’ of Artistic Play1
Popular Song and Ethics: Ethical Perspectives and Personal Qualities1
Women on Philosophy of Art: Britain 1770–19001
Thunderclap: A memoir of art and life & sudden death1
Erasure and Assertion in Body Aesthetics: Respectability Politics to Anti-Assimilationist Aesthetics1
Immoral Artists and Our Aesthetic Projects: Commentary on Mary Beth Willard’sWhy It’s OK to Enjoy the Work of Immoral Artists1
Philosophical Theories of Political Cinema1
Diversity-in-Unity: Art Criticism in Conversation1
Possessions: Indigenous Art/Colonial Culture/Decolonization (2nd edition).1
The Landscape of Utopia: Writings on Everyday Life, Taste, Democracy, and Design1
Remote Art and Aesthetics: An Introduction1
Musical Performance as Translation: A Hermeneutics1
Sounding Sense and Sensing Sound: ‘Form-Content Unity’ Revisited and Reformulated1
What Is a Portrait? A Functionalist Account1
Dangerous Jokes: How Racism and Sexism Weaponize Humor1
Ethical Presuppositions in Narrative Art1
Voice, Rhyme, and Aesthetic Injustice1
Correction to: Interpreting Art1
Improvisation and Work-Performance1
Philosophy of Sculpture: Historical Problems, Contemporary Approaches1
Theorizing Covers1
Framing Resemblance and Expressiveness in Music1
Authority and Freedom: A Defense of Art1
Visual Metaphors1
Changeability and Modal Flexibility: Two Puzzles Against Creationism1
Philosophy of Lyric Voice: The Cognitive Value of Page and Performance Poetry1
Interpreting Art1
Touched by Fashion: On Feeling What we Wear0
What is a Spatial Art?0
Are Titles of Artworks Proper Names of the Artworks They Entitle?0
The Narrative Characteristics of Images0
Aesthetic Ideas and Art Interpretation in Kant’s Third Critique and Schelling’s ‘System of Transcendental Idealism’0
Aesthetic Bias in Epistemic Evaluation and the Value of Art0
Breaking the Fourth Wall and (Meta)Fictional Reference0
Germs: A Memoir of Childhood0
The Aesthetics of Virtual Reality0
Can AI Create with Flair? Artistic Creativity and Artificial Intelligence0
Musical Ontology: Works, Versions, and Lineages0
Humour in Grief0
This Beauty: A Philosophy of Being Alive0
Wollheim on art’s historicity: an intersection of theoretical art history and the philosophy of art0
Art and Posthistory: Conversations on the End of Aesthetics0
Artistic Honesty BSA Prize Essay , 20240
The Geography of Taste0
The role of the performer in Hanslick’s On the Musically Beautiful0
The Sublime of Consciousness0
The Swirl of Emotion Among Us: Affect, the Voice, and Performance Training0
Park Aesthetics Between Wilderness Representations and Everyday Affordances0
Faked nature? A Kantian Proto-Environmental Aesthetics0
Screen stories and moral understanding: Interdisciplinary perspectives0
Correction to: Merging Philosophical Traditions for a New Way to Research Music: On the Ekphrastic Description of Musical Experience0
When a Balloon is Enough: An Attention-Based Account of Toys and Games0
A Sensibility of Humour0
On Beauty and Wellformedness0
The Generative Memorial: The Case of the 2018 National Memorial for Peace and Justice0
Modeling the Meanings of Pictures0
Fashion Sense: On Philosophy and Fashion0
The Beautiful Voice in Opera: The Injustice of Vocal Discrimination0
Merging Philosophical Traditions for a New Way to Research Music: On the Ekphrastic Description of Musical Experience0
Perceiving Aesthetic Properties0
Unbiased Awarding of Art Prizes? It’s Hard to Judge0
The Philosophy of Modern Song0
The Qua Problem in the Value Interaction Debate0
Tsai Ming-Liang: Walker Series0
An Analytic of Eeriness0
On the Need for ‘Poetic’ Art Criticism0
Retroactive Continuity and Fictional Facts0
Kant’s Humorous Writings0
Why It’s OK to Love Bad Movies0
Deliciously Vicious: Not Like Us as a Case Study for Aesthetic Contextualism0
Gesamtausgabe. Series II: Nachlass. A: Nachgelassene Schriften. Vol. 13: Ästhetische Schriften0
On Snobbery0
How Museums and Arts Institutions Can Deal With the Problem of Immoral Artists: A Reply to Mary Beth Willard0
Show, Don’t Tell: Emotion, Acquaintance and Moral Understanding Through Fiction0
Introduction to the Special Issue on Art and Morality and Précis of the Four Books Included in the Symposium0
Alternative Realities0
Theme Issue ‘Art, Aesthetics and Predictive Processing: Theoretical and Empirical Perspectives’0
Higher-Order Evidence in Aesthetics0
Where Ethics and Aesthetics Diverge: Reconsidering the Objection from Creepiness0
Cognition and Feeling in Aesthetic Judgment0
Music Genres as Historical Individuals0
Xiang 象 as a Dynamic Perceptual Framework: Bridging Sensory Experience and Aesthetic Meaning0
Satire, Comedy, and Mental Health: Coping with the Limits of Critique0
Against Modernism and Postmodernism on Art and Entertainment: A Kristeller Thesis of Entertainment0
The Aesthetic Value of the World0
Beauty as a Specific Aesthetic Concept: A Response to Panos Paris0
Is There Any Body Out There?0
Conceptual Gardens0
Aesthetic Realism and the Importance of Firsthand Experience: On Edith Landmann-Kalischer’s View of Beauty0
Space Creation0
Performing Arts and Affordances: Moving toward Epistemic Justice through Embodied Learning0
Who’s Reading? On Children’s Aesthetics and Parenting0
In Sublimity’s Wake0
Painting and Presence: Why Paintings Matter0
Human Landscapes: Contributions to a Pragmatist Anthropology0
Musical Silences—Opaque and Capacious0
Fictional Game Spectatorship: On Pretend-Play and Collective Imagination in Gaming Communities0
Criticism and Truth: On Method in Literary Studies0
A Comparative Philosophy of Sport and Art0
Belgian Solutions0
Dylan at 80: It used to go like that, and now it goes like this0
Kant on the Deceitful Art of Rhetoric0
The Passenger0
Record Collecting as a Focal Practice: The Aesthetics and Sociality of Music Formats0
If These Apples Should Fall. Cézanne and the Present0
Image in the Making: Digital Innovation and the Visual Arts0
Productive Disagreements: Commentary on Ted Nannicelli’sArtistic Creation and Ethical Criticism0
‘Making-remote’ as an Alternative to Realism in Late Palaeolithic Cave Art: Representations of the Human at the Threshold of Appearance0
Value Pluralism in Restoration Aesthetics0
Adam Smith on Aesthetic Imagination and Scientific Enquiry0
Zinger, Clunker, Clanger, Flunker: On Two-Point Comparisons, and Why we Love Them0
Cinema, Displayed0
Fiction versus Pretence0
What is Wrong with AI Art?0
How can we be moved by magic?0
Art and Aesthetic Appreciation by Description0
Imperfectionist Aesthetics in Art and Everyday Life0
Quod significat: Vitruvius’ ultimate criterion for (good) architecture0
Applying Aesthetics to Everyday Life: Methodologies, History and New Directions0
Copyright and Collective Authorship: Locating the Authors of Collaborative Work0
Tool, Collaborator, or Participant: AI and Artistic Agency0
Correction to: On Perspectivism and Expressivism: Response to Nannicelli0
Sympathy for a Serial Killer: Malick’s Badlands, Visual Metaphor and Frankfurt’s Concept of a Person0
Aesthetic Reasons, Aesthetic Value, and the Myth of the Aesthetic Meritocracy: A Reply to Erich Hatala Matthes0
Philosophy and the Art of Writing0
Hooked: Art and Attachment0
Essays on Beauty & the Arts0
Co-Producing Art’s Cognitive Value0
The Aesthetic Enkratic Principle0
The Form of Aesthetic Understanding0
Epistemic and Aesthetic Conflict0
Culture, Cooperation, and Communication: The Co-evolution of Hominin Cognition, Sociality, and Musicality0
The philosophy of fiction: Imagination and cognition0
Living with the Everyday Kitsch Object: A New Existential Potentiality0
Motivational Internalism and Disinterestedness0
The Chief Business of the True Judges in Hume’s Standard of Taste0
Correction to: Lubaina Himid exhibition at Tate Modern0
Institutional Responsibility and Aesthetic Value: Commentary on Erich Hatala Matthes’s Drawing The Line: What to Do with the Work of Immoral Artists from Museums to the Movies0
Music’s Monisms: Disarticulating Modernism0
When You Look at a Mirror Portrait, it Represents You0
On the Theory and Practice of Aesthetic Judgment: Edith Landmann-Kalischer's Perspective0
Dubious pleasures0
The Aesthetic Value of Food0
Adorning Bodies: Meaning, Evolution, and Beauty in Humans and Animals0
The Routledge Companion to Literature and Art0
Real Moral Options and Imaginative Resistance0
Aesthetic Non-Naturalism0
The Ruins Lesson: Meaning and Material in Western Culture0
Displeasure in the Ugly: Does Kant Allow for Negative Aesthetic Judgements on Nature?0
On the Emptiness of Europa’s Face0
Personal and Impersonal Expression0
Towards an Aesthetics of Archery0
Spectating Games can be a Form of Gameplay0
Drumming as Embodied and Mindful Performance: Observations on the Aesthetic Theories of Bill Bruford and Shaun Gallagher0
Against Recognizability as a Criterion of Work-Performance0
Tragedy as a Symbol of Autonomy in Schiller’s Aesthetics0
Modern Art & the Remaking of Human Disposition0
Defending the Hypothetical Author0
Aesthetic Life and Why it Matters0
Why Delight in Screamed Vocals? Emotional Hardcore and the Case Against Beautifying Pain0
Ancient Ruins and the Sublime0
An Artist’s Voice: Expressive Achievement, Experiential Content, and Authority0
Reading Ideas in Victorian Literature: Literary Content as Artistic Experience0
How to Do (Im)moral Things with Artworks: Commentary on James Harold’s Dangerous Art0
Embodied Voices: An Introduction0
Literature and Understanding: The Value of a Close Reading of Literary Texts0
From Art to Experience and Back: A Pragmatist Redefinition of Art0
Narrative Identity and Recognition Deficiency0
A Little Mood Music: On the Relationship between Musical and Psychological Moods0
Aesthetic Testimony: An Optimistic Approach0
Enigmas of Embodiment, Somaesthetics and Performance Art: A Reply to Ventzislavov0
Philosophy of Improvisation0
A Critique of the Idea of Literary and Musical Works0
Aesthetic Expertise: An Exploration and Defense0
The Offences of the Imagination: The Grotesque in Kant’s Aesthetics0
Knowledge and the Aesthetics of Nature0
Signing with the Dead: The Contract behind Historical Fiction0
Kant’s Assessment of Music0
Artful Truths: The Philosophy of Memoir0
Landscape Aesthetics: Toward an Engaged Ecology0
Destroyed – Disappeared – Lost – Never Were0
Improvisational mistakes0
The Art of Expressing Selves0
Artists Remake the World: A Contemporary Art Manifesto0
Franz Boas and the Primacy of Form0
Arbitrariness0
Schiller on Aesthetic Education as Radical Ethical-Political Remedy0
Musical Ontology and the Audibility of Musical Works0
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